B

 

Beth Bachmann, "Ouroboros Essay [Butter Lamp]." American Poetry Review 50.1 (January/February 2021): 23-25 [Butter Lamp, 24, free online]. Free online and here and here.

Massimo Bacigalupo, Biblioteca Universitaria (Genova: Tormena Editore, 2021). Free online.

Massimo Bacigalupo, "Sailing with Stevens." Wallace Stevens Journal 44.2 (Fall 2020): 259-267. Free online and here. Free online (in prose format).

Massimo Bacigalupo, "Ten for Terry." Paideuma 26.2/3 (Fall & Winter 1997): 11-15 [Venice; Hotel Italia; Transatlantic Misunderstanding; Sant'Ambrogio; Peter Bennett; The Guestbook; The Inscription; Piera's Book; A Note from Rapallo; Don Clemente Rebora]. Free online. Rpt., with the addition of "The Unconquered Flame" and an Italian translation by the author, as "Ten for Terry (Plus One)/Dieci per Terry (più una)," I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: UNO Press, 2011), pp. 88-97. "Ten for Terry (Plus One)" was translated into Czech by Petr Mikeš as "Básne pro Carrolla F. Terrella" in Ezra Pound v Rapallu, [ed. Petr Mikeš] ([Jinočany]: H & H, 2013), pp. 55-68.

Massimo Bacigalupo, "Voci da New York." New York. Rinascimento postmoderno. Poesie, a cura di Rosa Elisa Giangoia e Franco Zangrilli (Genova: De Ferrari, 2022), pp. 34-48.

Robert Bagg, "Ezra Pound and Robert Bridges." Madonna of the Cello: Poems (Middletown, Conn.: Wesleyan University Press, 1961), p. 49. Free online. Rpt. in The Wesleyan Tradition: Four Decades of American Poetry, ed. Michael Collier (Hanover, N.H.: University Press of New England, 1993), pp. 35-36. Free online and here.

Robert Bagg, "Pep Talk" [formerly "Ezra Pound and Robert Bridges"]; "Fourteen-Step Program." The Tandem Ride and Other Excursions: Poems 1955-2010 (Lulu.com, 2011), pp. 111, 112 (free online). About "Pep Talk," Robert Bagg wrote: "This poem is based on an actual meeting between the two poets when the young Ezra Pound was just beginning to publish his Provençal inflected work in England. Bridges, England's then-Poet Laureate, assumed (wrongly) that these poems declared Pound to be an acolyte of Bridges' own moribund poetic tradition." (The Tandem Ride and Other Excursions, p. 147).

Glenn Bagshaw, "Ezra Pound's Cantos." Poem Hunter, August 7, 2010. Free online.

Rodney Baker, "For This There's No (tribute to Ezra Pound)." Towers 49 (Northern Illinois University) (Fall 1977): 35. Free online.

Tony Baker and Harry Gilonis, "from far away." West Coast Line 24.3 (Winter 1990): 44-54 [on Pound: sections 43 (his funeral, in Venice), 44, 61]. Rpt. as Harry Gilonis and Tony Baker, From Far Away (London: Oasis Books, 1998) and in Gilonis, Rough Breathing: Selected Poems (Manchester: Carcanet Press, 2018) [sections 43, 44, 61 are free online].

Jean Balderston, "Pound and Stevens Meet." New York Quarterly 39 (Summer 1989): 104.

Anny Ballardini, "Ars poetica." ars poetica, July 25, 2007. Free online.

Anny Ballardini, "Times' Gaps." Otoliths: a magazine of many e-things, Rockhampton, Qld, Australia, 11 (1 November 2008). Free online.

Anny Ballardini, "The Wars." From Instruments of Change. Lavender Ink, 2007. Free online.

Osvaldo Ballina, "El visitante." Al dios que sea: obra poética, 1971-2003 (La Plata: Ediciones Al Margen, 2004), p. 121. Free online and here and here and here.

James Ballowe, "Fields Midwest." Center for Humans and Nature, October 31, 2016. Free online.

Santiago Bao, "Bailes." Free online.

Carlos Barbarito, "Pound revisited." Exodos y trenes: (una restrospectiva, 1978-1985) (Buenos Aires: Ediciones Ultimo Reino, 1986), p. 15. Free online. Rpt. in Gaceta literaria 4.8 [no. 44] (agosto de 2010): 15. Free online and here and here and here.

Pauline Suett Barbieri, "Pound's in Debt" [an acrostic poem]. dickygossip, June 9, 2018. Free online.

M. Bardulia, "¿Qué me dijo Ezra Pound?" Bardulias, abril 11, 2017. Free online.

George Barker, "To Ezra Pound On His Birthday 1972." The Indian Journal of American Studies 2.2 (December 1972): 1. Rpt. in Thakur Guruprasad, "In Defence of Cantos," The Indian Journal of English Studies 23 (1983): 15-26 (at 23).

Mary Barnard, "E. P.: Martinsbrunn, 1961." Odysseus 1.2 (Oct.-Nov. 1971). "E.P. Sant'Ambrogio 1964" was reprinted with "E.P. Martinsbrunn 1961" under the combined title "Two Visits" in Collected Poems (Portland, Or.: Breitenbush Publications, 1979).

Mary Barnard, "E.P. Sant'Ambrogio, 1964." In: "Four Poems," Odysseus 1.5 (1972). "E.P. Sant'Ambrogio 1964" was reprinted with "E.P. Martinsbrunn 1961" under the combined title "Two Visits" in Collected Poems (Portland, Or.: Breitenbush Publications, 1979).

Anthony Barnett, "Optical." Anti-Beauty (Lewes: Allardyce, 1999), pp. 26-27.

Courtney Barnett, "History Eraser." The Double EP: A Sea of Split Peas (New York: Mom+Pop, 2013). Free online and here and here and here and here and here and here and here and here and here.

Willis Barnstone, "Ezra Pound from Rapallo." Algebra of Night: New & Selected Poems, 1948-1998 (Riverdale-on-Hudson, N.Y.: Sheep Meadow Press, 1999), p. 175.

Willis Barnstone, "Ezra Turns Silent." Mexico in My Heart: New & Selected Poems (Manchester: Carcanet, 2015), p. 94. Free online.

Amy Barone, "Desenzano." Mediterranean Poetry, June 28, 2017. Free online.

Sandro Barrella, Los italianos a la guerra (Ciudad de Buenos Aires, Argentina: Ediciones en Danza, 2013). Excerpt and here.

Hilario Barrero, "Clases nocturnas." Dónde está el fuego 11 (Brooklyn: Editorial Cuadernos de humo, 2021) (Cuadernos de Humo 32). Free online.

Carlos Barrunto, "Poética." Free online and here and here.

Iris Barry, "At the Ministry." Little Review 4.4 (Aug. 1917): 18. Free online and here. Rpt. in Robert Sitton, Lady in the Dark: Iris Barry and the Art of Film (New York: Columbia University Press, 2014), p. 33. Free online and here.

David Bartone, "Songs on the Loose Theme of Leda." Colorado Review: A Journal of Contemporary Literature 40.1 (Spring 2013): 113. Free online and here and here.

David Bartone, "A Way to See the World that Doesn't Need a Jolt: Notes Leading to Translation." Aldus, A Journal of Translation (Brown University) 2 (Winter 2011/12): 8-18. Free online and here and here and here. Rpt. in Bartone, Practice on Mountains (Boise, Idaho: Ahsahta Press, Boise State University, 2014), pp. 51-61.

Wilhelm Bartsch, "Canto nach Ezra Pound (CXX)," Übungen im Joch: Gedichte. Berlin and Weimar: Aufbau-Verlag, 1986, p. 76. Free online

Anjana Basu, "Remembering Ezra Pound." The Miscellany (Calcutta) 70 (July/August 1975): 19.

Edmond Bayard, "To Ez." Instauration 10.6 (May 1985): 11. Free online.

Taner Baybars, "Sponge on an Elephant's Trunk"; "The Silence of Ezra." Narcissus in a Dry Pool: Poems (London: Sidgwick and Jackson, 1978), pp. 15, 19. Baybars's manuscripts are held in the Taner Baybars Collection, c.1959-c.2003, MS 3263, University Museums and Special Collections Service, University of Reading, Reading. Finding aid.

Ronald H. Bayes, "On His 33rd Birthday." Grande Ronde Review (La Grande, OR) 1.3 (Summer 1965): [13]. Free online.

Ronald H. Bayes, "Parallels: Umapine (for E.P.)." The Casketmaker; Selected Shorter Poems, 1960-1970 (Winston-Salem, North Carolina: John F. Blair, 1972), p. 21. Rpt. in St. Andrews Review 29 (1985): 14. A manuscript of The Casketmaker is housed in the Ronald H. Bayes Papers, 1909-1999 (bulk 1969-1998), Collection Number: 04949, Wilson Library, University of North Carolina at Chapel Hill. Finding aid.

Ronald H. Bayes, X-ing Warm (Portland, Oregon: Prensa de Lagar, 1968).

Charlie Baylis, "from the heartbreaking collapse of the pound" [V]. 3:AM Magazine, September 3, 2016. Free online.

Dan Beachy-Quick, "Fragile Elegy." VOLT: A Magazine of the Arts 13 (2007): 115-120. Free online and here. Rpt. in Beachy-Quick, Circle's Apprentice (North Adams, MA: Tupelo Press, 2011), pp. 49-55.

