F

 

Kathy Fagan, "Recovery." TriQuarterly 109 (Fall 2000): 240-241. Free online. Rpt. in Fagan, The Charm (Lincoln, NE: Zoo Press, 2002), pp. 46-47, free online; Fagan, Kathy Fagan Greatest Hits 1983-2003 (Pudding House Publications, 2003), pp. 32-33, free online; and Cap City Poets, eds. Steve Abbott, Connie Willett Everett, Rose Smith (Pudding House Publications, 2008), pp. 49-50. Free online.

Warren Falcon, "The Drying Assuages, Being A Parody In Part Of T.S. Eliot's 'four Quartets' Invoking Samuel Beckett, A Bit Of James Joyce, & A Final Haunting By Ezra Pound by Warren Falcon - The Drying Assuages, Being A Parody In Part Of T.S. E." Poemhunter, September 27, 2013. Free online.

Shaun Farragher, "Two Poems for Ezra Pound." Texas Quarterly 16.2 (Summer 1973): 88. Rpt. in The Smith 30 (Thanksgiving Day 1973): 10.

Elaine Feinstein, "April Fools' Day." 1914: Poetry Remembers, ed. Carol Ann Duffy (London: Faber and Faber, 2013), pp. 74-75. Free online. Rpt. in Feinstein, Portraits (Manchester: Carcanet Press, 2015) and Feinstein, The Clinic, Memory: New and Selected Poems (Manchester: Carcanet Press, 2017), free online. Free online and here and here and here and here and here.

Elaine Feinstein, "Letter to Ezra Pound." Talking to the Dead (Manchester: Carcanet, 2007), p. 47.

John Felton, "Mr. E *** P ****." No. 6 of "Contemporary Caricatures," The Egoist 1.15 (1 August 1914): 296-297 (at 297). Free online. Rpt. in William C. Wees, Vorticism and the English Avant-Garde (Toronto and Buffalo: University of Toronto Press, 1972), pp. 123-124, and Mock Modernism: An Anthology of Parodies, Travesties, Frauds, 1910-1935, ed. Leonard Diepeveen (Toronto: University of Toronto Press, 2014), p. 133, free online.

Lawrence Ferlinghetti, Americus: Book I (New York: New Directions Publishing, 2004) (III, pp. 9-18; XII, pp. 77-83).

Lawrence Ferlinghetti, "Autobiography." A Coney Island of the Mind (New York: New Directions, 1958), pp. 60-66. Free online. Rpt. in Ferlinghetti, An Eye on the World: Selected Poems (London: MacGibbon & Kee, 1967), pp. 64-71; Literature in Critical Perspectives: An Anthology, ed. Walter K. Gordon (New York: Appleton-Century-Crofts, 1968), pp. 138-143; The San Francisco Poets, ed. David Meltzer (New York: Ballantine Books, 1971), pp. 172-180; The Language Lens, [compiled by] R. Brent Bonah [and] Sheila Shively (Englewood Cliffs, N.J., Prentice-Hall, 1973), pp. 29-32; The Beats: An Anthology of 'Beat' Writing, ed. Park Honan (London: Dent, 1987), pp. 37-45; Ferlinghetti, These are My Rivers: New & Selected Poems 1955-1993 (New York: New Directions, 1993), pp. 105-112; Singing America, selected with an introd. by Neil Philip (New York: Viking, 1995), pp. 132-143; Poems from Penny Lane, eds. Gary Parrish, Jr., and LeAnn Bifoss (Boulder, CO: Farfalla Press/McMillan & Parrish, 2003), pp. 106-113; Beat Collection, ed. Barry Miles (London: Virgin Books, 2005), pp. 240-248; and New Hungers for Old: One-Hundred Years of Italian-American poetry, ed. Dennis Barone (Scottsdale, AZ: Star Cloud Press, 2011), pp. 83-93. Free online and here and here and here and here. Translated into Portuguese as "Autobiografia." Free online. Translated into Spanish as "Autobiografía." Free online and here.

