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Ron Padgett, "The Coat Hanger." How Long (Minneapolis: Coffee House Press, 2011), pp. 81-83. Free online (first page, last two pages). Rpt. in Padgett, Collected Poems (Minneapolis: Coffee House Press, 2013), pp. 680-681.

Ron Padgett and George Schneeman, The Story of Ezra Pound (Ann Arbor, Mich.: Passim Editions, 2003).

Francis Page, "The Mayor of Spoon River." Two Worlds 2 (Dec. 1926): 135-142. Free online.

Bob Pallister, "Ezra Pound in St Elizabeth's Hospital." All Poetry, June 3, 2022. Free online.

Göran Palm, "Megafonen i poesiparken." Hundens besök: dikter (Stockholm: Norstedt, 1961). Rpt. in Svenskt 60-tal: ung lyrik i urval av Jacob Branting (Stockholm: Bokforlaget Prisma, 1965), pp. 100-101; Palm, Dikter på vers och prosa 1948-1976 (Stockholm: Norstedt, 1976), p. 21; An Anthology of Swedish poetry from 1880 to the present day, eds. Irene Scobbie & Philip Holmes (Hull [Humberside]: Dept. of Scandinavian Studies, University of Hull, 1980); and Modern svensk lyrik: Från Ekelöf till Lillpers: en antologi redigerad av Staffan Bergsten (Stockholm: Bonnier, 1995), pp. 225-226. Translated into English by Martin Allwood as "The megaphone in poetry park," Modern Scandinavian Poetry: The Panorama of Poetry, 1900-1975, in Kalâtdlit-nunat (Greenland), Iceland, the Faroe Islands, Denmark, Saame Poetry, Norway, Sweden, and Finland, ed. Martin Allwood (New York: New Directions, 1982), pp. 317-318, free online.

Jorge Palma, "El tío Ezra tenia razón." Lugar de las utopías (2001-2006) (Montevideo, Uruguay: Ediciones Trilce, 2007), pp. 10-12, free online. Rpt. in Poesis Internaţional 1.1 (Iunie 2010): 106, free online and here. Free online and here and here and here. Translated into French by Liliana Ceballos as "Oncle Ezra avait raison" here. Translated into Italian by Piera Mattei as "Lo zio Ezra aveva ragione" here and here.

David Palmer, "Letter to a Soldier from His Wife." Quickly Over the Wall: Poems and Paintings (Coral Gables, Fla.: Wake-Brook House, 1966).

Michael Palmer, "To Say the Least." Thread (New York: New Directions, 2011), p. 44. Free online and here.

Comrade Pan, "Propertius to Pound." Chicago Daily Tribune 78.79 (April 2, 1919): 8. Quoted in B[ert]. L[eston]. T[aylor].'s column "A Line O' Type or Two." Free online.

Cleonice Panaro, "Poundiana" [ 1) "at the Ambrosiana: a world and more"/[with Chinese translation from the English]; 2) "Pound/no Pound (innocence and experience)"/"Pound / kein Pound (Unschuld oder Erfahrung)" [with German translation], 3) "il tavolo di Pound a Brunnenburg"/"Pound's table at Brunnenburg" [with English translation]; 4) "rosso cinese/Chinese red and Olga Rudge" [with English translation]; 5) "Pound on a solitary island - and the parrot"/"Pound sur une île solitaire - et le perroquet" [with French translation]; 6) "a bed at Brunnenburg: a myth for indefinite hours"]. Ricerca Research Recherche, vol. 8, 2002. Memoria di Ezra Pound nel trentennale della morte (Venezia, Ognissanti, 1972): Testi inediti. A c. di Cleonice Panaro. Lecce: Milella, 2002, pp. 219-251.

Tibor Hrs Pandur, "Return to Nikola Tesla." Idiot 2 (November 2009): 24-28. Free online and here and here. Translated from Slovenian to English here. Translated from Slovenia to Spanish here.