Dan Beachy-Quick, This Nest, Swift Passerine (North Adams, MA: Tupelo Press, 2009) [fourth section, p. 55].

Doug Beardsley, "Fool-Saint." Going Down Into History ([Nanaimo, B.C.]: Oolichan Books, 1976). Manuscripts, drafts, and typescripts for Going Down Into History are housed in the Doug Beardsley fonds, 1923-2020, SC506, Special Collections and University Archives, University of Victoria, Victoria, BC, Canada. Finding aid.

Kenneth Lawrence Beaudoin, "Poem, January 7, 1958 (for Ezra Pound)." Carolina Quarterly 12.1 (Winter 1959): 28-29. Free online.

Julian Beck, "the state will be served even by poets." pinerolo to faenza palma de mallorca paris roma, november 1976, august 1979. Semi-Permeable Membranes: Twenty Songs of the Revolution ([New York]: Bliss Press, 1984). Rpt. in Beck, Living in Volkswagen Buses: And Other Songs of the Revolution, 90-150 (Seattle: Broken Moon Press, 1992), pp. 14-15, free online, and Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two: From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris (Berkeley, Los Angeles, London: University of California Press, 1998), pp. 432-433, free online. Free online and here and here and here.

Erik Beckman, "I stort sett yngst (med Resterna av en riddare)." Två dikter (Stockholm: Bonniers, 1987). Rpt. in Beckman, Samlade dikter, förord av Fredrik Nyberg ([Stockholm]: Norstedts, 2007).

William Bedford, "Camp Perimeter." London Grip New Poetry (Autumn 2017). Free online and here. Rpt. in Bedford, The Dancers of Colbek (Reading: Two Rivers Press, 2020). Free online.

John Beer, "The Art of the Deal." Old Pal 4 (2019). Free online.

Patricia Beer, "Ezra Pound Leaves Rome." Listener 85.2183 (28 Jan. 1971): 112. Rpt. in Beer, The Estuary (London: Macmillan, 1971), p. 47; Beer, Selected Poems (London: Hutchinson, 1979), p. 93; and Beer, Collected Poems (Manchester: Carcanet, 1988), p. 99.

Cedric Beidatsch, "In that magic hour." All Poetry, 2017. Free online.

Charles Greenleaf Bell, "On the Making of the Cantos (1950)." Millennial Harvest: The Life and Collected Poems of Charles Greenleaf Bell (Santa Fe, N.M.: Helen Lane Editions, Lumen Books, 2006), pp. 198-199.

M. Shayne Bell, "On Visiting Ezra Pound's Birthplace: Hailey, Idaho." Inscape: A Brigham Young University Student Literary Journal (Winter 1986). Free online. Rpt. in Sunstone 14.1 [no. 75] (February 1990): 42. Free online.

Henry Bellamann, "Dans le Sillage." A Music Teacher's Note Book (New York: New York Poetry Book Shop, 1920), pp. 30-31. Free online.

Franco Beltrametti, "41. Ezra Pound e il Presidente Mao." Un altro terremoto (Torino: Geiger, 1971). Translated into English by Paul Vangelisti as "41. Ezra Pound and Chairman Mao" in Beltrametti, Another Earthquake, translated by Paul Vangelisti (Los Angeles and Fairfax: Red Hill Press, 1976) (Italian and English on facing pages). Free online.

Washington Benavides, "A Ezra Pound en la Noche." 29 de julio de 1969. Hokusai ([Montevideo]: [Ediciones de la Banda Oriental], 1975), pp. 13-14. Rpt. in Benavides, Un viejo trovador: antología (Montevideo, Uruguay: Ediciones de la Banda Oriental, 2004), pp. 82-83, and Benavides, Sansueña: Antología poética (Distrito Federal: FCE - Fondo de Cultura Económica, 2016). Recorded on Benavides, Un viejo trovador (Ayui, 2003). A reading by the author.

Washington Benavides, "Depón tu vanidad…" Montevideo, Octubre del 2015. Crear en Salamanca, 17 Oct. 2015. Free online.

Washington Benavides, "Disparen contra la poesìa…" Montevideo, Junio del 2016. Crear en Salamanca, 18 June 2016. Free online.

Washington Benavides, "Prontuario." El molino y el agua (Montevideo: Ediciones de la Banda Oriental, 1993). Rpt. in Antología plural de la poesía uruguaya del siglo XX, estudio preliminar, selección y notas, Washington Benavides, Rafael Courtoisie, Sylvia Lago (Montevideo, Uruguay: Editorial Planeta, 1996), pp. 202-204; Poesía uruguaya. Antología esencial, edición de Rafael Courtoisie (Madrid: Visor Libros, 2010); and Homenaje a Washington Benavides: periódico de poesía UNAM (Montevideo: Facultad de Humanidades y Ciencias de la Educación, 2015). Free online and here and here and here and here and here and here.

Felipe Benítez Reyes, "Aparición de Ezra Pound en Venecia." Quimera: Revista de literatura 421 (enero 2019): 36-37. Rpt. in Benítez Reyes, Un mentido color, edición al cuidado de Nicole Brezin (Madrid: Visor Libros, 2021). Free online. Translated into Greek by Konstantinos Paleologos as "Φανερωση του Εζρα Παουντ στη Βενετια" here.

Felipe Benítez Reyes, "El precio de un soldado." Las identidades (Madrid: Visor Libros, 2013). Free online.

Luis Benítez, "Deja que hable Ezra Pound." Fractal (Buenos Aires, Argentina: Ediciones Correo Latino, 1992), pp. 35-36. Rpt. in Benítez, Breve antología poética, selección e introducción por Elizabeth Auster (Rosario: Ediciones Juglaría, 2008). Free online and here and here and here and here and here and here and here and here and hereTranslation into English as "Let Ezra Pound Speak" and here and here and here and here and here and here.

Bruce Bennett, "Life and Contacts." Taking Off: Poems, Parodies, Palimpsests (Washington: Orchises, 1992), p. 66. Free online.

Robert Bense, "Sweet Violence." Salmagundi 172/173 (Fall 2011-Winter 2012): 132-133.

Steve Benson, "Blue Book 50." Blue Book (Great Barrington, MA: The Figures/Roof, 1988), pp. 112-115. Free online (first two pages, last two pages).

Mario Berardi Guardi, "Ez. Zero," Ezra Pound 1972-1992. A c. di Luca Gallesi (Milano: Greco & Greco, 1992), pp. 119-127.

Stephen Berg, "The Coat." TriQuarterly 64 (Fall 1985): 18-20. Free online. Rpt. in New American Poets of the 90s, eds. Jack Myers and Roger Weingarten (Boston: David R. Godine Publisher, 1991), pp. 15-17, free online (first page, last two pages) (rpt. with a new foreword by the eds. as New American Poets, eds. Jack Myers and Roger Weingarten (Boston: David R. Godine Publisher, 2005), pp. 15-17, free online (first page, last two pages)); Berg, New & Selected Poems (Port Townsend, WA: Copper Canyon Press; Newcastle upon Tyne: Bloodaxe, 1992), pp. 179-181, free online (first page, last two pages) and here; and Berg, Shaving (Marshfield, MA: Four Way Books, 1998), pp. 77-79.

Carol Bergé, "The Mind of Pound" (June 5, 1962); "On Seeing Pound at a Window." Typescripts are available in the Carol Bergé Papers, 1970-2006, MS/MS/ms011, Department of Special Collections, Washington University. Finding aid.

Knute Berger, "The pact." Snarke, January 18, 2009. Free online and here.

Knute Berger, "The Rhetoricians." Snarke, January 18, 2009. Free online.

Bill Berkowitz, "Ezra Pound, San Gregorio Beach & An Acid Trip To Remember." Syndic Literary Journal 11 (June 2014). Free online. Recording by the author.

Lindsay Bernal, "Venice Is Sinking." Conjunctions, Dec. 12, 2017. Free online. Rpt. in Bernal, What It Doesn't Have to Do With: Poems (Athens: University of Georgia Press, 2018), pp. 21-23. Free online and here.

Pierre Bernard, "Pound – la cage invisible." Les Cahiers de L'Herne 7 (1965): 584-585.

Charles Bernstein, "Artifice of Absorption." Paper Air (Philadelphia) 4.1 (May 1987): 6-71. "An early draft ... was presented at ... the New Poetics Colloquium of the Kootenay School of Writing, at the Emily Carr College of Art and Design, Vancouver, Canada, on August 25, 1985" (p. 66). Free online. Rpt. in Bernstein, A Poetics (Cambridge, Mass.: Harvard University Press, 1992), pp. 9-89. Free online.

Charles Bernstein, "How Empty Is My Bread Pudding." Prague Literary Review 1.6 (Dec. 2003/Jan. 2004). Excerpt. Rpt. in Contemporary Poetics, ed. Louis Armand (Evanston, Ill.: Northwestern University Press, 2007), pp. 5-14, free online, and Bernstein, Recalculating (Chicago and London: University of Chicago Press, 2018), pp. 81-91. A reading by the poet at Mills College, Oakland, November 9, 2004.

