Anthony Haas, "Masks Ever-Changing," "Rochester Notes," "Sunday Afternoon." Mongoose: Poems 2002 to 2007 (Bloomington, IN: AuthorHouse, 2008), pp. 269 (unknown title), 386, 401-402, 415.

Donald Hall, "The Second Inning." New American Writing 10 (Fall 1992): 32-34. Rpt. in Hall, The Museum of Clear Ideas (Boston: Houghton Mifflin Co., 1994), pp. 16-18, free online (first two pages, last page) and Hall, White Apples and the Taste of Stone: Selected Poems, 1946-2006 (Boston: Houghton Mifflin, 2007), pp. 219-222.

Donald Hall, "Sestina." London Magazine 3.8 (August 1956): 25. Rpt. in Audience: A Quarterly Review of Literature and the Arts 5.1 (May 1957): 14; New Poets of England and America, eds. Donald Hall, Robert Pack, and Louis Simpson; introd. by Robert Frost (New York: Meridian Books, 1957), p. 96; Hall, The Dark Houses (New York: The Viking Press, 1958), p. 47; Hall, The Alligator Bride: Poems New and Selected (New York: Harper & Row, 1969), p. 23; Hall, Old and New Poems (New York: Ticknor & Fields, 1990), p. 41; Hall, White Apples and the Taste of Stone: Selected Poems 1946-2006 (New York: Houghton Mifflin, 2007), p. 18; The Incredible Sestina Anthology, ed. Daniel Nester (Austin, Tex.: Write Bloody Publishing, 2013), free online; and Obsession: Sestinas in the Twenty-First Century, eds. Carolyn Beard Whitlow and Marilyn Krysl (Hanover, New Hampshire]: Dartmouth College Press, 2014), p. 110.

James R. Hall, Jr., "Elegy For Ezra Pound." The Angle 1 (1968). Free online and here.

Daniel Halpern, "Ezra Pound." Southern Review, Baton Rouge, La., XXI.1 (Jan. 1985) 122-23. First page. Reprinted (with variations) as "Pound" in Halpern, Tango: Poems by Daniel Halpern (New York: Elisabeth Sifton Books, Viking, 1987), pp. 60-61, and Halpern, Selected Poems (New York: Alfred A. Knopf, 1994), pp. 155-156.

Sam Hamill, "Paridiso [i.e., Paradiso] Terrestre." In ‘What Thou Lovest Well Remains': 100 Years of Ezra Pound, ed. Richard Ardinger ([Hailey, Idaho]: Limberlost Press, 1986), p. 99. Rpt. in Hamill, The Nootka Rose: Poems (Portland, Or.: Breitenbush Books, 1987), p. 26.

Sam Hamill, A Pisan Canto. Seattle, Wash.: Floating Bridge Press, 2004. Part I was published in The Drunken Boat 4.3-4 (Fall/Winter 2004), free online. Rpt. in Hamill, Almost Paradise: New and Selected Poems and Translations (Boston: Shambhala, 2005), pp. 222-255, and Hamill, Habitation: Collected Poems (Sandpoint, Idaho: Lost Horse Press, 2014). An Italian translation by Arturo Zilli was published as Un canto pisano (Pisa: ETS, 2007). "A Pisan Canto, Part I" was translated into Spanish by Daniel Oliveros as "Un canto pisano, Parte I," Poesía (2018). Free online. About this poem, Hamill wrote: "During my travels in Italy, I wrote a long poem, 'A Pisan Canto,' reflecting on Ezra Pound and his politics and his time in the 'gorilla cage' at the end of WW II, meditating on the character of those who would lead us now and on 'the role of poetry' as I have perceived and practiced it for forty years." (Sam Hamill, "A Monk's Tale," CLCWeb: Comparative Literature and Culture 9.1 (March 2007), art. 6, free online).

