H

 

Anthony Haas, "Masks Ever-Changing," "Rochester Notes," "Sunday Afternoon." Mongoose: Poems 2002 to 2007 (Bloomington, IN: AuthorHouse, 2008), pp. 269 (unknown title), 386, 401-402, 415.

Nicholas Hagger, "After the Pisan Arno." Conceived 3 May 1993; written 30 December 2003; revised 31 December 2003; 1 January 2004; 2-3 April 2005. Classical Odes, 1994-2005: Poems on England, Europe and a Global Theme, and of Everyday Life in the One (Winchester, U.K.; New York: O Books, 2006), pp. 779-781. Rpt. in Hagger, Selected Poems: Quest for the One (New Alresford: John Hunt Publishing, 2015).

Nicholas Hagger, "By the Arno, Pisa." Conceived 3 May 1993; written 21 August 2001; revised 20-21 July 2002. Classical Odes, 1994-2005: Poems on England, Europe and a Global Theme, and of Everyday Life in the One (Winchester, U.K.; New York: O Books, 2006), pp. 266-267. Rpt. in Hagger, Selected Poems: Quest for the One (New Alresford: John Hunt Publishing, 2015).

Nicholas Hagger, Overlord: The Triumph of Light: An Epic Poem Based on the Events of 1944-45 (Winchester, U.K., and New York: O Books, 2006), pp. 4 (from Book 1), 744.

Nicholas Hagger, [poem on the Muses]. Selected Poems: Quest for the One (New Alresford: John Hunt Publishing, 2015).

Nicholas Hagger, "Return to Oxford." Collected Poems, 1958-2005 (Winchester, U.K.; New York: O Books, 2006), pp. 845-846. Rpt. in Hagger, Selected Poems: Quest for the One (New Alresford: John Hunt Publishing, 2015).

Donald Hall, "The Old Life." The Old Life (Boston: Houghton Mifflin, 1996), pp. 25-123 (an untitled section on Ezra Pound, pp. 65-66, free online (first page, second page), and an untitled section on Robert Frost, pp. 72-73, free online). The section on Pound was reprinted as "The Fragments" in Hall, White Apples and the Taste of Stone: Selected Poems, 1946-2006 (Boston: Houghton Mifflin, 2007), pp. 307-308. Portions of "The Old Life" (including the section on Pound) appeared as Hall, "Mighty Poets," New Criterion 14.5 (January 1996): 39-42, free online, and Hall, "Mighty Poets / 2," P N Review 22.5 [no. 109] (May-June 1996).

Donald Hall, "The Second Inning." New American Writing 10 (Fall 1992): 32-34. Rpt. in Hall, The Museum of Clear Ideas (Boston: Houghton Mifflin Co., 1994), pp. 16-18, free online (first two pages, last page) and Hall, White Apples and the Taste of Stone: Selected Poems, 1946-2006 (Boston: Houghton Mifflin, 2007), pp. 219-222.

Donald Hall, "Sestina." London Magazine 3.8 (August 1956): 25. Rpt. in Audience: A Quarterly Review of Literature and the Arts 5.1 (May 1957): 14; New Poets of England and America, eds. Donald Hall, Robert Pack, and Louis Simpson; introd. by Robert Frost (New York: Meridian Books, 1957), p. 96; Hall, The Dark Houses (New York: The Viking Press, 1958), p. 47; Hall, The Alligator Bride: Poems New and Selected (New York: Harper & Row, 1969), p. 23; Hall, Old and New Poems (New York: Ticknor & Fields, 1990), p. 41; Hall, White Apples and the Taste of Stone: Selected Poems 1946-2006 (New York: Houghton Mifflin, 2007), p. 18; The Incredible Sestina Anthology, ed. Daniel Nester (Austin, Tex.: Write Bloody Publishing, 2013), free online; and Obsession: Sestinas in the Twenty-First Century, eds. Carolyn Beard Whitlow and Marilyn Krysl (Hanover, New Hampshire]: Dartmouth College Press, 2014), p. 110.

James Baker Hall, "Praeder's Letters." The Paris Review 87 (Spring 1983): 10ff. Rpt. in Hall, Praeder's Letters (Louisville, Ky.: Sarabande Books, 2002) [from Section One: 1.15.1956/sjpr, pp. 7-15; 1.30.56/SJPR, pp. 16-27; 2.12.56/S, pp. 28-46; 4.22.56/Calle Sol SJPR, pp. 63-71; from Section Two: 8.22.56/SJPR, pp. 85-88]. Partly rpt. in Hall, The Total Light Process: New & Selected Poems (Lexington: The University Press of Kentucky, 2004) [Section One, pp. 161-198 (from 1.15.1956/sjpr, pp. 166-169, free online)].

James R. Hall, Jr., "Elegy For Ezra Pound." The Angle 1 (1968). Free online and here.

