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Martin Henry Kagel, "Am Grab von Ezra Pound," Dimension: Contemporary German Arts and Letters, Austin, 17.2 (1988): 246-247. German and English on facing pages. Translated as "At the Grave of Ezra Pound" by Jessica Anderson. Under the heading: "Am Grab von Ezra Pound und andere Gedichte /At the Grave of Ezra Pound and other Poems."

Daud Kamal, "Homage to Ezra Pound." Compass of Love and Other Poems ([1975?]). A reading by the poet, recorded Aug. 26, 1975.

Rodger Kamenetz, "Allen Ginsberg Forgives Ezra Pound on Behalf of the Jews," The Forward, December 7, 2001, rpt. online December 9, 2010, and here, and rpt. in Kamenetz, The Lowercase Jew (Evanston, Ill.: TriQuarterly Books/Northwestern University Press, 2003), pp. 21-25.

Νίκος Καρύδης, "Αλεξάνδρα 2." 'H ελληνικ́η πόιηση: 'H πρωτη μεταπολεμικη γενια, eπιμέλεια Αλέξανδρος Αργυρίου (Αθήνα: Εκδόσεις Σοκόλη, 1977), p. 280. Rpt. in Καρύδης, τα ποιήματα 1944-1984 (Αθήνα: Ίκαρος, 1998), p. 107. Translated into Spanish by Francisco Torres Córdova as Karidis, "Alejandra 2," La poesía griega, antología y gramatología, de Aléxandros Argyríou (Atenas: Ediciones Panagiotis Sokolis, 1982) and La Jornada Semanal, suplemento semanal del periódico La Jornada 670 (6 de enero de 2008). Free online and here and here.

Mary Karr, "Read These." Poetry 200.5 (September 2012): 458-459. Free online. Rpt. in Karr, Tropic of Squalor: Poems (New York: HarperCollins, 2018). Free online and here and here and here and here.

Yaak Karsunke, "hohl form." Kilroy & andere: Gedichte (Berlin: Klaus Wagenbach, 1967), p. 24. Free online. A setting was published in Markus Lehmann, Fünf Lieder für Mezzo-Sopran und Klavier, WV 42, 1971 (Berlin: Astoria, 1995). Translated into English by André Lefevere as "Hollow Shape," New Directions in Prose and Poetry 30 (1975): 85. Free online and here. Another translation, by Michael Hamburger, was published as "Hollow," TriQuarterly 35.2 (Winter 1976): 16. Free online and here. Rpt. in German Poetry 1910-1975: An Anthology, trans. and ed. by Michael Hamburger (New York: Urizen Books, 1976), p. 486, free online (English trans. as "Hollow" on p. 487, free online), and in German Poetry, 1910-1975: An Anthology, transl. and ed. by Michael Hamburger (Manchester: Carcanet New Press, 1977), p. 422.

K. D. Katrak, "Poems from an immurement" [I. The descent; II. The conspiracy; III. The beatific vision]. Opinion, Bombay, 13.26 (October 31, 1972): 25-26. Rpt. in An Anthology of Indo-English Poetry, ed. Gauri Deshpande (Delhi: Hind Pocket Books, 1974), pp. 76-82.

David M. Katz, "Between the Covers." Stanzas on Oz: Poems 2011-2014 (Loveland, Ohio: Dos Madres Press, 2015).

Steven Barry Katz, "Cosmopolis: A Polemic Of The Future." "Cosmopolis and other Poems" (M.A., University of Rhode Island, 1980). Free online.

Bob Kaufman, Second April (San Francisco: City Lights Books, 1959). Free online. Rpt. in Kaufman, Solitudes Crowded With Loneliness (New York: New Directions, 1965), pp. 65-74, and Kaufman, Collected Poems of Bob Kaufman, eds. Neeli Cherkovski, Raymond Foye, and Tate Swindell; foreword by devorah major (San Francisco: City Lights Books, 2019).

Shirley Kaufman, "Stuck." Ezekiel's Wheels (Port Townsend, Wash.: Copper Canyon Press, 2009), p. 50. Free online.

P. J. Kavanagh, "Spoleto 1967." Life Before Death (London: Chatto and Windus, 1979), p. 26. Free online. Rpt. in Kavanagh, Collected Poems (Manchester: Carcanet Press Ltd, 1992), p. 151, free online.