Charles Bernstein, "The Lives of the Toll Takers." Written 1992-1993. Dark City (Los Angeles: Sun & Moon Press, 1994), pp. 9-30. Rpt. in Bernstein, All the Whiskey in Heaven: Selected Poems (New York: Farrar Straus Giroux, 2010), pp. 150-179. Excerpts were published as "from 'The Lives of the Toll Takers,'" The Norton Anthology of Modern and Contemporary Poetry, Third Edition, Volume 2: Contemporary Poetry, ed. Jahan Ramazani, Richard Ellmann, and Robert O'Clair (New York and London: W.W. Norton & Company, 2003), pp. 911-914, free online (first page, next two pages, last page). Translated into Spanish by Enrique Winter as "Las vidas de los cobradores de peaje" in Bernstein, Blanco inmóvil, exordio, selección y traducción de Enrique Winter (Bogotá: Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Humanidades y Literatura, Ediciones Uniandes, 2018), pp. 202-243 (English and Spanish on facing pages). A reading by the poet of an excerpt from the poem (including a reference to Pound) at the Poetry and Literature Center, Library of Congress, October 30, 2015, and here and here and hereA reading by the poet at Pallson's, NYC - October 17, 1987. A studio recording at WKCR-FM (NY), 1988. A reading by the poet in Monterey, Mass., July 27, 1994. A reading by the poet at the Artist's Institute, Jan. 7, 2012, New York.

Charles Bernstein, "The Truth in Pudding." NO: A Journal of the Arts 6 (2007). Rpt. in Bernstein, Recalculating (Chicago and London: University of Chicago Press, 2013), pp. 4-11, free online. Free online. A reading by the poet at Harvard University, Barker Center, October 5, 2009.

Ted Berrigan, "DNA. For Alice Notley." The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 535.

Ted Berrigan, "The End." The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 392. Rpt. in Berrigan, The Selected Poems of Ted Berrigan, ed. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), p. 140. Free online and here.

Ted Berrigan, "Ezra Pound: . . ." The World (The Poetry Project, New York, NY) 28 (May 1973): 87. Free online. Rpt. in Berrigan, In a Blue River (New York: Little LightBooks, 1981); Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 317; and Berrigan, Selected Poems of Ted Berrigan, eds. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley, Los Angeles, London: University of California Press, 2011), p. 125. Free online. A reading by the poet (28:09).

Ted Berrigan, "Personal Poem #2." Many Happy Returns: Poems (New York: Corinth Books, 1969), p. 6. Rpt. in Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 116, and Berrigan, The Selected Poems of Ted Berrigan, ed. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), pp. 14-15. Free online and here.

Ted Berrigan, "Prayer." March 1961. Quoted in a letter from Ted to Sandy Berrigan, March 20, 1962, and printed in Berrigan, Dear Sandy, Hello: Letters from Ted to Sandy Berrigan, eds. Sandy Berrigan and Ron Padgett (Minneapolis: Coffee House Press, 2010), p. 85, free online. In his letter, Berrigan describes the poem as "addressed to a fierce old prophet-like poet, whose poems were giving me inspiration." A handwritten version of the poem, lacking a title but with Ezra Pound's typed name pasted in above the poem and a profile photo of Pound pasted in the upper right corner of the page, was included in a scrapbook compiled by Berrigan called "A Book of Poetry for Sandy" (1962). A reproduction in facsimile of the scrapbook page is online here.

Ted Berrigan, "Sonnet I." C: A Journal of Poetry 1.[1] (May 1963). Rpt. in Berrigan, The Sonnets (New York: Grove Press, Inc., 1964; New York: United Artists Books, 1982; introd. by Alice Notley: New York: Penguin Poets, 2000, p. 1, free online). Rpt. in Berrigan, Selected Poems, ed. Aram Saroyan; introd. by Alice Notley (New York: Penguin Books, 1994), p. 105; Berrigan, On the Level Everyday: Selected Talks on Poetry and the Art of Living, ed. Joel Lewis; with an introd. by Alice Notley (Jersey City, New Jersey: Talisman House, 1997), p. 87; Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan; introd. and notes by Alice Notley (Berkeley, Calif.: University of California Press, 2007), p. 29, free online and here; and Berrigan, The Selected Poems of Ted Berrigan, eds. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), p. 17, free online. Ted Berrigan reading sonnet I. A reading by the poet at 80 Langton Street, San Francisco, June 24, 1981 (10:06).

Ted Berrigan, "[Sonnet] XLVII." C: A Journal of Poetry 1.3 (1963). Rpt. as "Sonnet XLVII," Art and Literature 4 (Spring 1964): 230; Berrigan, The Sonnets (New York: Grove Press, Inc., 1964); Contemporary American & Australian Poetry, ed. Thomas Shapcott (St. Lucia, Queensland: University of Queensland Press, 1976), p. 253, free online; Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 44, free online; and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan; introd. and notes by Alice Notley (Berkeley, Calif.: University of California Press, 2007), pp. 54-55. Free online and here and here. A reading by the poet (3:42).

Ted Berrigan, "Sonnet LX." A variant version of "Personal Poem #2." The Sonnets (New York: United Artists Books, 1982). Rpt. in Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 55, free online, and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 61, free online and here.

Ted Berrigan, "From a Sonnet Sequence: LXXVI." C: A Journal of Poetry 1.7 (February 1964). Rpt. as "Sonnet LXXVI" in Berrigan, The Sonnets (New York: Grove Press, Inc., 1964); Contemporary American & Australian Poetry, ed. Thomas Shapcott (St. Lucia, Queensland: University of Queensland Press, 1976), pp. 254-255, free online; Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 68, free online; and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 69, free online and here. Translated into Spanish by Patricio Grinberg here.

John Berryman, "The Cage." Poetry 75.4 (January 1950): 187-188. Free online. Rpt. in Michigan Quarterly Review 45.4 (Fall 2006). Free online and here. Rpt. in The Poetry Anthology, 1912-2002: Ninety Years of America's Most Distinguished Verse Magazine, eds. Joseph Parisi and Stephen Young (Chicago: Ivan R. Dee, 2002), p. 151, free online, and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), 45-46, free online. Free online.

John Berryman, "Dream Song 218" ["Fortune gave him to know . . ."]. [Pound as "the lunatic one"]. His Toy: His Dream: His Rest: 308 Dream Songs (New York: Farrar, Straus and Giroux, 1968). Rpt. in Berryman, The Dream Songs (New York: Farrar, Straus and Giroux, 1969), p. 237, free online. Free online.

John Berryman, "Eighty" [Dream Song 224]. The Times Literary Supplement 3326 (November 25, 1965): 1069. Rpt. in Berryman, His Toy: His Dream: His Rest: 308 Dream Songs (New York: Farrar, Straus and Giroux, 1968) and Berryman, The Dream Songs (New York: Farrar, Straus and Giroux, 1969), p. 243, free onlineFree online and here and here and here and here.

John Berryman, "The Heroes." The Times Literary Supplement 3568 (July 16, 1970): 770. Free online. Rpt. in Berryman, Love & Fame (New York: Farrar, Straus and Giroux, 1970), pp. 25-26, free online and here; Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (London and Boston: Faber and Faber, 1990), pp. 184-185, free online; and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), pp. 102-103, free online.

John Berryman, Sonnet 27 ["In a poem made by Cummings . . ."]. Berryman's Sonnets (New York: Farrar, Straus and Giroux, 1967), n.p. Free online. Rpt. in This Powerful Rhyme: A Book of Sonnets, selected by Helen Plotz (New York: Greenwillow Books, 1979), p. 101, free online, and Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (London and Boston: Faber and Faber, 1990), p. 84, free online.

John Berryman, "A Winter-Piece to a Friend Away." The Kenyon Review 10.2 (Spring 1948): 240-241. Free online. Rpt. in Berryman, Short Poems (New York: Farrar, Straus and Giroux, 1967), pp. 87-88, free online (first page, second page) and here; Berryman, Homage to Mistress Bradstreet: and Other Poems (New York: Farrar, Straus & Giroux, 1968), pp. 96-97, free online; The New Oxford Book of American Verse, chosen and ed. Richard Ellmann (New York: Oxford University Press, 1976), pp. 786-787, free online; Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (New York: Farrar Straus Giroux, 1989), pp. 61-63; Berryman, Selected Poems, ed. Kevin Young (New York: Library of America, 2004); and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), pp. 36-37, free online.

Stephen Bett, "Position 36: Sex on the Brain." Extreme Positions: –The Soft-Core Industry Exposed (New York: Spuyten Duyvil Books, 2009). Free online and here and here.

Better Than Ezra, "Ezra Pound." Recorded at Bayou Breeze Studios, Baton Rouge, LA, Nov. 4-8 1989. Surprise (Swell Records, 1989 [cassette only]; Columbia, MD: Liaison Records, 2014 [CD]). Free online and here and here and here and here and here and here and here and here and here and here and here and here and here. Official lyric video.

Sanjay Bheenuck, "The Lake." Coven Poetry 2 (2021). Free online.

Ray Bianchi, "(Statement of Conscience)." Poets Against the War, 2003. Free online.

Javant Biarujia, "The Jackal Shimmy Shake (A Pataphysical interpretation of 'Chacun Sa Chimère')." otoliths: a magazine of many e-things 61 (May 1, 2021). Free online.

