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Matthew James Babcock, "Ernest Hemingway Boxes Ezra Pound: A Primer." Game: Writers in the Attic, selected by Diane Raptosh, ed. Colleen Brennan, with an Introd. by Diane Raptosh (Boise, Idaho: The Cabin, 2017), pp. 50-51. Free online. Rpt. in Babcock, Hidden Motion (Georgetown, Kentucky: Finishing Line Press, 2022).

Beth Bachmann, "Ouroboros Essay [Butter Lamp]." American Poetry Review 50.1 (January/February 2021): 23-25 [Butter Lamp, 24, free online]. Free online and here and here.

Massimo Bacigalupo, Biblioteca Universitaria (Genova: Tormena Editore, 2021). In prose format. Free online.

Massimo Bacigalupo, "Sailing with Stevens." Wallace Stevens Journal 44.2 (Fall 2020): 259-267. Free online and here. Free online (in prose format). "'Sailing with Wallace Stevens,'" Bacigalupo has stated in an interview, "came out of a conference of The Wallace Stevens Journal that demanded from participants 'creative responses' to Stevens. It is a series of vignettes (and two photographs) recounting my encounters with Stevens, from my first reading to my translations, meeting his daughter, reading an unpublished letter he wrote to Princess Marguerite Caetani, etc. It's a compact account of what living with Stevens over five decades has meant to me. And inevitably my relation, personal and scholarly, with Pound, is part of the story I tell." (Kent Su, "Ezra Pound and Interdisciplinary Poetics: An Interview with Massimo Bacigalupo," Interdisciplinary Studies of Literature (ISL) 6.3 (September 2022): 377-388 (at 381), free online and here).

Massimo Bacigalupo, "Ten for Terry." Paideuma 26.2/3 (Fall & Winter 1997): 11-15 [Venice; Hotel Italia; Transatlantic Misunderstanding; Sant'Ambrogio; Peter Bennett; The Guestbook; The Inscription; Piera's Book; A Note from Rapallo; Don Clemente Rebora]. Free online. Rpt., with the addition of "The Unconquered Flame" and an Italian translation by the author, as "Ten for Terry (Plus One)/Dieci per Terry (più una)," I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 88-97. "Ten for Terry (Plus One)" was translated into Czech by Petr Mikeš as "Básne pro Carrolla F. Terrella" in Ezra Pound v Rapallu, ed. and with an introd. by Petr Mikeš, foreword by Jan Suk ([Jinočany]: H & H, 2013), pp. 55-68.

Massimo Bacigalupo, "Voci da New York." New York. Rinascimento postmoderno. Poesie, a cura di Rosa Elisa Giangoia e Franco Zangrilli (Genova: De Ferrari, 2022), pp. 34-48. Free online.

Robert Bagg, "Ezra Pound and Robert Bridges." Madonna of the Cello: Poems (Middletown, Conn.: Wesleyan University Press, 1961), p. 49. Free online. Rpt. in The Wesleyan Tradition: Four Decades of American Poetry, ed. Michael Collier (Hanover, N.H.: University Press of New England, 1993), pp. 35-36. Free online and here.

Robert Bagg, "Pep Talk" [formerly "Ezra Pound and Robert Bridges"]; "Fourteen-Step Program." The Tandem Ride and Other Excursions: Poems 1955-2010 (Lulu.com, 2011), pp. 111, 112 (free online). About "Pep Talk," Robert Bagg wrote: "This poem is based on an actual meeting between the two poets when the young Ezra Pound was just beginning to publish his Provençal inflected work in England. Bridges, England's then-Poet Laureate, assumed (wrongly) that these poems declared Pound to be an acolyte of Bridges' own moribund poetic tradition." (The Tandem Ride and Other Excursions, p. 147).

Glenn Bagshaw, "Ezra Pound's Cantos." Poem Hunter, August 7, 2010. Free online.

Juan-Jacobo Bajarlía, "In memoriam Antonio Di Benedetto." La Anunciación: Revista de Literatura (Buenos Aires) 1.1 (1988): 48-49. Rpt. in Proa: Revista bimestral (Buenos Aires) 1 (octubre-noviembre 1988): 39-40; Poesía argentina de fin de siglo, 1994, Tomo 1 (Editorial Vinciguerra, 1994), pp. 35-36; and Poesía argentina de fin de siglo, Tomo 1 (Editorial Vinciguerra, 1996), pp. 30-31. Free online.

Rodney Baker, "For This There's No (tribute to Ezra Pound)." Towers 49 (Northern Illinois University) (Fall 1977): 35. Free online.

Tony Baker and Harry Gilonis, "from far away." West Coast Line 24.3 (Winter 1990): 44-54 [on Pound: sections 43 (his funeral, in Venice), 44, 61]. Rpt. as Harry Gilonis and Tony Baker, From Far Away (London: Oasis Books, 1998) and in Gilonis, Rough Breathing: Selected Poems (Manchester: Carcanet Press, 2018) [sections 43, 44, 61 are free online].

Jean Balderston, "Pound and Stevens Meet." New York Quarterly 39 (Summer 1989): 104.

Anny Ballardini, "Ars poetica." ars poetica, July 25, 2007. Free online.

Anny Ballardini, "Times' Gaps." Otoliths: a magazine of many e-things, Rockhampton, Qld, Australia, 11 (1 November 2008). Free online.

Anny Ballardini, "The Wars." From Instruments of Change. Lavender Ink, 2007. Free online.

Luigi Ballerini, "omaggio a Ezra Pound." Divieto di sosta (Torino: Nino Aragno Editore, 2021), p. 17. Free online and here and here.

Osvaldo Ballina, "El visitante." Al dios que sea: obra poética, 1971-2003 (La Plata: Ediciones Al Margen, 2004), p. 121. Free online and here and here and here.

James Ballowe, "Fields Midwest." Center for Humans and Nature, October 31, 2016. Free online.

Manuel Bandeira, "The Toads." Selected Poems: Bilingual Edition, transl. David R. Slavitt (Riverdale-on-Hudson, NY: The Sheep Meadow Press, 2002), pp. 121-126 [Pound is mentioned in the translation only].

Santiago Bao, "Bailes." Free online.

Stephen Baraban, "keel a/o kill." The Hamilton Stone Review 13 (Fall 2007). Free online.

Carlos Barbarito, "Pound revisited." Exodos y trenes: (una restrospectiva, 1978-1985) (Buenos Aires: Ediciones Ultimo Reino, 1986), p. 15. Free online. Rpt. in Gaceta literaria 4.8 [no. 44] (agosto de 2010): 15. Free online and here and here and here.

Pauline Suett Barbieri, "Pound's in Debt" [an acrostic poem]. dickygossip, June 9, 2018. Free online.

Douglas Barbour, "poetics # 7 (november, 1972)." Khatru 3 & 4 (November 1975): 142-143. Free online.

M. Bardulia, "¿Qué me dijo Ezra Pound?" Bardulias, abril 11, 2017. Free online.

George Barker, "To Ezra Pound On His Birthday 1972." The Indian Journal of American Studies 2.2 (December 1972): 1. Rpt. in Thakur Guruprasad, "In Defence of Cantos," The Indian Journal of English Studies 23 (1983): 15-26 (at 23).

Wendy Barker, "After Spring Break, Arriving at Pound's 'In a Station of the Metro.'" Crab Creek Review 27.1 (2014).

Mary Barnard, "E. P.: Martinsbrunn, 1961." Odysseus 1.2 (Oct.-Nov. 1971). "E.P. Sant'Ambrogio 1964" was reprinted with "E.P. Martinsbrunn 1961" under the combined title "Two Visits" in Collected Poems (Portland, Or.: Breitenbush Publications, 1979).

Mary Barnard, "E.P. Sant'Ambrogio, 1964." In: "Four Poems," Odysseus 1.5 (1972). "E.P. Sant'Ambrogio 1964" was reprinted with "E.P. Martinsbrunn 1961" under the combined title "Two Visits" in Collected Poems (Portland, Or.: Breitenbush Publications, 1979).

Anthony Barnett, "Optical." Anti-Beauty (Lewes: Allardyce, 1999), pp. 26-27.

Courtney Barnett, "History Eraser." The Double EP: A Sea of Split Peas (New York: Mom+Pop, 2013). Free online and here and here and here and here and here and here and here and here and here and here and here and here and here and here and here. A recording by the artist for NPR's Tiny Desk Concerts (2014).

Willis Barnstone, "Ezra Pound from Rapallo." Algebra of Night: New & Selected Poems, 1948-1998 (Riverdale-on-Hudson, N.Y.: Sheep Meadow Press, 1999), p. 175.

Willis Barnstone, "Ezra Turns Silent." Mexico in My Heart: New & Selected Poems (Manchester: Carcanet, 2015), p. 94. Free online.

Amy Barone, "Desenzano." Mediterranean Poetry, June 28, 2017. Free online.

Sandro Barrella, Los italianos a la guerra (Ciudad de Buenos Aires, Argentina: Ediciones en Danza, 2013). Excerpt and here.

Hilario Barrero, "Clases nocturnas." Dónde está el fuego 11 (Brooklyn: Editorial Cuadernos de humo, 2021) (Cuadernos de Humo 32). Free online.

Carlos Barrunto, "Poética." Free online and here and here.

Iris Barry, "At the Ministry." Little Review 4.4 (Aug. 1917): 18. Free online and here. Rpt. in Robert Sitton, Lady in the Dark: Iris Barry and the Art of Film (New York: Columbia University Press, 2014), p. 33. Free online and here.

David Bartone, "Songs on the Loose Theme of Leda." Colorado Review: A Journal of Contemporary Literature 40.1 (Spring 2013): 113. Free online and here and here.

David Bartone, "A Way to See the World that Doesn't Need a Jolt: Notes Leading to Translation." Aldus, A Journal of Translation (Brown University) 2 (Winter 2011/12): 8-18. Free online and here and here and here. Rpt. in Bartone, Practice on Mountains (Boise, Idaho: Ahsahta Press, Boise State University, 2014), pp. 51-61.

Wilhelm Bartsch, "Canto nach Ezra Pound (CXX)," Übungen im Joch: Gedichte. Berlin and Weimar: Aufbau-Verlag, 1986, p. 76. Free online

Anjana Basu, "Remembering Ezra Pound." The Miscellany (Calcutta) 70 (July/August 1975): 19-20.

Edmond Bayard, "To Ez." Instauration 10.6 (May 1985): 11. Free online.

Taner Baybars, "Sponge on an Elephant's Trunk"; "The Silence of Ezra." Narcissus in a Dry Pool: Poems (London: Sidgwick and Jackson, 1978), pp. 15, 19. Baybars's manuscripts are held in the Taner Baybars Collection, c.1959-c.2003, MS 3263, University Museums and Special Collections Service, University of Reading, Reading. Finding aid.

Ronald H. Bayes, "On His 33rd Birthday." Grande Ronde Review (La Grande, OR) 1.3 (Summer 1965): [13]. Free online.

Ronald H. Bayes, "Parallels: Umapine (for E.P.)." The Casketmaker; Selected Shorter Poems, 1960-1970 (Winston-Salem, North Carolina: John F. Blair, 1972), p. 21. Rpt. in St. Andrews Review 29 (1985): 14 and Bayes, The Collected Poems, selected and ed. by Joseph Bathanti and Ted Wojtasik, with Introd. by Joseph Bathanti (Laurinburg, NC: St. Andrews University Press, 2015). A manuscript of The Casketmaker is housed in the Ronald H. Bayes Papers, 1909-1999 (bulk 1969-1998), Collection Number: 04949, Wilson Library, University of North Carolina at Chapel Hill. Finding aid.

Ronald H. Bayes, X-ing Warm (Portland, Oregon: Prensa de Lagar, 1968).

Charlie Baylis, "from the heartbreaking collapse of the pound" [V]. 3:AM Magazine, September 3, 2016. Free online.

Dan Beachy-Quick, "Fragile Elegy." VOLT: A Magazine of the Arts 13 (2007): 115-120. Free online and here. Rpt. in Beachy-Quick, Circle's Apprentice (North Adams, MA: Tupelo Press, 2011), pp. 49-55.

Dan Beachy-Quick, This Nest, Swift Passerine (North Adams, MA: Tupelo Press, 2009) [fourth section, p. 55].

Dorothy Jesse Beagle, "Letter to Larry Eigner." June 12, 1990. Passages: A Technopoetics Journal 5 (April 1998). Free online.

Doug Beardsley, "Fool-Saint." Going Down Into History ([Nanaimo, B.C.]: Oolichan Books, 1976). Manuscripts, drafts, and typescripts for Going Down Into History are housed in the Doug Beardsley fonds, 1923-2020, SC506, Special Collections and University Archives, University of Victoria, Victoria, BC, Canada. Finding aid.

Bruce Beasley, "Toward a Poetics of Monstrosity." Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries, ed. Reginald Shepherd (Denver, Colorado: Counterpath Press, 2008), pp. 1-3, free online. Free online.

Kenneth Lawrence Beaudoin, "Poem, January 7, 1958 (for Ezra Pound)." Carolina Quarterly 12.1 (Winter 1959): 28-29. Free online and here.