Patrick Kavanagh, "Spring Day." Envoy 1.4 (March 1950): 84. Rpt. in Kavanagh, Collected Poems (London: MacGibbon & Kee, 1964), p. 116, free online; A 20th Century Anthology: Essays, Stories, and Poems, eds. W.E. Messenger and W.H. New (Scarborough, Ontario: Prentice Hall Canada Inc., 1984), pp. 164-165, free online; Kavanagh, Selected Poems, ed. Antoinette Quinn (London: Penguin Books, 1996), pp. 90-91, free online; Irish Writing in the Twentieth Century: A Reader, ed. David Pierce (Cork, Ireland: Cork University Press, 2000), pp. 599-600, free online (first page, second page); Currents: Stories, Essays, Poems, and Plays, eds. Kevin McNeilly, Noel Elizabeth Currie, William H. New, and William E. Messenger (Scarborough, Ontario: Prentice Hall Canada Inc., 2nd ed., 2000), pp. 102-103, free online; and Kavanagh, Collected Poems, ed. Antoinette Quinn (London and New York: Allen Lane, 2004), pp. 157-158.

Douglas Kearney, The Black Automaton (Albany, N.Y.: Fence Books, 2009).

David Keller, "The Applicants for the Correspondence Course." Poetry 148.4 (July 1986): 196-197. (Issue contents and volume index title "The Applicants for the Writing Workshop.") Free online. Rpt. in Keller, A New Room, in Quarterly Review of Literature: Poetry Series VIII, eds. T. & R. Weiss (Quarterly Review of Literature, v. 27) (Princeton, N.J.: QRL, 1987), p. 36.

Harriet Stovall Kelley, "Ezrata [sic]: Remembering Wrong." Ezra Pound in Memoriam: An Anthology of Contemporary Poetry, 1885-1972, ed. John H. Morgan; an appreciation by Michael Long (Bristol, IN: Wyndham Hall Press, 1985), p. 81.

Conor Kelly, "Second Comings." Brief Poems, February 12, 2016. Free online and here and here.

Dennis Kelly, "Dennis Kelly's further thoughts on Cleave poetics." The Cleave, October 7, 2008. Free online.

Dennis Kelly, "The Pact." The Cleave, January 26, 2009. Free online.

Dennis Kelly, "Presented to Ezra Pound." Size Queen and Other Poems (San Francisco: Gay Sunshine Press, 1981), p. 29.

Dennis Kelly, "A Thank You Cleave." The Cleave, January 27, 2009. Free online.

Robert Kelly, "Arnolfini's Wedding." 17 XII 72. The Mill of Particulars (Los Angeles: Black Sparrow Press, 1973), pp. 119-126.

Robert Kelly, "HOW (Prepositional)." In Time (West Newbury, Mass.: Frontier Press, 1971), p. 34. Rpt. in Kelly, A Voice Full of Cities: The Collected Essays of Robert Kelly, eds. Pierre Joris and Peter Cockelbergh (New York, London, Melbourne: Contra Mundum Press, 2014), p. 110. Free online.

Robert Kelly, "re: Snow Jobs / we have got:". In Time (West Newbury, Mass.: Frontier Press, 1971), pp. 25-26. Rpt. in The Before Columbus Foundation Poetry Anthology: Selections from the American Book Awards, 1980-1990, eds. J.J. Phillips, Ishmael Reed, Gundars Strads, and Shawn Wong (New York and London: W W. Norton & Company, 1992), pp. 157-158, free online (first page, second page), and Kelly, A Voice Full of Cities: The Collected Essays of Robert Kelly, eds. Pierre Joris and Peter Cockelbergh (New York, London, Melbourne: Contra Mundum Press, 2014), pp. 103-104. Free online.

Robert Kelly, "Studying Horses." 1992. A Strange Market (Santa Rosa: Black Sparrow Press, 1992), pp. 182-187. Free online (first two pages, next two pages, last two pages). Rpt. in American Poetry Since 1950: Innovators and Outsiders: An Anthology, ed. Eliot Weinberger (New York: Marsilio Publishers, 1993), pp. 340-344, free online (first two pages, next two pages, last page).

Robert Kelly, [untitled poem (beginning "So many flags, so many cities")], in: Sterrett Smith, Blue Tongues of Fire: Paintings and Drawings with Responses by Robert Kelly (Metambesen: Annandale-on-Hudson, 2019), p. 42. Free online.

T. Byron Kelly, "Selections from Faith Of Heart—Spring 1993-Winter 1993." New Selected Poems of T. Byron Kelly (iUniverse, 2009), pp. 13-16 [second selection, revised 4/7/2007 [beginning: "Poets haunt my window, amid nightshades"], p. 14]. Free online.

Josef Kempf, "In memoriam Ezra Pound." Schreib in den Sand (München: Delp, 1974), p. 44. Translated into Dutch by Bert Willems in Schuim: Tweemaandelijks tijdschrift voor literatuur en kunst 4.2 (April 1977): 38.

Daniel Kempton, “Micel biþ se Meotudes egsa,” Shawangunk Review 19 (Spring 2008): 70. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 19. Free online.

Mel Kenne, "The Cantos." Take (Passaic, NJ: Muse-Pie Press, 2011).

