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Francis Page, "The Mayor of Spoon River." Two Worlds 2 (Dec. 1926): 135-142 [Finale, 142].

Göran Palm, "Megafonen i poesiparken." Hundens besök: dikter (Stockholm: Norstedt, 1961). Rpt. in Svenskt 60-tal: ung lyrik i urval av Jacob Branting (Stockholm: Bokforlaget Prisma, 1965), pp. 100-101; Palm, Dikter på vers och prosa 1948-1976 (Stockholm: Norstedt, 1976), p. 21; An Anthology of Swedish poetry from 1880 to the present day, eds. Irene Scobbie & Philip Holmes (Hull [Humberside]: Dept. of Scandinavian Studies, University of Hull, 1980); and Modern svensk lyrik: Från Ekelöf till Lillpers: en antologi redigerad av Staffan Bergsten (Stockholm: Bonnier, 1995), pp. 225-226. Translated into English by Martin Allwood as "The megaphone in poetry park," Modern Scandinavian Poetry: The Panorama of Poetry, 1900-1975, in Kalâtdlit-nunat (Greenland), Iceland, the Faroe Islands, Denmark, Saame Poetry, Norway, Sweden, and Finland, ed. Martin Allwood (New York: New Directions, 1982), pp. 317-318, free online.

Jorge Palma, "El tío Ezra tenia razón." Lugar de las utopías (2001-2006) (Montevideo, Uruguay: Ediciones Trilce, 2007), pp. 10-12, free onlineFree online and here and here and here and here and here. Translated into Italian by Piera Mattei as "Lo zio Ezra aveva ragione" here.

David Palmer, "Letter to a Soldier from His Wife." Quickly Over the Wall: Poems and Paintings (Coral Gables, Fla.: Wake-Brook House, 1966).

Michael Palmer, "To Say the Least." Thread (New York: New Directions, 2011), p. 44. Free online and here.

Comrade Pan, "Propertius to Pound." Chicago Daily Tribune 78.79 (April 2, 1919): 8. Quoted in B[ert]. L[eston]. T[aylor].'s column "A Line O' Type or Two." Free online.

Cleonice Panaro, "Poundiana" [ 1) "at the Ambrosiana: a world and more"/[with Chinese translation from the English]; 2) "Pound/no Pound (innocence and experience)"/"Pound / kein Pound (Unschuld oder Erfahrung)" [with German translation], 3) "il tavolo di Pound a Brunnenburg"/"Pound's table at Brunnenburg" [with English translation]; 4) "rosso cinese/Chinese red and Olga Rudge" [with English translation]; 5) "Pound on a solitary island-and the parrot"/"Pound sur une ?le solitaire - et le perroquet" [with French translation]; 6) "a bed at Brunnenburg: a myth for indefinite hours"]. Ricerca Research Recherche, vol. 8, 2002. Memoria di Ezra Pound nel trentennale della morte (Venezia, Ognissanti, 1972): Testi inediti. A c. di Cleonice Panaro. Lecce: Milella, 2002, pp. 219-251.

Tibor Hrs Pandur, "Return to Nikola Tesla." Idiot 2 (November 2009): 24-28. Free online and here and here. Translated from Slovenia to English here. Translated from Slovenia to Spanish here.

Juan Luis Panero, "Un viejo en Venecia." Testamento del naúfrago (1983). Rpt. in Poetas de los 70: antología de poesía española contemporánea, ed. Mari Pepa Palomero (Madrid: Hiperión, 1987), 211-212; Panero, Poesía completa: 1968-1996 (Barcelona: Tusquets Editores, 1997), 155; and Panero, Antologia [1968-2003], selección de Felipe Benítez Reyes (Sevilla: Editorial Renacimiento, 2003), 85-86. Free online and here and here and here and here and here.

Leopoldo María Panero, "De cómo Ezra Pound pasó a formar parte de los muertos." El último hombre (Madrid: Libertarias, 1984), pp. 65-92. Rpt. in Panero, Poesía, 1970-1985 (Madrid: Visor, 1986).