Lawrence Ferlinghetti, "A Baseball Canto." WEW Review (1971): 2. Rpt. in KPFA Folio (22 Dec. 1971): 8; as "Watching Baseball" in Ferlinghetti, Open Eye (Melbourne: Sun Books, 1972), pp. 12-14; San Francisco Phoenix 1.9 (11 Jan. 1973): 21; Ferlinghetti, Open Eye, Open Heart (New York: New Directions, 1973), pp. 93-95; as "Baseball Canto" in Ferlinghetti, These are My Rivers: New & Selected Poems 1955-1993 (New York: New Directions, 1993), pp. 178-179; and Ferlinghetti, San Francisco Poems (San Francisco, CA: City Lights Foundation, 2002). Free online and here and here and here and here. Translated into Spanish as "Canto al béisbol," Litoral 193-194 (Jan. 1992): 98-99, rpt. in Poesía norteamericana contemporánea, selección y traducción, Charles Matz y Ana Jordá (Torremolinos, Málaga: Litoral, 1992), pp. 98-99 [número monográfico de la revista Litoral]. Recorded on Lawrence Ferlinghetti Live at the Poetry Center (Chicago, Ill.: Poetry Center of Chicago, 2002).

Lawrence Ferlinghetti, A Far Rockaway of the Heart (New York: New Directions Publishing Corporation, 1998) (Section #11, pp. 15-18, free online).

Lawrence Ferlinghetti, "Modern Poetry is Prose (But it is Saying Plenty)." New Directions in Prose and Poetry 42 (1981): 1-8. Rpt. in Ferlinghetti, The Populist Manifestos: Plus an Interview with Jean-Jacques Lebel (San Francisco: Grey Fox Press, 1981), pp. 19-27; Literature & the Urban Experience: Essays on the City and Literature, eds. Michael C. Jaye and Ann Chalmers Watts (New Brunswick, N.J.: Rutgers University Press, 1981), pp. 3-9; 20th Century Poetry and Poetics, ed. Gary Geddes (Don Mills: Oxford University Press, 2006); and Ferlinghetti, Poetry as Insurgent Art (New York: New Directions, 2007).

Lawrence Ferlinghetti, "Populist Manifesto. For Poets, with Love." An early version was broadcast by the author on KPFA/FM in April 1975. First published in Granite Independence (Grantham, N.H.) (May 1975). Rpt. in Chicago Review 27.1 (Summer 1975): 23-25, first page; Nitty Gritty (Pasco, Washington) 1.1 (1975); New Directions in Prose and Poetry 31 (1975): 179-182; Ferlinghetti, Who Are We Now? (New York: New Directions, 1976), pp. 61-64; Ferlinghetti, The Populist Manifestos: Plus an Interview with Jean-Jacques Lebel (San Francisco: Grey Fox Press, 1981), pp. 3-7; Ferlinghetti, Wild Dreams of a New Beginning (New York: New Directions, 1988), pp. 61-64; and Ferlinghetti, Poetry as Insurgent Art (New York: New Directions, 2007). Free online and here. Translated into Italian as "Manifesto populista: per i poeti con amore," Impegno (Sicily) 70.12/18 (1974/75): 74-77. Translated into Dutch by Simon Vinkenoog as "Populistisch manifest," Mandala (Amsterdam, The Netherlands) 8 (September 1978): 50-53. Translated into Albanian as Manifesti popullor ([Prishtinë, 1988).

Lawrence Ferlinghetti, "Pound at Spoleto." Saturday Review 48.36 (4 Sept. 1965): 20. Rpt. in City Lights Journal 3 (1 Jan. 1966): 157-158; as "A Recollection of Ezra Pound at Spoleto: Summer 1965," San Francisco Phoenix 1.9 (11 Jan. 1973): 21; Ferlinghetti, Open Eye, Open Heart (New York: New Directions, 1973), pp. 58-59; Electric Underground: A City Lights Reader, ed. Laurence James (London: New English Library, 1973), pp. 76-77; Contemporary American Poetry, 3rd ed., ed. A. Poulin, Jr. (Boston: Houghton Mifflin Co, 1980), p. 141; Ferlinghetti, Endless Life: Selected Poems (New York: New Directions Publishing Corporation, 1981), pp. 117-118; The Postmoderns: The New American Poetry Revised, ed. and with a new pref. by Donald Allen and George F. Butterick (New York: Grove Press, 1982), pp. 78-79, free online; 'What Thou Lovest Well Remains': 100 Years of Ezra Pound, ed. Richard Ardinger ([Hailey, Idaho]: Limberlost Press, 1986), p. 89; Ferlinghetti, These are My Rivers: New & Selected Poems 1955-1993 (New York: New Directions, 1993), pp. 174-175; and The Beat Book: Poems and Fiction of the Beat Generation, ed. Anne Waldman; foreword by Allen Ginsberg (Boston, Mass.: Shambhala, 1996), p. 229. Free online. Translated into Spanish by Juan Arabia as "Pound en Spoleto." Free online and here and here and here. Translated into Czech by J. Zábrana as "Pound ve Spoletu," Mistr těch, kteří vědí, ed. Petr Mikeš (Olomouc: Votobia, 1995), pp. 107-110.