Bill Kennedy and Darren Wershler, "Ezra Pound." Update, ed. Jon Paul Fiorentino (Montréal, Québec: Snare, 2010). Free online.

Brendan Kennelly, "The last of the cheese." Poetry My Arse: A Poem (Newcastle upon Tyne: Bloodaxe Books, 1995), p. 236. Free online.

Maurice Kenny, "Ezra Pound." Dead Letters Sent, and Other Poems (New York: Troubador Press, 1958), p. 33. "Ezra Pound was released from St. Elizabeth's and one afternoon wandered into the Marboro Shop [Marlboro Books], stood before the poetry shelf, smiled to see his books in place, and briskly left." (Maurice Kenny, Between Two Rivers: Selected Poems, 1956-1984 (Fredonia, N.Y.: White Pine Press, 1987), p. 2).

Robert Kenny, "From Book 'Poem.'" Poemfull.Com, 20 December, 2021. Free online.

Ronald W. Kenyon, "Drang nach Suden [sic]." Divagations: Collected Poetry 1959-1996. Annotated edition (CreateSpace, second ed., 2015), p. 7. Free online.

Jesse Lee Kercheval, "1962." New Orleans Review, 2019. Free online.

Jack Kerouac, "MacDougal Street Blues." June 26, 1955. Heaven & Other Poems (San Francisco, Calif.: Grey Fox Press, 1977), pp. 3-12 ["Canto Dos," pp. 6-10, free online (first two pages, next two pages, last page)].

Jack Kerouac, "207th Chorus." Summer of 1955. Mexico City Blues (New York: Grove Press, 1959), p. 207. Free online. Translated into French by Jean-Jacques Lebel in La poésie de la beat generation, textes traduit de l'américain et présentés par Jean-Jacques Lebel; préface d'Alain Jouffroy (Paris: Denoël, 1965).

Jack Kerouac, "'When You Become Enlightened.'" Bastard Angel 2 (Spring 1974): 47. Rpt. in Kerouac, Pomes All Sizes (San Francisco, Calif.: City Lights Books, 1992), pp. 66-68, free online (first two pages, last page), and Kerouac, Collected Poems, Marilène Phipps-Kettlewell, ed. (New York: Library of America, 2012). Free online.

يوسف الخال [Yūsuf Khāl], "إلى عزرا باوند" [To Ezra Pound]. al-Bi'r al-mahjūrah [The Forsaken Well] (Bayrūt: Dār Majallat Shi'r, 1958), p. 9. Free online. Rpt. in Yūsuf al-Khāl, Al-A‘māl al-Shi‘riyyah al-Kāmilah (Beirut: Al-Ta‘āwuniyyah al-Lubnāniyyah lil-Ta’līf wa al-Nashr, 1973), pp. 197-198. Translated into English in Salma Khadra Jayyusi, Trends and Movements in Modern Arabic Poetry, Volume Two (Leiden: E. J. Brill, 1977), p. 715, free online, and Modern Arabic Poetry: An Anthology, ed. Salma Khadra Jayyusi (New York: Columbia University Press, 1987), p. 17, free online.

Zohreh Khaleghi, "A Reborn Born." Moj Magazine, April 18, 2011. Free online.

Kevin Kiely, "Homage To Thomas MacGreevy." Breakfast with Sylvia (Belfast: Lagan Press, 2005), p. 62; U.S. edition (2007), p. 61. Free online.

Kevin Kiely, "Mary Pound de Rachewiltz." Breakfast with Sylvia (Belfast: Lagan Press, 2005), p. 59; U.S. edition (2007), p. 58. Rpt. in Ezra Pound, Language and Persona, eds. Massimo Bacigalupo and William Pratt (Genoa: Dipartimento di Scienze della Comunicazione Linguistica e Culturale, Università degli Studi di Genova, 2008), p. 355. Free online and here.

Kevin Kiely, "Who's Afraid of Ezra Pound?" Breakfast with Sylvia (Belfast: Lagan Press, 2005), p. 47; U.S. edition (2007), p. 45. Rpt. in Ezra Pound, Language and Persona, eds. Massimo Bacigalupo and William Pratt (Genoa: Dipartimento di Scienze della Comunicazione Linguistica e Culturale, Università degli Studi di Genova, 2008), p. 355, free online, and in Kiely, UCD Belfield Metaphysical: New and Selected Poems (Areopagitica Publishing, 2018), p. 205.

Matt Kilbane, "That Her Acts of Beauty Be Remembered." DIAGRAM 15.6 (2015). Free online.

Anyssa Kim, "off the page." Ovarian Twists, New and Selected Poems (New York: Fly By Night Press, 2003), p. 51.

Burt Kimmelman, "8/6/86 Tate Gallery, Gaudier-Brzeska's Pound, The Hieratic Head." Pequod 28/29/30 (1989): 36. Rpt. in Kimmelman, Musaics: Poems (New York: Spuyten Duyvil, 1992), p. 1.