Julian Beck, "the state will be served even by poets." pinerolo to faenza palma de mallorca paris roma, november 1976, august 1979. Semi-Permeable Membranes: Twenty Songs of the Revolution ([New York]: Bliss Press, 1984). Rpt. in Beck, Living in Volkswagen Buses: And Other Songs of the Revolution, 90-150 (Seattle: Broken Moon Press, 1992), pp. 14-15, free online, and Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two: From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris (Berkeley, Los Angeles, London: University of California Press, 1998), pp. 432-433, free online. Free online and here and here and here and here and here and here.

Chris Beckett, "The Weather at Work." Magma 27 (Autumn 2003): 27. Free online. Rpt. in Beckett, The Dog who Thinks He's a Fish (The Studio, Byram Arcade, Westgate, Huddersfield: Smith/Doorstop Books, 2004), p. 31.

Erik Beckman, "I stort sett yngst (med Resterna av en riddare)." Två dikter (Stockholm: Bonniers, 1987). Rpt. in Beckman, Samlade dikter, förord av Fredrik Nyberg ([Stockholm]: Norstedts, 2007).

William Bedford, "Camp Perimeter." London Grip New Poetry (Autumn 2017). Free online and here. Rpt. in Bedford, The Dancers of Colbek (Reading: Two Rivers Press, 2020). Free online.

John Beer, "The Art of the Deal." Old Pal 4 (2019). Free online.

John Beer, "No One Here Gets Out Alive: The Life of Lee Harvey Eliot." Denver Quarterly 40.3 (2006): 3-4. Rpt. in Beer, The Waste Land and Other Poems (Ann Arbor, MI: Canarium Books, 2010). Free online and here and here and here.

Patricia Beer, "Ezra Pound Leaves Rome." Listener 85.2183 (28 Jan. 1971): 112. Rpt. in Beer, The Estuary (London: Macmillan, 1971), p. 47; Beer, Selected Poems (London: Hutchinson, 1979), p. 93; and Beer, Collected Poems (Manchester: Carcanet, 1988), p. 99.

Nicolas Behr, Umbigo (Brasília: LGE Editora, 2005). Free online.

Cedric Beidatsch, "In that magic hour." All Poetry, 2017. Free online.

Charles Greenleaf Bell, "On the Making of the Cantos (1950)." Millennial Harvest: The Life and Collected Poems of Charles Greenleaf Bell (Santa Fe, N.M.: Helen Lane Editions, Lumen Books, 2006), pp. 198-199.

M. Shayne Bell, "On Visiting Ezra Pound's Birthplace: Hailey, Idaho." Inscape: A Brigham Young University Student Literary Journal (Winter 1986). Free online. Rpt. in Sunstone 14.1 [no. 75] (February 1990): 42. Free online and here.

Henry Bellamann, "Dans le Sillage." A Music Teacher's Note Book (New York: New York Poetry Book Shop, 1920), pp. 30-31. Free online.

Alesandra Bellos, "Letters to Ezra." The English Journal 81.3 (Mar. 1992): 24. Printed in the course of an article by Ken Salbu, "Celebrate Poet Alesandra Bellos and Witness the Shapes of Her Vision," pp. 22-25.

Franco Beltrametti, From Almost Everywhere: Selected Poems 1965-1995, ed. Stefan Hyner (Nobleboro, ME: Blackberry Books, 2016).

Franco Beltrametti, "41. Ezra Pound e il Presidente Mao." Un altro terremoto (Torino: Geiger, 1971). Translated into English by Paul Vangelisti as "41. Ezra Pound and Chairman Mao" in Beltrametti, Another Earthquake, translated by Paul Vangelisti (Los Angeles and Fairfax: Red Hill Press, 1976) (Italian and English on facing pages). Free online. A file on Un altro terremoto is held in the Lascito Franco Beltrametti, ASL-Beltrametti, Archivio svizzero di letteratura (ASL), Berna, Switzerland. Finding aid and here.

Washington Benavides, "A Ezra Pound en la noche." 29 de julio de 1969. Hokusai ([Montevideo]: [Ediciones de la Banda Oriental], 1975), pp. 13-14. Free online. Rpt. in Benavides, Un viejo trovador: antología (Montevideo, Uruguay: Ediciones de la Banda Oriental, 2004), pp. 82-83, and Benavides, Sansueña: Antología poética (Distrito Federal: FCE - Fondo de Cultura Económica, 2016), free online. Free online. Recorded on Benavides, Un viejo trovador (Ayui, 2003). A reading by the author.

Washington Benavides, "Depón tu vanidad…" Montevideo, Octubre del 2015. Crear en Salamanca, 17 Oct. 2015. Free online.

Washington Benavides, "Disparen contra la poesìa…" Montevideo, Junio del 2016. Crear en Salamanca, 18 June 2016. Free online.

Washington Benavides, "Ezra Pound de viaje." Hokusai ([Montevideo]: [Ediciones de la Banda Oriental], 1975), pp. 24-25. Free online.

Washington Benavides, "Prontuario." El molino y el agua (Montevideo: Ediciones de la Banda Oriental, 1993). Rpt. in Antología plural de la poesía uruguaya del siglo XX, estudio preliminar, selección y notas, Washington Benavides, Rafael Courtoisie, Sylvia Lago (Montevideo, Uruguay: Editorial Planeta, 1996), pp. 202-204; Poesía uruguaya. Antología esencial, edición de Rafael Courtoisie (Madrid: Visor Libros, 2010); and Homenaje a Washington Benavides: periódico de poesía UNAM (Montevideo: Facultad de Humanidades y Ciencias de la Educación, 2015). Free online and here and here and here and here and here and here.

Felipe Benítez Reyes, "Aparición de Ezra Pound en Venecia." Quimera: Revista de literatura 421 (enero 2019): 36-37. Rpt. in Benítez Reyes, Un mentido color, edición al cuidado de Nicole Brezin (Madrid: Visor Libros, 2021). Free online. Translated into Greek by Konstantinos Paleologos as Φανερωση του Εζρα Παουντ στη Βενετια here. Translated into Italian by Gianni Darconza as "Lascia che parli Ezra Pound" here. During a reading from Un mentido color in Cádiz, Spain, Benítez Reyes described this poem as "Un poema que se me ocurrió un día paseando por Venecia y que no escribí hasta 30 años después. Inspirado en Ezra Pound, en esa foto que hay en un callejón sentado como un gondolero, como Caronte. La poesía tiene eso, ideas que se guardan y que aparecen cuando tienen que aparecer." (Manuel López Sampalo, "Benítez Reyes pone voz a 'Un mentido color' en la fundación De Ory," La Voz de Cádiz, 16 Nov. 2022, free online).

Felipe Benítez Reyes, "El precio de un soldado." Las identidades (Madrid: Visor Libros, 2013). Free online.

Luis Benítez, "Deja que hable Ezra Pound." Fractal (Buenos Aires, Argentina: Ediciones Correo Latino, 1992), pp. 35-36. Rpt. in Benítez, Breve antología poética, selección e introducción por Elizabeth Auster (Rosario: Ediciones Juglaría, 2008), and Benítez, La vida entera. Una antología (New York: Pro Latina Press, 2023). Free online and here and here and here and here and here and here and here and here and here. Translated into English by Beatriz Allocati as "Let Ezra Pound Speak" in Benítez, A Short Poetic Anthology, transl. Elizabeth Auster with versions by Beatriz Olga Allocati (Sudbury, Suffolk, England: Littoral Press, 2013) and Benítez, Complete Poems (1980-2006), transl. Beatriz Allocati, introd. Neil Leadbeater (Ciudad Autónoma de Buenos Aires: La Esquina de los Vientos, 2018). Free online and here and here and here and here and here and here.

Bruce Bennett, "Life and Contacts." Taking Off: Poems, Parodies, Palimpsests (Washington: Orchises, 1992), p. 66. Free online.

John Bennett, "Suckered." Wormwood Review 16.2 [no. 62] (1976): 48. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Robert Bense, "Sweet Violence." Salmagundi 172/173 (Fall 2011-Winter 2012): 132-133.

Steve Benson, "Blue Book 50." Blue Book (Great Barrington, MA: The Figures/Roof, 1988), pp. 112-115. Free online (first two pages, last two pages).

Mario Berardi Guardi, "Ez. Zero," Ezra Pound 1972-1992. A c. di Luca Gallesi (Milano: Greco & Greco, 1992), pp. 119-127.

Stephen Berg, "The Coat." TriQuarterly 64 (Fall 1985): 18-20. Free online. Rpt. in New American Poets of the 90s, eds. Jack Myers and Roger Weingarten (Boston: David R. Godine Publisher, 1991), pp. 15-17, free online (first page, last two pages) (rpt. with a new foreword by the eds. as New American Poets, eds. Jack Myers and Roger Weingarten (Boston: David R. Godine Publisher, 2005), pp. 15-17, free online (first page, last two pages)) and here; Berg, New & Selected Poems (Port Townsend, WA: Copper Canyon Press; Newcastle upon Tyne: Bloodaxe, 1992), pp. 179-181, free online (first page, last two pages) and here; and Berg, Shaving (Marshfield, MA: Four Way Books, 1998), pp. 77-79. Free online. A photocopied manuscript, manuscript pages, manuscript additions, galley, and second galley with notes for New and Selected Poems are held in the Copper Canyon Press Records, 1973-2006, Cage 708, Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA. Finding aid and here.

Stephen Berg, "Lowell: Self-Portrait." The Threepenny Review 46 (Summer 1991): 11. Rpt. in Berg, New & Selected Poems (Port Townsend, WA: Copper Canyon Press; Newcastle upon Tyne: Bloodaxe, 1992), pp. 195-196, free online (first page, second page) and Berg, Shaving (Marshfield, MA: Four Way Books, 1998), pp. 70-71.

Carol Bergé, "the mind of Pound." 1962. Wormwood Review 9.2 [no. 34] (1969): 2. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Carol Bergé, "The Mind of Pound" (June 5, 1962); "On Seeing Pound at a Window." Typescripts are available in the Carol Bergé Papers, 1970-2006, MS/MS/ms011, Department of Special Collections, Washington University. Finding aid.

Knute Berger, "The pact." Snarke, January 18, 2009. Free online and here.

Knute Berger, "The Rhetoricians." Snarke, January 18, 2009. Free online.

Bill Berkowitz, "Ezra Pound, San Gregorio Beach & An Acid Trip To Remember." Syndic Literary Journal 11 (June 2014). Free online. Recording by the author.

Lindsay Bernal, "Venice Is Sinking." Conjunctions, Dec. 12, 2017. Free online. Rpt. in Bernal, What It Doesn't Have to Do With: Poems (Athens: University of Georgia Press, 2018), pp. 21-23. Free online and here.

Pierre Bernard, "Pound – la cage invisible." Les Cahiers de L'Herne 7 (1965): 584-585.

Charles Bernstein, "Artifice of Absorption." Paper Air (Philadelphia) 4.1 (May 1987): 6-71. "An early draft ... was presented at ... the New Poetics Colloquium of the Kootenay School of Writing, at the Emily Carr College of Art and Design, Vancouver, Canada, on August 25, 1985" (p. 66). Free online. Rpt. in Bernstein, A Poetics (Cambridge, Mass.: Harvard University Press, 1992), pp. 9-89. Free online and here. Notes, a draft, a manuscript, and paste-ups and page proofs of "Artifice of Absorption" and drafts and manuscripts of A Poetics are housed in the Charles Bernstein Papers, 1962-2000 (MSS 519), Special Collections & Archives, UC San Diego, La Jolla, CA. Finding aid.

Charles Bernstein, "How Empty Is My Bread Pudding." Prague Literary Review 1.6 (Dec. 2003/Jan. 2004). Excerpt. Rpt. in Contemporary Poetics, ed. Louis Armand (Evanston, Ill.: Northwestern University Press, 2007), pp. 5-14, free online, and Bernstein, Recalculating (Chicago and London: University of Chicago Press, 2018), pp. 81-91. A reading by the poet at Mills College, Oakland, November 9, 2004.

Charles Bernstein, "The Lives of the Toll Takers." Written 1992-1993. Dark City (Los Angeles: Sun & Moon Press, 1994), pp. 9-28. Free online and here. Rpt. in Bernstein, All the Whiskey in Heaven: Selected Poems (New York: Farrar Straus Giroux, 2010), pp. 150-179. Excerpts were published as "from 'The Lives of the Toll Takers,'" The Norton Anthology of Modern and Contemporary Poetry, Third Edition, Volume 2: Contemporary Poetry, ed. Jahan Ramazani, Richard Ellmann, and Robert O'Clair (New York and London: W.W. Norton & Company, 2003), pp. 911-914, free online (first page, next two pages, last page). Translated into Spanish by Enrique Winter as "Las vidas de los cobradores de peaje" in Bernstein, Blanco inmóvil, exordio, selección y traducción de Enrique Winter (Kriller71 ediciones, 2014 (poesía #13)), pp. 123-149 (Spanish only), free online and here. The edition was reprinted as Bernstein, Blanco inmóvil, exordio, selección y traducción de Enrique Winter (Bogotá: Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Humanidades y Literatura, Ediciones Uniandes, 2018), in which "Las vidas de los cobradores de peaje" appears on pp. 202-243 (English and Spanish on facing pages). A reading by the poet of an excerpt from the poem (including a reference to Pound) at the Poetry and Literature Center, Library of Congress, October 30, 2015, and here and here and here. A reading by the poet at Pallson's, NYC - October 17, 1987. A studio recording at WKCR-FM (NY), 1988. A reading by the poet in Monterey, Mass., July 27, 1994. A reading by the poet at the Artist's Institute, Jan. 7, 2012, New York. A typescript and page proofs of Dark City are housed in the Charles Bernstein Papers, 1962-2000 (MSS 519), Special Collections & Archives, UC San Diego, La Jolla, CA. Finding aid. Drafts and proofs for All the Whiskey in Heaven are housed in the Charles Bernstein Papers, YCAL MSS 984,  Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. Finding aid.