Leopoldo María Panero, "Glosa a un epitafio." Narciso en el acorde ultimo de las flautas (Madrid: Visor, 1979), pp. 31-34. Rpt. in Poesía española hoy, [ed.] G.L. Solner (Madrid: Visor, 1982), pp. 458-461; Panero, Poesía, 1970-1985 (Madrid: Visor, 1986), pp. 124-127; Poetas de los 70: antología de poesía española contemporánea, [ed.] Mari Pepa Palomero (Madrid: Hiperión, 1987), pp. 378-381; and Antología de la poesía española, 1960-1975, edición, Juan José Lanz (Madrid: Espasa Calpe, 1997), pp. 481-485. Free online and here and here and here and here and here and here and here. Translated into English by Juan Ribó Chalmeta and Irina Urumova as "Note on an Epitaph (Letter to Father)" here.

Leopoldo María Panero, "Homenaje a Ezra Pound." El último hombre (Madrid: Ediciones Libertarias, 1984). Rpt. in Panero, Antología (Madrid: Ediciones Libertarias, 1985), p. 94.

Mario Santiago Papasquiaro (pen name of José Alfredo Zendejas Pineda), "Memoria histérica"; "El loco de Pound ha venido a verme." Jeta de santo (antología poética 1974-1997), selección de Rebeca López y Mario Raúl Guzmán (Madrid: Fondo de Cultura Económica, 2008). Free online and here and here.

Constantine Pappas, "Charms of—" [4. Pound]. St. Andrews Review 29 (1985): 15.

Donald J. Paquette, "To Ezra Pound Esq." [ca. 1940?].

Carlo Parcelli, "Deconstructing the Demiurge." Make It New 2.4 (March 2016): 25-36. Free online.

Jay Parini, "To Ezra Pound." New and Collected Poems: 1975-2015 (Boston: Beacon Press, 2017), pp. 29-30. Free online.

Karl Parkinson, "Rimbaud You Kiss My Ear." Butterflies of a Bad Summer (Cliffs of Moher, County Clare, Ireland: Salmon Poetry, 2016).

Thomas Francis Parkinson, "Elegy for Ezra Pound." Hyperion 3.3 [no. 10] (Fall 1973). Rpt. in Parkinson, Thanatos: Earth Poems ([Berkeley]: Oyez, 1976), pp. 27-29, free online (first page, last two pages), and Parkinson, Poems: New and Selected (Orono: National Poetry Foundation, University of Maine, 1988), pp. 35-38. A manuscript, corrections, and proofs of Poems: New and Selected are housed in the National Poetry Foundation (University of Maine) Records, 1957-1994, Special Collections, Raymond H. Fogler Library, University of Maine, Orono. Finding aid. A copy of Parkinson's "An Elegy to Ezra Pound" was enclosed with a letter to Hamilton A. Tyler Papers and is currently housed in the Hamilton A. Tyler Papers, 1915-1984, BANC MSS 85/103 c, The Bancroft Library, University of California, Berkeley. Finding aid.

Thomas Parkinson, "A Poem for Pound." Hyperion 3.3 [no. 10] (Fall 1973).

Nicanor Parra, "Graffiti from the Mausoleum of Ezra Pound." In Marlene Gottlieb, No se termina nunca de nacer: la poesía de Nicanor Parra (Madrid: Colección Nova Scholar, 1977), p. 14.

Nicanor Parra, "Mai mai peñi: discurso de Guadalajara." Prepared for his acceptance of the Premio Juan Rulfo in November 1991. Discursos de sobremesa (Concepción, Chile: Cuadernos Atenea, 1997) [XXVI. Rulfo tiene sobre los poetas convencionales]. Rpt. in Premio Juan Rulfo, una década: antología, selección y prólogo de Juan Gustavo Cobo Borda (Guadalajara (Mexico): Universidad de Guadalajara: Fondo de Cultura Económica, 2002), pp. 31-55; Parra, Obras completas & algo +, edición establecida y anotada por Niall Binns e Ignacio Echevarría con la colaboración de Adán Méndez (Barcelona: Círculo de Lectores: Galaxia Gutenberg, 2006-2011), Vol. 2, pp. 554-606; and Parra, El último apaga la luz: obra selecta, selección y edición de Matías Rivas (Santiago de Chile: Lumen, 2017). Free online and here and here. Translated into English by Dave Oliphant as "Guadalajara Speech" in Parra, After-Dinner Declarations, transl. and with an introd. by Dave Oliphant (Austin, Tex: Host Publications, 2009), pp. 2-109 (Spanish and English on facing pages) [XXVI. Rulfo has over conventional poets, p. 59, free online].