Daniel Halpern, "Ezra Pound." Southern Review, Baton Rouge, La., 21.1 (Jan. 1985) 122-123. First page. Rpt. (with variations) as "Pound" in Halpern, Tango: Poems by Daniel Halpern (New York: Elisabeth Sifton Books, Viking, 1987), pp. 60-61, and Halpern, Selected Poems (New York: Alfred A. Knopf, 1994), pp. 155-156. On a mid-summer evening in Venice, Peggy Guggenheim's "guests began to arrive: local artists and politicians, exiled Brits and Americans, a banker, a beautiful Eastern European jeweller, and (Peggy had neglected to prepare me, a hopeful writer of verses), Ezra Pound. Later in the evening, after a quantity of Veneto red (an Amarone produced by Quintarelli), I reminded him that we had met once ten years earlier on a vaporetto plying through a rainy December night from San Marco to Accademia. I had asked, innocently, if he might be the poet Ezra Pound and he had replied, 'Nope', in perfect English, keeping things simple. He now said, quietly, 'Yes, but you see that wasn't me.'" (Daniel Halpern, "Introduction," Not for Bread Alone: Writers on Food, Wine, and the Art of Eating, ed. Daniel Halpern (Hopewell, NJ: The Ecco Press, 1993), p. 3, free online).

Sam Hamill, "In Memoriam, Morris Graves." Dumb Luck: Poems (Rochester, NY: BOA Editions, Ltd., 2002), pp. 11-12. Free online (first page, second page) and here. Rpt. in Hamill, Almost Paradise: New and Selected Poems and Translations (Boston: Shambhala, 2005), pp. 197-198, free online (first page, second page), and Hamill, Habitation: Collected Poems (Sandpoint, Idaho: Lost Horse Press, 2014). Free online and here.

Sam Hamill, "Paridiso [i.e., Paradiso] Terrestre." In ‘What Thou Lovest Well Remains': 100 Years of Ezra Pound, ed. Richard Ardinger ([Hailey, Idaho]: Limberlost Press, 1986), p. 99. Rpt. in Hamill, The Nootka Rose: Poems (Portland, Or.: Breitenbush Books, 1987), p. 26.

Sam Hamill, A Pisan Canto. Seattle, Wash.: Floating Bridge Press, 2004. Part I was published in The Drunken Boat 4.3-4 (Fall/Winter 2004), free online. Rpt. in Hamill, Almost Paradise: New and Selected Poems and Translations (Boston: Shambhala, 2005), pp. 222-255, and Hamill, Habitation: Collected Poems (Sandpoint, Idaho: Lost Horse Press, 2014). An Italian translation by Arturo Zilli was published as Un canto pisano (Pisa: ETS, 2007). "A Pisan Canto, Part I" was translated into Spanish by Daniel Oliveros as "Un canto pisano, Parte I," Poesía (2018). Free online. About this poem, Hamill wrote: "During my travels in Italy, I wrote a long poem, 'A Pisan Canto,' reflecting on Ezra Pound and his politics and his time in the 'gorilla cage' at the end of WW II, meditating on the character of those who would lead us now and on 'the role of poetry' as I have perceived and practiced it for forty years." (Sam Hamill, "A Monk's Tale," The Virginia Quarterly Review 81.2 (Spring 2005): 129-145 (at 143), free online, rpt. in CLCWeb: Comparative Literature and Culture 9.1 (March 2007), Article 6, free online).

Cameron Dezen Hammon, "Math Rock Drummer." Columbia Poetry Review (Columbia College Chicago) 27 (2014): 50. Free online and here and here.

Kenneth O. Hanson, "Goodbye for Being Right." Poetry Northwest 2.4 (Winter 1961-1962): 5-6. Free online. Rpt. in Five Poets of the Pacific Northwest: Kenneth O. Hanson, Richard Hugo, Carolyn Kizer, William Stafford, David Wagoner, ed. with an introd. by Robin Skelton (Seattle: University of Washington Press, 1964), pp. 6-7, free online, and Hanson, The Distance Anywhere (Seattle: University of Washington Press, 1967), pp. 66-67, free online.

Lynn Hard, "On First Seeing Sixteen Words for Water." Dancing on the Drainboard (Pymble: Angus & Robertson, 1993), pp. 47-48. Rpt. in The Sydney Morning Herald, 18 February 1995, p. 12A, and Hard, Poems: New & Neglected (Exile Bay, New South Wales: ETT Imprint, 2016). Free online.

Chris Hardy, "EP." 2011? Free online.

Peter Hargitai, "For Ezra Pound." Dark Tower (Cleveland State University). Rpt. in Forum: Ten Poets of the Western Reserve, eds. Peter Hargitai and Lolette Kuby; with an introd. by Paul Engle (Mentor, Ohio: Poetry Forum Program, 1978), pp. 94-95; as "Deconstruct Disciples. for E. P." in Ezra Pound in Memoriam: An Anthology of Contemporary Poetry, 1885-1972, ed. John H. Morgan; an appreciation by Michael Long (Bristol, IN: Wyndham Hall Press, 1985), p. 61; and as "Ezra by the Pound" in Hargitai, Witch's Island and Other Poems (iUniverse, 2013), pp. 46-47. Free online.

William Harmon, "Mister Morton Dauwen Zabel he dead." Free online.

Sydney Justin Harris, "I Come to Bury Caesar." Poetry 47.3 (Dec. 1935): 147-149. Free online.