Charles Bernstein, "The Truth in Pudding." NO: A Journal of the Arts 6 (2007). Rpt. in Bernstein, Recalculating (Chicago and London: University of Chicago Press, 2013), pp. 4-11, free online. Free online. A reading by the poet at Harvard University, Barker Center, October 5, 2009.

Ted Berrigan, "DNA. For Alice Notley." The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 535.

Ted Berrigan, "The End." The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 392. Rpt. in Berrigan, The Selected Poems of Ted Berrigan, ed. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), p. 140. Free online and here.

Ted Berrigan, "Ezra Pound: . . ." The World (The Poetry Project at St. Mark's Church in-the-Bowery, New York) 28 (May 1973): 87. Free online. Rpt. in Berrigan, In a Blue River (New York: Little LightBooks, 1981); Anselm Hollo, "Ted Berrigan walking through the park, 1934-1983. Some Thoughts on Ted Berrigan & His Work," The Poetry Project Newsletter 100 (October 1983): 1, free online; Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 317; and Berrigan, Selected Poems of Ted Berrigan, eds. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley, Los Angeles, London: University of California Press, 2011), p. 125. Free online. A reading by the poet (28:09).

Ted Berrigan, "Personal Poem #2." Many Happy Returns: Poems (New York: Corinth Books, 1969), p. 6. Rpt. in Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 116, and Berrigan, The Selected Poems of Ted Berrigan, ed. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), pp. 14-15. Free online and here.

Ted Berrigan, "Prayer." March 1961. Quoted in a letter from Ted to Sandy Berrigan, March 20, 1962, and printed in Berrigan, Dear Sandy, Hello: Letters from Ted to Sandy Berrigan, eds. Sandy Berrigan and Ron Padgett (Minneapolis: Coffee House Press, 2010), p. 85, free online. In his letter, Berrigan describes the poem as "addressed to a fierce old prophet-like poet, whose poems were giving me inspiration." A handwritten version of the poem, lacking a title but with Ezra Pound's typed name pasted in above the poem and a profile photo of Pound pasted in the upper right corner of the page, was included in a scrapbook compiled by Berrigan called "A Book of Poetry for Sandy" (1962). A reproduction in facsimile of the scrapbook page is online here.

Ted Berrigan, "Sonnet I." C: A Journal of Poetry 1.[1] (May 1963). Rpt. in Berrigan, The Sonnets (New York: Grove Press, Inc., 1964; New York: United Artists Books, 1982; introd. by Alice Notley: New York: Penguin Poets, 2000, p. 1, free online). Rpt. in Berrigan, "Sonnet Workshop. An edited transcript of a talk given at the Poetry Project on February 27, 1979," Project Papers (New York: The Poetry Project at St. Mark's Church), Vol. II (1989), p. 4, free online, rpt. in Berrigan, On the Level Everyday: Selected Talks on Poetry and the Art of Living, ed. Joel Lewis; with an introd. by Alice Notley (Jersey City, New Jersey: Talisman House, 1997), pp. 82-96 (at 87, free online); Berrigan, Selected Poems, ed. Aram Saroyan; introd. by Alice Notley (New York: Penguin Books, 1994), p. 105; Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan; introd. and notes by Alice Notley (Berkeley, Calif.: University of California Press, 2007), p. 29, free online and here; and Berrigan, The Selected Poems of Ted Berrigan, eds. Alice Notley, Anselm Berrigan, and Edmund Berrigan (Berkeley: University of California Press, 2011), p. 17, free online. Ted Berrigan reading sonnet I. A reading by the poet at 80 Langton Street, San Francisco, June 24, 1981 (10:06). "Sonnet Workshop" is held in the Berg Collection Uncataloged Manuscripts, Berg Backlog200903, The Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library. Finding aid and here and here. Production records for C: A Journal of Poetry, including the dummy sheets for C nos. 1-7 (May 1963-Feb. 1964), are held in the Ted Berrigan Papers, 1963-1964, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY. Finding aid. Page proofs (partial) and setting copy of The Sonnets are held in the Grove Press Records, 1948-1998, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY. Finding aid. About this sonnet, Berrigan said, "Now at this point in time, that sonnet seems very clear and straightforward with no mystery about it whatsoever. Perhaps at the time I wrote it I thought that it had a mysterious look and feel to it. I think it still has that, but I think even when I wrote it I felt that it was very clear. I really didn't know what the sonnets were saying until I finished them, or until maybe even the next day, or at least two or three hours later. Part of the premise of writing these was to not know on many occasions what I was going to come up with, since I was dealing with subject matter which was clear, but I didn't always want to know. I wanted to get material up from inside me that I would be loath to admit otherwise, things about myself and about others that I would not normally say." (Berrigan, "Sonnet Workshop," Project Papers, p. 4, On the Level Everyday, p. 87).

Ted Berrigan, "[Sonnet] XLVII." C: A Journal of Poetry 1.3 (1963). Rpt. as "Sonnet XLVII," Art and Literature 4 (Spring 1964): 230; Berrigan, The Sonnets (New York: Grove Press, Inc., 1964); Contemporary American & Australian Poetry, ed. Thomas Shapcott (St. Lucia, Queensland: University of Queensland Press, 1976), p. 253, free online; Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 44, free online; and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan; introd. and notes by Alice Notley (Berkeley, Calif.: University of California Press, 2007), pp. 54-55. Free online and here and here. A reading by the poet (3:42). Production records for C: A Journal of Poetry, including the dummy sheets for C nos. 1-7 (May 1963-Feb. 1964), are held in the Ted Berrigan Papers, 1963-1964, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY. Finding aid. Page proofs (partial) and setting copy of The Sonnets are held in the Grove Press Records, 1948-1998, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY. Finding aid.

Ted Berrigan, "Sonnet LX." A variant version of "Personal Poem #2." The Sonnets (New York: United Artists Books, 1982). Rpt. in Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 55, free online, and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 61, free online and here.

Ted Berrigan, "From a Sonnet Sequence: LXXVI." C: A Journal of Poetry 1.7 (February 1964). Rpt. as "Sonnet LXXVI" in Berrigan, The Sonnets (New York: Grove Press, Inc., 1964); Contemporary American & Australian Poetry, ed. Thomas Shapcott (St. Lucia, Queensland: University of Queensland Press, 1976), pp. 254-255, free online; Berrigan, The Sonnets, Introd. by Alice Notley (New York: Penguin Poets, 2000), p. 68, free online; and Berrigan, The Collected Poems of Ted Berrigan, ed. Alice Notley, with Anselm Berrigan and Edmund Berrigan (Berkeley: University of California Press, 2005), p. 69, free online and here. Translated into Spanish by Patricio Grinberg here. Page proofs (partial) and setting copy of The Sonnets are held in the Grove Press Records, 1948-1998, Special Collections Research Center, Syracuse University Libraries, Syracuse, NY. Finding aid.

John Berryman, "The Cage." Poetry 75.4 (January 1950): 187-188. Free online. Rpt. in Michigan Quarterly Review 45.4 (Fall 2006). Free online and here. Rpt. in The Poetry Anthology, 1912-2002: Ninety Years of America's Most Distinguished Verse Magazine, eds. Joseph Parisi and Stephen Young (Chicago: Ivan R. Dee, 2002), p. 151, free online, and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), 45-46, free online. Free online. There is a folder of manuscripts by John Berryman in Series II: Administrative Files, 1936-1953. Subseries 1: Manuscripts - Major Contributors, Poetry: A Magazine of Verse. Records, 1895-1961, ICU.SPCL.POETRY, Hanna Holborn Gray Special Collections Research Center, University of Chicago Library, Chicago, Illinois. Finding aid.

John Berryman, "Dream Song 218" ["Fortune gave him to know . . ."]. [Pound as "the lunatic one"]. His Toy: His Dream: His Rest: 308 Dream Songs (New York: Farrar, Straus and Giroux, 1968). Rpt. in Berryman, The Dream Songs (New York: Farrar, Straus and Giroux, 1969), p. 237, free online. Free online. Files on His Toy: His Dream: His Rest and The Dream Songs are housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

John Berryman, "Eighty" [Dream Song 224]. The Times Literary Supplement 3326 (November 25, 1965): 1069. Rpt. in Berryman, His Toy: His Dream: His Rest: 308 Dream Songs (New York: Farrar, Straus and Giroux, 1968) and Berryman, The Dream Songs (New York: Farrar, Straus and Giroux, 1969), p. 243, free online. Free online and here and here and here and here. Files on His Toy: His Dream: His Rest and The Dream Songs are housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

John Berryman, "The Heroes." The Times Literary Supplement 3568 (July 16, 1970): 770. Free online. Rpt. in Berryman, Love & Fame (New York: Farrar, Straus and Giroux, 1970), pp. 25-26, free online and here; Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (London and Boston: Faber and Faber, 1990), pp. 184-185, free online; and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), pp. 102-103, free online. A file on Love & Fame is housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

John Berryman, Sonnet 27 ["In a poem made by Cummings . . ."]. Berryman's Sonnets (New York: Farrar, Straus and Giroux, 1967), n.p. Free online. Rpt. in This Powerful Rhyme: A Book of Sonnets, selected by Helen Plotz (New York: Greenwillow Books, 1979), p. 101, free online, and Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (London and Boston: Faber and Faber, 1990), p. 84, free online. A file on Berryman's Sonnets is housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

John Berryman, "A Winter-Piece to a Friend Away." The Kenyon Review 10.2 (Spring 1948): 240-241. Free online. Rpt. in Berryman, Short Poems (New York: Farrar, Straus and Giroux, 1967), pp. 87-88, free online (first page, second page) and here; Berryman, Homage to Mistress Bradstreet: and Other Poems (New York: Farrar, Straus & Giroux, 1968), pp. 96-97, free online; The New Oxford Book of American Verse, chosen and ed. Richard Ellmann (New York: Oxford University Press, 1976), pp. 786-787, free online; Berryman, Collected Poems 1937-1971, ed. and introd. by Charles Thornbury (New York: Farrar Straus Giroux, 1989), pp. 61-63; Berryman, Selected Poems, ed. Kevin Young (New York: Library of America, 2004); and Berryman, The Heart Is Strange: New Selected Poems, ed. and with an introd. by Daniel Swift (New York: Farrar, Straus and Giroux, 2014), pp. 36-37, free online. Files on Short Poems, Homage to Mistress Bradstreet, and Collected Poems 1937-1971 are housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

Claudio Bertoni, "Los Rolling Stones." El cansador intrabajable (II) (Santiago, Chile: Las Ediciones del Ornitorrinco, 1986), pp. 70-72. Free online and here.

Alen Bešić, "Nekrolog lјetu." Hronika sitnica: izabrane pesme (Bijelo Polje: VBR Grafika, 2014, p. 110; Beograd: Kontrast, 2021). Free online. Rpt in Bešić, Golo srce (Zagreb: Versopolis, 2021), p. 36, translated into English by Biljana D. Obradović as "Summer Obituarian," pp. 45-46, free online. The poem and the translation also appear here.

Stephen Bett, "Position 36: Sex on the Brain." Extreme Positions: –The Soft-Core Industry Exposed (New York: Spuyten Duyvil Books, 2009). Free online and here and here.

John Better Armella, "Los minutos restantes de Puck." China White: Los cantos oscuros de Sioux Vidal (Cartagena de Indías (Colombia): Ediciones Pluma de Mompox SA, 2011), pp. 65-67. Rpt. in Harold Alvarado Tenorio, Ajuste de cuentas, la poesía colombiana del siglo XX, con un prólogo de Antonio Caballero (Palma: Agatha, 2014), pp. 585-586, free online. Free online and here and here.

Better Than Ezra, "Ezra Pound." Recorded at Bayou Breeze Studios, Baton Rouge, LA, Nov. 4-8 1989. Surprise (Swell Records, 1989 [cassette only]; Columbia, MD: Liaison Records, 2014 [CD]). Free online and here and here and here and here and here and here and here and here and here and here and here and here and here. Official lyric video.

Sanjay Bheenuck, "The Lake." Coven Poetry 2 (2021). Free online.

Raymond L. Bianchi, American Master (Chicago, IL: moria, 2006). Free online.

Ray Bianchi, "(Statement of Conscience)." Poets Against the War, 2003. Free online.

Javant Biarujia, "The Jackal Shimmy Shake (A Pataphysical interpretation of 'Chacun Sa Chimère')." otoliths: a magazine of many e-things 61 (May 1, 2021). Free online.

Mark Bibbins, "The Perspective Fairy." Boston Review, April 6, 2011. Free online. Rpt. in Bibbins, The Anxiety of Coincidence (Floating Wolf Quarterly Chapbooks, 2012 [e-chapbook; Floating Wolf Quarterly #9, June 2012]), free online, and Bibbins, They Don't Kill You Because They're Hungry, They Kill You Because They're Full (Port Townsend, Washington: Copper Canyon Press, 2014), pp. 59-60, free online (first page, second page). Free online.

Mark Bibbins, 13th Balloon (La Vergne: Copper Canyon Press, 2020).