Sigitas Parulskis, "Poetiniai interesai." Six Lithuanian Poets, ed. Eugenijus Ališanka (Todmorden: Arc, 2008), pp. 78, 80 (with an English translation by Medeinė Tribinevičius as "Poetic Interests" on facing pages). Free online and here. Translated into English by Medeinė Tribinevičius as "Poetic Interests." Free online.

Brother Justin Paschal, FSC, "Cafeteria Idyl." The English Journal 55.9 (Dec. 1966): 1182. Free online.

Pier Paolo Pasolini, "Poeta delle ceneri." 1966-67. Pier Paolo Pasolini: una vita futura, a cura di Laura Betti, Giovanni Raboni, Francesca Sanvitale (Milano: Garzanti Editore, 1985), pp. 38-58. Rpt. in Pasolini, Bestemmia: tutte le poesie. 4, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1996), pp. 2056-2084, and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. 2, pp. 1261-1288. Free online and here. Translated into English by André Naffis-Sahely as "The Poet of the Ashes," InTranslation (July 2020), free online.

Pier Paolo Pasolini, "Progetto di opere future." novembre-dicembre 1963. Nuovi argomenti 67-68 (marzo-giugno 1964): 83-93. Rpt. in Pasolini, Poesia in forma di rosa: 1961-1964 (Milano: Garzanti, 1964), pp. 195-207, free online; Pasolini, Bestemmia. 1, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1993), pp. 797-809; and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. I, pp. 1245-1256. Translated into English as "Plan of Future Works" in Pasolini, Poems, selected and translated by Norman MacAfee with Luciano Martinengo; foreword by Enzo Siciliano (New York: Random House, 1982), pp. 182-202 (Italian and English on facing pages).

Pier Paolo Pasolini, "Versi prima fatici e poi enfatici." 10 aprile 1969 (Ankara). Trasumanar e organizzar (Milano: Garzanti, 1971), p. 84. Rpt. in Pasolini, Bestemmia. 2, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1993), p. 914, and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. 2, p. 92. Translated into English by Caterina Ricciardi and John Gery as "Lines Phatic Then Emphatic" in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: UNO Press, 2011), pp. 48-49 (Italian and English on facing pages).

Lee Passarella, "Ezra Pound Reads at the Inaugural." Ambit 199 (Winter 2010): 57.

Kenneth Patchen, "The Old Lean over the Tombstones." First Will & Testament (New York: New Directions, 1948), pp. 61-69. Rpt. in Patchen, The Collected Poems of Kenneth Patchen (New York: New Directions, 1968), pp. 86-95.

Ted Pauker [i.e., Robert Conquest], "A Grouchy Good Night to the Academic Year." Times Educational Supplement (  ). Rpt. in The New Oxford Book of English Light Verse, chosen by Kingsley Amis (New York: Oxford University Press, 1978), pp. 284-287, free online (first two pages, next two pages); The Penguin Book of Light Verse, ed. with an introd. by Gavin Ewart (Harmondsworth, Middlesex, England: Penguin Books, 1980), pp. 506-510, free online (first two pages, next two pages, last page); Conquest, New and Collected Poems (London: Hutchinson, 1988), pp. 203-206; and Conquest, Collected Poems, ed. Elizabeth Conquest (Chipping Norton, Oxfordshire, UK: The Waywiser Press, 2020), pp. 342-345. Free online.

John Peck, "I Came, I Saw." I Came, I Saw: Eight Poems (Bristol: Shearsman Books, 2012).

John Peck, [poems]. M and Other Poems (Evanston, Ill.: TriQuarterly Books, 1996), pp. 74, 77.

John Peck, "Sotheby Parke Bernet Renga (muted)"; "Sent to Yü Te Fu on His Receiving a Commission in Chekiang on the Ch'ien t'ang, Tsung Ch'en." Poems and Translations of Hĭ-Lö (Riverdale-on-Hudson, N.Y.: Sheep Meadow-Carcanet, 1993), pp. 18-19, free online, 111-112, free online (first page, second page).