Kenneth O. Hanson, "Goodbye for Being Right." Poetry Northwest 2.4 (Winter 1961-1962): 5-6. Free online. Rpt. in Five Poets of the Pacific Northwest: Kenneth O. Hanson, Richard Hugo, Carolyn Kizer, William Stafford, David Wagoner, ed. with an introd. by Robin Skelton (Seattle: University of Washington Press, 1964), pp. 6-7, free online, and Hanson, The Distance Anywhere (Seattle: University of Washington Press, 1967), pp. 66-67, free online.

Chris Hardy, "EP."  2011? Free online.

Peter Hargitai, "For Ezra Pound." Dark Tower (Cleveland State University). Rpt. in Forum: Ten Poets of the Western Reserve, eds. Peter Hargitai and Lolette Kuby; with an introd. by Paul Engle (Mentor, Ohio: Poetry Forum Program, 1978), pp. 94-95; Ezra Pound in Memoriam: An Anthology of Contemporary Poetry, 1885-1972, ed. John H. Morgan (Bristol, IN: Wyndham Hall Press, 1985); and as "Ezra by the Pound" in Hargitai, Witch's Island and Other Poems (iUniverse, 2013), pp. 46-47. Free online.

William Harmon, "Mister Morton Dauwen Zabel he dead." Free online.

Sydney Justin Harris, "I Come to Bury Caesar." Poetry 47.3 (Dec. 1935): 147-149. Free online.

Tony Harrison, "Summoned by Bells." V. and Other Poems (New York: Farrar Straus Giroux, 1990), pp. 29-31. Free online (first page, last two pages). Rpt. in Harrison, The Gaze of the Gorgon (Newcastle-upon-Tyne: Bloodaxe Books, 1992), pp. 24-25, free online; Harrison, Permanently Bard: Selected Poetry (Newcastle-upon-Tyne: Bloodaxe Books, 1995), pp. 69-70, free online (first page, second page); and Harrison, Collected Poems (London: Penguin Books, 2016), pp. 287-289.

Robert Hass, "Ezra Pound’s Proposition." American Poetry Review 36.5 (Sept/Oct. 2007): 32. Free online. Rpt. in Hass, Time and Materials: Poems 1997-2005 (New York: Ecco Press, 2007), p. 81, free onlineThe New American Poetry of Engagement: A 21st Century Anthology, eds. Ann Keniston and Jeffrey Gray (Jefferson, NC: McFarland & Co., 2012); The Ecopoetry Anthology, edited by Ann Fisher-Wirth and Laura-Gray Street; introduction by Robert Hass (San Antonio, Texas: Trinity University Press, 2013), pp. 304-305; and American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler, ed. Wai Chee Dimock, with Jordan Brower, Edgar Garcia, Kyle Hutzler, and Nicholas Rinehart (New York: Columbia University Press, 2017), pp. 269-270.  Also online here and here and here and here and here and here and here and here and here and here and here and here and here and here and here and here and hereSpanish translationBulgarian translationDutch translationA reading by Nathan Brown. About "Ezra Pound's Proposition," Robert Hass has said: "That poem also connects to another part of my work. I'm on the board of the International Rivers Network, which has been concerned particularly with where environmental issues meet human-rights issues around big-dam projects, many of which have proved destructive, displacing millions of people around the world. The IRN was founded to provide unbiased hydrological and financial analyses of these dam projects to the dam-affected people in the Third World. They've been enormously effective warriors in trying to help people acquire the tools to resist these projects. There's a wonderful book by Catherine Caulfield, Masters of Deception, about the early years of the World Bank's relationship to these dam projects, when the thought was that all of this hydro-development was uncomplicated good. They were very casual about the human and environmental costs of some of these projects. An example Caulfield gives is that for one of the early projects, the Narmada Dam in India, the entire budget for dealing with the 1.7 million people who were being displaced from a traditional life that's 2,000 or 3,000 years old was a 1-rupee bus ticket!" (Zack Rogow, "Robert Hass: Eight years of activism, writing, and reflection. The National Book Award finalist talks about big dams, martial bravery, and the color of flowers" [interview with Robert Hass], Berkeleyan (UC Berkeley), 8 November 2007, free online).