Tony Harrison, "Summoned by Bells." V. and Other Poems (New York: Farrar Straus Giroux, 1990), pp. 29-31. Free online (first page, last two pages). Rpt. in Harrison, The Gaze of the Gorgon (Newcastle-upon-Tyne: Bloodaxe Books, 1992), pp. 24-25, free online; Harrison, Permanently Bard: Selected Poetry (Newcastle-upon-Tyne: Bloodaxe Books, 1995), pp. 69-70, free online (first page, second page); and Harrison, Collected Poems (London: Penguin Books, 2016), pp. 287-289. Free online.

Robert Hass, "Ezra Pound’s Proposition." American Poetry Review 36.5 (Sept/Oct. 2007): 32. Free online. Rpt. in Hass, Time and Materials: Poems 1997-2005 (New York: Ecco Press, 2007), p. 81, free onlineThe New American Poetry of Engagement: A 21st Century Anthology, eds. Ann Keniston and Jeffrey Gray (Jefferson, NC: McFarland & Co., 2012), p. 88, free onlineThe Ecopoetry Anthology, edited by Ann Fisher-Wirth and Laura-Gray Street; introduction by Robert Hass (San Antonio, Texas: Trinity University Press, 2013), pp. 304-305; and American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler, ed. Wai Chee Dimock, with Jordan Brower, Edgar Garcia, Kyle Hutzler, and Nicholas Rinehart (New York: Columbia University Press, 2017), pp. 269-270. Also online here and here and here and here and here and here and here and here and here and here and here and here and here and here and here and here and hereSpanish translationBulgarian translationDutch translationA reading by Nathan Brown. About "Ezra Pound's Proposition," Robert Hass has said: "That poem also connects to another part of my work. I'm on the board of the International Rivers Network, which has been concerned particularly with where environmental issues meet human-rights issues around big-dam projects, many of which have proved destructive, displacing millions of people around the world. The IRN was founded to provide unbiased hydrological and financial analyses of these dam projects to the dam-affected people in the Third World. They've been enormously effective warriors in trying to help people acquire the tools to resist these projects. There's a wonderful book by Catherine Caulfield, Masters of Deception, about the early years of the World Bank's relationship to these dam projects, when the thought was that all of this hydro-development was uncomplicated good. They were very casual about the human and environmental costs of some of these projects. An example Caulfield gives is that for one of the early projects, the Narmada Dam in India, the entire budget for dealing with the 1.7 million people who were being displaced from a traditional life that's 2,000 or 3,000 years old was a 1-rupee bus ticket!" (Zack Rogow, "Robert Hass: Eight years of activism, writing, and reflection. The National Book Award finalist talks about big dams, martial bravery, and the color of flowers" [interview with Robert Hass], Berkeleyan (UC Berkeley), 8 November 2007, free online).

Burton Hatlen, “A Letter to Ezra Pound.” 6/7/88. Kennebec: A Portfolio of Maine Writing (University of Maine at Augusta) 15 (1991): [62]. Free online and here. Rpt., as revised, in Hatlen, Elegies and Valedictions, ed. and with an introd. by Virginia Ness-Hatlen (Orono, Maine: National Poetry Foundation, 2017), pp. 19-23. "A letter to Ezra Pound" was read by Burton Hatlen on Burt Hatlen: New Poems (Bangor, ME.: Vox Audio, 2007).

Alfred Hauge, "Til inngang." Det evige sekund: Dikt (Oslo: Gyldendal, 1970), pp. 15-28 (Pound mentioned, p. 26).

Charles Wiltens Andrée Hayward. See 'Midford'

Dani Hazlewood, "So What is so great about being A Poet?" Power Poetry, Jan. 10, 2016. Free online and here.

David Hedges, [poem]. The Wild Bunch: Poems (West Linn, Or.: Sweetbriar Company, 1998).

Thomas Heffernan, "Soon It Will Be Ten Years. Lines Written on Sept. 4 2011"; "Adam's Eve"; "Translator"; "Banker, Banking"; "A Different Banker"; "Billionaire"; "A Different Billionaire"; Pilot"; "A Haibun." Ezra's Book. Eds. Justin Kishbaugh and Catherine Paul. Clemson: Clemson UP, 2019. 53-60.

Bernard Heidsieck, "Ezra Pound." February/June 1989. Respirations et brèves rencontres (Romainville: Al Dante, 1999) [book with 3 CDs]. Translated from French by Armand Schwerner in "Two Poems from Meetings," Sulfur 19.2 [nos. 45/46] (Spring 2000): 121-122. Recording (in French) and here.

Steven Heighton, "Address Book." The Address Book (Toronto: House of Anansi Press, 2004), pp. 3-4. Free online (first page, second page). Rpt. in In the Criminal's Cabinet: An Nthology of Poetry and Fiction, eds. Val Stevenson and Todd Swift (London: Nthposition Press, 2004), pp. 124-125, free online and here (first page, second page); Letting Go: An Anthology of Loss and Survival, ed. Hugh MacDonald (Windsor, Ont.: Black Moss Press, 2005), pp. 59-60, free online (first page, second page); The New Canon: An Anthology of Canadian Poetry, ed. Carmine Starnino (Montréal: Signal Editions, 2005), pp. 139-140; Universal Oneness: An Anthology of Magnum Opus Poems from around the World (360 poems by 360 poets from 60 Countries), ed. Vivekanand Jha (New Delhi, India: Authorspress, 2019), pp. 475-476, free online and here; and Heighton, Selected Poems 1983-2020, ed. Karen Solie (Toronto: House of Anansi, 2021), free online. Free online and here.