Joan Payne Kincaid, "We Did it Before and . ... " San Fernando Poetry Journal 16.1 (1994): 38.

Basil King, "Before." Marsh Hawk Review (Spring 2020): 58. Free online.

Basil King, "A Hundred and One Beasts." Learning to Draw/A History (West Hartford, CT: Cricket Press, 2007). An excerpt (beginning: "Before Gilles Before Kline") was rpt. in The Portable Boog Reader 3: An Anthology of New York City Poetry, eds. Jim Behrle, Joanna Fuhrman, Brenda Iijima, Paolo Javier, David A. Kirschenbaum, and Mark Lamoureux (New York: Boog City, 2009) [Boog City 53]), p. 12. Free online and here. Rpt. in King, Learning to Draw/A History, ed. Daniel Staniforth (Cheltenham: Skylight Press, 2011), pp. 76-87.

J. M. King, "Ekphrasis." Medium, Dec. 6, 2019. Free online.

Thomas Kinsella, "Downstream." Downstream (Dublin: Dolmen, 1962), pp. 50ff. Rpt., as revised, in Kinsella, Collected Poems, 1956-1994 (Oxford and New York: Oxford University Press, 1996), pp. 48-51, free online (first two pages, last two pages); Ferocious Humanism: An Anthology of Irish Poetry from Before Swift to Yeats and After, [ed.] W. J. Mc Cormack (London: J.M. Dent, 2000), pp. 273-275, free online (first page, last two pages); Kinsella, Collected Poems 1956-2001 (Manchester: Carcanet, 2001); Kinsella, Selected Poems (Manchester: Carcanet, 2007), pp. 29-32; and Earth Voices Whispering: An Anthology of Irish War Poetry, 1914-1945, ed. Gerald Dawe (Belfast: Blackstaff Press, 2008), pp. 302-306.

Jaffa Kintigh, "Eulogy to Ezra Pound." Jaffalogue, August 12, 2017. Free online.

Watson Kirkconnell, "Foreword on Request (Written for the Canadian Poetry Magazine at the request of its editor, Leo Cox)." Canadian Poetry Magazine 14.1 (Autumn 1956): 6-7. Rpt. in Kirkconnell, Centennial Tales and Selected Poems (Toronto: Published for Acadia University by University of Toronto Press, 1965), pp. 127-128. Free online (first page, second page).

Lincoln Kirstein, "Tudoresque." The Hudson Review 17.1 (Spring 1964): 44-49. Free online. Rpt. in Kirstein, Rhymes of a PFC (New York: New Directions, 1964); Kirstein, Rhymes of a PFC, revised ed. (Boston: David R. Godine, Publisher, Boston, 1981), pp. 64-70, free online (first two pages, next two pages, next two pages, last page); Kirstein, By With To & From: A Lincoln Kirstein Reader, ed. Nicholas Jenkins (New York: Farrar, Straus & Giroux, 1991), pp. 75-80, free online (first page, next two pages, next two pages, last page); and Kirstein, The Poems of Lincoln Kirstein (New York: Atheneum, 1987), pp. 156-161, free online (first two pages, next two pages, last two pages).

John Kitsco, "Choice of the People." Poets Against the War, 2003. Free online. A reading of the poem.

Iris Kiya. See Sebastián Melmoth

Carolyn Kizer, "Final Meeting." Michigan Quarterly Review 25.4 (Fall 1986): 655-656. Free online and here and here (first page, second page). Rpt. as "Final Meeting; for James Wright" in Kizer, The Nearness of You: Poems (Port Townsend, WA: Copper Canyon Press, 1986), pp. 95-97; Annual Survey of American Poetry: 1986 (Great Neck, New York: Poetry Anthology Press, 1987), pp. 146-148; Seasonal Performances: A Michigan Quarterly Review Reader, ed. Laurence Goldstein (Ann Arbor: University of Michigan Press, 1991), pp. 341-342, free online (first page, second page); and Kizer, Cool, Calm, and Collected: Poems 1960-2000 (Port Townsend, WA: Copper Canyon Press, 2001), pp. 270-272, free online (first two pages, last page).