Lawrence Ferlinghetti, Tyrannus Nix? (New York: New Directions, 1969), p. 10. Reprinted and translated into Russian in Antologiia poezii bitnikov: beat, ed. and trans. Galina Andreeva (Moskva: Ul'tra-kul'tura, 2004), pp. 185-194. Free online.

Lawrence Ferlinghetti, "What's Happening in Hailey, Idaho." Paideuma 34.2-3 (Fall & Winter 2005): 327. Free online.

Conrad Festa, "Introduction to a Seminar on Ezra Pound." St. Andrews Review 3.3 (Autumn-Winter 1975): 42.

Kurt Fickert, "An Encounter: T. S. Eliot and Ezra Pound." The New York Quarterly 47 (1992): 66.

Matt Field, "Pound Wise." CEA Critic 35.1 (November 1972): 42.

Roger Finch, "Looking for Ezra Pound's Grave." Hiram Poetry Review 41 (Fall-Winter 1986-87): 22. Rpt. in Finch, According to Lilies (Carcanet, 1992), p. 57, and in Tributaries: An Anthology of the Savannah Writers Group. Senior Editor: Sasha Janel McBrayer (2017), pp. 87-88.

Allen Fisher, "African Twist." Reality Studios 6.1-4 [nos. 27-30] (1984): 13-18. Free online. Rpt. in Fisher, Brixton Fractals: Gravity as a Consequence of Shape: First Set (London: Aloes Books, 1985), pp. 33-37, and Fisher, Gravity (Cambridge: Salt, 2004), pp. 24-30.

Allen Fisher, "Atkins Stomp." Brixton Fractals: Gravity as a Consequence of Shape: First Set (London: Aloes Books, 1985), pp. 29-32. Rpt. in Fisher, Gravity (Cambridge: Salt, 2004), pp. 32-36, and News From Afar. Ezra Pound and Some Contemporary British Poetries, ed. Richard Parker (Bristol: Shearsman Books, 2014), pp. 194-197.

Deborah Flanagan, "Unauthorized Autobiography of Peggy Guggenheim." Mudlark Poster (Department of English, University of North Florida) 94 (2011). Free online and here.

Marion H. Flanigan, "For Ezra Pound." The Pale Cast of Thought (La Vergne: Covenant Books, Inc., 2018). Second page (of two).

Miguel Flores Ramírez, "Ezra Pound." Translated by Linda Scheer. Poetry of Transition: Mexican Poetry of the 1960s and 1970s, eds. Linda Scheer and Miguel Flores Ramírez (Ann Arbor: Translation Press, 1984), p. 140. Free online.

Keith Flynn, "The Death of the Poet." The Lost Sea (Oak Ridge, TN: Iris Press, 2000).

Charles Ford, "A Walk Under the Elements {02/22/98} [025]." Hidden Fields: Book 2: New and Collected Poems 1982-2006 (iUniverse, 2009), pp. 27-28. Free online.

Ford Madox Ford. See F[ord]. M[adox]. H[ueffer].

Paul Foreman, "Ezra, you came too late." Redwing Blackbird: Poems (San Francisco: Headstone Press, 1973).

Paul Foreman, "Post Midnight: An Elegy for Ezra Pound." Hyperion 3.3 [no. 10] (Fall 1973). Rpt. in Foreman, Redwing Blackbird: Poems (San Francisco: Headstone Press, 1973).

J.R. Forman, "Paper Money." Make It New 2.2 (September 2015): 51-2. Free online. [Includes reading by the author.] Also in A Packet of Poems for Ezra Pound. Eds. Catherine Paul and Justin Kishbaugh. Clemson: Clemson UP, 2017. 22-4.

Martin Foroz [Mohammad Forouzani], "The Inhabitant" [In reply to Ezra Pound's Seafarer]. A Louvre of Verse (eBookIt.com, 2020).

Veronica Forrest-Thomson, Cordelia, or, A poem should not mean, but be (Loughborough [England], 1974). Rpt. in Forrest-Thomson, On the Periphery (Cambridge: Street Editions, 1976), pp. 35-39; Anthology of Twentieth-Century British and Irish Poetry, ed. Keith Tuma (New York: Oxford University Press, 2000); Critical Quarterly 50.3 (October 2008): 4-9; and Forrest-Thomson, Collected Poems, ed., with notes and variants, by Anthony Barnett (Exeter: Shearsman Books, 2008). Free online and here. Translated into Spanish as “Cordelia, o 'Un poema no debería significar sino ser.'" Free online.