Steven Heighton, "Not the Kind to Die." Patient Frame: Poems (Toronto: House of Anansi, 2010), p. 28. Free online.

Michael Heller, "My Grand Canal." Wave Composition 11 (May 7, 2016). Free online. Rpt. in Heller, Dianoia (New York: Nightboat Books, 2016), p. 37, and in Heller, Telescope: Selected Poems (New York: New York Review Books, 2019), pp. 247-249 ["III. / Old Ez, entombed on San Michele . . .," p. 248]. Free online.

Peter Hellings, "Study: For Ezra Pound." Modern Welsh Poetry, ed. Keidrych Rhys (London: Faber, 1944), pp. 57-58.

Ernest Hemingway, "The Soul of Spain With McAlmon and Bird the Publishers" [Part I]. Querschnitt 4.4 (Herbst 1924): 229-230. Free online. Rpt. in Hemingway, The Collected Poems of Ernest Hemingway (1929?); Hemingway, 88 poems, ed. with an introd. and notes by Nicholas Gerogiannis (New York: Harcourt Brace Jovanovich, 1979); and Hemingway, Complete Poems, ed. with an introd. and notes by Nicholas Gerogiannis, rev. ed. (Lincoln and London: University of Nebraska Press, 1992), p. 70. Free online and here and here and here and here and here.

Barbara Henning, "25," "31." My Autobiography (New York: United Artists Books, 2007), pp. 25, 31. Drafts and proofs of My Autobiography are housed in the Barbara Henning papers, 1970-2017, YCAL MSS 1303, Beinecke Rare Book and Manuscript Library, Yale University Library. Finding aid.

Julián Herbert, "Ezra." Kubla Khan (México: Ediciones Era / Conaculta, 2005), pp. 41-42. Free online and here. Rpt. in Vientos del siglo. Poetas mexicanos 1950-1982, Prólogo Margarito Cuéllar, Selección Margarito Cuéllar, Mario Meléndez, Luis Jorge Boone y Mijail Lamas (México: Universidad Nacional Autónoma de México, 2011), pp. 373-374. Free online. Translated into English by Indran Amirthanayagam in Bomb 94 (Winter 2005-2006): 104. Free online.

W. N. Herbert, "In Chips We Trust." Cabaret McGonagall (Newcastle upon Tyne: Bloodaxe Books, 1996), pp. 70-73. Free online (first two pages, last two pages).

Alban Nikolai Herbst, "Ezra Pound im Käfig." Schreibheft: Zeitschrift für Literatur 69 (2007). Rpt. in Herbst, Der Engel Ordnungen (Frankfurt am Main: Axel Dielmann Verlag, 2008). Free online. A reading by the author.

Francisco Hernández, "Ezra Pound en una estación del metro." Portarretratos (México: La Máquina Eléctrica, 1976). Rpt. in Hernández, Poesía reunida: 1974-1994 (México: Universidad Nacional Autónoma de México, Coordinación de Humanidades: Ediciones del Equilibrista, 1996), p. 46. Free online and here.

Francisco Hernández, "Los signos de la brújula." Revista de la Universidad de México 28.4-5 (diciembre de 1973 y enero de 1974): 15. Free online. Rpt. in Hernández, Gritar es cosa de mudos (México: Libros escogidos, 1974), p. 36; Hernández, Poesía reunida: 1974-1994 (México: Universidad Nacional Autónoma de México, Coordinación de Humanidades: Ediciones del Equilibrista, 1996), p. 29; Hernández, Antojo de trampa. Segunda antología personal (México, D.F.: Fondo de Cultura Económica, 1999), p. 16; and Hernández, En grado de tentativa: Poesía reunida, I y II (México, D.F.: Fondo de Cultura Económica, 2017). Free online.

Luis Hernández, "Creo en la gente." Vox horrísona, Tomo I, prólogo, recopilación y notas, Nicolás Yerovi (Lima: Editorial Ames, 1978), p. 182. Rpt. in Hernández, Obra poética completa, prólogo de Javier Sologuren; edición y notas, Ernesto Mora (Lima: Punto y Trama, 1983), pp. 198-199, and Hernández, El sol lila (Lima, Perú: Pesopluma S.A.C., 2017) [facsimile of notebook kept by Hernández in 1973], free onlineFree online and here.

Luis Hernández, "Ezra Pound: cenizas y cilicio." Las constelaciones (Trujillo, Perú: [Talleres de la Librería e Imprenta Moreno], 1965). Rpt. in Antologia de la poesia peruana / 2. 1960-1973, prologo, sel. y notas de Alberto Escobar (Lima: Ed. Peisa, 1973), pp. 32-33; Hispamérica 7.20 (Aug. 1978): 67-68; Hernández, Vox horrísona, Tomo I, prólogo, recopilación y notas, Nicolás Yerovi (Lima: Editorial Ames, 1978), p. 50; Antología de la poesía peruana del siglo XX, años 60/70, [prólogo, selección y notas], César Toro Montalvo (Lima: Ediciones Mabú, 1978), pp. 78-79; Hernández, Obra poética completa, prólogo de Javier Sologuren; edición y notas, Ernesto Mora (Lima: Punto y Trama, 1983), pp. 32-33, free online and here; and Hernández, Las islas aladas (Lima, Perú: Pesopluma, 2016). Free online and here and here and here and here and here and here and here. Portuguese translation by Antonio Miranda.