Jeff Bien, [poem mentioning Pound]. America & Other Poems (Kingston, Ont.: Quarry Press, 1996), p. 16.

Horst Bienek, "Variationen über ein Gedicht von Ezra Pound." In Bienek, was wer was ist (München: Carl Hanser Verlag, 1966), pp. 41-43; Bienek, Gleiwitzer Kindheit (München: Hanser Verlag, 1976), pp. 120-121; Bienek, Von Zeit und Erinnerung: Erzählungen, Gedichte, Essays (Gütersloh: Gerd Mohn, 1980), p. 86; and Gerhard Rademacher, Von Eichendorff bis Bienek: Schlesien als offene literarische "Provinz": Studien zur Lyrik schlesischer Autoren des 19. und 20. Jahrhunderts im transregionalen Kontext: mit einem Textanhang (Wiesbaden: Harrassowitz Verlag, 1993), pp. 514-515. "In a Station of the Metro" is quoted in an epigraph and, in Eva Hesse's German translation, at the end of the poem.

David Biespiel, "Pound." The Kenyon Review NS 29.4 (Fall 2007): 139. Rpt., as revised, as "Ezra Pound" in Biespiel, The Book of Men and Women: Poems (Seattle, Washington: University of Washington Press, 2009), p. 32. Free online.

Brian C. Billings, "Guilt Is for the Man Who Kills a Peacock." Confrontation 108 (Fall 2010): 248.

Robert Billings, "Last Photographs of Pound." The Pikestaff Forum 5 (Spring 1983): 9.

Tom Billsborough, "In Memory Of Ezra Pound." Poemhunter, June 17, 2016. Free online.

Brian Bilston, "Little Poems." You Took the Last Bus Home: The Poems of Brian Bilston (London: Unbound Digital, 2016). Free online.

Brian Bilston, "The One Pound Emporium." Brian Bilston's Poetry Laboetry: From Ideation to Poemification, November 4, 2014. Free online.

A.J. Binash, "God Is Dead. Art Is Dead. But Justin Bieber Is Alive?" VEXT Magazine, Dec. 14, 2014. Free online.

Mario Biondi, "Dopomethedrine." 1962. Poesie (1962-1987) (1995?), pp. 2-22. Free online.

Elizabeth Bishop, "Visits to St. Elizabeths (1950)." November, 1951. Nuova corrente 5-6 (Jan.-June 1956). Rpt. in Partisan Review 24.2 (Spring 1957): 185-187, free online; Bishop, Questions of Travel (New York: Farrar, Straus and Giroux, 1965), pp. 92-95, free online (first two pages, last two pages); Bishop, The Complete Poems (New York: Farrar, Straus and Giroux, 1969), pp. 155-157, free online (first page, last two pages); Bishop, The Complete Poems, 1927-1979 (New York: Farrar, Straus and Giroux, 1979); Kenneth Quinn, How Literature Works (Houndmills, Basingstoke, Hampshire: Macmillan, 1992), pp. 185-187; A Mind Apart: Poems of Melancholy, Madness, and Addiction, ed. Mark S. Bauer (Oxford and New York: Oxford University Press, 2009), pp. 214-216, free online (first two pages, last page); and Bishop, Poems (New York: Farrar, Straus and Giroux, 2011), pp. 131-133, free online (first page, last two pages). Free online and here and here and here and here. Translated into Spanish by D. Sam Abrams and Joan Margarit as "Visitas a St. Ellizabeths" here. Translated into Spanish by Ulalume González de León as "Visita a St. Elizabeths" in Bishop, Poesía, Selección, traducción y prólogo de Ulalume González de León (México: Universidad Nacional Autónoma de México, Coordinación de Difusión Cultura, Dirección de Literatura, 2009), pp. 18-20. Free online and here and here and here. Translated into Spanish by Octavio Paz as "Visitas a St. Elizabeth," Plural 19 (abril de 1973): 19; Paz, Versiones y diversiones (México: Joaquin Mortiz, 1974), pp. 93-97; La Gaceta del Fondo de Cultura Económica, Mexico, D.F., XV.179 (Nov. 1985): xxii-xxiii; and Paz, Versiones y diversiones, edición bilingüe, revisada y aumentada, [edición al cuidado de Nicanor Vélez] (Barcelona: Galaxia Gutenberg; Círculo de lectores, 2000), pp. 268-273 (English and Spanish on facing pages), free online. Free online and here and here. Excerpts from a reading by the author. A typescript of "Visits to St. Elizabeths (1950)" with the author's ms. corrections is held in the Ezra Pound collection of papers, 1898-1986 (bulk 1914-1959), Berg Coll MSS Pound, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York. Finding aid. A file on The Complete Poems, 1927-1979 is housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

D. M. Black, "Classical." The Arrow Maker (Todmorden: Arc Publications, 2017).

D. M. Black, "The Uses of Mythology." Long Poem Magazine 11 (Spring 2014). Rpt. in Black, The Arrow Maker (Todmorden: Arc Publications, 2017), pp. 28-30.

Paul Blackburn, "Ezra's contributions." El Corno emplumado 25 (enero 1968): 59. Free online and here. Rpt. in Blackburn, The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), p. 414, free online, and Blackburn, Selected Poems (New York: Persea Books, 1989), p. 183.

Paul Blackburn, "The Goat: Litry Histry"; "Ezra's contributions"; "Rituals Preparatory to the Voyage"; "Peeing all over the Pe-ninsula"; "Photosynthesis: 1." The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), pp. 413 (free online), 414 (free online), 517-518 (free online), 519-522, free online (first two pages, last two pages), 608-610, free online (first page, last two pages). A reading of "Peeing all over the Pe-ninsula" by the poet at SUNY Cortland, April 1, 1971. A reading of "Peeing all over the Pe-ninsula" by the poet, probably in San Francisco, July 1971. A reading of "Rituals Preparatory to the Voyage" by the poet at SUNY Cortland, April 1, 1971. A reading of "Rituals Preparatory to the Voyage" by the poet at St. Marks, from the Ben Tripp Tapes, 1969.

Paul Blackburn, "Photosynthesis: 1." Intrepid 18/19 (1971): 8-9. Rpt. in Blackburn, The Collected Poems of Paul Blackburn, ed., with an introd., by Edith Jarolim (New York: Persea Books, 1985), pp. 608-610. Free online (first page, last two pages).

Paul Blackburn, "Statement." 1954. The Parallel Voyages, selected and introd. by Clayton Eshleman, ed. and annotated by Edith Jarolim, drawings by Ellen McMahon (Tucson, Ariz.: Sun-Gemini Press, 1987). Rpt. in Jacket 12 (July 2000), free online and here and here.

Y.P.L. Bladen-Pryor, "On Re-Entering the Garden of Ezra Pounds [sic] 'Selected Poems.'" Millefleurs: The Essence of a Thousand Flowers: A Collection of a Thousand Sonnets Composed Between 1944 and 1999 ([Eceabat, Çanakkale, Turkey]: Y.P.L. Bladen-Pryor, [2000]), p. 139.

Robin Blaser, "Great companion: Dante Alighiere I." 25 August 1997. Even on Sunday: Essays, Readings, and Archival Materials on the Poetry and Poetics of Robin Blaser: with New Work by Robin Blaser, ed., and with an introd. by Miriam Nichols (Orono, Me.: National Poetry Foundation, 2002), pp. 3-21. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 437-456 (with "A Note," dated 1997, revised 25 January 2006, p. 457). Free online and here. Readings by the author at The Kootenay School of Writing, Vancouver, 1997, and at the Universita d'Annuzio, April 22, 1997. A typescript of the poem and a book manuscript for The Holy Forest are housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Robin Blaser, "Image-Nation 18 (an apple." Pell Mell (Toronto: Coach House Press, 1988), pp. 15-17. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 249-251. A reading by the author at the Writers Institute, Albany, October 26, 1994. A book manuscript for The Holy Forest is housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Robin Blaser, "Robert Duncan." Robin Blaser, Barbara Guest, Lee Harwood (South Devonshire: Etruscan Books, 1998), pp. 53-56. Rpt. in Blaser, The Holy Forest: Collected Poems of Robin Blaser, ed. Miriam Nichols, foreword by Robert Creeley, with a new afterword by Charles Bernstein (Berkeley, Calif., and London: University of California Press, 2006), pp. 333-340. Free online and here and here and here and here and here. A book manuscript for The Holy Forest is housed in the Robin Blaser fonds, [188-?]-2009, MSA-1, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here and here and here and here and here.

Dean Blehert, "What's in a Poet's Name." Dean Blehert, January 7, 2006. Free online.

Cliff Bleidner, "A Few Ounces of Pound." Long Island Quarterly (Winter 2018-2019). Free online.

Richard Blevins, [poem]. The Art of the Serial Poem (New York: Spuyten Duyvil, 2017), p. 672.

Miss Blomfield, [excerpts from an entry submitted in a competition with "a prize of three guineas for a rhymed epistle, not to exceed 24 lines, from the shade of Alfred, Lord Tennyson, in reproof of vers libre in general and Mr. Ezra Pound in particular"]. The Saturday Review 133.3470 (29 April 1922): 448. Free online.

Mike Bloomberg, "Artistic Freedom." City of New York, April 18, 2013. Free online. Published in Metro (New York), April 18, 2013, p. 6. Free online and here and here and here.

John Bloomberg-Rissman, In the House of the Hangman, Volume 3 (Claremont, CA: Laughing/Ouch/Cube/Publications, 2016).

Beau Blue (JJ Webb), "Reviewing the Bookstore Massacre." SantaCruz.com, March 16, 2011. Free online and here. A reading by the poet and here.

Michael Blumenthal, "Revisions." Sympathetic Magic (Huntington, NY: Water Mark Press, 1980), pp. 69-70. Free online (first page, second page).

Krzysztof Boczkowski, "Rozmowa pomiędzy Ezrą Poundem a Allenem Ginsbergiem" (A Conversation Between Ezra Pound and Allen Ginsberg). Poezja 1 (1977): 12-13. Free online.

Carley Rees Bogarad, "Bridge of Sighs." Outrageous Fortune: Poems (Laurinburg, N.C.: St. Andrews College Press, 1995), p. 68.

Ama Bolton, "The calypso singers are still laughing but the fishermen have thrown down their flowers." barleybooks.htm, March 19, 2022. Free online.

Kit Bonson, "Periplum." Beltway Poetry Quarterly 18.1 (Winter 2017). Free online and here.

Carl Boon, "The Child and I." isacoustic*, May 23, 2018. Free online.

Daniel Borzutzky, "In My Numb Heart a Prick of Misgiving." diode 1.3 (Spring 2008). Free online. Rpt. in Borzutzky, One Size Fits All (Scantily Clad Press, 2009), n.p., free online, and Borzutzky, The Book of Interfering Bodies (Callicoon, New York: Nightboat Books, 2011).

Daniel Borzutzky, "Secret Allegiance." West Branch 88 (Fall 2018): 52-53. Free online.

Daniel Bosch, "Tree of Knowledge." Crucible (New York: Handsel Books, 2002), pp. 51-53. Free online (first page, last two pages). Rpt. in In Whatever Houses We May Visit: An Anthology of Poems That Have Inspired Physicians, eds. Michael A. LaCombe and Thomas V. Hartman (Philadelphia: ACP Press, American College of Physicians, 2008), pp. 232-233.

Laura Boss, "Visiting Saint Elizabeth's." The Literary Review (Fairleigh Dickinson University) 50.4 (Summer 2007): 228. Free online.

Kathleen Bossenbroek, "teaching grammar to e.e. cummings(trying." Teachers Undress Poets (2019), p. [48]. Free online.

Alan Botsford, "Ezra Pound." On pp. 76-79 of Botsford, "Announcing the Modern: From Melville to Pound." Kanto Gakuin University Journal of the Humanities 139 (2018): 63-80. Free online and here.

Gary Botting, "Ezra Pound and Picasso." Freckled Blue and Other Poems (Red Deer, Alberta: Red Deer College Press, 1979). Rpt. in Botting, Streaking!: The Collected Poems of Gary Botting, ed. with an introd. by Tihemme Gagnon (Strategic Book Publishing Rights Agency, 2013), p. 139. Free online and here.

Gary Botting, "'Ezra Pound and Picasso' Revisited." 2009. Streaking!: The Collected Poems of Gary Botting, ed. with an introd. by Tihemme Gagnon (Strategic Book Publishing Rights Agency, 2013), p. 231. Free online and here.

Daniel Bouchard, Pax ([Boston: Pressed Wafer Press, 2000]) [one of 52 broadsides published to commemorate the First Annual Pressed Wafer Lifetime Achievement Award, given to poet John Wieners]. Facsimile. Also in The Blind See Only this World: Poems for John Wieners, eds. William Corbett, Michael Gizzi, Joseph Torra (New York: Granary Books; Boston: Pressed Wafer Press, 2000), p. 24, and Bouchard, Diminutive Revolutions (Honolulu, Hawai'i: Subpress Books, 2000). Free online and here.

Jenny Boully, "The Body." Seneca Review 31.1 (2001): 58-66. Rpt. in The Best American Poetry 2002, Robert Creeley, editor; David Lehman, series editor (New York: Scribner Poetry, 2002), pp. 16-24. Rpt., as revised, in Boully, The Body: An Essay (Londonderry, N.H.: Slope Editions, 2002), from which "The Body (an Excerpt)" was printed in The Shell Game: Writers Play with Borrowed Forms, ed. and with an introd. by Kim Adrian, foreword by Brenda Miller, postscript by Cheyenne Nimes (Lincoln and London: University of Nebraska Press, 2018), pp. 143-150. An excerpt, "From The Body: An Essay," which mentions Pound, was published in War & Peace 4: Vision & Text, eds. Judith Goldman and Leslie Scalapino (Oakland: O Books, 2009), pp. 95-96, free online. Free online.