Burton Hatlen, “A Letter to Ezra Pound.” 6/7/88. Kennebec: A Portfolio of Maine Writing (University of Maine at Augusta) 15 (1991): [62]. Free online and here. Rpt., as revised, in Hatlen, Elegies and Valedictions, ed. and with an introd. by Virginia Ness-Hatlen (Orono, Maine: National Poetry Foundation, 2017), pp. 19-23. "A letter to Ezra Pound" was read by Burton Hatlen on Burt Hatlen: New Poems (Bangor, ME.: Vox Audio, 2007).

Charles Wiltens Andrée Hayward. See 'Midford'

Dani Hazlewood, "So What is so great about being A Poet?" Power Poetry, Jan. 10, 2016. Free online and here.

Thomas Heffernan, "Soon It Will Be Ten Years. Lines Written on Sept. 4 2011"; "Adam's Eve"; "Translator"; "Banker, Banking"; "A Different Banker"; "Billionaire"; "A Different Billionaire"; Pilot"; "A Haibun." Ezra's Book. Eds. Justin Kishbaugh and Catherine Paul. Clemson: Clemson UP, 2019. 53-60.

Bernard Heidsieck, "Ezra Pound." February/June 1989. Respirations et brèves rencontres (Romainville: Al Dante, 1999) [book with 3 CDs]. Translated from French by Armand Schwerner in "Two Poems from Meetings," Sulfur 19.2 [nos. 45/46] (Spring 2000): 121-122. Recording (in French) and here.

Michael Heller, "My Grand Canal." Wave Composition 11 (May 7, 2016). Free online. Rpt. in Heller, Dianoia (New York: Nightboat Books, 2016), p. 37, and in Heller, Telescope: Selected Poems (New York: New York Review Books, 2019), pp. 247-249 ["III. / Old Ez, entombed on San Michele . . .," p. 248]. Free online.

Peter Hellings, "Study: For Ezra Pound." Modern Welsh Poetry, ed. Keidrych Rhys (London: Faber, 1944), pp. 57-58.

Ernest Hemingway, "The Soul of Spain With McAlmon and Bird the Publishers" [Part I]. Querschnitt 4.4 (Herbst 1924): 229-230. Free online. Rpt. in Hemingway, The Collected Poems of Ernest Hemingway (1929?); Hemingway, 88 poems, ed. with an introd. and notes by Nicholas Gerogiannis (New York: Harcourt Brace Jovanovich, 1979); and Hemingway, Complete Poems, ed. with an introd. and notes by Nicholas Gerogiannis, rev. ed. (Lincoln and London: University of Nebraska Press, 1992), p. 70. Free online and here and here and here and here and here.

Barbara Henning, "25," "31." My Autobiography (New York: United Artists Books, 2007), pp. 25, 31. Drafts and proofs of My Autobiography are housed in the Barbara Henning papers, 1970-2017, YCAL MSS 1303, Beinecke Rare Book and Manuscript Library, Yale University Library. Finding aid.

Julián Herbert, "Ezra." Kubla Khan (México: Ediciones Era / Conaculta, 2005), pp. 41-42. Free online and here. Rpt. in Vientos del siglo. Poetas mexicanos 1950-1982, Prólogo Margarito Cuéllar, Selección Margarito Cuéllar, Mario Meléndez, Luis Jorge Boone y Mijail Lamas (México: Universidad Nacional Autónoma de México, 2011), pp. 373-374. Free online. Translated into English by Indran Amirthanayagam in Bomb 94 (Winter 2005-2006): 104. Free online.

Alban Nikolai Herbst, "Ezra Pound im Käfig." Schreibheft: Zeitschrift für Literatur 69 (2007). Rpt. in Herbst, Der Engel Ordnungen (Frankfurt am Main: Axel Dielmann Verlag, 2008). Free online. A reading by the author.

