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Franco Ibáñez Zumel, "Crónica de viaje." Vía férrea (Chile: Casa Litterae Editores, 1990). Free online.

Guillermo Ibáñez, "Interrogaciones [I]." Poesía viva de Rosario (Rosario: Ediciones del Instituto de Estudios Nacionales, 1976), p. 172. Rpt. in La Capital (Rosario) (31 Aug. 1986): 34; Alaluz: revista de poesía, narración y ensayo (Riverside (Calif.): University of California, Department of Hispanic Studies) 30.2 (otoño 1998): 73-74; Ibáñez, Arbol de la memoria (Rosario [Argentina]: Editorial Ciudad Gótica, 2002), p. 52, free online; and Ibáñez, Obra poética (Rosario [Argentina]: Editorial Ciudad Gótica, 2016). Free online and here and here.

John Thomas Idlet. See John Thomas 

Miguel Ildefonso, "El greyhound: escribir un poema es colocar una piedra en cualquier planeta abandonado." Todos los trágicos desiertos (Underwood 20 (2010)), rpt. in Colección Underwood, Tomo 3. no. 13-no. 20 (2009-2010), responsables, Ricardo Sumalavia y Julio del Valle (Lima: Estudios Generales Letras, Pontificia Universidad Católica de Perú, 2012) and Cholos: 13 poetas peruanos nacidos entre el 70 y el 90, selección y presentación de Willy Gómez Migliaro (Ciudad de Guatemala: Catafixia Editorial, 2014), pp. 15-17, free online.

John Ingwersen, "Praise to Canto 1." Sumac 2.2&3 (Winter/Spring 1970): 23. Free online.

Kenneth Irby, "Notes." Catalpa (Lawrence, Kan.: Tansy Press, 1977), p. 36. Rpt. in Irby, The Intent On: Collected Poems, 1962-2006 (Berkeley, Calif.: North Atlantic Books, 2009), pp. 275-276. Free online (first page, second page).

Kenneth Irby, To Max Douglas ([Lawrence, Kan.]: Tansy 4/Peg Leg Press, 1971). Rpt. in Irby, The Intent On: Collected Poems, 1962-2006 (Berkeley, Calif.: North Atlantic Books, 2009), pp. 181-220.

 

 

J

 

Clive James, "Simple Stanzas About Modern Masters." August 2000. Australian Book Review (ABR) 233 (August 2001): 18. Rpt. in James, The Book of My Enemy: Collected Verse, 1958-2003 (London: Picador, 2003), pp. 75-76, free online and here; James, Opal Sunset: Selected Poems, 1958-2008 (New York: W. W. Norton, 2008), pp. 80-81, free online; and James, Collected Poems: 1958-2015 (New York: Liveright Publishing Corporation, 2016), free online.

Leland James, "A Rose for Ezra Pound" (+Commentary). Society of Classical Poets, November 6, 2013. Free online. Rpt. The Society of Classical Poets Journal 2014. Ed. Evan Mantyk. The Society of Classical Poets, 2014. 96-100. Free online.

Mike James, "Things I Hate." As It Ought To Be, June 5, 2019. Free online.

Dean James-Robbins, Writing on Stones (Cloister House Press, 2012).

Lisa Jarnot, "The Age of the Velocipede." Talisman 19 (Winter 1998/99): 159-160. Free online. Rpt. in Jarnot, Ring of Fire (Cambridge: Salt, 2003), pp. 20-22.

Peter Jay, "E.P.'s Drafts and Fragments." Agenda 8.3-4 (Autumn-Winter 1970): 50. Rpt. in Unisa English Studies 15.2 (September 1977): 47.

Robinson Jeffers, "America." The Collected Poetry of Robinson Jeffers, Vol. 4, Poetry 1903-1920, Prose, and Unpublished Writings, ed. Tim Hunt (Palo Alto, CA: Stanford University Press, 2000), p. 546.

Robinson Jeffers, "War-Guilt Trials." November, 1945. In Jeffers, In this Wild Water: The Suppressed Poems of Robinson Jeffers (Pasadena, Calif.: Ward Ritchie Press, 1976), p. 76. Rpt. in Jeffers, The Double Axe and Other Poems, Including Eleven Suppressed Poems, with a foreword by William Everson, and an afterword by Bill Hotchkiss (New York: Liveright, 1977), p. 165; Jeffers, "What Odd Expedients" and Other Poems, collected, with an introd. and commentary by Robert Ian Scott (Hamden, Conn.: Archon Books, 1981), p. 51; Jeffers, Rock and Hawk: A Selection of Shorter Poems, ed. Robert Hass (New York: Random House, 1987), p. 236; and Jeffers, The Collected Poetry of Robinson Jeffers. Volume 3, 1938-1962, ed. Tim Hunt (Stanford, Calif. Stanford Univ. Press 1991), p. 202, free online and here. Free online and here and here. Translated into Polish by Charles Kraszewski as "Procesy powojenne," Odra 11 (Nov. 2014): 62-65. Manuscripts for The Double Axe are housed in the Robinson Jeffers Collection, 1885-1967, undated, Manuscript Collection MS-2170, Manuscript Collection, Harry Ransom Humanities Research Center (HRC), The University of Texas at Austin. Finding aid.