Ann Pedone, "Wife Three." Harbor Review 7 (July 2021). Free online.

Tim Peeler, "Another Strange Night in the Month of Reggie." Waiting for Godot's First Pitch: More Poems from Baseball (Jefferson, N.C., and London: McFarland & Company, Inc., Publishers, 2001), p. 57. Free online and here.

Claude Pelieu, "Rectovision." Les Cahiers de L'Herne 7 (1965): 564.

Rosali Pereira Espinosa, "Ezra Pound in Varadero." The Carolina Quarterly 67.1 (Fall-Winter 2017): 192.

Bob Perelman, "Iflife"; "A Guide to Homage to Sextus Propertius"; "Voice Play"; "My Pound Decoder Ring." IFLIFE (New York: Roof Books, 2006). Drafts and proofs of IFLIFE are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Bob Perelman, "A Literal Translation of Virgil's Fourth Eclogue." Virtual Reality (New York: Roof Books, 1993), pp. 65-80. Rpt. in Perelman, Ten to One: Selected Poems (Hanover, NH: Wesleyan University Press/University Press of New England, 1999), pp. 169-184. Free online. A reading by the author at the Kelly Writers House, University of Pennsylvania, October 14, 2000. Typescript drafts of the poem and of Virtual Reality as well as a draft, manuscript, and proof of Ten to One are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Bob Perelman, "The Marginalization of Poetry." Postmodern Culture 2.1 (September 1991). Free online. Rpt., as revised, in Perelman, Virtual Reality (New York: Roof Books, 1993), pp. 11-21; From the Other Side of the Century: A New American Poetry 1960-1990, ed. and with an introd. by Douglas Messerli (Los Angeles: Sun & Moon Press, 1994), pp. 739-747; and Perelman, Ten to One: Selected Poems (Hanover, NH: Wesleyan University Press/University Press of New England, 1999), pp. 139-149. Typescript drafts of Virtual Reality as well as a draft, manuscript, and proof of Ten to One are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Juan Manuel Pérez Álvarez, "Imaginismo," "Nuevo Adonais." From Versiones de una vasija (poemario completo). Juan Manuel Pérez Álvarez, 30 octubre, 2017. Free online.

David M. Perkins, "Meditation in the Color of C." I May or May Not Love You (North Liberty, Iowa: Ice Cube Press, 2020).

James Ashbrook Perkins,"The Ezra Pound Fortune Cookie." US I Worksheets (Ringoes, NJ) 32/33 (1996): 26.

Stuart Z. Perkoff, "In Pound's Last Years in Venice, Italy." Invisible City (1970s). Rpt. in Perkoff, Voices of the Lady: Collected Poems, ed. and with an introd. by Gerald T. Perkoff; preface by Robert Creeley (Orono, ME: National Poetry Foundation, 1998), p. 450, and Bill Mohr, Hold-outs: The Los Angeles Poetry Renaissance, 1948-1992 (Iowa City, Iowa: University of Iowa Press, 2011), p. 75, free online and here.

Stuart Z. Perkoff, [poem mentioning "old Ez"]. Voices of the Lady: Collected Poems, ed. and with an introd. by Gerald T. Perkoff; preface by Robert Creeley (Orono, ME: National Poetry Foundation, 1998), p. 107.

Geoff Peterson, "Canto 7"; "Staying Sober on Dante"; "Matinee"; "Black Pearls." Fiery Messengers (Bloomington, Indiana: AuthorHouse, 2010), pp. 41 (free online), 74, 102 (free online), 127 (free online).

Allan Phillipson, "Connections." Deep South: The English Department Ezine, Otago University 1.2 (May 1995). Free online.

Peter Philpott, "The Old Poet." A sequence thinking on Pound's old age. A Year and a Day in the Dark Forest. Great Works, 2004. Free online.

Daniele Pieroni, "Ciò che mi resta di Ezra Pound." maggio 2009. Translated into English by Jan Owen as "What's Left to Me of Ezra Pound" in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: UNO Press, 2011), pp. 50-51 (Italian and English on facing pages).

Sanford Pinsker, "Homage to Ezra Pound, the Better Craftsman of Us All." Concerning Poetry 9.2 (Autumn 1976): 26.