Luis Hernández, "Ricardo Wagner se quedó en Venecia." Survival Grand Funk (Lima, Perú: Pesopluma S.A.C., 2018) [facsimile of notebook kept by Hernández in 1973]. Free online and here.

Luis Hernández, "Robert Browning." Vox horrísona, Tomo I, prólogo, recopilación y notas, Nicolás Yerovi (Lima: Editorial Ames, 1978), p. 203. Rpt. in Hernández, Obra poética completa, prólogo de Javier Sologuren; edición y notas, Ernesto Mora (Lima: Punto y Trama, 1983), p. 380. Free online and here and here and here and here and here.

Ricardo Herrera Alarcón, "No puedes emocionarte con tus poemas." Sendas perdidas y encontradas (Valdivia, Chile: Eds. Kultrún, 2007). Free online and here.

Amy Alden Herring, "After Reading Eliot and Pound." Atlanta Review 6. l (Fall-Winter 1999): 50. Rpt. in Atlanta Review 11.2 (Spring-Summer 2005): 248.

Dorothy Hewett, "Alice Travelling." Alice in Wormland (Paddington, N.S.W.: Paper Bark Press, 1987), pp. 62-83. Rpt. in Hewett, Collected Poems 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 253-267, free online.

Dorothy Hewett, "Creeley In Sydney." New Poetry 24.2 (1976): 86. Rpt. in Hewett, Greenhouse (Sydney: Big Smoke Books, 1979), p. 16, and Hewett, Collected Poems 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 156-159, free online.

Dorothy Hewett, "Days of Violence Days of Rages." Alice in Wormland: Selected Poems, ed. Edna Longley (Newcastle Upon Tyne: Bloodaxe, 1990) [17, p. 70]. Rpt. in Hewett, Collected Poems 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 229-253 [17, p. 234], free online, and Hewett, Selected Poems of Dorothy Hewett, ed. and introd. by Kate Lilley (Crawley, W.A.: UWA Publishing, 2010), pp. 102-138 [17, p. 108, free online].

Dorothy Hewett, "For Ezra." Half Way up the Mountain (Fremantle, W.A.: Fremantle Arts Centre Press, 2001), p. 133.

Dorothy Hewett, "The Labyrinth." Collected Poems 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 205-209, free online.

Dorothy Hewett, "The Lilith Poems [V]." Alice in Wormland (Paddington, N.S.W.: Paper Bark Press, 1987), pp. 20-25 [V, p. 25]. Rpt. in Celebrations: A Bicentennial Anthology of Fifty Years of Western Australian Poetry and Prose, eds. Brian Dibble, Don Grant, Glen Phillips (Nedlands, W.A.: University of Western Australia Press, 1988), pp. 37-39 [V, p. 39], and Hewett, Collected Poems 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 226-229 [V, 228-229], free online.

Dorothy Hewett, "Untitled." Greenhouse (Sydney: Big Smoke Books, 1979), p. 59. Rpt. as [The roses fall on the balcony] in Hewett, Collected Poems, 1940-1995, ed. William Grono (South Fremantle, W.A.: Fremantle Arts Centre Press, 1995), pp. 179-180, free online.

John Hewitt, "Mauberley's Son: A Summary." The Adelphi NS 5.2 (November 1932): 122. Rpt. in Hewitt, The Collected Poems of John Hewitt, ed. Frank Ormsby (Belfast: Blackstaff Press, 1991), p. 473.

Hans H. Hiebel, "Im Eisenkäfig." Leuchttürme: Prosagedichte (Graz: edition keiper, 2019), pp. 8-12. Free online.

José Hierro, "Ezra Pound. Acotación primera. Monólogo. Acotación final." Cuaderno de Nueva York (Madrid: Hiperión, 1998), pp. 59-64. Rpt. in Gordon E. McNeer, "José Hierro's Cuaderno de Nueva York. Strangers in a Strange Land: A Case for Mistaken Identity and Poetry Translations," Letras Peninsulares 11.2-3 (1998-1999): 487-549 (at 544-548); Hierro, Poesías completas, prólogo de Julia Uceda; epílogo y notas de Miguel García-Posada (Madrid: Visor Libros, 2009); and Hierro, Poesías completas (1947-2002), prólogo de Julia Uceda; epílogo y notas de Miguel García-Posada (Madrid: Visor Libros, 2017), pp. 733-735. Translated into English by Gordon E. McNeer in Hierro, Cuaderno de Nueva York / New York Notebook, trans. Gordon E. McNeer, selección biobibliográfica y notas, Margarita Hierro ([San Sebastián de los Reyes]: Ayuntamiento de San Sebastián de los Reyes: Departamento de Publicaciones de la Universidad Popular José Hierro, 1999). Free online. Free online ("Acotación primera"). Free online and here ("Monólogo"). Free online ("Acotación final").