Francisco Hernández, "Ezra Pound en una estación del metro." Portarretratos (México: La Máquina Eléctrica, 1976). Rpt. in Hernández, Poesía reunida: 1974-1994 (México: Universidad Nacional Autónoma de México, Coordinación de Humanidades: Ediciones del Equilibrista, 1996), p. 46. Free online and here.

Francisco Hernández, "Los signos de la brújula." Revista de la Universidad de México 28.4-5 (diciembre de 1973 y enero de 1974): 15. Free online. Rpt. in Hernández, Gritar es cosa de mudos (México: Libros escogidos, 1974), p. 36; Hernández, Poesía reunida: 1974-1994 (México: Universidad Nacional Autónoma de México, Coordinación de Humanidades: Ediciones del Equilibrista, 1996), p. 29; Hernández, Antojo de trampa. Segunda antología personal (México, D.F.: Fondo de Cultura Económica, 1999), p. 16; and Hernández, En grado de tentativa: Poesía reunida, I y II (México, D.F.: Fondo de Cultura Económica, 2017). Free online.

Luis Hernández Camarero, "Ezra Pound: cenizas y cilicio." Las constelaciones (Trujillo, Perú: [Talleres de la Librería e Imprenta Moreno], 1965). Rpt. in Hispamérica 7.20 (Aug. 1978): 67-68 and in Hernández, Las islas aladas (Lima, Perú: Pesopluma, 2016). Free online and here and here and here and here and here and here. Portuguese translation by Antonio Miranda.

Amy Alden Herring, "After Reading Eliot and Pound." Atlanta Review 6. l (Fall-Winter 1999): 50. Rpt. in Atlanta Review 11.2 (Spring-Summer 2005): 248.

Dorothy Hewett, "For Ezra." Half Way up the Mountain (Fremantle, W.A.: Fremantle Arts Centre Press, 2001), p. 133.

John Hewitt, "Mauberley's Son: A Summary." The Adelphi NS 5.2 (November 1932): 122. Rpt. in Hewitt, The Collected Poems of John Hewitt, ed. Frank Ormsby (Belfast: Blackstaff Press, 1991), p. 473.

José Hierro, "Ezra Pound. Acotación primera. Monólogo. Acotación final." Cuaderno de Nueva York (Madrid: Hiperión, 1998), pp. 59-64. Rpt. in Gordon E. McNeer, "José Hierro's Cuaderno de Nueva York. Strangers in a Strange Land: A Case for Mistaken Identity and Poetry Translations," Letras Peninsulares 11.2-3 (1998-1999): 487-549 (at 544-548); Hierro, Poesías completas, prólogo de Julia Uceda; epílogo y notas de Miguel García-Posada (Madrid: Visor Libros, 2009); and Hierro, Poesías completas (1947-2002), prólogo de Julia Uceda; epílogo y notas de Miguel García-Posada (Madrid: Visor Libros, 2017), pp. 733-735. Translated into English by Gordon E. McNeer in Hierro, Cuaderno de Nueva York / New York Notebook, trans. Gordon E. McNeer, selección biobibliográfica y notas, Margarita Hierro ([San Sebastián de los Reyes]: Ayuntamiento de San Sebastián de los Reyes: Departamento de Publicaciones de la Universidad Popular José Hierro, 1999). Free online. Free online ("Acotación primera"). Free online and here ("Monólogo"). Free online ("Acotación final").

John High, "'Venice dream,' #17." Talisman 19 (Winter 1998/99): 21. Free online. Rpt. in High, Bloodline: Selected Writings (Talisman House, 2002), pp. 9-10.