Carolyn Kizer, "Marriage Song with commentary." Antaeus 64/65 (Spring-Autumn 1990): 69-70. Free online (first page, second page). Rpt. in The Best American Poetry 1991, Mark Strand, Ed., David Lehman, Series Ed. (New York: Collier Books, Macmillan Publishing Company, 1991), pp. 122-123, free online; Kizer, Harping On: Poems 1985-1995 (Port Townsend, Wash.: Copper Canyon Press, 1996), pp. 51-52, free online (first page, second page); and Kizer, Cool, Calm, and Collected: Poems 1960-2000 (Port Townsend, WA: Copper Canyon Press, 2001), pp. 315-316, free online (first page, second page). Of "Marriage Song," Kizer writes: "Marriage Song was written after studying a Chou dynasty poem translated by both Arthur Waley and Ezra Pound. The original poem seems to be anonymous; therefore, one may readily speculate that it was written by a woman. This may account for the opacity of the translations by both men and the wide difference in their interpretations. It occurred to me that it would be fun to incorporate a pseudo-scholarly commentary on the poem and its translators and interpreters within a poem of my own. I think and hope I have in vented a genre! I'd love to quote both Pound and Waley in their entirety-the Pound version being three stanzas long, the Waley five stanzas. One of the few passages on which these poets agree refers to 'tossing and turning,' although in Waley it is the man who tosses and turns, while in Pound it seems as if it is the woman!" (The Best American Poetry 1991, pp. 293-294). "My friend, the distinguished Chinese scholar Jerome Seaton, pointed out to me two translations of a Chou Dynasty poem, one by Arthur Waley and one by Ezra Pound. The original song is anonymous, which suggests that it might well have been composed by a woman. The oddity of these translations is that one wouldn't know that they referred to the same poem—other than a reference to 'tossing and turning'—and that the Pound version is three stanzas long while Waley's is five stanzas. Neither translation is an example of the best work of these great men, to put it politely. I was raised on the poems of both of them, and when they are criticized I hasten to remind all of us of the debt we owe them in their introduction of Asian poetry to Western readers and writers. [quoting the two translations] I thought it would be amusing to invent a genre: a poem which would incorporate pseudo-scholarly commentary on the work, from Confucius on down." (Kizer, Cool, Calm, and Collected, pp. 494-495).

A.M. Klein, "Cantabile." Northern Review 2.3 (Sept.-Oct. 1948): 30-31. A parody/review of The Cantos of Ezra Pound I-LXXXIV (New York: New Directions, 1948). Rpt. in Klein, The Collected Poems of A. M. Klein (Toronto: McGraw-Hill Ryerson, 1974), p. 338; Klein, Literary Essays and Reviews: Collected Works of A.M. Klein (Toronto: University of Toronto Press, 1987), pp. 264-266, first page, last page; Klein, Complete Poems. 2 vols. Ed. Zailig Pollock (Toronto: University of Toronto Press, 1990), Vol. 2, pp. 701-703; and Klein, Selected Poems, eds. Zailig Pollock, Seymour Mayne, and Usher Caplan (Toronto: University of Toronto Press, 1997), pp. 132-134. Free online (first part, the rest).

August Kleinzahler, "A History of Western Music: Chapter 42." Snow Approaching on the Hudson: Poems (New York: Farrar, Straus and Giroux, 2020).

Ernest Klepeis, "Lie Quiet, Ezra." La Venezia Revisione, March 10, 2014. Free online and here.

klipschutz [Kurt Lipschutz], "Dear Ezra." The Outlaw Bible of American Poetry, eds. Alan Kaufman and S. A. Griffin (New York: Thunder's Mouth Press, [1999]), p. 482. Free online. Rpt. in Chiron Review 63 (Winter 2000): 18; klipschutz, Twilight of the Male Ego (Walla Walla, Wash.: Tsunami Press, 2002); klipschutz, A Visit to the Ranch & Other Poems (Olympia, WA: Last Word Press, 2015); and klipschutz, This Drawn & Quartered Moon (Vancouver, B.C. Canada: Anvil Press, 2013). Free online.

Rose Knapp, "Neo-Modernestá Haiku." Tantric (Bristol: Hesterglock Press, 2021), p. 38. Free online.

Arthur Winfield Knight, "Madness." The University of Windsor Review 19.2 (Spring-Summer 1986): 59.

Bill Knott, "Andrea." Exquisite Corpse 5.9-12 (Sept.-Dec. 1987): 11. On Andrea Miller, producer of Ezra Pound Reading His Translations of The Confucian Odes (Spoken Arts – SA 1098 [1971]) and daughter of Mitch Miller.

Bill Knott, "Epigram." 333 Short Poems (Bill Knott, 2013). Free online and here. Rpt. in Knott, Collected Poetry 1960-2014 (Bill Knott, 2014), p. 182, free online.

Bill Knott, "Penny Wise." Becos: Poems (New York: Random House, 1983), p. 28, free online. Rpt. in Knott, Laugh at the End of the World: Collected Comic Poems, 1969-1999 (Rochester, NY: BOA Editions, 2000), p. 40; Knott, Selected Political Poems 1965-2005 (Boston: Bill Knott, 2007), free online; Knott, 333 Short Poems (Bill Knott, 2013), free online and here; Knott, Collected Poetry 1960-2014 (Bill Knott, 2014), p. 199, free online; and Knott, I Am Flying Into Myself: Selected Poems, 1960-2014, ed. and with an introd. by Thomas Lux (New York: Farrar, Straus & Giroux, 2018), p. 119, free online. Free online and here and here.