Darrell Bourque, "Ezra Pound in Pisa." In Ordinary Light: New and Selected Poems (Lafayette, La.: University of Louisiana at Lafayette Press, 2010), pp. 25-26.

Kevin Bowden, "Essay on Pound." Poetry Australia 44 (1972): 28-32. Records of Poetry Australia, 1960-2000, MSS 015, are housed in Special Collections, UNSW Canberra, Campbell ACT, Australia. Finding aid.

George Bowering, [poem or poems mentioning Pound]. Could Be: New Poems (Vancouver: New Star, 2021).

George Bowering, "The Company of Poets." Teeth: Poems 2006-2011 (Toronto, Ontario: Mansfield Press, 2013). Free online.

George Bowering, "Louis Dudek." Dalhousie Review 53.1 (Spring 1973): 149. Free online. Rpt. in Bowering, Curious ([Toronto]: The Coach House Press, 1973), free online; Bowering, Particular Accidents, ed. with an introd. by Robin Blaser (Vancouver, B.C.; Los Angeles, Calif.: Talonbooks, 1980), p. 114 (a volume in the Talonbooks series of Selected Poems); and Bowering, West Window: The Selected Poetry of George Bowering (Toronto: General Pub. Co., 1982), p. 56, free online. The George Bowering fonds, 1961-1999, R11712-0-8-E, LMS-0115, is housed in the Library and Archives Canada, Ottawa ON. Finding aid and here.

George Bowering, "Straight Pant Legs." Vermeer's Light: Poems 1996-2006 (Vancouver: Talonbooks, 2006), pp. 134-135. Free online. The George Bowering fonds, 1961-1999, R11712-0-8-E, LMS-0115, is housed in the Library and Archives Canada, Ottawa ON. Finding aid and here.

William Boyle, "The Shifty Night." Shawangunk Review 19 (Spring 2008): 69. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 18. Free online.

John Bradley, "The Economy of Love: Letter to Ezra Pound." Love-in-Idleness: The Poetry of Roberto Zingarello (Washington, D.C.: Word Works, 1989).

Philip Brady, To Banquet with the Ethiopians: A Memoir of Life Before the Alphabet (Frankfort, KY: Broadstone Books, 2015) [Book IX. Nighttown, pp. 71-82]. Excerpt (mentioning Pound).

Thomas Brady [Thomas Graves], "A Continual Extinction of Personality." Scarriet, November 18, 2010. Free online.

Thomas Brady [Thomas Graves], "How Many Laureates Can Dance On The Head Of A Pinsky?" Snark, September 18, 2008. Free online and here.

Tom E. Brady, "Ezra in Pisa." All Poetry, 2013. Free online.

Shannon Bramer, "Urban Restaurant." The Refrigerator Memory (Toronto, Ontario: Coach House Books, 2005), p. 42, free online. Free online.

Patrick Brancaccio, "Ezra Pound." Free online.

Giannina Braschi, El imperio de los sueños, postfacio de Francisco José Ramos (Barcelona: Editorial Anthropos, 1988), p. 84. Translated into English as Braschi, Empire of Dreams, trans. Tess O'Dwyer, with an introd. by Alicia Ostriker (New Haven: Yale University Press, 1994), p. 96.

Edward Kamau Brathwaite, "X/Self's Xth Letters from the Thirteen Provinces." X/Self (Oxford and New York: Oxford University Press, 1987), pp. 80-87. Rpt., as revised, as "Letter SycoraX" in Brathwaite, Middle Passages (Newcastle Upon Tyne: Bloodaxe Books, 1992) and Brathwaite, Middle Passages (New York: New Directions, 1993), pp. 95-116, and as "X/Self xth letter from the thirteenth provinces" in Brathwaite, Ancestors: A Reinvention of Mother Poem, Sun Poem, and X/Self (New York: New Directions, 2001), pp. 444-456.

Bread and Circus, "The Wishing Tree Lyrics." Born Again Again (CD Baby, 2015 [CD]). Free online.

Morris Breakstone, "To Ezra Pound." April 30, 1954. Lest I Climb Too High (Bloomington, IN: AuthorHouse, 2010), p. 3. Free online and here and here.

Bertolt Brecht, "E. P. Auswahl seines Grabsteins." 1954. Gedichte: Nachträge zu den Gedichten 1913-1956 (Frankfurt am Main: Suhrkamp Verlag, 1965), p. 193. Rpt. in Brecht, Gesammelte Werke. Band 10, [Gedichte 3], herausgegeben vom Sahrkamp Verlag in Zusammenarbeit mit Elisabeth Hauptmann (Frankfurt am Main: Suhrkamp, 1967); Michael Hamburger, Die Dialektik der modernen Lyrik; von Baudelaire bis zur Konkreten Poesie, [aus dem Englischen] von Hermann Fischer (München, List [1972]), free online; Brecht, Gedichte für Städtebewohner, herausgegeben und mit einem Nachwort von Franco Buono (Frankfurt am Main: Suhrkamp Verlag, 1980), p. 132; and Brecht, Gedichte 5: Gedichte und Gedichtfragmente, 1940-1956 (Berlin und Weimar: Aufbau-Verlag; Frankfurt am Main: Suhrkamp Verlag, 1993), p. 285. Translated into English by Michael Hamburger as "E.P., l'élection de son sépulcre" in Hamburger, The Truth of Poetry: Tensions in Modern Poetry from Baudelaire to the 1960s (London: Weidenfeld & Nicolson, 1969), p. 209, free online, and in Brecht, Poems, 1913-1956, eds. John Willett and Ralph Manheim, with the co-operation of Erich Fried (London: Methuen, 1979), p. 384, free online. Translated into English by Tom Kuhn and David Constantine as "E.P. The selection of his gravestone" in Brecht, The Collected Poems of Bertolt Brecht, transl. and ed. by Tom Kuhn and David Constantine with the assistance of Charlotte Ryland (New York: Liveright Publishing Corporation, 2019), p. 1043, free online. Translated into Portuguese by André Vallias as "E. P. escolhe sua lápide" in Brecht, Poesia, introdução & tradução André Vallias (São Paulo: Editora Perspectiva S.A., 2020), p. 513 (German and Portuguese on facing pages).

Luke Breit, "Joe Marti's Bar." Unintended Lessons (Fort Bragg, Calif.: QED Press, 1999), pp. 19-20. Free online (first page, second page).

R. Bremner, "Edward J. O'Connor, Jr, Part 3." The High Window, February 18, 2023. Free online.

R. Bremner, "The Paterson Howlers in Spring Training." Poets Online, February 2015. Free online.

Warren Breninger, "Ezra Pound Is Dead." Fear of Art: Selected Poems, 1970-2014 (Melbourne: Metasenta, 2014).

Elizabeth Brewster, "The Cave of Montesinos." The Fiddlehead (Depts. of English of the University of New Brunswick and St. Thomas University) 161 (Autumn 1989): 14. Rpt. in Brewster, Spring Again: Poems ([Ottawa] Canada: Oberon Press, 1990), p. 53, and Brewster, Footnotes to the Book of Job ([Ottawa] Canada: Oberon Press, 1995), pp. 121-123, free online (first page, last two pages). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "from Garden Cantos: A Month of Poems." Malahat Review 86 (Spring 1989): 102-111 (Sections 13; 14; 17. Form (6 June), p. 106; 19-21). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Hilda Doolittle Analyzes Sigmund Freud." The Ontario Review 24 (Spring-Summer 1986): 72-78. Rpt. in Brewster, Entertaining Angels ([Ottawa] Canada: Oberon Press, 1988), pp. 13-22. The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "On Minor Poets (23 May)"; "Nobody (26 May)"; "The Story"; "Form (6 June)"; "Heat and Light (10 June)"; "The Cave of Montesinos"; "Letter to T. S. Eliot." Footnotes to the Book of Job ([Ottawa] Canada: Oberon Press, 1995), pp. 104-105, free online, 107, free online, 109-110, free online (first page, second page), 112-113, free online, 115, free online, 121-123, free online (first page, last two pages), 159-161, free online (first page, last two pages). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Letter to T. S. Eliot." Entertaining Angels ([Ottawa] Canada: Oberon Press, 1988), pp. 31-33. The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Nausicaa Cantos: A Continuation." Antigonish Review 79 (Autumn 1989): 35-39 (3. Tension, 37-38). Free online (first page, next two pages, last two pages). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, "Nausicaa Cantos, an Argument with Ezra." Selections were published in Grain (Regina, Saskatchewan) 17.1 (Spring 1989): 17-19 [3. Juice (May 15), 6. On Minor Poets (May 23), 8. Nobody (May 26)]. Rpt. in Brewster, The Essential Elizabeth Brewster, selected by Ingrid Ruthig (Erin, Ontario: The Porcupine's Quill, 2021). The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here.

Elizabeth Brewster, Spring Again: Poems ([Ottawa] Canada: Oberon Press, 1990) (Garden Cantos: A Month of Poems: pp. 6 (1. Beginning Again (12 May, 1988), free online), 11, 14, 17 (8. Nobody (26 May)), 18 (9. Where Are? (26 May)), 20-21 (Opinions of Ezra (28 May)), 22 (12. Magpie), 28, 32 (17. Form (6 June)), 35 (20. H.D. and Ezra), 44, 46, 53 (9. The Cave of Montesinos), 85). "Nobody (26 May)" was rpt. in Brewster, The Essential Elizabeth Brewster, selected by Ingrid Ruthig (Erin, ON: The Porcupine's Quill, 2021), p. 43, free online. The Elizabeth Brewster fonds, [ca. 1935]-1997, R931-0-4-E, MG30-D370, is housed in Library and Archives Canada, Ottawa ON. Finding aid and here. In answer to an interviewer's question about why she chose to respond to Ezra Pound's Cantos in Spring Again: Poems, Elizabeth Brewster stated: "I don't think of him as an influence on my poetry except in Spring Again. In fact, I deliberately avoided reading his poetry for many years, because (being of that war-time generation) I couldn't forgive him for supporting the Fascists. Of course, I had read some of his early poems in anthologies, but I didn't read the Cantos until that occasion. I went to a meeting of the League of Canadian Poets at UBC, bought a copy of the Cantos at the UBC bookstore, sprained an ankle so that I was more or less imprisoned in my rooms with only one book to read. I suppose I was attracted by the openness and inclusiveness of the technique. Also, the allusions to The Odyssey would have appealed to me, since I was fond of Greek and Latin poetry from undergraduate days. When I sent a copy of Spring Again to Miriam Waddington, she rather scolded me for seeming to overvalue Pound." (Jan Horner, "'Beauty may live in small dry things:' A Conversation with Elizabeth Brewster," Re:generations: Canadian Women Poets in Conversation, eds. Di Brandt and Barbara Godard (Windsor, Ont.: Black Moss Press, 2005), pp. 19-25 (at 24)).

Breyten Breytenbach, "Mikpunt - 'n Canto vir E.P." Voetskrif (Doornfontein: Perskor, 1976), pp. 19-20. Rpt. in Breytenbach, Die ongedanste dans: gevangenisgedigte, 1975-1983 (Kaapstad: Human & Rousseau, 2005), pp. 20-26. Translated by the poet into English as "the bifid route" in Breytenbach, Judas Eye and Self-Portrait/Deathwatch (New York: Farrar, Straus and Giroux, 1988), pp. 14-18. Free online (first two pages, next two pages, last page). A file on Judas Eye and Self-Portrait/Deathwatch is housed in the Farrar, Straus & Giroux, Inc. Records, 1899-2003, MssCol 979, Manuscripts and Archives Division, The New York Public Library, New York. Finding aid.

BRIANSODES, "ME ~ SLAM POET." My Poetic Side, August 19, 2016. Free online.

Daniel Brick, "Travels In Provence, Summer, 1972." Poemhunter, October 31, 2017. Free online.

Austin Briggman, "On the Title Page." Scribe - Medium, Mar. 2, 2020. Free online.

David Briggs, "Somewhere in the Multiverse." Cracked Skull Cinema (Cromer, Norfolk: Salt Publishing, 2019).

Harold Briggs, [untitled poem]. Wormwood Review 10.4 [no. 40] (1970): 143-144. Free online and here and here (first page, second page). Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Armand Brint, "Flying To Washington." Poets Against the War, 2003. Free online.

David Bristol, "I Put My Two Fingers, Pound and Whitman, into a Wall Socket." The Monk Who Made His Momma Happy (Bunny and the Crocodile Press, 1977). Rpt. in Poet Upstairs: A Washington Anthology, ed. Octave Stevenson (Washington, D.C.: Washington Writers' Publishing House, 1979) and The Legal Studies Forum 28.1-2 (2004): 339.

Gemma Bristow, "Pisa." Lynx 22.1 (February 2007). A haiku sequence based on Ezra Pound's Pisan Cantos. Free online.

Iain Britton, "ezra pound in parenthesis." brief 50 (February [March] 2014]): 53-55.