Kevin Higgins, "The House That Don Built." Poethead, July 15, 2018. Free online and here.

John High, "'Venice dream,' #17." Talisman 19 (Winter 1998/99): 21. Free online. Rpt. in High, Bloodline: Selected Writings (Talisman House, 2002), pp. 9-10.

Gilbert Highet, "Homage to Ezra Pound." The Nation 154.8 (Feb. 21, 1942): 228, 230. Rpt. in part in PM, New York, IV.50 (August 15, 1943): 5, free online. Rpt. in American Literature in Parody: A Collection of Parody, Satire, and Literary Burlesque of American Writers Past and Present, ed. Robert P. Falk (New York: Twayne Publishers, 1955), pp. 204-206, free online and here [also pub. under the title The Antic Muse: American Writers in Parody, ed. Robert P. Falk (New York: Grove Press, Inc., 1956), pp. 204-206] and Parodies: An Anthology from Chaucer to Beerbohm—and After, ed. Dwight Macdonald (New York: Random House, 1965), pp. 227-229, free online (first page, last two pages).

Donna Hilbert, "Pound at Spoleto." Silver Birch Press, November 9, 2013. Free online.

Wolfgang Hildesheimer, "Die Verstorbenen des Jahres 1972." In Günter Eich, Günter Eich zum Gedächtnis, ed. Siegfried Unseld (Frankfurt am Main, Suhrkamp, 1973), pp. 57-60. Also printed in Deutsche Abschiede, ed. Gerhard Hay (München, Winkler Verlag, 1984), p. 408.

Geoffrey Hill, The Book of Baruch by the Gnostic Justin, ed. Kenneth Haynes (Oxford: Oxford University Press, 2019).

Geoffrey Hill, Scenes from Comus (London and New York: Penguin, 2005) [(3) A Description of the Antimasque. 19. Nothing is unforgettable but guilt, p. 66]. Rpt. in Hill, Selected Poems (New Haven and London: Yale University Press, 2009), p. 262 [Scenes from Comus. (3) A Description of the Antimasque. 19. Nothing is unforgettable but guilt]. Free online.

Geoffrey Hill, The Triumph of Love (Boston and New York: Houghton Mifflin, 1998) [Section CXLVI, p. 80, free online].

Geoffrey Hill, "The Triumph of Love" [CXLVI]; "Scenes from Comus" [3, 19]; "Pindarics" [15]; "Odi Barbari" [XVI, XXXVII]; "Al tempo de' tremuoti" [72, 82: i.m. R. B. Kitaj]. Broken Hierarchies: Poems 1952-2012, ed. Kenneth Haynes (Oxford: Oxford University Press, 2013), pp. 284, 480, 537, 850, 871, 923, 927.

Tobias Hill, "The Woman Who Talks to Ezra Pound in Tesco." Midnight in the City of Clocks (Oxford: Oxford University Press, 1996), p. 44.

Robert Hilles, "Everywhere There Are Trains." A Breath at a Time (Lantzville, B.C.: Oolichan Books, 1992), p. 57. Free online.

Robert Hilles, "Spring Canto." The Fiddlehead (Depts. of English of the University of New Brunswick and St. Thomas University) 164 (Summer 1990): 18-19. Rpt. as "Canto 1: Spring Canto" in Hilles, Cantos from a Small Room (Toronto: Wolsak and Wynn, 1993), pp. 11-13. Free online (first page, last two pages). A typescript is preserved in the Robert Hilles fonds, 1971-2003, ACU SPC F0126, Archives and Special Collections, Taylor Family Digital Library, University of Calgary, Calgary, Alberta. Finding aid.

Edward Hirsch, "A House of Good Stone." Literary Imagination 21.3 (Nov. 2019): 315-316. Rpt. in Hirsch, Stranger by Night: Poems (New York: Alfred A. Knopf, 2020), pp. 50-51. Free online.

Matthew Hittinger, "H.D. in Prismatic Ecstasy." Michigan Quarterly Review 46.1 (Winter 2007): 112-113. Free online.

Horace Jeffery Hodges, "Pound's Whine-ter: Take 3." Gypsy Scholar, August 5, 2019. Free online.

Klaus Høeck, "Last Cantos. Ultra-Stable Poems." Transformations: digte ([København]: Gyldendal, 1974). A condensed version appeared as "Ode til Ezra Pound," Palimpsest over et århundrede ([København]: Gyldendal, 2008), translated into English by John Irons as Høeck, Palimpsest on a Century (2013), in which "Ode to Ezra Pound" appears on p. 551. Free online.

Allen Hoey, "At the Grave of Ezra Pound." Connotation Press: An Online Artifact 10.6 (July 2019). Free online and here.

Wayne Hogan, "New(Er) Math." In Lightwise, by Wayne Hogan and Kenneth Leonhardt (Little Books Press, 1997), p. 50.

Jonathan Holden, "Thomas Kinkade: 'Painter of Light.'" Prairie Schooner 82.2 (Summer 2008): 46-47. Free online.

Anselm Hollo, "All of last year's farewells." Guests of Space (Minneapolis, MN: Coffee House Press, 2007), p. 54. A reading by the author as part of the Left Hand Reading Series, Boulder, Colorado, January 18, 2001.