Bill Knott, "To American Poets"; "The WASP Poets of America." In Saint Geraud [Bill Knott], The Naomi Poems, Book One: Corpse and Beans (Chicago: Big Table Publishing Company, 1968), pp. 31-32, free online (first page, second page), 59-60 (first page, second page). Free online. "To American Poets" was reprinted in The Young American Poets, ed. Paul Carroll, Introd. by James Dickey (Chicago and New York: Follett Publishing Company, 1968), pp. 354-356, free online (first two pages, last page); In Youth, ed. and introduced by Richard Kostelanetz (New York: Ballantine Books, 1972), pp. 248-249; and Knott, Selected and Collected Poems (New York: SUN, 1977), pp. 48-50; and, as "To Outremerican Poets" in Knott, Laugh at the End of the World: Collected Comic Poems, 1969-1999 (Rochester, NY: BOA Editions, 2000), pp. 111-112, and Knott, Selected Political Poems 1965-2005 (Boston: Bill Knott, 2007), free online; and Knott, Collected Poetry 1960-2014 (Bill Knott, 2014), pp. 250-251, free online. Free online ("To Outremerican Poets").

Edmund George Valpy Knox, "The Rovers." Parodies Regained (London: Methuen & Co., 1921), pp. 86-91. Free online. Rpt. in Mock Modernism: An Anthology of Parodies, Travesties, Frauds, 1910-1935, ed. Leonard Diepeveen (Toronto: University of Toronto Press, 2014), pp. 137-140.

Ch'ang-su Ko, "For Ezra Pound and T.S. Eliot." Sound of Silence: Poems (Islamabad, Pakistan: Leo Books, 1996), p. 50. Text in English with Urdu translation.

Kenneth Koch, "The Art of Poetry." Poetry 125.4 (Jan. 1975): 187-203. Free online. Rpt. in Koch, The Art of Love: Poems (New York: Random House, 1975), pp. 23-45; The Whole Word Catalogue 2, eds. Bill Zavatsky and Ron Padgett (New York, N.Y.: Teachers & Writers Collaborative, 1977), pp. 87-94; Koch, Selected Poems, 1950-1982 (New York: Random House, 1985), pp. 113-124, free online; Koch, On the Great Atlantic Rainway: Selected Poems 1950-1988 (New York: Alfred A. Knopf, 1994), pp. 166-176; Koch, The Art of Poetry: Poems, Parodies, Interviews, Essays, and Other Work (Ann Arbor: University of Michigan Press, 1996), pp. 1-15; Koch, The Collected Poems of Kenneth Koch (New York: Alfred A. Knopf, 2005), pp. 243-253; and Koch, Selected Poems, Ron Padgett, editor (New York: Library of America, 2007), pp. 55-74.

Kenneth Koch, "Canto." Kulchur 2.5 (Spring 1962): 22-23. Rpt. in Koch, The Art of Poetry: Poems, Parodies, Interviews, Essays, and Other Work (Ann Arbor: University of Michigan Press, 1996), pp. 98-99. Free online.

Kenneth Koch, "Fresh Air." I.e: The Cambridge Review 6 (Dec. 1, 1956): 12-18. Rpt. in The New American Poetry, 1945-1960, ed. Donald M. Allen (New York: Grove Press, 1960), pp. 229-236; Koch, Thank You, and Other Poems (New York: Grove Press, 1962); Poems on Poetry: The Mirror's Garland, comp. and ed. by Robert Wallace and James G. Taaffe (New York: Dutton, 1965), pp. 108-114; Possibilities of Poetry; An Anthology of American Contemporaries, ed. Richard Kostelanetz ([New York]: [Dell Pub. Co.], [1970]), pp. 382-389; Making it New, eds. JoAn E. Chace [and] William M. Chace (San Francisco: Canfield Press, 1973), pp. 96-101; Contemporary American Poetry, ed. A. Poulin, Jr. (Boston and London: Houghton Mifflin, 1975), pp. 181-187; The New Naked Poetry: Recent American Poetry in Open Forms, eds. Stephen Berg and Robert Mezey (Indianapolis: Bobbs-Merrill, 1976), pp. 166-171; Koch, Selected Poems, 1950-1982 (New York: Random House, 1985), pp. 37-43, free online; Koch, On the Great Atlantic Rainway: Selected Poems 1950-1988 (New York: Alfred A. Knopf, 1994); Koch, The Art of Poetry: Poems, Parodies, Interviews, Essays, and Other Work (Ann Arbor: University of Michigan Press, 1996), pp. 53-60, free online; The New York Poets: An Anthology, ed. Mark Ford (Manchester: Carcanet, 2004); Koch, The Collected Poems of Kenneth Koch (New York: Alfred A. Knopf, 2005), pp. 122-128; Koch, Selected Poems, ed. Ron Padgett ([New York]: Library of America, 2007), pp. 14-24; and The Penguin Anthology of Twentieth-Century American Poetry, ed. with an introd. by Rita Dove (New York: Penguin Books, 2011), pp. 225-230. Also here and here and here and here and here and here and here and here. A reading by the poet.