Robert Pinsky, "Essay on Psychiatrists." Ploughshares 2.4 (Jan. 1975): 208-227. Rpt. in Pinsky, Sadness and Happiness: Poems (Princeton: Princeton University Press, 1975), pp. 57-74, free online; Pinsky, The Figured Wheel: New and Collected Poems 1966-1996 (New York: Farrar, Straus & Giroux, 1996); and The Blue Mountain Review 13 (2019): 5-18, free online. Also here and here and here and here and here. Section XX, "Peroration, Concerning Genius," the section mentioning Pound, was reprinted in Five American Poets: Robert Hass, John Matthias, James McMichael, John Peck, Robert Pinsky, introduction by Michael Schmidt (Manchester: Carcanet, 1979), pp. 146-147, and Pinsky, Selected Poems (New York: Farrar, Straus and Giroux, 2011), pp. 192-193, free online.

Robert Pinsky, "Forgetting." The American Scholar 76.1 (Winter 2007): 76-77. Rpt. in The Oleander Review 1 (Fall 2007): 57-58. Free online. Rpt. as "The Forgetting" in Pinsky, Gulf Music (New York: Farrar, Straus and Giroux, 2007); The Poets Laureate Anthology, ed. and with introductions by Elizabeth Hun Schmidt, foreword by Billy Collins (New York and London: W.W. Norton & Company, 2010), pp. 164-165, free online; The New American Poetry of Engagement: A 21st Century Anthology, eds. Ann Keniston and Jeffrey Gray (Jefferson, NC: McFarland, 2012), pp. 156-157, free online (first page, second page); and Pinsky, Selected Poems (New York: Farrar, Straus and Giroux, 2014), pp. 22-23, free online and here. Also here and here and here.

Nick Piombino, "To A Poem." circa 1990. fait accompli, May 19, 2004. Free online and here.

David Plante, Homage to Ezra Pound (London, 2009).

Donald Platt, "Ground Transport." The Southern Review 40.4 (Autumn 2004): 673ff. First page. Rpt. in Platt, My Father Says Grace: Poems (University of Arkansas Press, 2007), pp. 90-95.

Jenő Platthy, [poem on Ezra Pound]. Collected Poems (Washington, D.C.: Federation of International Poetry Associations, 1981), p. 347.

Stanley Plumly, "Travel & Leisure." Middle Distance: Poems (New York: W. W. Norton & Company, 2020), pp. 26-37.

Poe, "A Rose is a Rose." Lounge-A-Palooza (Burbank, CA: Hollywood Records, 1997). Free online and here and here and here and here and here and here and here and here.

"Poems in Honor of Pound." Ezra Pound, Ends and Beginnings: Essays and Poems from the Ezra Pound International Conference Venice, 2007. Eds. John Gery and William Pratt. New York: AMS Press, 2011. 207-222. Contents: Patrizia de Rachewiltz, "Summer 1958," 207-208; Robert Rehder, "Entropy," 209; Robert Rehder, "The Surface of the Water," 210; Biljana D. Obradović, "Lunch in Venice," 211-212; Biljana D. Obradović, "Evening Light," 213; Hoshang Merchant, "Tagore meets Pound VIII," 214; Kevin Kiely, "Mary Pound de Rachewiltz," 215; John Gery, "Il redentore," 216; John Gery, "Miracoli," 217; H.R. Stoneback, "From For EP: In Our Time," 218-220; and Mary de Rachewiltz, "I Was There," 221-222.

Sylvester Pollet, "Port Authority Bus Terminal." Street (ca. 1970; unpublished collection).

d.c.R. Pollock, “Ezra Pound.” d.c.R. Ruins Christmas. 2018. Song and here.

Polly, "Impertinent Why's." Chicago Daily Tribune 73.43 (February 19, 1918): 5. Quoted in B[ert]. L[eston]. T[aylor].'s column "A Line O' Type or Two." Free online.

Basilio Ponce de Leon, "The Idumean Cantos 1-12." Free online.

Ponç Pons, "Postal." Àrnica 3.54 (setembre 2002): 22. Free online. Rpt. in Pons, Pessoanes (Alzira: Edicions Bromera, 2003), p. 13, and in Manuel Castro and Ponç Pons, Trobats a l'illa ([Palma de Mallorca] Fundació "Sa Nostra" i Institut Menorqui d'Estudis, 2003). Free online. Also here and here and here and here and here. Translated into English as "Postcard" by Clyde Andrew Moneyhun in Free Poetry 6.2 (March 2012). Free online.