Anselm Hollo, "christmas, the sea, a lady who plays the piano: for her." Hills 1 (March 1973). Free online and here. Rpt. in Hollo, Anselm Hollo (Center Conway, N.H.: Walker's Pond Press, 1974), p. 24 (Black Book no. 1). A reading by the author at The Body Politic, from the Ben Tripp Tapes, February 26, 1973.

Anselm Hollo, "Guests of Space." Chicago Review 45.3/4 (1999): 56-60 [5, p. 58]. Free online. Rpt. in Conjunctions 35 (2000): 458-465, first page; Hollo, Guests of Space (Minneapolis: Coffee House Press, 2007), pp. 5-8; and American Poetry: States of the Art, ed. Bradford Morrow (Annandale-on-Hudson, NY: Bard College, 2015). Section 5 was rpt. as "walking down oldtime hotel lobby corridor ..." in Hollo, Braided River: New and Selected Poems 1965-2005 (Cambridge: Salt Publishing, 2005), p. 218. A reading by the author as part of the Left Hand Reading Series, Boulder, Colorado, January 18, 2001. A reading by the author as part of the Left Hand Reading Series, Boulder, Colorado, September 16, 1999.

Anselm Hollo, "Heads to Appear on the Stands." Drawings by Barry Hall. Ambit 20 (1964): 30-47. First page.

Anselm Hollo, "The Old Guy Says." Talus (1987): 86. Rpt. in Hollo, Outlying Districts (Bolinas, Calif.: Smithereens Press, 1987).

Anselm Hollo, "On the Occasion of Becoming an Echo." Maya: Works, 1959-1969 (London: Cape Goliard Press, 1970). Rpt. in Open Poetry: Four Anthologies of Expanded Poems, eds. Ronald Gross and George Quasha with Emmett Williams, John Robert Colombo, and Walter Lowenfels (New York: Simon and Schuster, 1973), pp. 99-101. Free online (first page, last two pages).

Anselm Hollo, "Out of this World." Sumac 2.2-3 (Winter/Spring 1970): 59. Rpt. in Hollo, Maya: Works, 1959-1969 (London: Cape Goliard Press, 1970), p. 104; Hollo, Sojourner Microcosms: New & Selected Poems, 1959-1977 (Berkeley: Blue Wind Press, 1977), p. 105, free online; and Explosive Magazine 3 (ca. 1997).

Anselm Hollo, "Pterodactyls" [III, i.m. Ernest Hemingway]; "Wrong Channel"; "Seven Years Short of a Hundred." Corvus: Poems (Minneapolis, MN: Coffee House Press, 1995), pp. 76, free online, 104, free online, 109, free online. "Pterodactyls" [III, i.m. Ernest Hemingway] was rpt. in Hollo, Notes on the Possibilities and Attractions of Existence: Selected Poems, 1965-2000 (Minneapolis, MN: Coffee House, 2001), p. 213. Free online.

Anselm Hollo, "Rides with Bob Creeley." The Tortoise of History: Poems (Minneapolis: Coffee House Press, 2016), pp. 23-24. Free online (first page, second page) and here and here.

Anselm Hollo, "Teräsmies pienenä." Trobar: löytää: Runoja (Helsinki: Otava, 1964). Free online.

John A. Holmes, Jr., "Ezra Pound." Collected Poems of John Holmes (2002). Free online. A typescript of the poem is housed in the John A. Holmes Papers, 1813-1998 (bulk 1930-1960), MS007, Digital Collections and Archives, Tufts University. Finding aid.

Miroslav Holub, "Setkání s Ezrou Poundem." Mistr těch, kteří vědí, ed. Petr Mikeš (Olomouc: Votobia, 1995), pp. 111-114. Translated into Polish by Leszek Engelking as "Spotkanie z Ezra Poundem," Kwartalnik artystyczny: Kujawy i Pomorze 3 [no. 19] (1998): 63. Free online. Translated into English by Dana Hábová and Stuart Friebert as "Meeting Ezra Pound," in Holub, Sagittal Section: Poems, New and Selected (Oberlin, OH: Oberlin College, 1980), p. 102. Rpt. in FIELD: Contemporary Poetry and Poetics 49 (Fall 1993): 12. Free online and here. Also rpt. in Models of the Universe: An Anthology of the Prose Poem, eds. Stuart Friebert and David Young (Oberlin, OH: Oberlin College Press, 1995), p. 155; Holub, Intensive Care: Selected and New Poems (Oberlin, OH: Oberlin College Press, 1996), p. 110; Poets Reading: The FIELD Symposia, ed. David Walker (Oberlin, OH: Oberlin College Press, 1999), p. 538; Larry Levis, The Gazer Within, eds. James Marshall, Andrew Miller, and John Venable (Ann Arbor, MI: University of Michigan Press, 2001), p. 112; and The Penguin Book of the Prose Poem: From Baudelaire to Anne Carson, ed. and introduced by Jeremy Noel-Tod (London: Penguin Books, 2018), free online.

Jeremy Hooker, "Hieratic Head of Ezra Pound." PN Review 22.1 [no. 105] (September-October 1995). Rpt. in Hooker, Our Lady of Europe (London: Enitharmon Press, 1997), p. 67.