Gilbert Highet, "Homage to Ezra Pound."  The Nation 154.8 (Feb. 21, 1942): 228, 230. Rpt. in part in PM, New York, IV.50 (August 15, 1943): 5, free online.  Rpt. in American Literature in Parody: A Collection of Parody, Satire, and Literary Burlesque of American Writers Past and Present, ed. Robert P. Falk (New York: Twayne Publishers, 1955), pp. 204-206, free online and here [also pub. under the title The Antic Muse: American Writers in Parody, ed. Robert P. Falk (New York: Grove Press, Inc., 1956), pp. 204-206] and Parodies: An Anthology from Chaucer to Beerbohm - and After, comp. with an introd. and notes by Dwight Macdonald (New York: Modern Library, 1965), pp. 227-229.

Wolfgang Hildesheimer, "Die Verstorbenen des Jahres 1972."  In Günter Eich, Günter Eich zum Gedächtnis, ed. Siegfried Unseld (Frankfurt am Main, Suhrkamp, 1973), pp. 57-60.  Also printed in Deutsche Abschiede, ed. Gerhard Hay (München, Winkler Verlag, 1984), p. 408.

Geoffrey Hill, The Triumph of Love (Boston and New York: Houghton Mifflin, 1998) [Section CXLVI, p. 80, free online].

Tobias Hill, "The Woman Who Talks to Ezra Pound in Tesco." Midnight in the City of Clocks (Oxford: Oxford University Press, 1996), p. 44.

Robert Hilles, "Spring Canto." The Fiddlehead 164 (Summer 1990): 18-19. Rpt. as "Canto 1: Spring Canto" in Hilles, Cantos from a Small Room (Toronto: Wolsak and Wynn, 1993), pp. 11-13. Free online (first page, last two pages). A typescript is preserved in the Robert Hilles fonds, 1971-2003, ACU SPC F0126, Archives and Special Collections, Taylor Family Digital Library, University of Calgary, Calgary, Alberta. Finding aid.

Edward Hirsch, "A House of Good Stone." Literary Imagination 21.3 (Nov. 2019): 315-316. Rpt. in Hirsch, Stranger by Night: Poems (New York: Alfred A. Knopf, 2020), pp. 50-51. Free online.

Matthew Hittinger, "H.D. in Prismatic Ecstasy." Michigan Quarterly Review 46.1 (Winter 2007): 112-113. Free online.

Klaus Høeck, "Last Cantos. Ultra-Stable Poems." Transformations: digte ([København]: Gyldendal, 1974). A condensed version appeared as "Ode til Ezra Pound," Palimpsest over et århundrede ([København]: Gyldendal, 2008), translated into English by John Irons as Høeck, Palimpsest on a Century (2013), in which "Ode to Ezra Pound" appears on p. 551. Free online.

Allen Hoey, "At the Grave of Ezra Pound." Connotation Press: An Online Artifact 10.6 (July 2019). Free online and here.

Wayne Hogan, "New(Er) Math." In Lightwise, by Wayne Hogan and Kenneth Leonhardt (Little Books Press, 1997), p. 50.

Jonathan Holden, "Thomas Kinkade: 'Painter of Light.'" Prairie Schooner 82.2 (Summer 2008): 46-47. Free online.

Anselm Hollo, "Heads to Appear on the Stands." Drawings by Barry Hall. Ambit 20 (1964): 30-47. First page.

John A. Holmes, Jr., "Ezra Pound." Collected Poems of John Holmes (2002). Free online. A typescript of the poem is housed in the John A. Holmes Papers, 1813-1998 (bulk 1930-1960), MS007, Digital Collections and Archives, Tufts University. Finding aid.