Carson Brock and James Brock, "VIII. Goodbye Idaho!" [from Vacationland 2]. Saints of Hysteria: A Half-Century of Collaborative American Poetry, eds. Denise Duhamel, Maureen Seaton, and David Trinidad (Brooklyn, NY: Soft Skull Press, 2007), p. 176. Free online and here and here.

Van K. Brock, "Hang It All, Ezra Pound: The Hero as Biography of the Age." Unspeakable Strangers: Descents into the Dark Self, Ascents into Light: Poems & an Essay (Tallahassee, Fla.: Anhinga Press, 1995), p. 35.

Camilo Brodsky, "Ye Olde Ez." Cuaderno: Revista de cultura (Santiago, Chile) 67 (verano 2011): 51. Free online and here and here.

Joseph Brodsky, Watermark (New York: Farrar, Straus & Giroux, 1992). Free online. Translated into Russian by Grigory Dashevsky as "Набережная неисцелимых," Сочинения Иосифа Бродского. том 7 (Sankt-Peterburg: Pushkinskiĭ fond, 2001), pp. 7-56. Translated into Italian by Gilberto Forti as Brodsky, Fondamenta degli incurabili, traduzione di Gilberto Forti (Venezia: Consorzio Venezia Nuova, 1989).

Louis Daniel Brodsky, "Ezra Pound." Dated 4/5/65. The Complete Poems of Louis Daniel Brodsky, Vol. 1: 1963-1967, ed. Sheri L. Vandermolen (St. Louis, Mo.: Time Being Books, 1996), pp. 252-254.

David Bromige and Rychard Denner, "Canto 14"; "Canto 21"; "Canto 31." Spade: Cantos 1-33, introd. by Robert Grenier (Sebastopol [Calif.]: DPress, 2006), pp. 63-69 (at 64), 112-121 (at 113, 114), 160-162 (at 162).

Christine Brooke-Rose, "Acetes: /Homage to Ezra Pound." TMs with emendation, signed, 1950-1955?. In the Robert Duncan collection, circa 1900-1996 (bulk 1940-1986), PCMS-0110, The Poetry Collection, State University of New York at Buffalo, Buffalo, New York. Finding aid.

David Divine Brooks, "Destino." All Poetry, 2013. Free online.

Hannah Brooks-Motl, [untitled passage on Ezra Pound]. The New Years: Poems (Iowa City: Rescue Press, 2014).

Arthur Broomfield, "The Poetry Reading at Semple Stadium." Poetry Ireland Review 24 (Winter 1988): 74. Free online. Rpt. in Broomfield, The Poetry Reading at Semple Stadium (Belfast: Lapwing Pub., 2012), p. 7, free online. Free online.

Allan Brown, "All Hallows, 1972. For E. P." Canadian Literature 147 (Winter 1995): 45. Free online and here. Rpt. in Brown, Before the Dark (Lantzville, BC, Canada: Leaf Press, 2014).

Bob Brown, [poem for Pound]. Demonics (Cagnes-sur-Mer: Roving Eye Press, 1931). Drafts and typescripts for Demonics are housed in the Bob Brown papers, 1844-1960, Collection number: 723, Special Collections, Charles E. Young Research Library, University of California at Los Angeles, Los Angeles, CA. Finding aid.

Christy Brown, "Revisited." Come Softly to My Wake: The Poems of Christy Brown (London: Secker & Warburg, 1971), p. 41. Rpt. in Brown, Collected Poems, [with an introd. by Frank Delaney] (London: Secker & Warburg, 1982), p. 43.

Duncan Brown, "Meta Block." All Poetry, Nov. 11, 2015. Free online.

Lee Ann Brown, "Zuk." Part of "from Philtre."Interval(le)s 2.2-3.1 (Fall 2008/Winter 2009): 148-163 (at 159-163). Free online.

Pamela Brown, Dear Deliria: New and Selected Poems (Applecross, W.A.: Salt Publishing, 2002).

Pam Brown, "Memo." Landfall NS 3.2 [no. 190] (November 1995): 254ff. Rpt. in Brown, 50-50 (Adelaide: South Australian Pub. Ventures & Futures, 1997), p. 19. (A Little Esther book).

[Slater Brown], "After Heine." transition 13 (Summer 1928): 86. Free online. Rpt. in Robert E. Knoll, Robert McAlmon: Expatriate Writer and Publisher, University of Nebraska Studies new series no. 18 (August 1957), p. 11 n.13, free online and here; Robert McAlmon, Being Geniuses Together 1920-1930, revised and with supplementary chapters by Kay Boyle (Garden City, New York: Doubleday & Company, Inc., 1968), p. 337; Sanford J Smoller, Adrift among Geniuses: Robert McAlmon, Writer and Publisher of the Twenties (University Park [Pa.]: Pennsylvania State University Press, 1974), p. 196; and Robert K. Martin and Ruth L. Strickland, "Robert McAlmon," Dictionary of Literary Biography, Volume 4: American Writers in Paris, 1920-1939, ed. Karen Lane Rood (Detroit, Michigan: A Bruccoli Clark Book, Gale Research Company, 1980), p. 279.

George Bruce, "Epistle 1." New Writing Scotland 5 (1987): 148-149. Rpt. as "Epistle 1: To Edwin Morgan" in Bruce, Pursuit: Poems, 1986-1998 (Edinburgh: Scottish Cultural Press, 1999), pp. 22-23, and Bruce, Today Tomorrow: Collected Poems, 1933-2000, ed. Lucina Prestige; preface by Edwin Morgan (Edinburgh: Polygon, 2001), pp. 215-216. About this poem, the author wrote: "Edwin Morgan and Carl MacDougall invited me to contribute a poem to New Writing, Scotland. I had just returned from the United States, where at St Andrews College, North Carolina, I met Ezra Pound's daughter, Mary de Rachewiltz. She was curator of his manuscripts at Yale. She was annotating The Cantos. She thanked me for information about Joseph MacLeod. I told her how he persuaded Eliot to publish MacLeod's first collection of poems, The Ecliptic, in 1928. To bring to mind something of the Pound 'atmosphere' I allowed into my letter 'cd' for could, and 'shd' for should." (Pursuit: Poems, 1986-1998, p. 67; Today Tomorrow: Collected Poems, 1933-2000, p. 285).

Dennis Brutus, "Browning, Looking Down." Oct. 9, 2003, rev. Aug. 21, 2005. Poetry and Human Rights: Poems by Dennis Brutus, introd. by Ken Gibbs, co-eds. Ken Gibbs and Wayne Kamin, tributes by Merrill Goldwyn and Henry Theriault (Worcester, Mass.: Worcester State College, third ed. 2010), p. 52. Free online.

Dennis Brutus, "E.P." Leafdrift, ed. Lamont B. Steptoe (Camden, N.J.: Whirlwind Press, 2005), p. 36.

Vincent Buckley, "Pound's Grave." Last Poems (Ringwood, Victoria: McPhee Gribble, 1991), p. 9. Rpt. in Buckley, Collected Poems, ed. Chris Wallace-Crabbe, with a foreword by Peter Steele (Elwood, Vic.: John Leonard Press, 2009), p. 299. Free online and here and here.

Charles Bukowski, "all my friends." March 15, 1991. Slipstream 13 (1993). Rpt. in Bukowski, Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 228. Translated into Portuguese by Rodrigo Breunig as "todos os meus amigos" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "All Together Now." Wormwood Review 21.1-2 [nos. 81-82] (1981): 16-17. Free online and here and here. Rpt. in Bukowski, Shakespeare Never Did This, photographs by Michael Montfort (Santa Rosa, CA: Black Sparrow Press, 1995), n.p., free online (first page, last two pages). Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. A copy is housed in the Charles Bukowski papers, 1958-1988, MS 171, University of Arizona Libraries Special Collections. Finding aid. A file on Shakespeare Never Did This is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid.

Charles Bukowski, "the alter boy." June 10, 1979. Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 169. Free online. A signed carbon typescript and here.

Charles Bukowski, ". . . american express, Athens  Greece:". Wormwood Review 5.2 [no. 18] (1965): 29-30. Free online and here and here (first page, second page). Rpt. in Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988), p. 187. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. An unbound manuscript of The Roominghouse Madrigals is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "artists:". Love Is a Dog From Hell: Poems, 1974-1977 (Santa Rosa: Black Sparrow Press, 1977), pp. 206-208. Free online (first two pages, last page). Drafts and an uncorrected proof of Love is a Dog from Hell are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "batting order:." 1991, Feb. 21. In the Shadow of the Rose (Santa Rosa, CA: Black Sparrow Press, 1991). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 401-402. Free online (first page, second page). Manuscript printouts are housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. First and final manuscripts of In the Shadow of the Rose and a manuscript of The Last Night of the Earth Poems are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "the big three." Dec. 27, 1989. Bukowski, 28 February 2015. Free online. Signed manuscript (photocopy) and here.

Charles Bukowski, "The Burning Of The Dream." 1986. New York Quarterly 31 (1986): 63-66. Rpt. in Bukowski, Septuagenarian Stew: Stories & Poems (Santa Rosa: Black Sparrow Press, 1990), pp. 42-48; Bukowski, Run With the Hunted: A Charles Bukowski Reader (New York: HarperCollins Publishers, 1993), pp. 68-75; Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), pp. 401ff.; and Bukowski, Essential Bukowski: Poetry, selected and ed. by Abel Debritto (New York: Ecco, 2016), pp. 150ff. Free online and here and here. Typewritten manuscript (carbon) and here. Translated into Spanish as "La vieja Biblioteca Pública de Los Ángeles…" here and here. A typewritten manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. A manuscript and first proof of Septuagenarian Stew are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid. A manuscript of Run with the Hunted: A Charles Bukowski Reader is held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid.

Charles Bukowski, "Close To Greatness." You Get So Alone at Times That it Just Makes Sense (Santa Rosa: Black Sparrow Press, 1986), pp. 133-134. Rpt. in The New York Quarterly 33 (Summer 1987): 67. Free online and here and here and here and here and here and here and here and here and with a reading. A manuscript of You Get so Alone at Times that it Just Makes Sense is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A manuscript and first proof of You Get so Alone at Times that it Just Makes Sense are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "Combat Primer." Feb. 4, 1978. New York Quarterly 25 (1979): 50. Rpt. in Lummox Journal 6 (August 2000), free online; Bukowski, Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 29; and Bukowski, What Matters Most Is How Well You Walk Through the Fire (Santa Rosa: Black Sparrow Press, 1999), p. 321. Free online and here and here and here. Signed typescript (carbon). Recorded on There's Gonna Be a God Damn Riot in Here (Woodland Hills, Calif.: Monday Media, 2008 [DVD]), free online, and One Tough Mother, Disc 1: There's Gonna Be a God Damn Riot in Here (Woodland Hills, Calif.: Monday Media, 2010 [DVD]). Translated into Portuguese by Nelson Santander as "Manual de combate" here. Translated into Spanish as "manual de combate" here. Another Spanish translation is here and here. Another Spanish translation is here. Another Spanish translation is here. A photocopy of a signed typescript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. A manuscript copy is housed in the Charles Bukowski papers, 1958-1988, MS 171, University of Arizona Libraries Special Collections. Finding aid. A file on What Matters Most is How Well You Walk Through the Fire is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. A manuscript of What Matters Most is How Well You Walk Through the Fire is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Charles Bukowski, "comments upon my last book of poesy:". Antaeus 62 (Spring 1989): 49-50. Free online (first page, second page). Rpt. in Bukowski, What Matters Most Is How Well You Walk Through the Fire (Santa Rosa, CA: Black Sparrow Press, 1999), pp. 341-342, and The Oxford Book of American Poetry, chosen and ed. by David Lehman; associate ed., John Brehm (Oxford and New York: Oxford University Press, 2006), pp. 654-655, free online. Free online. Translated into Spanish by Eduardo Iriarte in Bukowski, Lo más importante es saber atravesar el fuego, traducción de Eduardo Iriarte (Madrid: Visor Libros, 2015). Translated into Spanish as "Comentarios sobre mi último libro de poesía" here and here. A file on What Matters Most is How Well You Walk Through the Fire is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. A manuscript of What Matters Most is How Well You Walk Through the Fire is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Charles Bukowski, "The Curse." 1990. Slouching Toward Nirvana (New York: Ecco, 2005), p. 147. Rpt in Bukowski, New Poems Book Four, ed. John Martin (London: Virgin Books Ltd, 2005), pp. 120-121, free online. Signed typescript (photocopy) and here. A typewritten manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "dead." July 28, 1986. Chiron Review 41 (1994). Rpt in Rattle 7 (Summer 1997). Bukowski, 9 February 2015. Free online. Signed typescript (photocopy) and here. A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "Drooling Madness At St. Liz." Jan. 25, 1975. The American Poetry Review 4.2 (March/April 1975): 33. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 2, 1975-1977 (Prague Collective, 2014), p. 13. Free online. Signed typescript (carbon) and here. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "Experience." A Bukowski Sampler (Madison, Wis.: Quixote Press, 1969), pp. 48-49. Rpt. in Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988), pp. 215-216. Free online. An unbound manuscript of The Roominghouse Madrigals is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Charles Bukowski, "Ezra's dead; don't splash me with your horseshit." Dated 7/30/75. A copy is housed in the Charles Bukowski papers, 1958-1988, MS 171, University of Arizona Libraries Special Collections. Finding aid.

Charles Bukowski, "Ezra's Pretty Tough." Sept. 15, 1975. Back to the Machinegun, Manuscripts Volume 2, 1975-1977 (Prague Collective, 2014), p. 108. Free online. Signed typescript (carbon) and here. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid.