Kenneth Koch, "A Time Zone." Paris Review 115 (Summer 1990). Excerpt. Rpt. in The Best American Poetry 1991, Mark Strand, Ed., David Lehman, Series Ed. (New York: Collier Books, Macmillan Publishing Company, 1991), pp. 124-135; Koch, The Collected Poems of Kenneth Koch (New York: Alfred A. Knopf, 2005), pp. 459-465; and Koch, Selected Poems, ed. Ron Padgett ([New York]: Library of America, 2007), pp. 116-130. Of "A Time Zone," Koch writes: "The poem is named for Apollinaire's poem 'Zone,' which influenced its line lengths, rhymes, and music and tone in general. Being in New York in the fifties and early sixties with my friends seemed to me then, and seems now at a distance of thirty and more years, exciting, irreplaceable, interesting, and worth writing about. The chronology of 'A Time Zone' is irregular: The poem starts with a production of 'The Construction of Boston' in 1962, then goes back to the fifties, and so on. Everything in the poem, as far as I know, is true." (The Best American Poetry 1991, p. 294). Versions of the poem are housed in the Kenneth Koch Papers, ca. 1939-1995, Berg Coll MSS Koch [Text], Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library. Finding aid. Typescripts of the poem are housed in the Kenneth Koch Collection of Papers 1932-2007 (bulk 1973-2002), Berg Coll Koch MSS 1932-2007, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library. Finding aid.

Ruth Ellen Kocher, "#106LinesOnBlacknessForWhitePoetsAndPolicemen." The Literary Review 59.1 (Winter 2016). Rpt. in The Literary Review 60.3 (Fall 2017): 282-287. Free online and here.

Wayne Koestenbaum, "Erotic Collectibles." Rhapsodies of a Repeat Offender: Poems (New York: Persea Books, 1994), pp. 26-40 [1980, pp. 33-35, free online (first two pages, last page)].

Wayne Koestenbaum, "Metamorphoses: 20. Phaeton (Ezra Pound)." The Kenyon Review NS 21.1 (Winter 1999): 167-168.

Wayne Koestenbaum, "Poem for George Platt Lynes." Michigan Quarterly Review 37.1 (Winter 1998): 42-45. Free online. Rpt. in Koestenbaum, The Milk of Inquiry: Poems (New York: Persea Books, 1999), pp. 41-44, and Word of Mouth: An Anthology of Gay American Poetry, ed. Timothy Liu (Jersey City, N.J.: Talisman House, 2000), pp. 374-378.

John Koethe, "English 206." 2017. CutBank 89 (2018). Rpt. in Koethe, Walking Backwards: Poems 1966-2016 (New York: Farrar, Straus and Giroux, 2018), free onlineFree online and here.

John Koethe, "Hamlet." Sally's Hair: Poems (New York: HarperCollins, 2006). Rpt. in The Innisfree Poetry Journal 10 (Spring 2010): 81-86 and Koethe, Walking Backwards: Poems 1966-2016 (New York: Farrar, Straus and Giroux, 2018). Free online and here.

Arun Kolatkar, [poetic fragment beginning: "eliot pound both hard found . . ."]. Quoted in Anjali Nerlekar, Bombay Modern: Arun Kolatkar and Bilingual Literary Culture (Evanston, Illinois: Northwestern University Press, 2016), p. 214. Free online.

Yusef Komunyakaa, "NJ Transit." 2001. The Broadview Anthology of Poetry, eds. Herbert Rosengarten and Amanda Goldrick-Jones, 2nd ed. (Peterborough, Ont.: Broadview Press, 2008), pp. 916-917. Free online. Rpt. in Komunyakaa, Pleasure Dome: New and Collected Poems (Middletown: Wesleyan University Press, 2013), pp. 26-27. Free online.

Yioryis Kotsiras, [Biography]. Metallages (Athens: Typogr. K.M., 1974). Translated into English as "Biography" by M. Byron Raizis in Books Abroad 50.1 (Winter 1976): 215, rpt. in Raizis, Greek Poetry Translations: Views, Texts, Reviews (Athens: Efstathiadis Group, 1981), p. 96, and Greek Letters 18 (2005): 24.

András Ferenc Kovács, "A költészet hatalma. Hommage á Ezra Pound." Magyar költok - Magyar limerik oldal, 2007. Free online.