Veronica Forrest-Thomson, "In Memoriam Ezra Pound." On the Periphery (Cambridge: Street Editions, 1976), p. 24. Rpt. in Forrest-Thomson, Collected Poems and Translations (London: Allardyce, Barnett, 1990); Forrest-Thomson, Selected Poems: Language-games, On the Periphery and Other Writings (Brighton: Invisible Books, 1999); and Forrest-Thomson, Collected Poems, ed., with notes and variants, by Anthony Barnett (Exeter: Shearsman Books, 2008), pp. 132-133.

Veronica Forrest-Thomson, "Individuals." Collected Poems, ed., with notes and variants, by Anthony Barnett (Exeter: Shearsman Books, 2008), p. 67. Free online and here.

Veronica Forrest-Thomson, "Letters of Ezra Pound." Collected Poems, ed., with notes and variants, by Anthony Barnett (Exeter: Shearsman Books, 2008), p. 64.

Veronica Forrest-Thomson, "Le pont traversé: Ode." On the Periphery (Cambridge: Street Editions, 1976), p. 24. Rpt. in Forrest-Thomson, Collected Poems and Translations (London: Allardyce, Barnett, 1990) and Forrest-Thomson, Collected Poems, ed., with notes and variants, by Anthony Barnett (Exeter: Shearsman Books, 2008), pp. 130-131.

Graham Foust, "Poem for Ezra Pound and Johnny Knoxville." A Mouth in California ([Chicago]: Flood Editions, 2009). Free online.

Gene Fowler, [poem]. Fires: Selected Poems, 1963-1976 (Berkeley, Calif.:Thorp Springs Press, 1975), p. 26.

Angélica Freitas, "nao consigo ler os cantos." Rilke Shake (São Paulo: CosacNaify; Rio de Janeiro: 7Letras, 2007), p. 38. Free online and here and here and here and here. Translated into English as "i can’t manage to read the cantos" by Hilary Kaplan in Freitas, Rilke Shake, trans. Hilary Kaplan (Los Angeles: Phoneme Media, 2015). Free online. Translated into German in Freitas, Rilke Shake: ausgewählte Gedichte. Zweisprachig. Aus dem brasilianischen Portugiesisch von Odile Kennel (Wiesbaden: Lux, 2010). Translated into Spanish as "no consigo leer los cantos" by Cecilia Pavón in Caos portatil: poesía contemporánea del Brasil. Edición bilingue. Selección de Camila do Valle y Cecília Pavón. Traducción de Cecilia Pavón (México: Edicones El Billar de Lucrecia, 2007). Free online.

Erich Fried, "Größenunruhe und -ordnung." Beunruhigungen: Gedichte (Berlin: K. Wagenbach, 1984), p. 85. Rpt. in Fried, Gesammelte Werke. Gedichte 3, herausgegeben von Volker Kaukoreit und Klaus Wagenbach (Berlin: K. Wagenbach, 1993), p. 135.

Erich Fried, "Vexierbild," Akzente, München, 26.1/2 (Feb. 1979): 108-114.  Alludes to Hugh Selwyn Mauberley.

Benjamin Friedlander, "Please Help." One Hundred Etudes (Washington, D.C.: Edge Books, 2012), pp. 161-164. Rpt. in Bob Perelman, Modernism the Morning After (Tuscaloosa: University of Alabama Press, 2017), pp. 120-121.

Robert Frost, "I am a Mede and Persian." ca. 20 July 1913. In: Frost, Selected Letters, ed. Lawrance Thompson (New York: Holt, Rinehart and Winston, 1964), pp. 85-86. Rpt. in Frost, Collected Poems, Prose & Plays, [selection and notes by Richard Poirier and Mark Richardson] (New York: Library of America, 1995), pp. 528-529. Free online.

Suzanne Frost, "Pound in a Cage." The Broadsider: A Magazine of Rescued Poems (Millbrae, CA) 2 (2010), Series 2 [broadside].

T. A. Fry, "To Ezra Pound." Fourteen Lines, Dec. 5, 2017. Free online.

John Fuller, "To Ian Hamilton." The Listener 89.2287 (25 Jan. 1973): 121. Rpt. in Fuller, Epistles to Several Persons (London: Secker and Warburg, 1973), pp. 41-47; Fuller, Poems & Epistles (Boston: David R. Godine, Publisher, 1973), pp. 111-115; and Fuller, Collected Poems (London: Chatto & Windus, 1996), pp. 108-112. Free online.

 

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