Charles Bukowski, "feeding the chickens and you." Dec. 31, 1990. Bukowski, 16 June 2015. Free online. Signed typescript (photocopy) and here.

Charles Bukowski, "the feel of it." The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 31-33. Free online (first page, last two pages) and here. Free online and here and here. A manuscript of The Last Night of the Earth Poems is held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "Gallery." Feb. 17, 1982. Wormwood Review 26.1 [no. 101] (1986): 36-37. Free online and here and here. Signed typescript (photocopy). Rpt., as revised, as "Rogue's Gallery" in Bukowski, The Night Torn Mad With Footsteps (Santa Rosa, CA: Black Sparrow Press, 2001), p. 82. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. A file on The Night Torn Mad with Footsteps: New Poems is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. An unbound manuscript of The Night Torn Mad with Footsteps: New Poems is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Charles Bukowski, "Goodbye." War All the Time: Poems, 1981-1984 (Santa Rosa: Black Sparrow Press, 1984), p. 169. Free online. Free online and here. Translated into Hungarian by Fenyvesi Ottó as "Isten veled" here and here. (The original manuscript (with title "goodbye, flying circus," dated Feb. 28, 1983, online here) does not mention Pound.) A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "he wrote in lonely blood." New York Quarterly 10 (Spring 1972): 44. Rpt. in Bukowski, Mockingbird, Wish Me Luck (Santa Barbara, Calif.: Black Sparrow Press, 1972), pp. 102-103, free online and here, and Robinson Jeffers Newsletter 46 (September 1976): 40. An unbound manuscript of Mockingbird, Wish Me Luck is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "Henry Miller and Burroughs." ca. 1988. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 209. Translated into Portuguese by Rodrigo Breunig as "Henry Miller e Burroughs" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "Hey, Ezra, Listen To This." 1983, May 26. War All the Time: Poems, 1981-1984 (Santa Rosa: Black Sparrow Press, 1984), p. 211. Free online. A typewritten signed manuscript is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. A manuscript of War all the Time: Poems is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A manuscript, first proof, and second proof of War All The Time: Poems 1981-1984 are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "Horse on Fire." Run with the Hunted (Chicago: Midwest, 1962). Rpt. in Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988), p. 70. Free online and here and here. An unbound manuscript of The Roominghouse Madrigals is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A manuscript of Run with the Hunted: A Charles Bukowski Reader is held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid.

Charles Bukowski, "I Used to Think." Slouching Toward Nirvana (New York: Ecco, 2005), p. 247. Rpt. in Bukowski, New Poems Book Four, ed. John Martin (London: Virgin Books Ltd, 2005), pp. 199-200, free online (first page, second page). Manuscript printout and here. A manuscript printout is held in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "I was shit." ca. late 1962. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 13. Translated into Portuguese by Rodrigo Breunig as "eu era merda" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online.

Charles Bukowski, "in finality." Dated San Pedro, CA: Oct. 16, 1990. Signed typescript (photocopy). Rpt. as "Finality" in Bukowski, Slouching Toward Nirvana (New York: Ecco, 2005), p. 64, and Bukowski, New Poems Book Four, ed. John Martin (London: Virgin Books Ltd, 2005), pp. 54-55, free online. A photocopy of a signed typescript is housed in the Ross Runfola collection on Charles Bukowski, 1966-2004, undated (bulk 1966-1993), PCMS-0053, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Charles Bukowski, "in this–." circa 1960. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), pp. 4-5. Free online and here and here. Translated into Portuguese by Rodrigo Breunig as "nisto –" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online.

Charles Bukowski, "It's Strange." Slouching Toward Nirvana (New York: Ecco, 2005), p. 264. Rpt. in Bukowski, New Poems Book Four, ed. John Martin (London: Virgin Books Ltd, 2005), pp. 211-212, free online (first page, second page). Signed typescript (photocopy).

Charles Bukowski, "junk." Sparrow 72 (September 1978). Rpt. in Bukowski, Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit (Santa Rosa: Black Sparrow Press, 1979), pp. 102-103; Bukowski, Run With the Hunted: A Charles Bukowski Reader (New York: HarperCollins Publishers, 1993), pp. 393-394, free online (first page and second page); and Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), p. 148. Free online and here and here and here and here. Translated into Spanish as "Sentado en un dormitorio oscuro con 3 drogadictas…" here and here. A reading of the poem by Bukowski is included on a disc issued with Heat Wave (Santa Rosa, CA: Black Sparrow Graphic Arts, 1995), in which the poem is printed on p. 15. A manuscript and unbound copy of Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid. A manuscript and proof of Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit are held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid. A manuscript of Run with the Hunted: A Charles Bukowski Reader is held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid.

Charles Bukowski, "the last generation." Nov. 1981. The Last Generation (Santa Barbara: Black Sparrow Press, 1982). Rpt. in Bukowski, War All the Time: Poems, 1981-1984 (Santa Rosa: Black Sparrow Press, 1984), pp. 15-17, free online, and Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), pp. 383ff. Signed typescript (photocopy). A signed typescript is held in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. A manuscript of War all the Time: Poems is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A manuscript, first proof, and second proof of War All The Time: Poems 1981-1984 are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "last try." May 7, 1978. Wormwood Review 18.3 [no. 71] (1978): 113. Free online and here. Wormwood Review 18.3 was also published as Bukowski, Legs, Hips and Behind (Stockton, Calif.: Wormwood Review Press, 1978), in which "They Arrived" appears on p. 113. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 90. Free online. Signed typescript (carbon) and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Charles Bukowski, "literary chitchat." Come On In! New Poems (New York: Ecco, 2006), pp. 9-10. Free online and here (first page, second page). A MS. printout is held in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "the lost generation." ca. 1985. The New York Quarterly 28 (1985): 44. Rpt. in Bukowski, You Get So Alone at Times That It Just Makes Sense (Santa Rosa: Black Sparrow Press, 1986), pp. 24-25. Free online and with a reading. A manuscript of You Get so Alone at Times that it Just Makes Sense is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A manuscript and first proof of You Get so Alone at Times that it Just Makes Sense are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "me and Pound's girlfriend." 9-12-79. Back to the Machinegun, Manuscripts Volume 3, 1978-1980 (Prague Collective, 2014), p. 201. Free online. Signed typescript (carbon) and here.

Charles Bukowski, "My Comrades." Painted Bride Quarterly 1.3 (Summer 1974): 26-27. Free online. Rpt. in Bukowski, Love Is a Dog from Hell: Poems, 1974-1977 (Santa Barbara: Black Sparrow Press, 1977), pp. 239-240. Free online and here and here. A Spanish translation by Juan José de Giovannini, with English and Spanish in parallel columns, was published as "Mis cuates" on p. 34 of "Ocho poemas de Charles Bukowski," Casa del tiempo, Mexico City, 2.22 (Nov. 2000): 26-35. Free online and here. Drafts and an uncorrected proof Love is a Dog from Hell are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "no bra, no panties..." August 8, 1973. Wormwood Review 14.1 [no. 53] (1974): 24-25. Free online and here and here. Rpt. in Bukowski, Back to the Machinegun, Manuscripts Volume 1, 1959-1974 (Prague Collective, 2011), p. 160. Free online. Signed typescript (carbon) and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "Now, Ezra." Bogg 66 (Winter 1992-1993): 30. Rpt. in Bukowski, Slouching Toward Nirvana: New Poems, ed. John Martin (New York: Ecco, 2005), p. 187, and Bukowski, New Poems Book Four, ed. John Martin (London: Virgin Books Ltd, 2005), pp. 151-152, free online (first page, second page). Manuscript printout and here. A copy is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid. A manuscript printout is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "O, We Are The Outcasts." Ole, Bensenville, Ill., 4 (May 1966): [21-25]. Free online. Rpt. in Ole Anthology, ed. Douglas Blazek (Glendale, Calif.: Poetry X/change, 1967), pp. 29-35; Bukowski, While the Music Played (Los Angeles: Black Sparrow Press, 1973); Bukowski, The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Santa Rosa, CA: Black Sparrow Press, 1988); Rocks Off 2 (1988); and Bukowski, Essential Bukowski: Poetry, selected and ed. by Abel Debritto (New York: Ecco, 2016). Free online and here and here and here and here. An unbound manuscript of The Roominghouse Madrigals is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "the only life." December 16, 1989. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 216. Translated into Portuguese by Rodrigo Breunig as "a única vida" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019).

Charles Bukowski, "our gang." Nov. 25, 1990. Gas 1 (1990). Rpt. in Bukowski, On Cats, ed. Abel Debritto (New York: Ecco, an imprint of HarperCollins Publishers, 2015), p. 95, free online. Free online and here. A typescript is housed in the Charles Bukowski Poems, ca. 1966-1994, Mss 246, Department of Special Collections, Davidson Library, University of California, Santa Barbara. Finding aid.

Charles Bukowski, "A Rambling Essay on Poetics and the Bleeding Life Written While Drinking a Six-pack (Tall)." Ole, Bensenville, Ill., 2 (March 1965). Rpt. in Intermission Yearbook (1966); Flash of Pasadena 4 (May 1967); Bukowski, A Bukowski Sampler, ed. Douglas Blazek (Madison, Wis.: Quixote Press, 1969), pp. 9-15; and Bukowski, Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990, ed. and with an introd. by David Stephen Calonne (San Francisco: City Lights, 2008).

Charles Bukowski, "right rear." February 13, 1993. X-Ray Magazine (San Francisco) 1.1 (1993). Reproduced in facsimile of the typescript in Abel Debritto, "Charles Bukowski’s Posthumous Poetry: As the Spirit Wanes, Shit Happens," Los Angeles Review of Books, March 2, 2018, free online. Free online and here. (An edited version of the poem, published under the title "born again" in Bukowski, The Flash of Lightning Behind the Mountain: New Poems (New York: Ecco, 2004), omits the reference to Pound.)

Charles Bukowski, "A Sickness." New York Quarterly 45 (1991): 36. Rpt., as revised, under the title "a sickness?" in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), pp. 155-161, free online (published in England under the title New Poems (London: Virgin, 2003)). Free online and here and here. The text of A Source of Light, by Mohammed Fairouz, Section II of which is a setting of "a sickness?" A manuscript printout is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "the smallest of talk." Dec. 16, 1989. Bukowski, 23 February 2015. Free online. Signed typescript (photocopy) and here.

Charles Bukowski, "the solar mass: soul: genesis and geotropism:". ca. 1970. Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017). Translated into Portuguese by Rodrigo Breunig as "a massa solar: alma: gênese e geotropismo" in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). A reading by the poet. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "Strange (1990)." June 3, 1990. The Wormwood Review 35.1 [no. 137] (1995): 46. Free online and here. A signed typescript. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Charles Bukowski, "them and us." The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 265-267. Free online (first page, last two pages). A manuscript of The Last Night of the Earth Poems is held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "They Arrived." Wormwood Review 18.3 [no. 71] (1978): 81-82. Free online and here (first page, second page). Wormwood Review 18.3 was also published as Bukowski, Legs, Hips and Behind (Stockton, Calif.: Wormwood Review Press, 1978), in which "They Arrived" appears on pp. 81-82. Rpt., as revised, as "they arrived in time" in Bukowski, What Matters Most Is How Well You Walk Through the Fire (Santa Rosa: Black Sparrow Press, 1999), pp. 324-325, and Books and Libraries: Poems, ed. Andrew D. Scrimgeour (New York: Alfred A. Knopf, 2021), pp. 66-68. Translated into Spanish by Eduardo Iriarte in Bukowski, Lo más importante es saber atravesar el fuego, traducción de Eduardo Iriarte (Madrid: Visor Libros, 2015). Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. A file on What Matters Most is How Well You Walk Through the Fire is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. A manuscript of What Matters Most is How Well You Walk Through the Fire is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Charles Bukowski, "This Dirty, Valiant Game." The Nihilistic Review 1.3 (Fall 1991). Rpt. in Bukowski, Betting on the Muse: Poems & Stories (Santa Rosa, Calif.: Black Sparrow Press, 1996), pp. 221-224, free online (first page, next two pages, last page). Free online. Translated into Hungarian by Gyukics Gábor as "Ez a mocskos, harcias játék" here. A manuscript printout is housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid.

Charles Bukowski, "Trollius and trellises." circa 1988. Long Shot 7 (1988). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa: Black Sparrow Press, 1992), pp. 54-57, free online (first two pages, last two pages); Bukowski, Run With the Hunted: A Charles Bukowski Reader, ed. John Martin (New York: HarperCollins Publishers, 1993), pp. 487-491, free online (first two pages, next two pages, last page); Bukowski, The Pleasures of the Damned: Poems, 1951-1993, ed. John Martin (New York: Ecco, 2007), pp. 373-377, free online (first page, next two pages, last two pages); and Bukowski, On Love, ed. Abel Debritto (New York: Ecco, 2016), pp. 178ff. Free online and here and here and here and here and here and here and here and here. Translated into Spanish by Abel Debritto in Bukowski, On love = Amor, edición y traducción de Abel Debritto (Madrid: Visor Libros, 2017). A reading of the poem. A manuscript of The Last Night of the Earth Poems is held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid. A manuscript of Run with the Hunted: A Charles Bukowski Reader is held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid.