Mark Bibbins, "The Perspective Fairy." Boston Review, April 6, 2011. Free online. Rpt. in Bibbins, The Anxiety of Coincidence (Floating Wolf Quarterly Chapbooks, 2012 [e-chapbook; Floating Wolf Quarterly #9, June 2012]), free online, and Bibbins, They Don't Kill You Because They're Hungry, They Kill You Because They're Full (Port Townsend, Washington: Copper Canyon Press, 2014), pp. 59-60, free online (first page, second page). Free online.

Mark Bibbins, 13th Balloon (La Vergne: Copper Canyon Press, 2020).

Jeff Bien, [poem mentioning Pound]. America & Other Poems (Kingston, Ont.: Quarry Press, 1996), p. 16.

Horst Bienek, "Variationen über ein Gedicht von Ezra Pound." In Bienek, was wer was ist (München: Carl Hanser Verlag, 1966), pp. 41-43; Bienek, Gleiwitzer Kindheit (München: Hanser Verlag, 1976), pp. 120-121; Bienek, Von Zeit und Erinnerung: Erzählungen, Gedichte, Essays (Gütersloh: Gerd Mohn, 1980), p. 86; and Gerhard Rademacher, Von Eichendorff bis Bienek: Schlesien als offene literarische "Provinz": Studien zur Lyrik schlesischer Autoren des 19. und 20. Jahrhunderts im transregionalen Kontext: mit einem Textanhang (Wiesbaden: Harrassowitz Verlag, 1993), pp. 514-515. "In a Station of the Metro" is quoted in an epigraph and, in Eva Hesse's German translation, at the end of the poem.

David Biespiel, "Pound." The Kenyon Review NS 29.4 (Fall 2007): 139. Rpt., as revised, as "Ezra Pound" in Biespiel, The Book of Men and Women: Poems (Seattle, Washington: University of Washington Press, 2009), p. 32. Free online.

Brian C. Billings, "Guilt Is for the Man Who Kills a Peacock." Confrontation 108 (Fall 2010): 248.

Robert Billings, "Last Photographs of Pound." The Pikestaff Forum 5 (Spring 1983): 9.

Tom Billsborough, "In Memory Of Ezra Pound." Poemhunter, June 17, 2016. Free online.

Brian Bilston, "Little Poems." You Took the Last Bus Home: The Poems of Brian Bilston (London: Unbound Digital, 2016).

Mario Biondi, "Dopomethedrine." 1962. Poesie (1962-1987) (1995?), pp. 2-22. Free online.

Elizabeth Bishop, "Visits to St. Elizabeths (1950)." Nuova corrente 5-6 (Jan.-June 1956). Rpt. Partisan Review 24.2 (Spring 1957): 185-187. Free online. Rpt. in Bishop, The Complete Poems, 1927-1979 (New York: Farrar, Straus and Giroux, 1979); Kenneth Quinn, How Literature Works (Houndmills, Basingstoke, Hampshire: Macmillan, 1992), pp. 185-187; and A Mind Apart: Poems of Melancholy, Madness, and Addiction, ed. Mark S. Bauer (Oxford and New York: Oxford University Press, 2009), pp. 214-216, free online (first two pages, last page). Free online and here and here and here and here. Translated into Spanish by Octavio Paz as "Visitas a St. Elizabeth," Plural 19 (abril de 1973): 19; Paz, Versiones y diversiones (México: Joaquin Mortiz, 1974), pp. 93-97; La Gaceta del Fondo de Cultura Económica, Mexico, D.F., XV.179 (Nov. 1985): xxii-xxiii; and Paz, Versiones y diversiones, edición bilingüe, revisada y aumentada, [edición al cuidado de Nicanor Vélez] (Barcelona: Galaxia Gutenberg; Círculo de lectores, 2000), pp. 268-273 (English and Spanish on facing pages), free onlineFree online and here and here. Excerpts from a reading by the author.

D. M. Black, "Classical," The Arrow Maker (Todmorden: Arc Publications, 2017).

D. M. Black, "The Uses of Mythology." Long Poem Magazine 11 (Spring 2014). Rpt. in Black, The Arrow Maker (Todmorden: Arc Publications, 2017), pp. 28-30.

Paul Blackburn, "Ezra's contributions." El Corno emplumado 25 (enero 1968): 59. Free online and here. Rpt. in Blackburn, The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), p. 414, free online, and Blackburn, Selected Poems (New York: Persea Books, 1989), p. 183.

Paul Blackburn, "The Goat: Litry Histry"; "Ezra's contributions"; "Rituals Preparatory to the Voyage"; "Peeing all over the Pe-ninsula"; "Photosynthesis: 1." The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), pp. 413 (free online), 414 (free online), 517-518 (free online), 519-522, free online (first two pages, last two pages), 608-610, free online (first page, last two pages). A reading of "Peeing all over the Pe-ninsula" by the poet at SUNY Cortland, April 1, 1971. A reading of "Peeing all over the Pe-ninsula" by the poet, probably in San Francisco, July 1971. A reading of "Rituals Preparatory to the Voyage" by the poet at SUNY Cortland, April 1, 1971. A reading of "Rituals Preparatory to the Voyage" by the poet at St. Marks, from the Ben Tripp Tapes, 1969.

Paul Blackburn, "Photosynthesis: 1." Intrepid 18/19 (1971): 8-9. Rpt. in Blackburn, The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), pp. 608-610. Free online (first page, last two pages).

Y.P.L. Bladen-Pryor, "On Re-Entering the Garden of Ezra Pounds [sic] 'Selected Poems.'" Millefleurs: The Essence of a Thousand Flowers: A Collection of a Thousand Sonnets Composed Between 1944 and 1999 ([Eceabat, anakkale, Turkey]: Y.P.L. Bladen-Pryor, [2000]), p. 139.

Robin Blaser, "Great companion: Dante Alighiere I." 25 August 1997. Even on Sunday: Essays, Readings, and Archival Materials on the Poetry and Poetics of Robin Blaser: with New Work by Robin Blaser, ed., and with an introd. by Miriam Nichols (Orono, Me.: National Poetry Foundation, 2002), pp. 3-21. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 437-456 (with "A Note," dated 1997, revised 25 January 2006, p. 457). Free online. Readings by the author at The Kootenay School of Writing, Vancouver, 1997, and at the Universita d'Annuzio, April 22, 1997. A typescript of the poem and a book manuscript for The Holy Forest are housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Robin Blaser, "Image-Nation 18 (an apple." Pell Mell (Toronto: Coach House Press, 1988), pp. 15-17. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 249-251. A reading by the author at the Writers Institute, Albany, October 26, 1994. A book manuscript for The Holy Forest is housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Robin Blaser, "Robert Duncan." Robin Blaser, Barbara Guest, Lee Harwood (South Devonshire: Etruscan Books, 1998), pp. 53-56. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 333-340. Free online and here and here. A book manuscript for The Holy Forest is housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Dean Blehert, "What's in a Poet's Name." Dean Blehert, January 7, 2006. Free online.

Cliff Bleidner, "A Few Ounces of Pound." Long Island Quarterly (Winter 2018-2019). Free online.

Mike Bloomberg, "Artistic Freedom." City of New York, April 18, 2013. Free online. Published in Metro (New York), April 18, 2013, p. 6. Free online and here and here and here.

Carley Rees Bogarad, "Bridge of Sighs." Outrageous Fortune: Poems (Laurinburg, N.C.: St. Andrews College Press, 1995), p. 68.

Ama Bolton, "The calypso singers are still laughing but the fishermen have thrown down their flowers." barleybooks.htm, March 19, 2022. Free online.

Kit Bonson, "Periplum." Beltway Poetry Quarterly 18.1 (Winter 2017). Free online.

Daniel Bosch, "Tree of Knowledge." Crucible (New York: Handsel Books, 2002), pp. 51-53. Free online (first page, last two pages). Rpt. in In Whatever Houses We May Visit: An Anthology of Poems That Have Inspired Physicians, eds. Michael A. LaCombe and Thomas V. Hartman (Philadelphia: ACP Press, American College of Physicians, 2008), pp. 232-233.

Laura Boss, "Visiting Saint Elizabeth's." The Literary Review (Fairleigh Dickinson University) 50.4 (Summer 2007): 228. Free online.

Alan Botsford, "Ezra Pound." On pp. 76-79 of Botsford, "Announcing the Modern: From Melville to Pound." Kanto Gakuin University Journal of the Humanities 139 (2018): 63-80. Free online and here.

Gary Botting, "Ezra Pound and Picasso." Freckled Blue and Other Poems (Red Deer, Alberta: Red Deer College Press, 1979). Rpt. in Botting, Streaking!: The Collected Poems of Gary Botting, ed. with an introd. by Tihemme Gagnon (Strategic Book Publishing Rights Agency, 2013), p. 139. Free online and here.

Gary Botting, "'Ezra Pound and Picasso' Revisited." 2009. Streaking!: The Collected Poems of Gary Botting, ed. with an introd. by Tihemme Gagnon (Strategic Book Publishing Rights Agency, 2013), p. 231. Free online and here.