Adrian Popescu, "Pisicile din Torcello [7]." Pisicile din Torcello (Bucureşti: Editura Albatros, 1997). Free online and here. Translated into Spanish by Catalina Iliescu Gheorghiu as "Las gatas de Torcello" in Un copac de sunete: poezie româna contemporana = Un árbol de sonidos: poesía rumana contemporánea, traducción de Catalina Iliescu Gheorghiu; edición y prólogo de Olimpia Pop (Cluj-Napoca: Editura/Editorial Eikon, 2009) (Romanian and Spanish on facing pages), pp. 138-151 [7, pp. 146-149], free online. Free online.

Simona Popescu, "Puţin îmi pasă că…" Lucrări în verde sau Pledoaria mea pentru poezie (Bucureşti: Cartea Românească, 2006). Free online and here. Translated into English by Sean Cotter as "Little Do I Care That…" Free online and here. Rpt. in Sombras, incendios y desvanes: Diecisite poetas rumanas (1961-1980), edición bilingüe de Catalina Iliescu Gheorghiu; prologo de Simona Sora (Madrid: Vaso Roto, 2021), pp. 92-93 (Romanian and a Spanish translation by Iliescu Gheorghiu, "Me importa un comino que...," on facing pages, the translation free online).

Peter Porter, "The Cost of Seriousness." The Cost of Seriousness (Oxford: Oxford University Press, 1978), pp. 30-31. Free online. Rpt. in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 255-256, free online (first page, second page); Porter, A Porter Selected: Poems, 1959-1989 (Oxford and Melbourne: Oxford University Press, 1989), pp. 89-90, free online (first page, second page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), pp. 338-339, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 184-186.

Peter Porter, "Fair Go for Anglo-Saxons." A Porter Folio: New Poems (Lowestoft: Scorpion, 1969). Rpt. in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 107-110, free online (first page, next two pages, last page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), pp. 129-132, free online (first page, next two pages, last page); and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 66-70.

Peter Porter, "James Joyce Sings 'Il Mio Tesoro.'" A Share of the Market (Belfast: Ulsterman Publications, 1973). Rpt. in Poetry Dimension 2: A Record of the Poetry Year, ed. Dannie Abse (London: Robson Books, 1974), p. 127. Free online. Rpt. as "James Joyce Sings 'Il mio tesoro'" in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 195-196, free online (first page, second page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), p. 236, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 116-117.

Peter Porter, "Pisa Oscura." London Review of Books 6.24 (20 December 1984). Free online. Rpt. in Porter, The Automatic Oracle (Oxford, New York, Melbourne: Oxford University Press, 1987), pp. 70-72, free online (first two pages, last page) and Porter, Collected Poems / 2, 1984-1999 (Oxford and Melbourne: Oxford University Press, 1999), pp. 102-105.

Peter Porter, "Versions from Martial" [II. lxxxvi]. Agenda 9.2-3 (Spring/Summer 1971): 163-166 (at 165). Rpt. in Porter, After Martial (London: Oxford University Press, 1972), p. 1, free online; Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 313-314, free online (first page, second page); Martial in English, eds. J. P. Sullivan and A. J. Boyle (London: Penguin Books, 1996), p. 334, free online; Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), p. 242, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), p. 123.

Paul Potts, "For Ezra Pound." Commentary 26.5 (Nov. 1958): 410. Free online. Rpt. in Threshhold 3 (1959): 18; Stand 4.2 (1962): 31; Potts, Instead of a Sonnet: (The 1944 Edition with Ten New Poems) (London: Tuba Press, 1978), p. 63, and Potts, George Orwell's Friend: Selected Writing by Paul Potts; with an introd. by Ronald Caplan (Wreck Cove, N.S.: Breton Books, 2006), p. 15, free onlineFree online.