Charles Bukowski, "vegas." Quicksilver 14.3 (1961). Rpt. in Bukowski, Run With the Hunted (Chicago: Midwest, 1962), p. 16; Bukowski, It Catches My Heart In Its Hands: New & Selected Poems, 1955-1963 (New Orleans, La.: Loujon Press, 1963), p. 52; Bukowski, Burning in Water, Drowning in Flame: Selected Poems 1955-1973 (Santa Rosa: Black Sparrow Press, 1974), p. 33, free online and here and here; Poems of the American West, selected and ed. by Robert Mezey (New York: Alfred A. Knopf, 2002), pp. 90-91; and Poems for America: 125 Poems That Celebrate the American Experience, ed. Carmela Ciuraru (New York, London, Toronto, Sydney, Singapore: Scribner Poetry, 2002), pp. 139-140. Free online and here and here and here and here. A manuscript of Run with the Hunted: A Charles Bukowski Reader is held in the Black Sparrow Press collection, 1966-2002, Manuscript Collection No. 1070, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid. A typewritten manuscript, printer's manuscript, first proofs, and final proofs of Burning in Water, Drowning in Flame are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Charles Bukowski, "we are always one step removed." ca. 1993. The New Censorship (Denver, Col.) 4.2 (May 1993). Rpt. as "one step removed" in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), p. 38, free online and here, and Bukowski, New Poems, Book 1 (Virgin, 2003), p. 27, free online. Free online.

Charles Bukowski, "well, now that Ezra has died..." November 1972. Wormwood Review 14.1 [no. 53] (1974): 21-22. Free online and here and here (first page, second page). Rpt. in Choice 9 (1974) and in Bukowski, Storm for the Living and the Dead: Uncollected and Unpublished Poems, ed. Abel Debritto (New York: Ecco, 2017), p. 89. Translated into Portuguese by Rodrigo Breunig as "bem, agora que Ezra morreu..." in Bukowski, Tempestade para os vivos e para os mortos: Poemas inéditos e dispersos, editado por Abel Debritto, tradução de Rodrigo Breunig (Porto Alegre [RS]: L&PM Editores, 2019). Free online and here. A reading by the poet. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. Two typescript versions plus one photostat are held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "What They Want." Los Angeles Free Press 12.556 (March 14, 1975): W. Free online. Rpt. as Bukowski, What They Want ([Santa Barbara? Calif.], 1977) and in Bukowski, Love Is a Dog from Hell: Poems, 1974-1977 (Santa Barbara: Black Sparrow Press, 1977). Free online and here and here and here. An Italian translation by Giuseppe Braga was published as "Quel che vogliono" in ClanDestino 6 (1993): 21 (with the English text on p. 20). A Spanish translation by Juan José de Giovannini, with English and Spanish in parallel columns, was published as "Lo que ellos quieren" on p. 27 of "Ocho poemas de Charles Bukowski," Casa del tiempo, Mexico City, 2.22 (Nov. 2000): 26-35. Free online and here. Drafts and an uncorrected proof of Love is a Dog from Hell are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Charles Bukowski, "the word." In the Shadow of the Rose (Santa Rosa, CA: Black Sparrow Press, 1991). Rpt. in Bukowski, The Last Night of the Earth Poems (Santa Rosa, CA: Black Sparrow Press, 1992), pp. 387-392. Free online (first page, next two pages, next two pages, last page) and here. Translated into Spanish as "La palabra" here. Manuscript printouts are housed in the Charles Bukowski papers, 1965-2006 (bulk 1965-1994), mssBUK 1-1693, Manuscripts Department, The Huntington Library, San Marino, California. Finding aid. First and final manuscripts of In the Shadow of the Rose and a manuscript of The Last Night of the Earth Poems are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid. A typescript copy is held in the Charles Bukowski Papers, ca. 1955-1980, Mss 12, Davidson Library, University of California, Santa Barbara, Santa Barbara, CA. Finding aid.

Charles Bukowski, "work-fuck problems." Aug. 31, 1971. Vagabond 13 (1972): 24. Rpt. in Bukowski, Sifting Through the Madness for the Word, the Line, the Way: New Poems, ed. John Martin (New York: Ecco, 2003), pp. 91-93, free online (first page, last two pages); Bukowski, New Poems Book One (London: Virgin Books, 2003); and Bukowski, Back to the Machinegun, Manuscripts Volume 1, 1959-1974 (Prague Collective, 2011), p. 78. A signed typescript of the poem and here. A signed typescript is housed in the Ross Runfola collection on Charles Bukowski, 1966-2004, undated (bulk 1966-1993), PCMS-0053, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Basil Bunting, "On the Fly-Leaf of Pound's Cantos." 1949. Agenda 4.2 (Oct.-Nov. 1965): 28. Rpt. in Bunting, First Book of Odes (London, Fulcrum Press, 1965); Bunting, Loquitur (London: Fulcrum Press, 1965), p. 58; Ronald H. Bayes, [review of Bunting, Loquitur],West Coast Review 3.2 (1968): 39-42 (at 41), free online; Bunting, Collected Poems (London: Fulcrum Press, 1968), p. 122; Bunting, Collected Poems (Oxford, London, New York: Oxford University Press, 1978), p. 110; Sister Victoria Marie Forde, S.C., "The Odes," Basil Bunting: Man and Poet, ed. Carroll F. Terrell (Orono: National Poetry Foundation, 1981), pp. 125-144 (at 134); Macmillan Anthologies of English Literature, 5. The Twentieth Century (1900-present), ed. Neil McEwan (Basingstoke: Macmillan, 1989), p. 383, free online; Victoria Forde, The Poetry of Basil Bunting (Newcastle upon Tyne: Bloodaxe Books, 1991), p. 93; Bunting, Complete Poems (Oxford: Oxford University Press, 1994), p. 114, free online; The Harvill Book of Twentieth-Century Poetry in English, ed. Michael Schmidt (London: The Harvill Press, 1999), p. 182, free online; Nick Selby, "Answering 'Each in His Nature': Some Ways out of The Cantos," Exorcising Modernism, ed. Mikołaj Wiśniewski (Warszawa: Szkoła Wyższa Psychologii Społecznej [SWPS], 2014), pp. 142-185 (at 142), free online; Rebecca Bradburn, "'On the Fly-Leaf': Basil Bunting and the (Peri)Textual Condition," Oxford Research in English 12 (Summer 2021): 1-22 (at 1), free online and here; Sascha Pöhlmann, "Thereness: Video Game Mountains as Limits of Interactivity," JAAAS: Journal of the Austrian Association for American Studies 2.2 (2021): 213-245 (at 213), free online and here; and Kent Su, "Ezra Pound and Interdisciplinary Poetics: An Interview with Massimo Bacigalupo," Interdisciplinary Studies of Literature (ISL) 6.3 (September 2022): 377-388 (at 385), free online and here. Free online and here and here and here and here and here and here and here and here. Readings by the author. Translated into Portuguese by Nelson Ascher as "Na pagina-guarda dos cantos de Pound" in Mandorla: Nueva escritura de las Americas • New Writing from the Americas 5 (1996): 37, free online and here. Translated into Spanish by Silvia Camerotto as "en la guarda de los cantos de Pound," De sibilas y pitias, diciembre 24, 2009, free online.

Basil Bunting, "The Spoils." Written in 1951. Poetry 79.2 (Nov. 1951): 84-97 ["One cribbed in a madhouse | set about with diagnoses" (3, p. 94)]. Free online. Separately published as The Spoils: Newcastle upon Tyne (Newcastle upon Tyne: Morden Tower Book Room, 1951). Rpt. in Bunting, Collected Poems (London: Fulcrum Press, 1968), pp. 37-48 ["One cribbed in a madhouse | set about with diagnoses," p. 45] and British Poetry Since 1945, ed. with an introd. by Edward Lucie-Smith (Harmondsworth, Middlesex England: Penguin Books, 1970), pp. 49-59 ["One cribbed in a madhouse | set about with diagnoses," p. 57]. Free online. There is a folder of manuscripts by Basil Bunting in Series II: Administrative Files, 1936-1953. Subseries 1: Manuscripts - Major Contributors, Poetry: A Magazine of Verse. Records, 1895-1961, ICU.SPCL.POETRY, Hanna Holborn Gray Special Collections Research Center, University of Chicago Library, Chicago, Illinois. Finding aid.

Michael R. Burch, "Rant: The Elite." The HyperTexts, 2019. Free online and here.

Jeremy Thomas Burke, "Hound." Ellipsis: A Journal of Art, Ideas, and Literature (University of New Orleans) 45 (2018). Free online.

J. Thomas Burke, "Perpetual Care." A poem from his thesis "Summer Troubles and Other Poems" (M.F.A., University of New Orleans, 2019). Mojave River Review 5.1 (Spring/Summer 2019): 78-79. Free online.

Martin Burke, "Tain," "Ezra Pound." The Galway Review, April 19, 2014. Free online.

Michael R. Burch, "Rant: The Elite." PoetrySoup, 2023. Free online.

Clint Burnham, Pound @ Guantánamo: 20 Poems, 2005-2014 (Vancouver, BC: Talonbooks, 2016).

Gerald Burns, "A Church in Daylight." Another Chicago Magazine 29 (Spring 1995): 12-14.

Gerald Burns, "Fretting an Upscale Themis." TEMBLOR: Contemporary Poets 10 (1989): 105-109. Free online.

Gerald Burns, "Poem with Holes In." Ironwood 16.1-2 [nos. 31-32] (Spring/Fall 1988): 192-194. Rpt. in Burns, Shorter Poems (Normal, IL: Dalkey Archive Press, 1993), pp. 6-7 (free online). Typescript drafts of Shorter Poems are housed in the Gerald Burns Manuscripts and Other Documents, Special Collections & Archives, UC San Diego, La Jolla, CA. Finding aid.

Gerald Burns, "Poem with Holes In"; "Dan Sestina in Prison"; "This End Up"; "Louis Dixhuitieme Son Histoire"; "Blueprint Facades"; "Sex Fear"; "Anthology's Garland"; "Mistaken Identities"; "Reliquaria"; "Art and Industry." Shorter Poems (Normal, IL: Dalkey Archive Press, 1993), pp. 6-7 (free online), 8-9 (free online), 33-34 (first page, second page), 35-36 (first page, second page), 41-42 (first page, second page), 51-52 (first page, second page), 68 (free online), 71-72 (first page, second page), 84-85 (free online), 103 (free online). An AMS and 2 printouts of "Reliquaria" are housed in the Gerald Burns Collection, Collection Number 00618, Harry Ransom Center, University of Texas at Austin, Austin, TX. Description. Typescript drafts of Shorter Poems are housed in the Gerald Burns Manuscripts and Other Documents, Special Collections & Archives, UC San Diego, La Jolla, CA. Finding aid.

Suzanne Burns, [poem mentioning Pound]. The Paris Poems (Buffalo, New York: BlazeVOX [Books], 2010).

Stephen Burt, "After Callimachus." Parallel Play: Poems (Saint Paul, Minn.: Graywolf Press, 2006), p. 39. Free online. Rpt. as "'Bunting I like, but not Olson, or Bernstein, or Pound' (Epigram 30)" in Stephanie Burt, After Callimachus: Poems, Foreword by Mark Payne (Princeton: Princeton University Press, 2020), p. 87.

Edward Butscher, "The Age Demanded an Image: A Villanelle for Ezra Pound." Little Magazine 5.2 (Summer 1971): 8-9. Free online. Rpt. in Butscher, Poems about Silence (New York: Seabury Press, 1976), pp. 112-113, free online.

Witter Bynner, "Ezra Pound." In Emanuel Morgan [i.e., Witter Bynner], "Pins for Wings," Reedy's Mirror (St. Louis) 28.47 (November 20, 1919): 812 ["EZRA POUND | A rhythmic busybody | Announcing himself busy"]. Free online. "Pins for Wings" was reprinted in The Chapbook 2.13 (July 1920): 25-28 ("Ezra Pound" at 26) ["EZRA POUND . . . . A rhythmic busybody Announcing himself busy"], free online and here. A different version was printed in Emanuel Morgan [i.e., Witter Bynner], Pins for Wings (New York: The Sunwise Turn, 1920), p. 24 ["EZRA POUND a book-worm in tights"]. Free online and here and here and here. The book version was rpt. in Bynner, Selected Poems, ed., and with a critical introd., by Richard Wilbur. Biographical introd. by James Kraft (New York: Farrar, Straus, Giroux, 1978), p. 91, free online, and Bynner, The Selected Witter Bynner: Poems, Plays, Translations, Prose, and Letters, ed. James Kraft (Albuquerque: University of New Mexico Press, 1995), p. 51, free online. Bynner was identified as the author in Harriet Monroe, "Mr. Bynner's Skit," Poetry 18.1 (April 1921): 52, free online and here and here.

James Byrne, "Inclub Satires." Blood/Sugar (Todmorden: Arc Publications, 2009), pp. 70-81 [A Note to Ezra Pound from The Dreamer Party, pp. 70-71, free online and here and here].

Laurie Byro, "Daphne, With Your Thighs in Bark. After Ezra Pound." Hopeless Romance (Joshua Tree, CA: Cholla Needles Arts & Literacy Library, 2020), p. 8.

Laurie Byro, "Ezra." La Dogaressa & Other Poems (Benton, Arkansas: Cowboy Buddha Publishing, LLC, 2018).

Laurie Byro, "Ezra Pound, a Village Explainer (Gertrude Stein)." South Florida Poetry Journal 6 (August 2017). Free online.