Daniel Bouchard, Pax ([Boston: Pressed Wafer Press, 2000]) [one of 52 broadsides published to commemorate the First Annual Pressed Wafer Lifetime Achievement Award, given to poet John Wieners]. Facsimile. Also in The Blind See Only this World: Poems for John Wieners, eds. William Corbett, Michael Gizzi, Joseph Torra (New York: Granary Books; Boston: Pressed Wafer Press, 2000), p. 24, and Bouchard, Diminutive Revolutions (Honolulu, Hawai'i: Subpress Books, 2000). Free online.

Jenny Boully, "The Body." Seneca Review 31.1 (2001): 58-66. Rpt. in The Best American Poetry 2002, Robert Creeley, editor; David Lehman, series editor (New York: Scribner Poetry, 2002), pp. 16-24. Rpt., as revised, in Boully, The Body: An Essay (Londonderry, N.H.: Slope Editions, 2002), from which "The Body (an Excerpt)" was printed in The Shell Game: Writers Play with Borrowed Forms, ed. and with an introd. by Kim Adrian, foreword by Brenda Miller, postscript by Cheyenne Nimes (Lincoln and London: University of Nebraska Press, 2018), pp. 143-150. Free online.

Darrell Bourque, "Ezra Pound in Pisa." In Ordinary Light: New and Selected Poems (Lafayette, La.: University of Louisiana at Lafayette Press, 2010), pp. 25-26.

Kevin Bowden, "Essay on Pound." Poetry Australia 44 (1972): 28-32.

George Bowering, "The Company of Poets." Teeth: Poems 2006-2011 (Toronto, Ontario: Mansfield Press, 2013). Free online.

George Bowering, "Louis Dudek." Dalhousie Review 53.1 (Spring 1973): 149. Free online. Rpt. in Bowering, Curious ([Toronto]: Coach House Press, 1973), free online; Bowering, Selected Poems: Particular Accidents, ed. with an introd. by Robin Blaser (Vancouver, B.C.; Los Angeles, Calif.: Talonbooks, 1980), p. 114; and Bowering, West Window: The Selected Poetry of George Bowering (Toronto: General Pub. Co., 1982), p. 56, free online. The George Bowering fonds, 1961-1999, R11712-0-8-E, LMS-0115, is housed in the Library and Archives Canada, Ottawa ON. Finding aid and here.

George Bowering, "Straight Pant Legs." Vermeer's Light: Poems 1996-2006 (Vancouver: Talonbooks, 2006), pp. 134-135. Free online. The George Bowering fonds, 1961-1999, R11712-0-8-E, LMS-0115, is housed in the Library and Archives Canada, Ottawa ON. Finding aid and here.

William Boyle, "The Shifty Night." Shawangunk Review 19 (Spring 2008): 69. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 18. Free online.

John Bradley, "The Economy of Love: Letter to Ezra Pound." Love-in-Idleness: The Poetry of Roberto Zingarello (Washington, D.C.: Word Works, 1989).

Philip Brady, To Banquet with the Ethiopians: A Memoir of Life Before the Alphabet (Frankfort, KY: Broadstone Books, 2015) [Book IX. Nighttown, pp. 71-82].

Thomas Brady [Thomas Graves], "A Continual Extinction of Personality." Scarriet, November 18, 2010. Free online.

Thomas Brady [Thomas Graves], "How Many Laureates Can Dance On The Head Of A Pinsky?" Snark, September 18, 2008. Free online and here.

Tom E. Brady, "Ezra in Pisa." All Poetry, 2013. Free online.

Patrick Brancaccio, "Ezra Pound." Free online.

Giannina Braschi, El imperio de los sueños, postfacio de Francisco José Ramos (Barcelona: Editorial Anthropos, 1988), p. 84. Translated into English as Braschi, Empire of Dreams, trans. Tess O'Dwyer, with an introd. by Alicia Ostriker (New Haven: Yale University Press, 1994), p. 96.

Edward Kamau Brathwaite, "X/Self's Xth Letters from the Thirteen Provinces." X/Self (Oxford and New York: Oxford University Press, 1987), pp. 80-87. Rpt., as revised, as "Letter SycoraX" in Brathwaite, Middle Passages (Newcastle Upon Tyne: Bloodaxe Books, 1992) and Brathwaite, Middle Passages (New York: New Directions, 1993), pp. 95-116, and as "X/Self xth letter from the thirteenth provinces" in Brathwaite, Ancestors: A Reinvention of Mother Poem, Sun Poem, and X/Self (New York: New Directions, 2001), pp. 444-456.

Morris Breakstone, "To Ezra Pound." Lest I Climb Too High (Bloomington, IN: AuthorHouse, 2010), p. 3. Free online and here and here.

Bertolt Brecht, "E. P. Auswahl seines Grabsteins." 1954. Gedichte: Nachträge zu den Gedichten 1913-1956 (Frankfurt am Main: Suhrkamp Verlag, 1965), p. 193. Rpt. in Brecht, Gesammelte Werke. Band 10, [Gedichte 3], herausgegeben vom Sahrkamp Verlag in Zusammenarbeit mit Elisabeth Hauptmann (Frankfurt am Main: Suhrkamp, 1967); Michael Hamburger, Die Dialektik der modernen Lyrik; von Baudelaire bis zur Konkreten Poesie, [aus dem Englischen] von Hermann Fischer (München, List [1972]), free online; Brecht, Gedichte für Städtebewohner, herausgegeben und mit einem Nachwort von Franco Buono (Frankfurt am Main: Suhrkamp Verlag, 1980), p. 132; and Brecht, Gedichte 5: Gedichte und Gedichtfragmente, 1940-1956 (Berlin und Weimar: Aufbau-Verlag; Frankfurt am Main: Suhrkamp Verlag, 1993), p. 285. Translated into English by Michael Hamburger as "E.P., l'élection de son sépulcre" in Hamburger, The Truth of Poetry: Tensions in Modern Poetry from Baudelaire to the 1960s (London: Weidenfeld & Nicolson, 1969, p. 209, free online, and in Brecht, Poems, 1913-1956, eds. John Willett and Ralph Manheim, with the co-operation of Erich Fried (London: Methuen, 1979), p. 384, free online. Translated into English by Tom Kuhn and David Constantine as "E.P. The selection of his gravestone" in Brecht, The Collected Poems of Bertolt Brecht, transl. and ed. by Tom Kuhn and David Constantine with the assistance of Charlotte Ryland (New York: Liveright Publishing Corporation, 2019), free online. Translated into Portuguese by André Vallias as "E. P. escolhe sua lápide" in Brecht, Poesia, introdução & tradução André Vallias (São Paulo: Editora Perspectiva S.A., 2020), p. 513 (German and Portuguese on facing pages).

Luke Breit, "Joe Marti's Bar." Unintended Lessons (Fort Bragg, Calif.: QED Press, 1999), pp. 19-20. Free online (first page, second page).

R. Bremner, "The Paterson Howlers in Spring Training." Poets Online, February 2015. Free online.

Elizabeth Brewster, "The Cave of Montesinos." The Fiddlehead (Depts. of English of the University of New Brunswick and St. Thomas University) 161 (Autumn 1989): 14. Rpt. in Brewster, Spring Again: Poems ([Ottawa] Canada: Oberon Press, 1990), p. 53, and Brewster, Footnotes to the Book of Job ([Ottawa] Canada: Oberon Press, 1995). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "from Garden Cantos: A Month of Poems." Malahat Review 86 (Spring 1989): 102-111 (Sections 13; 14; 17. Form (6 June), p. 106; 19-21). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Nausicaa Cantos: A Continuation." Antigonish Review 79 (Autumn 1989): 35-39 (3. Tension, 37-38). Free online (first page, next two pages, last two pages). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Nausicaa Cantos, an Argument with Ezra." Selections were published in Grain (Regina, Saskatchewan) 17.1 (Spring 1989): 17-19 [3. Juice (May 15), 6. On Minor Poets (May 23), 8. Nobody (May 26)]. Rpt. in Brewster, The Essential Elizabeth Brewster, selected by Ingrid Ruthig (Erin, Ontario: The Porcupine's Quill, 2021). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, Spring Again: Poems ([Ottawa] Canada: Oberon Press, 1990) (Garden Cantos: A Month of Poems: pp. 6 (1. Beginning Again (12 May, 1988), free online), 11, 14, 17, 18, 21, 22 (12. Magpie), 28, 32 (17. Form (6 June)), 44, 46, 53 (9. The Cave of Montesinos), 85). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Breyten Breytenbach, "Mikpunt - 'n Canto vir E.P." Voetskrif (Doornfontein: Perskor, 1976), pp. 19-20. Rpt. in Breytenbach, Die ongedanste dans: gevangenisgedigte, 1975-1983 (Kaapstad: Human & Rousseau, 2005), pp. 20-26. Translated by the poet into English as "the bifid route" in Breytenbach, Judas Eye and Self-Portrait/Deathwatch (New York: Farrar, Straus and Giroux, 1988), pp. 14-18. Free online (first two pages, next two pages, last page).

BRIANSODES, "ME ~ SLAM POET." My Poetic Side, August 19, 2016. Free online.

Austin Briggman, "On the Title Page." Scribe - Medium, Mar. 2, 2020. Free online.

David Briggs, "Somewhere in the Multiverse." Cracked Skull Cinema (Cromer, Norfolk: Salt Publishing, 2019).

Armand Brint, "Flying To Washington." Poets Against the War, 2003. Free online.