Rod Jellema, "Imagining Ezra Pound as My Uncle." Incarnality: The Collected Poems (Grand Rapids, Mich.: William B. Eerdmans Pub. Co., 2010), p. 230. Free online.

Tom Jenks, "from sublunar [(1), (4), (6), (11)]" [(4)]. Blackbox Manifold 16 (Summer 2016). Free online.

Judson Jerome, "A Decade of American Poetry: 1957-67." Saturday Review 51.16 (April 20, 1968): 26. Rpt. in Poetry: Premeditated Art, [ed.] Judson Jerome (New York: Houghton Mifflin, 1968), pp. 358-363, and Jerome, Thirty Years of Poetry: Collected Poems, 1949-1979 (New Braunfels, TX: Cedar Rock Press, 1979), pp. 238-243.

Reg Jessup, "The Portrait of Ezra Pound." The Ubyssey (Students' Publications Board of The University of British Columbia) 18.22 (January 14, 1936): 2. Free online.

Ed Jewinski, "Selections from 'The Cage in the Open Air.'" Tributaries, an Anthology, Writer to Writer, ed. Barry Dumpster (Oakville, Ont.: Mosaic Press; Ottawa: Valley Editions, 1978), pp. 74-75. Free online. "The Cage in the Open Air" was printed in full in Jewinski, The Cage in the Open Air (Windsor: Black Moss, 1979).

John Harris Job, "An Elegy to Ezra Pound." Poet and Critic 8.2 (1974): 20-21. Free online.

Brad Johnson, "They Said it Was a Weather Balloon." Rattle 59 (Spring 2018). Free online with a reading by the author. Rpt. in Johnson, Smuggling Elephants Through Airport Security (East Lansing, Michigan: Wheelbarrow Books, Michigan State University Press, 2020).

H.L. Johnson, "Fore." Harbor Review 1 (October 2018). Free online.

Kent Johnson, "William Carlos Writes Ezra Pound the Day after Hiroshima." MAYDAY Magazine 2 (Winter 2010). Free online. Rpt., as revised, as "WCW Writes Ezra Pound the Day after Hiroshima," Sulphur [Surrealist Jungle], January 1, 2021. Free online.

Allan Johnston, "Pound to Joyce." Poetry 180.3 (June 2002): 141-142. Free online and here. Rpt. in Johnston, In a Window (Brunswick, Maine: Shanti Arts Publishing, 2018).

David Jhave Johnston, "York Times New States Book United"; "The The." BDP: Big-Data Poetry, August 4, 2014. Free online.

Martin Johnston, "In Memoriam." Surfers' Paradise (Sydney) 1 (1974). Rpt. in Johnston, The Sea-Cucumber (St Lucia, Queensland: University of Queensland Press, 1978), p. 55; The New Oxford Book of Australian Verse, chosen by Les A. Murray (Melbourne: Oxford University Press, 1986), pp. 347-349, free online (first page, last two pages); The Penguin Book of Modern Australian Poetry, ed. John Tranter and Philip Mead (Ringwood, Vic.: Penguin Books, 1991), pp. 323-325; Johnston, Selected Poems and Prose, ed. John Tranter (St Lucia, Queensland: University of Queensland Press, 1993), pp. 38-40; The Bloodaxe Book of Modern Australian Poetry, eds. John Tranter and Philip Mead (Newcastle upon Tyne: Bloodaxe Books, 1994), pp. 323-325, free online (first page, last two pages); and Johnston, Beautiful Objects: Selected Poems (Balmain, NSW: Ligature Pty Limited, 2020). Free online and here and here.

Percy Johnston, "BLAUPUNKT (choruses Pepper Adams never took)." Dasein/Muntu 12 (1988): 151. Rpt. in Every Goodbye Ain't Gone: An Anthology of Innovative Poetry by African Americans, eds. Aldon Lynn Nielsen and Lauri Ramey (Tuscaloosa, Ala.: University of Alabama Press, 2006), p. 115. Free online.