A. D. Hope, "A Letter from Rome." Quadrant 7.3 (1963): 45-59. Rpt. in Hope, Collected Poems, 1930-1965 (Sydney: Angus and Robertson, 1966), pp. 129-148, and Hope, Selected Poems, chosen and introd. by Ruth Morse (Manchester: Carcanet, 1986), pp. 59-75. Free online.

Christopher Hope, "In Memoriam Robert Berold." New Nation 6.10 (May 1973): 20-21.

Stanley Romaine Hopper, "Date Line: Ezra Pound" and "Lament for Ezra Pound." Why Persimmons and Other Poems: Transformations of Theology in Poetry (Atlanta, Ga.: Scholars Press, 1987), pp. 116-117.

Jerzy Hordyński, "spotkanie z Ezra Pound." Błędne koło (Kraków: Wydawnictwo Literackie, 1969), p. 24. Rpt. in Hordynski, Wiersze wybrane (Kraków: Wydawnictwo Literackie, 1976), p. 158. Translated into German by Otto F. Bäbler as "Begegnung mit Ezra Pound," Die Tat, Zürich, 274 (23 November 1974): 27. Free online. Translated into Italian by Paolo Statuti as "Incontro con Ezra Pound." Free online.

Lindy Hough, "from Psyche Book III [1]-[10]." Wild Horses, Wild Dreams: New and Selected Poems 1971-2010 (Berkeley, Calif.: North Atlantic Books, 2011), pp. 95-118 [[3], pp. 99-100].

David Howard, "Consecutive Sentences." Landfall (Christchurch, NZ) 38.1 [no. 149] (March 1984): 79-83 (4. Ezra Pound (1885-1972)). Free online and here.

Geoffrey Howard, "A (Temperance) Drinking Song." A Tankard of Ale: An Anthology of Drinking Songs, comp. and ed. Theodore Maynard (London: Erskine Macdonald, Ltd., 1920), pp. 162-165. Free online and here.

Sarah Howe, "Stray Dogs." The Poetry Review 104.2 (Summer 2014). Free online. A reading by the author (YouTube video at about 35:00). Rpt. as "(g) Stray dogs" in Howe, Loop of Jade (London: Chatto & Windus, 2015), free online. Free online. About this poem, Sarah Howe has written: "'Stray Dogs' also revisits an American poet – the more troubling figure of Ezra Pound. Alongside the poems, I decided to look at Pound's pro-Fascist (vilely anti-Semitic) wartime speeches for Radio Rome. They were what landed him, after his arrest in 1945, in a 'death cell' at the US Army Disciplinary Training Center outside Pisa. It was the mental instability these hellish conditions incubated that saved Pound from the scaffold, in favour of an American mental hospital. It is not ethically straightforward to be moved by The Pisan Cantos. (What should we do with any echoes of the camps in Pound's DTC cage?) But for me, there is pathos in the famous section of Canto 74 when an African-American soldier brings Pound, in his medical tent, a packing crate to use as a writing table." (Sarah Howe, "Sarah Howe: wordplay in Borges and Roethke, fellow-feeling in Pound," The Poetry Society, Summer 2014, free online and here). "I've just finished a poem about Pound in his traitor's cage in the US detention camp at Pisa, where the poem's monolith-like block, justified left and right, tells an obvious story about constraint." (Transom 5 (Spring 2013), free online and here).

F[ord]. M[adox]. H[ueffer]., "Fragments Addressed by Clearchus H. To Aldi." Des Imagistes: An Anthology (New York: Albert and Charles Boni, 1914), p. 62. Free online and here and here and here.

Peter Huggins, "The ABC of Discourse." Hard Facts (Livingston, Ala.: Livingston Press, the University of West Alabama, 1998), p. 30.

Ryan Hughes, "Modern Man's Alienation." The Signal (UHCL), May 3, 2016. Free online.

T.R. Hummer, "Legendary Head." The Literati Quarterly 2 (Autumn 2014): 9. Free online. Rpt. in Hummer, Eon: Poems (Baton Rouge: Louisiana State University Press, 2018), p. 12, free online.

Tom C. Hunley, "Gossiping About the Dead." Evansville Review. Also in Hunley, "The Tongue" (Ph.D., Florida State University, 2003), p. 55. Free online and here.

Edward Hunt, "Cage." Pea River Journal, 8 August 2014. Free online.

Tim Hunt, "In a Station of the Subway"; "A Pact." Thirteen Ways of Talking to a Blackbird (Georgetown, Kentucky: Finishing Line Press, 2013).

Tim Hunt, "Today, the poem"; "In a Station of the Subway"; "A Pact." Poem's Poems and Other Poems (Cincinnati, OH: CW Books, 2016), pp. 13-16, 74, 75-76.

Anne Hussey, "Ezra Pound's Eye." Baddeck & Other Poems (Middletown, Conn.: Wesleyan University Press, 1978). Rpt. in The Wesleyan Tradition: Four Decades of American Poetry, ed. Michael Collier (Hanover, N.H.: University Press of New England, 1993), pp. 149-150. Free online and here.

Geof Huth, "What Lies Beneath Lies Before." dbqp: visualizing poetics, 16 September 2008. Free online.

 

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