Wayne Pounds, "Old Ez Folds His Blanket: A Canto for the Era." 31 Dec. 1999. Ricerca Research Recherche, vol. 8, 2002. Memoria di Ezra Pound nel trentennale della morte (Venezia, Ognissanti, 1972): Testi inediti. A c. di Cleonice Panaro. Lecce: Milella, 2002: pp. 25-27. Rpt., with a translation by Massimo Bacigalupo into Italian as "Il vecchio Ez ripiegò le coperte: un centone per l'Era," in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: UNO Press, 2011), pp. 144-149 (English and Italian on facing pages).

Wayne Pounds, "'Topaz I manage, and three sorts of blue.'" FlashPøint Extra Issue 11 (Winter 2008). Free online.

Craig Powell, "E. P. 1885-1972." November 1972. Poetry Australia 46 (1973): 4. Rpt. in The Canadian Forum 53.634-635 (November-December 1973): 59.

Ali Power, "from A Poem for Record Keepers [(32)]." The Brooklyn Rail, Sept. 2014. Free online. Rpt. in Power, A Poem for Record Keepers ([Brooklyn, New York]: Argos Books, 2016). Free online.

John J. Powers, "Gertrude's Problem." London, May, 1999. Backtrack and Other Poems (Indianapolis and London: Dog Ear Publishing, 2005), pp. 37-38. Free online.

John Cowper Powys, "To Ezra Pound." ca. 1920. The Powys Society Newsletter 33 (April 1998): 26. Free online.

Benjamín Prado, "Cobijo contra la tormenta." Cobijo contra la tormenta (Madrid: Hiperión, 1995), pp. 11-13. Rpt. in La generación del 99: antología crítica de la joven poesía española, [ed.] José Luis García Martín (Oviedo: Ediciones Nobel, 1999), pp. 70-71; Fénix: poesía, crítica (2000): 65-66; Prado, Ecuador: poesía, 1986-2001 (Madrid: Hiperión, 2002), pp. 17-18; and Prado, Acuerdo verbal: poesía completa (1986-2014) (Madrid: Visor, 2018), pp. 101-108. Free online and here. Translated into English by Gordon E. McNeer in Prado, Shelter from the Storm, translation by Gordon E. McNeer (Dahlonega, GA: University Press of North Georgia, 2012).

Benjamín Prado, "Una visita a Stephen Spender." El corazón azul del alumbrado (Madrid: Libertarias, 1991), pp. 24-25. Rpt. in Prado, Ecuador: poesía, 1986-2001 (Madrid: Hiperión, 2002), pp. 68-69, and Prado, Acuerdo verbal: poesía completa (1986-2014) (Madrid: Visor, 2018), pp. 55-56.

Jonathan Price, "Ezra Pound." Contemporary Poetry in America, ed. Miller Williams (New York: Random House, 1973), p. 170.

Reynolds Price, "Pictures of the Dead." Poetry 140.5 (August 1982): 258-260. Free online. Rpt. in Price, Vital Provisions (New York: Atheneum, 1982), pp. 61-63, and Price, The Collected Poems (New York: Simon and Schuster, 1997), pp. 63-65.

Selwyn Pritchard, "Print Rivers. After-images." Poetry Ireland Review 24 (Winter 1988): 75-76. Free online.

Nat Z. Punx, "Ezra Pound Escapes Me." Poem Hunter, January 26, 2006. Free online.

Greg Purcell, "For Ezra Pound, On His Birthday." Columbia Poetry Review (Columbia College Chicago) (Spring 1997): 84. Free online.

Al Purdy, "On Robert Frost." The Canadian Forum 73.829 (May 1994): 28. Rpt. in Purdy, Naked with Summer in Your Mouth (Toronto: McClelland & Stewart, 1994), p. 40.

Al Purdy, "Pound." Quarry 43.2 (1994): 20-21. Rpt. in Purdy, Naked with Summer in Your Mouth (Toronto: McClelland & Stewart, 1994), p. 36. A typescript and worksheets are in Folder: 5147, Box 10, File 5, in the Al Purdy fonds, Fonds F02017, Queen's University Archives, Kingston, Ontario. Finding aid.

Rodney Purvis, "Ezra Pound at Pisa: A Sketch." Quadrant 22.10 [no. 135] (Oct. 1978): 49.

Rodney Purvis, "Ezra Pound: London and After." Quadrant 64.7-8 [no. 568] (July-August 2020): 45. Free online.

 

 

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