José Kozer, "Encuentro en Cho-Fu-Sa." La maquinaria ilimitada (México: Ediciones Sin Nombre: J. Pablos Editor, 1998), pp. 56-59. Rpt. in Kozer, No buscan reflejarse: antología poética (La Habana: Letras Cubanas, 2001), pp. 172-174, and Kozer, Y del esparto la invariabilidad: antología, 1983-2004 (Madrid: Visor Libros, 2005), pp. 35-37. Translated into English by Mark Weiss as "A Meeting at Cho-Fu-Sa" in Kozer, Stet: Selected Poems, tr. and ed. Mark Weiss (New York: Junction Press, 2006), pp. 56-61 (Spanish and English on facing pages), rpt. in The Oxford Book of Latin American Poetry: A Bilingual Anthology, eds. Cecilia Vicuña and Ernesto Livon-Grosman (New York: Oxford University Press, 2009), pp. 441-443 (with the Spanish original following, pp. 443-444), free online (first page, next two pages, last page).

Aaron Kramer, "A May Day Poem for T.S. Eliot and Ezra Pound." Thru Every Window! A Collection of New Poems (New York: The William-Frederick Press, 1950), p. 5.

Catherine B. Krause, "How To Be The Exact Opposite Of Ezra Pound." Uut Poetry, April 24, 2016. Free online. Rpt. in Eunoia Review, June 19, 2017, free online, and Krause, Treason Cantos: Poems 2014-2017 (2018), free online and here.

Rudi Krausmann, "pound." News: Fast Flowers-long Journeys-cold Funerals, drawings by Garry Shead (South Yarra, Victoria, Australia: Macmillan Art Publishing, 2006), p. 86, free online (English and German versions). Free online.

Leonard Kress, "Storylines: Synchronicity." The Iowa Review 33.1 (Spring 2003): 29-31. Free online and here and here and here.

Robert Kroetsch, "Advice to My Friends"; "Letters to Salonika." Completed Field Notes: The Long Poems of Robert Kroetsch (Toronto: McClelland and Stewart, 1989), pp. 103-124 [2. To Eli Mandel, Setting His New Alarm, p. 106, free online], 138-166 [June 28, p. 166, free online]. Rpt. in Kroetsch, Completed Field Notes: The Long Poems of Robert Kroetsch (Edmonton: University of Alberta Press, 2000), pp. 97-116 [2. To Eli Mandel, Setting His New Alarm, p. 98, free online], 130-158 [June 28, p. 158, free online].

Ryszard Krynicki, "Grób Josifa Brodskiego." 24 czerwca 2004. Kamien, szron (Kraków: Wydawnictwo a5, 2004), pp. 56-57. Free online and here. Translated into English by Clare Cavanagh as "Joseph Brodsky's Grave" in Krynicki, Magnetic Point: Selected Poems, transl., ed., and with an introd. by Clare Cavanagh (New York: New Directions Publishing, 2017). Rpt. in Mourning Songs: Poems of Sorrow and Beauty, ed. Grace Schulman (New York: New Directions Publishing, 2019). Free online.

Ryszard Krynicki, [untitled poem beginning: "Roztargnienie? Niepamięć? Przypadek?"]. Niewiele więcej: wiersze z notatnika 78/79, [rys. Leszek Sobocki] (Kraków: Wydawnictwo KOS, 1981). Rpt. in Krynicki, Niepodlegli nicości: wybrane wiersze i przekłady (Wydawn. Znak, 1989), p. 102. Free online. Translated into English by Clare Cavanagh in Krynicki, Magnetic Point: Selected Poems, transl., ed., and with an introd. by Clare Cavanagh (New York: New Directions Publishing, 2017), p. 123. Free online.

Tom Kryss, "And Jesus Don't Have Much Use for His Old Suitcase Anymore." Sleep Like Yellow Thunder: Poems (Cardiff: Second Aeon, 1970). Rpt. in New American and Canadian Poetry, ed. and with an introd. by John Gill (Boston: Beacon Press, 1971), p. 111.

Tuli Kupferberg, [poem]. Snow Job: Poems: 1946-1959 (New York: Pup Press, 1959).

Stephen Kuusisto, "A Birthday Gift at 65 from Heraclitus." Planet of the Blind, March 29, 2020. Free online.

Stephen Kuusisto, "Ezra Pound in My Dream." Planet of the Blind, March 24, 2017. Free online.

Melissa Kwasny, "Counting the Senses." Pictograph: Poems (Minneapolis, Minnesota: Milkweed Editions, 2015), p. 34. Free online and here. A reading by the poet and here and here.

Melissa Kwasny, "Reading a Biography of Ezra Pound in the Garden." The Threepenny Review 106 (Summer 2006): 18. Free online. Rpt. in Kwasny, Reading Novalis in Montana (Minneapolis, MN: Milkweed, 2009), p. 24. Free online.