Troy A. Jollimore, "Rosencrantz and Guildenstern Are Dead, Ruined by Reading the Cantos of Ezra Pound." Tom Thomson in Purgatory ([Chesterfield, Mo.?]: Margie, Inc., 2006), pp. 27-30, free online (first page, second and third pages, last page); Holstein, ON: Exile Editions, 2007, pp. 22-30).

Stephen Jonas, Exercises for Ear: Being a Primer for the Beginner in the American Idiom (London: Ferry Press, 1968) [CIX, p. 55; CXXV, p. 61].

Stephen Jonas, "Exercises for Ear" [CIX, CXXV]; "Orgasms / Dominations" [XXI, XXXIII]. Selected Poems, ed. Joseph Torra (Hoboken, N.J.: Talisman House, 1994), pp. 17-101 (at 73, 79), 223-225 (at 224), 237-240 (at 237). "Exercises for Ear" [CIX, CXXV] and "Orgasms / Dominations" [XXXIII] were rpt. in Jonas, Arcana: A Stephen Jonas Reader, eds. Garrett Caples, Derek Fenner, David Rich, and Joseph Torra (San Francisco City Lights Books, 2019), pp. 154, 158, 67-69.

Stephen Jonas, "A Little Magic." Every Goodbye Ain't Gone: An Anthology of Innovative Poetry by African Americans, eds. Aldon Lynn Nielsen and Lauri Ramey (Tuscaloosa, Ala.: University of Alabama Press, 2006), p. 132. Free online. A manuscript of the poem is housed in the Gerrit Lansing papers, 1814-2018 (bulk 1944-2008), YCAL MSS 469, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Gwilym Jones, "Poet Clerihews." mimic hootings, May 9, 2015. Free online.

Marion Jones, "For the death of Ezra Pound." 1968. Free online.

Rodney Jones, "The Obsolescence of Thou." Poetry 171.4 (February 1998): 276. Free online. Rpt. in Jones, Elegy for the Southern Drawl (Boston: Houghton Mifflin Co., 1999); The Poetry Anthology, 1912-2002: Ninety Years of America's Most Distinguished Verse Magazine, eds. Joseph Parisi and Stephen Young (Chicago: Ivan R. Dee, 2002), p. 441, free online; and Jones, Salvation Blues: One Hundred Poems, 1985-2005 (Boston: Houghton Mifflin Co., 2006), p. 154, free online.

Rodney Jones, "Ten Sighs from a Sabbatical." Five Points 6.2 (Spring 2002): 67-71. Free online. Rpt. in Jones, Kingdom of the Instant (Boston: Houghton Mifflin Co., 2002), pp. 71-80; The Best American Poetry, 2003, Yusef Komunyakaa, editor; David Lehman, series editor (New York: Scribner Poetry, 2003): and Jones, Salvation Blues: One Hundred Poems, 1985-2005 (Boston: Houghton Mifflin Co., 2006), pp. 201-206.

John Jordan, "A Paella for Drivellers." Blood and Stations (Dublin: Gallery Press, 1976), pp. 40-42. Free online (first page, last two pages). Rpt. in Jordan, Collected Poems, ed. with preface and notes by Hugh McFadden; introd. by Macdara Woods (Dublin: Dedalus, 1991), pp. 109-112, and Jordan, Selected Poems, ed. with an introd. by Hugh McFadden (Dublin: Dedalus, 2008), pp. 104-108. "The ostensible occasion of this poem is a reported incident in Limerick when Robert Graves refused to enter the White House pub until a photograph of Ezra Pound which was on display there had been taken down. This story enables John, who loathed sanctimoniousness and cant, to set himself in St. Elizabeth's alongside Pound." (Macdara Woods, "Introduction," Collected Poems, p. 25). (For another poem based on the same incident, see John Liddy, "Pound Devalued in Whitehouse.")

Pierre Joris, "Canto Diurno #1." Temblor 4 (1986): 109-121. Rpt. in Joris, Turbulence (Rhinebeck, N.Y.: St. Lazaire Press, 1991), pp. 22ff., and Joris, Poasis: Selected Poems 1986-1999 (Middletown, Conn.: Wesleyan University Press, 2001), pp. 1-24.

Pierre Joris, "EP: Heard, Not Seen." Permanent Diaspora ([Sausalito, CA]: Duration Press, 2002), pp. 27-28. Free online.

Pierre Joris, Winnetou Old ([Buffalo, N.Y.]: Meow Press, 1994). Rpt. in Joris, Poasis: Selected Poems 1986-1999 (Middletown, Conn.: Wesleyan University Press, 2001), pp. 69-84. Published in part as Joris, from "Winnetou Old," Sulfur 7.1 [no. 19] (Spring 1987): 35-39, rpt. in Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two: From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris (Berkeley, Los Angeles, London: University of California Press, 1998), pp. 770-772, free online (first two pages, last page).