Miroslav Holub, "Setkání s Ezrou Poundem." Mistr těch, kteří vědí, ed. Petr Mikeš (Olomouc: Votobia, 1995), pp. 111-114. Translated into Polish by Leszek Engelking as "Spotkanie z Ezra Poundem," Kwartalnik artystyczny: Kujawy i Pomorze 3 [no. 19] (1998): 63. Free online. Translated into English by Dana Hábová and Stuart Friebert as "Meeting Ezra Pound," in Holub, Sagittal Section: Poems, New and Selected (Oberlin, OH: Oberlin College, 1980), p. 102.  Rpt. in FIELD: Contemporary Poetry and Poetics 49 (Fall 1993): 12. Free online and here. Also rpt. in Models of the Universe: An Anthology of the Prose Poem, eds. Stuart Friebert and David Young (Oberlin, OH: Oberlin College Press, 1995), p. 155; Holub, Intensive Care: Selected and New Poems (Oberlin, OH: Oberlin College Press, 1996), p. 110; Poets Reading: The FIELD Symposia, ed. David Walker (Oberlin, OH: Oberlin College Press, 1999), p. 538; Larry Levis, The Gazer Within, eds. James Marshall, Andrew Miller, and John Venable (Ann Arbor, MI: University of Michigan Press, 2001), p. 112; and The Penguin Book of the Prose Poem: From Baudelaire to Anne Carson, ed. and introduced by Jeremy Noel-Tod (London: Penguin Books, 2018).

Christopher Hope, "In Memoriam Robert Berold." New Nation 6.10 (May 1973): 20-21.

Stanley Romaine Hopper, "Date Line: Ezra Pound" and "Lament for Ezra Pound." Why Persimmons and Other Poems: Transformations of Theology in Poetry (Atlanta, Ga.: Scholars Press, 1987), pp. 116-117.

Jerzy Hordyński, "spotkanie z Ezra Pound." Błędne koło (Kraków: Wydawnictwo Literackie, 1969), p. 24. Rpt. in Hordynski, Wiersze wybrane (Kraków: Wydawnictwo Literackie, 1976), p. 158. Translated into German by Otto F. Bäbler as "Begegnung mit Ezra Pound," Die Tat, Zürich, 274 (23 November 1974): 27. Free online. Translated into Italian by Paolo Statuti as "Incontro con Ezra Pound." Free online.

David Howard, "Consecutive Sentences." Landfall (Christchurch, NZ) 38.1 [no. 149] (March 1984): 79-83 (4. Ezra Pound (1885-1972)). Free online and here.

Geoffrey Howard, "A (Temperance) Drinking Song." A Tankard of Ale: An Anthology of Drinking Songs, comp. and ed. Theodore Maynard (London: Erskine Macdonald, Ltd., 1920), pp. 162-165. Free online and here.

Sarah Howe, "Stray Dogs," The Poetry Review 104.2 (Summer 2014). Free online. A reading by the author (YouTube video at about 35:00).  Rpt. as "(g) Stray dogs" in Howe, Loop of Jade (London: Chatto & Windus, 2015). About this poem, Sarah Howe has written: "'Stray Dogs' also revisits an American poet – the more troubling figure of Ezra Pound. Alongside the poems, I decided to look at Pound's pro-Fascist (vilely anti-Semitic) wartime speeches for Radio Rome. They were what landed him, after his arrest in 1945, in a 'death cell' at the US Army Disciplinary Training Center outside Pisa. It was the mental instability these hellish conditions incubated that saved Pound from the scaffold, in favour of an American mental hospital. It is not ethically straightforward to be moved by The Pisan Cantos. (What should we do with any echoes of the camps in Pound's DTC cage?) But for me, there is pathos in the famous section of Canto 74 when an African-American soldier brings Pound, in his medical tent, a packing crate to use as a writing table." (Sarah Howe, "Sarah Howe: wordplay in Borges and Roethke, fellow-feeling in Pound," The Poetry Society, Summer 2014, free online and here).

F[ord]. M[adox]. H[ueffer]., "Fragments Addressed by Clearchus H. To Aldi." Des Imagistes: An Anthology (New York: Albert and Charles Boni, 1914), p. 62. Free online and here and here and here.

Peter Huggins, "The ABC of Discourse." Hard Facts (Livingston, Ala.: Livingston Press, the University of West Alabama, 1998), p. 30.

Edward Hunt, "Cage." Pea River Journal, 8 August 2014. Free online.


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