Iain Britton, "ezra pound in parenthesis." brief 50 (February [March] 2014]): 53-55.

Carson Brock and James Brock, "VIII. Goodbye Idaho!" [from Vacationland 2]. Saints of Hysteria: A Half-Century of Collaborative American Poetry, eds. Denise Duhamel, Maureen Seaton, and David Trinidad (Brooklyn, NY: Soft Skull Press, 2007), p. 176. Free online.

Van K. Brock, "Hang It All, Ezra Pound: The Hero as Biography of the Age." Unspeakable Strangers: Descents into the Dark Self, Ascents into Light: Poems & an Essay (Tallahassee, Fla.: Anhinga Press, 1995), p. 35.

Camilo Brodsky, "Ye Olde Ez." Cuaderno: Revista de cultura (Santiago, Chile) 67 (verano 2011): 51. Free online and here and here.

Joseph Brodsky, Watermark (New York: Farrar, Straus & Giroux, 1992). Free online. Translated into Russian by Grigory Dashevsky as "Набережная неисцелимых," Сочинения Иосифа Бродского. том 7 (Sankt-Peterburg: Pushkinskiĭ fond, 2001), pp. 7-56. Translated into Italian by Gilberto Forti as Brodsky, Fondamenta degli incurabili, traduzione di Gilberto Forti (Venezia: Consorzio Venezia Nuova, 1989).

Louis Daniel Brodsky, "Ezra Pound." Dated 4/5/65. The Complete Poems of Louis Daniel Brodsky, Vol. 1: 1963-1967, ed. Sheri L. Vandermolen (St. Louis, Mo.: Time Being Books, 1996), pp. 252-254.

David Bromige and Rychard Denner, "Canto 14"; "Canto 21"; "Canto 31." Spade: Cantos 1-33, introd. by Robert Grenier (Sebastopol [Calif.]: DPress, 2006), pp. 63-69 (at 64), 112-121 (at 113, 114), 160-162 (at 162).

Christine Brooke-Rose, "Acetes: /Homage to Ezra Pound." TMs with emendation, signed, 1950-1955?. In the Robert Duncan collection, circa 1900-1996 (bulk 1940-1986), PCMS-0110, The Poetry Collection, State University of New York at Buffalo, Buffalo, New York. Finding aid.

David Divine Brooks, "Destino." All Poetry, 2013. Free online.

Hannah Brooks-Motl, [untitled passage on Ezra Pound]. The New Years: Poems (Iowa City: Rescue Press, 2014).

Arthur Broomfield, "The Poetry Reading at Semple Stadium." Poetry Ireland Review 24 (Winter 1988): 74. Rpt. in Broomfield, The Poetry Reading at Semple Stadium (Belfast: Lapwing Pub., 2012), p. 7, free online. Free online.

Allan Brown, "All Hallows, 1972. For E. P." Canadian Literature 147 (Winter 1995): 45. Free online and here.

Bob Brown, [poem for Pound]. Demonics (Cagnes-sur-Mer: Roving Eye Press, 1931). Drafts and typescripts for Demonics are housed in the Bob Brown papers, 1844-1960, Collection number: 723, Special Collections, Charles E. Young Research Library, University of California at Los Angeles, Los Angeles, CA. Finding aid.

Christy Brown, "Revisited." Come Softly to My Wake: The Poems of Christy Brown (London: Secker & Warburg, 1971), p. 41. Rpt. in Brown, Collected Poems, [with an introd. by Frank Delaney] (London: Secker & Warburg, 1982), p. 43.

Duncan Brown, "Meta Block." All Poetry, Nov. 11, 2015. Free online.

Lee Ann Brown, "Zuk." Part of "from Philtre."Interval(le)s 2.2-3.1 (Fall 2008/Winter 2009): 148-163 (at 159-163). Free online.

Pam Brown, "Memo." Landfall NS 3.2 [no. 190] (November 1995): 254ff. Rpt. in Brown, 50-50 (Adelaide: South Australian Pub. Ventures & Futures, 1997), p. 19. (A Little Esther book).

[Slater Brown], "After Heine." transition 13 (Summer 1928): 86. Rpt. in Robert E. Knoll, Robert McAlmon: Expatriate Writer and Publisher, University of Nebraska Studies new series no. 18 (August 1957), p. 11 n.13, free online and here; Robert McAlmon, Being Geniuses Together 1920-1930, revised and with supplementary chapters by Kay Boyle (Garden City, New York: Doubleday & Company, Inc., 1968), p. 337; Sanford J Smoller, Adrift among Geniuses: Robert McAlmon, Writer and Publisher of the Twenties (University Park [Pa.]: Pennsylvania State University Press, 1974), p. 196; and Robert K. Martin and Ruth L. Strickland, "Robert McAlmon," Dictionary of Literary Biography, Volume 4: American Writers in Paris, 1920-1939, ed. Karen Lane Rood (Detroit, Michigan: A Bruccoli Clark Book, Gale Research Company, 1980), p. 279.

George Bruce, "Epistle 1." New Writing Scotland 5 (1987): 148-149. Rpt. as "Epistle 1: To Edwin Morgan" in Bruce, Pursuit: Poems, 1986-1998 (Edinburgh: Scottish Cultural Press, 1999), pp. 22-23, and Bruce, Today Tomorrow: Collected Poems, 1933-2000, ed. Lucina Prestige; preface by Edwin Morgan (Edinburgh: Polygon, 2001), pp. 215-216. About this poem, the author wrote: "Edwin Morgan and Carl MacDougall invited me to contribute a poem to New Writing, Scotland. I had just returned from the United States, where at St Andrews College, North Carolina, I met Ezra Pound's daughter, Mary de Rachewiltz. She was curator of his manuscripts at Yale. She was annotating The Cantos. She thanked me for information about Joseph MacLeod. I told her how he persuaded Eliot to publish MacLeod's first collection of poems, The Ecliptic, in 1928. To bring to mind something of the Pound 'atmosphere' I allowed into my letter 'cd' for could, and 'shd' for should." (Pursuit: Poems, 1986-1998, p. 67; Today Tomorrow: Collected Poems, 1933-2000, p. 285).

Dennis Brutus, "Browning, Looking Down." Oct. 9, 2003, rev. Aug. 21, 2005. Poetry and Human Rights: Poems by Dennis Brutus, introd. by Ken Gibbs, co-eds. Ken Gibbs and Wayne Kamin, tributes by Merrill Goldwyn and Henry Theriault (Worcester, Mass.: Worcester State College, third ed. 2010), p. 52. Free online.

Dennis Brutus, "E.P." Leafdrift, ed. Lamont B. Steptoe (Camden, N.J.: Whirlwind Press, 2005), p. 36.

Vincent Buckley, "Pound's Grave." Last Poems (Ringwood, Victoria: McPhee Gribble, 1991), p. 9. Rpt. in Buckley, Collected Poems, ed. Chris Wallace-Crabbe, with a foreword by Peter Steele (Elwood, Vic.: John Leonard Press, 2009), p. 299. Free online and here and here.

Charles Bukowski, "all my friends." March 15, 1991. Slipstream 13 (1993). Rpt. in Bukowski, Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 228. Translated into Portuguese by Rodrigo Breunig as "todos os meus amigos" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "the alter boy." June 10, 1979. Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 169. Free online and here.

Charles Bukowski, "artists:". Love Is a Dog From Hell: Poems, 1974-1977 (Santa Rosa: Black Sparrow Press, 1977), pp. 206-208. Free online (first two pages, last page).

Charles Bukowski, "batting order:." 1991, Feb. 21. In the Shadow of the Rose (Santa Rosa, CA: Black Sparrow Press, 1991). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 401-402. Free online (first page, second page). Manuscript printouts are housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "the big three." Dec. 27, 1989. Bukowski, 28 February 2015. Free online and here.

Charles Bukowski, "The Burning Of The Dream." 1986. New York Quarterly 31 (1986): 63-66. Rpt. in Bukowski, Septuagenarian Stew: Stories & Poems (Santa Rosa: Black Sparrow Press, 1990), pp. 42-48; Bukowski, Run With the Hunted: A Charles Bukowski Reader (New York: HarperCollins Publishers, 1993), pp. 68-75; Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), pp. 401ff.; and Bukowski, Essential Bukowski: Poetry, selected and ed. by Abel Debritto (New York: Ecco, 2016), pp. 150ff. Free online and here and hereManuscript and here. A typewritten manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "Close To Greatness." You Get So Alone at Times That it Just Makes Sense (Santa Rosa: Black Sparrow Press, 1986), pp. 133-134. Rpt. in The New York Quarterly 33 (Summer 1987): 67. Free online and here and here and here and here and here and here and here and here and with a reading.

Charles Bukowski, "comments upon my last book of poesy:". Antaeus 62 (Spring 1989): 49-50. Free online (first page, second page). Rpt. in Bukowski, What Matters Most Is How Well You Walk Through the Fire (Santa Rosa, CA: Black Sparrow Press, 1999), pp. 341-342, and The Oxford Book of American Poetry, chosen and ed. by David Lehman; associate ed., John Brehm (Oxford and New York: Oxford University Press, 2006), pp. 654-655, free online. Free online. Translated into Spanish by Eduardo Iriarte in Bukowski, Lo más importante es saber atravesar el fuego, traducción de Eduardo Iriarte (Madrid: Visor Libros, 2015).