Lawrence Joseph, "News Back Even Further than That." Michigan Quarterly Review 44.2 (Spring 2005): 248-250. Free online. Rpt. in Joseph, Into It: Poems (New York: Farrar, Straus and Giroux, 2005), pp. 38-40, free online and here (first two pages, last page); Philip Metres, "'With Ambush and Stratagem': American Poetry in the Age of Pure War," The Oxford Handbook of Modern and Contemporary American Poetry, ed. Cary Nelson (Oxford and New York: Oxford University Press, 2012), pp. 331-368 (at 356-357, free online); Extraordinary Rendition: American Writers on Palestine, ed. Ru Freeman (New York and London: OR Books, 2015); David Wojahn, "Maggie's Farm No More: The Fate of Political Poetry," The Writer's Chronicle 39.6 (May/Summer 2007): 21-31, rpt. in Wojahn, From the Valley of Making: Essays on the Craft of Poetry (Ann Arbor: University of Michigan Press, 2015), pp. 22-48 (at 42-46, free online [first two pages, next two pages, last page]); and Joseph, A Certain Clarity: Selected Poems (New York: Farrar, Straus and Giroux, 2020), free online. Free online.

M. K. Joseph, "Mercury Bay Eclogue." January 1952. Landfall 24 (Dec. 1952): 283-287. Rpt. in An Anthology of Twentieth-Century New Zealand Poetry, selected by Vincent O'Sullivan (London, Oxford, Wellington: Oxford University Press, 1970), pp. 152-157, free online (first two pages, next two pages, last two pages); Joseph, Inscription on a Paper Dart: Selected Poems, 1945-72 (Auckland: Auckland University Press, 1974), pp. 18-22; The Oxford Book of New Zealand Writing Since 1945, chosen by MacDonald P. Jackson and Vincent O'Sullivan (Auckland: Oxford University Press, 1983), pp. 60-63; The Penguin Book of New Zealand Verse, eds. Ian Wedde and Harvey McQueen, introd. and notes by Ian Wedde and Margaret Orbell (Auckland, N.Z.: Penguin Books, 1985), pp. 228-232, free online (first two pages, next two pages, last page); and An Anthology of New Zealand Poetry in English, eds. Jenny Bornholdt, Gregory O'Brien, Mark Williams (Auckland: Oxford University Press New Zealand, 1997), pp. 299-302.

Fady Joudah, "In the Name of the Letter, the Spirit, and the Double Helix." KROnline (The Kenyon Review) (February 2014). Free online. Translated into Italian by Pina Piccolo as "Nel nome della Lettera, dello Spirito e della Doppia Elica (Fady Joudah)," La macchina sognante, 30 dicembre 2015. Free online.

José Luis Jover, "Pale carnage beneath bright mist" (1975). In Joven poesía española, selección de Concepción G. Moral, introd. de Rosa María Pereda (Madrid: Cátedra, 1993), 295.

James Joyce, limerick ["A bard once in lakelapped Sermione . . ."] written on the back of a letter from Ezra Pound to Joyce, dated June 2, 1920. In Richard Ellmann, James Joyce (Oxford: Oxford University Press, 1959), p. 494; John J. O'Meara, "Yeats, Catullus and the Lake Isle of Innisfree," University Review 3.8 (Spring 1966): 15-24 (at 24 n. 26); Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound's Essays on Joyce, ed. and with commentary by Forrest Read (New York: New Directions, 1967), p. 179; Richard Ellmann, James Joyce (New York and Oxford: Oxford University Press, rev. ed., 1982), p. 479; Humphrey Carpenter, A Serious Character: The Life of Ezra Pound (Boston: Houghton Mifflin Company, 1988), p. 374; James Joyce, Poems and Shorter Writings, eds. edited by Richard Ellmann and A. Walton Litz (London: Faber and Faber 1990), p. 124; José Antonio Álvarez Amorós, "Ciclos creativos en la poesía de James Joyce," Miscelánea: A Journal of English and American Studies 13 (1992): 5-15 (at 13 n.1), free online and here; and Ira B. Nadel, "'Nothing but a Nomad': Ezra Pound in Europe (1898-1911)," Ezra Pound and Europe, eds. Richard Taylor and Claus Melchior (Amsterdam: Rodopi, 1993), pp. 19-31 (at 29). Free online. Translated into Italian by Paolo Veronese in Veronese, "A Sirmione con Pound e Joyce, 1920," Artificiosa Rota, 29 June 2020, free online.

 

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