Charles Bukowski, "dead." July 28, 1986. Chiron Review 41 (1994). Rpt in Rattle 7 (Summer 1997). Bukowski, 9 February 2015. Free online and here. A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "Drooling Madness At St. Liz." Jan. 25, 1975. The American Poetry Review 4.2 (March/April 1975): 33. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 2, 1975-1977 (Prague Collective, 2014), p. 13. Free online and here and here. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid.

Charles Bukowski, "Experience." A Bukowski Sampler (Madison, Wis.: Quixote Press, 1969), pp. 48-49. Rpt. in Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988), pp. 215-216. Free online.

Charles Bukowski, "Ezra's dead; don't splash me with your horseshit." Dated 7/30/75. A copy is housed in the Charles Bukowski papers, 1958-1988, MS 171, University of Arizona Libraries Special Collections. Finding aid.

Charles Bukowski, "Ezra's Pretty Tough." Sept. 15, 1975. Back to the Machinegun, Manuscripts Volume 2, 1975-1977 (Prague Collective, 2014), p. 108. Free online and here. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid.

Charles Bukowski, "feeding the chickens and you." Dec. 31, 1990. Bukowski, 16 June 2015. Free online and here.

Charles Bukowski, "the feel of it." The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 31-33. Free online (first page, last two pages) and hereFree online and here and here.

Charles Bukowski, "he wrote in lonely blood." New York Quarterly 10 (Spring 1972): 44. Rpt. in Bukowski, Mockingbird, Wish me Luck (Santa Barbara, Calif.: Black Sparrow Press, 1972), pp. 102-103, free online and here, and Robinson Jeffers Newsletter 46 (September 1976): 40.

Charles Bukowski, "Henry Miller and Burroughs." ca. 1988. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 209. Translated into Portuguese by Rodrigo Breunig as "Henry Miller e Burroughs" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "Hey, Ezra, Listen To This." 1983, May 26. War All the Time: Poems, 1981-1984 (Santa Rosa: Black Sparrow Press, 1984), p. 211. Free online. A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "Horse on Fire." Run with the Hunted. Chicago: Midwest, 1962. Rpt. in Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988), p. 70. Free online and here and here.

Charles Bukowski, "I was shit." ca. late 1962. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 13. Translated into Portuguese by Rodrigo Breunig as "eu era merda" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online.

Charles Bukowski, "in finality." Dated San Pedro, CA: Oct. 16, 1990. Free online.

Charles Bukowski, "in this–." circa 1960. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), pp. 4-5. Free online and here and here. Translated into Portuguese by Rodrigo Breunig as "nisto –" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online.

Charles Bukowski, "junk." Sparrow 72 (September 1978). Rpt. in Bukowski, Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit (Santa Rosa: Black Sparrow Press, 1979), pp. 102-103; Bukowski, Run With the Hunted: A Charles Bukowski Reader (New York: HarperCollins Publishers, 1993), pp. 393-394, free online (first page and second page); and Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), p. 148. Free online and here and here and here and here. A reading of the poem by Bukowski is included on a disc issued with Heat Wave (Santa Rosa, CA: Black Sparrow Graphic Arts, 1995), in which the poem is printed on p. 15.

Charles Bukowski, "last try." May 7, 1978. Wormwood Review 18.3 [no. 71] (1978): 113. Free online and here. Wormwood Review 18.3 was also published as Bukowski, Legs, Hips and Behind (Stockton, Calif.: Wormwood Review Press, 1978), in which "They Arrived" appears on p. 113. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 90. Free online and here.

Charles Bukowski, "the lost generation." ca. 1985. The New York Quarterly 28 (1985): 44. Rpt. in Bukowski, You Get So Alone at Times That It Just Makes Sense (Santa Rosa: Black Sparrow Press, 1986), pp. 24-25. Free online and with a reading.

Charles Bukowski, "me and Pound's girlfriend." 9-12-79. Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 201. Free online and here.

Charles Bukowski, "My Comrades." Painted Bride Quarterly 1.3 (Summer 1974): 26-27. Free online. Rpt. in Bukowski, Love Is a Dog from Hell: Poems, 1974-1977 (Santa Barbara: Black Sparrow Press, 1977), pp. 239-240. Free online and here and here. A Spanish translation by Juan José de Giovannini, with English and Spanish in parallel columns, was published as "Mis cuates" on p. 34 of "Ocho poemas de Charles Bukowski," Casa del tiempo, Mexico City, 2.22 (Nov. 2000): 26-35. Free online and here.

Charles Bukowski, "no bra, no panties..." August 8, 1973. Wormwood Review 14.1 [no. 53] (1974): 24-25. Free online and here. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 1, 1959-1974 (Prague Collective, 2011), p. 160. Free online and here.

Charles Bukowski, "Now Ezra." Bogg 66 (Winter 1992-1993): 30. Rpt. in Bukowski, Slouching Toward Nirvana: New Poems, ed. John Martin (New York: Ecco, 2005), p. 187. Free online. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid. A manuscript printout is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "O, We Are The Outcasts." Ole, Bensenville, Ill., 4 (May 1966): [21-25]. Free online. Rpt. in Ole Anthology, ed. Douglas Blazek (Glendale, Calif.: Poetry X/change, 1967), pp. 29-35; Bukowski, While the Music Played (Los Angeles: Black Sparrow Press, 1973); Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988); Rocks Off 2 (1988); and Bukowski, Essential Bukowski: Poetry, selected and ed. by Abel Debritto (New York: Ecco, 2016). Free online and here and here and here and here.

Charles Bukowski, "the only life." December 16, 1989. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 216. Translated into Portuguese by Rodrigo Breunig as "a única vida" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "our gang." Nov. 25, 1990. Gas 1 (1990). Rpt. in Bukowski, On Cats, ed. Abel Debritto (New York: Ecco, an imprint of HarperCollins Publishers, 2015), p. 95, free online. Free online and here. A typescript is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid.

Charles Bukowski, "A Rambling Essay on Poetics and the Bleeding Life Written While Drinking a Six-pack (Tall)." Ole, Bensenville, Ill., 2 (March 1965). Rpt. in Intermission Yearbook (1966); Flash of Pasadena 4 (May 1967); Bukowski, A Bukowski Sampler, ed. Douglas Blazek (Madison, Wis.: Quixote Press, 1969), pp. 9-15; and Bukowski, Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990, ed. and with an introd. by David Stephen Calonne (San Francisco: City Lights, 2008).

Charles Bukowski, "right rear." February 13, 1993. X-Ray Magazine (San Francisco) 1.1 (1993). Reproduced in facsimile of the typescript in Abel Debritto, "Charles Bukowski’s Posthumous Poetry: As the Spirit Wanes, Shit Happens," Los Angeles Review of Books, March 2, 2018, free online. Free online and here.

Charles Bukowski, "A Sickness." New York Quarterly 45 (1991): 36. Rpt., as revised, under the title "a sickness?" in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), pp. 155-161. Free online and here. Published in England under the title New Poems (London: Virgin, 2003). Free online. The text of A Source of Light, by Mohammed Fairouz, Section II of which is a setting of "a sickness?" A manuscript printout is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "the smallest of talk." Dec. 16, 1989. Bukowski, 23 February 2015. Free online and here.

Charles Bukowski, "the solar mass: soul: genesis and geotropism:". ca. 1970. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017). Translated into Portuguese by Rodrigo Breunig as "a massa solar: alma: gênese e geotropismo" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). A reading by the poet.

Charles Bukowski, "Strange (1990)." June 3, 1990. The Wormwood Review 35.1 [no. 137] (1995): 46. Free online and here. A signed typescript.

Charles Bukowski, "them and us." The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 265-267. Free online (first page, last two pages).

Charles Bukowski, "They Arrived." Wormwood Review 18.3 [no. 71] (1978): 81-82. Free online and here (first page, second page). Wormwood Review 18.3 was also published as Bukowski, Legs, Hips and Behind (Stockton, Calif.: Wormwood Review Press, 1978), in which "They Arrived" appears on pp. 81-82. Rpt., as revised, as "they arrived in time" in Bukowski, What Matters Most Is How Well You Walk Through the Fire (Santa Rosa: Black Sparrow Press, 1999), pp. 324-325, and Books and Libraries: Poems, ed. Andrew D. Scrimgeour (New York: Alfred A. Knopf, 2021), pp. 66-68. Translated into Spanish by Eduardo Iriarte in Bukowski, Lo más importante es saber atravesar el fuego, traducción de Eduardo Iriarte (Madrid: Visor Libros, 2015).

Charles Bukowski, "Trollius and trellises." circa 1988. Long Shot 7 (1988). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa: Black Sparrow Press, 1992), pp. 54-57, free online (first two pages, last two pages); Bukowski, Run With the Hunted: A Charles Bukowski Reader, ed. John Martin (New York: HarperCollins Publishers, 1993), pp. 487-491, free online (first two pages, next two pages, last page); Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), pp. 373-377, free online (first page, next two pages, last two pages); and Bukowski, On Love, ed. Abel Debritto (New York: Ecco, 2016), pp. 178ff. Free online and here and here and here and here and here and here and here and here. Translated into Spanish by Abel Debritto in Bukowski, On love = Amor, edición y traducción de Abel Debritto (Madrid: Visor Libros, 2017). A reading of the poem.

Charles Bukowski, "vegas." Quicksilver 14.3 (1961). Rpt. in Bukowski, Run With the Hunted (Chicago: Midwest, 1962), p. 16; Bukowski, It Catches My Heart In Its Hands: New & Selected Poems, 1955-1963 (New Orleans, La.: Loujon Press, 1963), p. 52; Bukowski, Burning in Water, Drowning in Flame: Selected Poems 1955-1973 (Santa Rosa: Black Sparrow Press, 1974), p. 33, free online and here and herePoems of the American West, selected and ed. by Robert Mezey (New York: Alfred A. Knopf, 2002), pp. 90-91; and Poems for America: 125 Poems That Celebrate the American Experience, ed. Carmela Ciuraru (New York, London, Toronto, Sydney, Singapore: Scribner Poetry, 2002), pp. 139-140. Free online and here and here and here and here.

Charles Bukowski, "we are always one step removed." ca. 1993. The New Censorship (Denver, Col.) 4.2 (May 1993). Rpt. as "one step removed" in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), p. 38, free online and here, and Bukowski, New Poems, Book 1 (Virgin, 2003), p. 27, free online. Free online.

Charles Bukowski, "well, now that Ezra has died..." November 1972. Wormwood Review 14.1 [no. 53] (1974): 21-22. Free online and here. Rpt. in Choice 9 (1974) and in Bukowski, Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 89. Translated into Portuguese by Rodrigo Breunig as "bem, agora que Ezra morreu..." in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online. A reading by the poet.

Charles Bukowski, "What They Want." Los Angeles Free Press 12.556 (March 14, 1975): W. Free online. Rpt. as Bukowski, What They Want ([Santa Barbara? Calif.], 1977) and in Bukowski, Love Is a Dog from Hell: Poems, 1974-1977 (Santa Barbara: Black Sparrow Press, 1977). Free online and here and here and here. An Italian translation by Giuseppe Braga was published as "Quel che vogliono" in ClanDestino 6 (1993): 21 (with the English text on p. 20). A Spanish translation by Juan José de Giovannini, with English and Spanish in parallel columns, was published as "Lo que ellos quieren" on p. 27 of "Ocho poemas de Charles Bukowski," Casa del tiempo, Mexico City, 2.22 (Nov. 2000): 26-35. Free online and here.

Charles Bukowski, "the word." In the Shadow of the Rose (Santa Rosa, CA: Black Sparrow Press, 1991). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 387-392. Free online (first page, next two pages, next two pages, last page) and here. Translated into Spanish as "La palabra" here. Manuscript printouts are housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "work-fuck problems." Aug. 31, 1971. Vagabond 13 (1972): 24. Rpt. in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), pp. 91-93, free online (first page, last two pages); Bukowski, New Poems Book One (London: Virgin Books, 2003); and Bukowski, Back to the Machinegun, Manuscripts Volume 1, 1959-1974 (Prague Collective, 2011), p. 78. A signed typescript of the poem and here.

Basil Bunting, "On the Fly-Leaf of Pound's Cantos." 1949. Agenda 4.2 (Oct.-Nov. 1965): 28. Rpt. in Bunting, First Book of Odes (London, Fulcrum Press, 1965); Bunting, Loquitur (London: Fulcrum Press, 1965), p. 58; Ronald H. Bayes, [review of Bunting, Loquitur], West Coast Review 3.2 (1968): 39-42 (at 41), free online; Bunting, Collected Poems (London: Fulcrum Press, 1968), p. 122; Bunting, Collected Poems (Oxford, London, New York: Oxford University Press, 1978), p. 110; Sister Victoria Marie Forde, S.C., "The Odes," Basil Bunting: Man and Poet, ed. Carroll F. Terrell (Orono: National Poetry Foundation, 1981), pp. 125-144 (at 134); Macmillan Anthologies of English Literature, 5. The Twentieth Century (1900-present), ed. Neil McEwan (Basingstoke: Macmillan, 1989), p. 383, free online; Victoria Forde, The Poetry of Basil Bunting (Newcastle upon Tyne: Bloodaxe Books, 1991), p. 93; Bunting, Complete Poems (Oxford: Oxford University Press, 1994), p. 114, free online; The Harvill Book of Twentieth-Century Poetry in English, ed. Michael Schmidt (London: The Harvill Press, 1999), p. 182, free online; and Nick Selby, "Answering 'Each in His Nature': Some Ways out of The Cantos," Exorcising Modernism, ed. Mikołaj Wiśniewski (Warszawa: Szkoła Wyższa Psychologii Społecznej [SWPS], 2014), pp. 142-185 (at 142), free online. Free online and here and here and here and here and here and here and here. Readings by the author. Translated into Portuguese by Nelson Ascher as "Na pagina-guarda dos cantos de Pound" in Mandorla: Nueva escritura de las Americas • New Writing from the Americas 5 (1996): 37, free online and here.

Basil Bunting, "The Spoils." Written in 1951. Poetry 79.2 (Nov. 1951): 84-97 ["One cribbed in a madhouse | set about with diagnoses" (3, p. 94)]. Free online. Separately published as The Spoils: Newcastle upon Tyne (Newcastle upon Tyne: Morden Tower Book Room, 1951). Rpt. in Bunting, Collected Poems (London: Fulcrum Press, 1968), pp. 37-48 ["One cribbed in a madhouse | set about with diagnoses," p. 45] and British Poetry Since 1945, ed. with an introd. by Edward Lucie-Smith (Harmondsworth, Middlesex England: Penguin Books, 1970), pp. 49-59 ["One cribbed in a madhouse | set about with diagnoses," p. 57]. Free online.

Michael R. Burch, "Rant: The Elite." The HyperTexts, 2019. Free online and here.

J. Thomas Burke, "Perpetual Care." A poem from his thesis "Summer Troubles and Other Poems" (M.F.A., University of New Orleans, 2019). Mojave River Review 5.1 (Spring/Summer 2019): 78-79. Free online.

Martin Burke, "Tain," "Ezra Pound." The Galway Review, April 19, 2014. Free online.

Clint Burnham, Pound @ Guantánamo: 20 Poems, 2005-2014 (Vancouver, BC: Talonbooks, 2016).

Gerald Burns, "Poem with Holes In"; "Dan Sestina in Prison"; "This End Up"; "Louis Dixhuitieme Son Histoire"; "Blueprint Facades"; "Sex Fear"; "Anthology's Garland"; "Mistaken Identities"; "Reliquaria"; "Art and Industry." Shorter Poems (Normal, IL: Dalkey Archive Press, 1993), pp. 6-7 (free online), 8-9 (free online), 33-34 (first page, second page), 35-36 (first page, second page), 41-42 (first page, second page), 51-52 (first page, second page), 68 (free online), 71-72 (first page, second page), 84-85 (free online), 103 (free online).

Suzanne Burns, [poem mentioning Pound]. The Paris Poems (Buffalo, New York: BlazeVOX [Books], 2010).

Stephen Burt, "After Callimachus." Parallel Play: Poems (Saint Paul, Minn.: Graywolf Press, 2006), p. 39. Free online. Rpt. as "'Bunting I like, but not Olson, or Bernstein, or Pound' (Epigram 30)" in Stephanie Burt, After Callimachus: Poems, Foreword by Mark Payne (Princeton: Princeton University Press, 2020), p. 87.

Edward Butscher, "The age demanded an image: a villanelle for Ezra Pound." Little Magazine 5.2 (Summer 1971): 8-9. Rpt. in Butscher, Poems about Silence (New York: Seabury Press, 1976), pp. 112-113, free online.

Witter Bynner, "Ezra Pound." In Emanuel Morgan [i.e., Witter Bynner], "Pins for Wings," The Chapbook 2.13 (July 1920): 25-28 (at 26) ["EZRA POUND . . . . A rhythmic busybody Announcing himself busy"]. Free online and here. A different version was printed in Emanuel Morgan [i.e., Witter Bynner], Pins for Wings (New York: The Sunwise Turn, 1920), p. 24 ["EZRA POUND a book-worm in tights"]. Free online and here and here and here. The book version was rpt. in Bynner, Selected Poems, ed., and with a critical introd., by Richard Wilbur. Biographical introd. by James Kraft (New York: Farrar, Straus, Giroux, 1978), p. 91, free online, and Bynner, The Selected Witter Bynner: Poems, Plays, Translations, Prose, and Letters, ed. James Kraft (Albuquerque: University of New Mexico Press, 1995), p. 51, free online. Bynner was identified as the author in Harriet Monroe, "Mr. Bynner's Skit," Poetry 18.1 (April 1921): 52, free online and here and here.

James Byrne, "Inclub Satires." Blood/Sugar (Todmorden: Arc Publications, 2009), pp. 70-81.

Laurie Byro, "Daphne, With Your Thighs in Bark. After Ezra Pound." Hopeless Romance (independently published, 2020), p. 8.

Laurie Byro, "Ezra." La Dogaressa & Other Poems (Benton, Arkansas: Cowboy Buddha Publishing, LLC, 2018).

Laurie Byro, "Ezra Pound, a Village Explainer (Gertrude Stein)." South Florida Poetry Journal 6 (August 2017). Free online.

 

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