Juan Luis Panero, "Un viejo en Venecia." Testamento del naúfrago (1983 [unpub.]). Published in Poetas de los 70: antología de poesía española contemporánea, ed. Mari Pepa Palomero (Madrid: Hiperión, 1987), pp. 211-212. Rpt. in Panero, Poesía completa: 1968-1996 (Barcelona: Tusquets Editores, 1997), p. 155; Panero, Antologia [1968-2003], selección de Felipe Benítez Reyes (Sevilla: Editorial Renacimiento, 2003), pp. 85-86; and Teresa Biz, "'Tus ojos son como tigres': Ezra Pound en la poesía de Luis Alberto de Cuenca," Artifara 22.1 (June 2022): 39-49 (at 44-45), free online. Free online and here and here and here and here and here.

Leopoldo María Panero, "De cómo Ezra Pound pasó a formar parte de los muertos." El último hombre (Madrid: Libertarias, 1984), pp. 65-92. Rpt. in Panero, Poesía, 1970-1985 (Madrid: Visor, 1986).

Leopoldo María Panero, "Glosa a un epitafio." Narciso en el acorde ultimo de las flautas (Madrid: Visor, 1979), pp. 31-34. Rpt. in Poesía española hoy, [ed.] G.L. Solner (Madrid: Visor, 1982), pp. 458-461; Panero, Poesía, 1970-1985 (Madrid: Visor, 1986), pp. 124-127; Poetas de los 70: antología de poesía española contemporánea, [ed.] Mari Pepa Palomero (Madrid: Hiperión, 1987), pp. 378-381; and Antología de la poesía española, 1960-1975, edición, Juan José Lanz (Madrid: Espasa Calpe, 1997), pp. 481-485. Free online and here and here and here and here and here and here and here. Translated into English by Juan Ribó Chalmeta and Irina Urumova as "Note on an Epitaph (Letter to Father)" here.

Leopoldo María Panero, "Homenaje a Ezra Pound." El último hombre (Madrid: Ediciones Libertarias, 1984). Rpt. in Panero, Antología (Madrid: Ediciones Libertarias, 1985), p. 94.

Mario Santiago Papasquiaro (pen name of José Alfredo Zendejas Pineda), "Memoria histérica"; "El loco de Pound ha venido a verme." Jeta de santo (antología poética 1974-1997), selección de Rebeca López y Mario Raúl Guzmán (Madrid: Fondo de Cultura Económica, 2008). Free online and here and here.

Constantine Pappas, "Charms of—" [4. Pound]. St. Andrews Review 29 (1985): 15.

Donald J. Paquette, "To Ezra Pound Esq." [ca. 1940?].

Carlo Parcelli, "Deconstructing the Demiurge: Tale of the Tribe." FlashPøint Web Issue 3 (Summer 1999). Free online. Also in FlashPøint Web Issue 5 (Spring 2002). Free online.

Carlo Parcelli, "Deconstructing the Demiurge: De Rerum Natura: Hearing Voices." FlashPøint Web Issue 9 (Spring 2007). Free online.

Carlo Parcelli, "From Deconstructing the Demiurge: Millennial Mathematics: The Centos." FlashPøint EXTRA #1 (Summer 2000). Free online. Rpt. in FlashPøint Web Issue 4 (Winter 2001). Free online.

Carlo Parcelli, "From: Deconstructing the Demiurge: Tale of the Tribe." Make It New 2.4 (March 2016): 28-36. Free online and here and here.

Carlo Parcelli, Three Antiphonies: Homage to Pound (Arlington: Proteus, 1978).

Gregory Pardlo, "Soundtrack." Callaloo 29.3 (Summer 2006): 718-724. Rpt. in Pardlo, Totem (Philadelphia: American Poetry Review, 2007), pp. 63-72. Free online. A reading by the poet.

Jay Parini, "To Ezra Pound." New and Collected Poems: 1975-2015 (Boston: Beacon Press, 2017), pp. 29-30. Free online.

Karl Parkinson, "Rimbaud You Kiss My Ear." Butterflies of a Bad Summer (Cliffs of Moher, County Clare, Ireland: Salmon Poetry, 2016).

Thomas Francis Parkinson, "Elegy for Ezra Pound." Hyperion 3.3 [no. 10] (Fall 1973). Rpt. in Parkinson, Thanatos: Earth Poems ([Berkeley]: Oyez, 1976), pp. 27-29, free online (first page, last two pages), and Parkinson, Poems: New and Selected (Orono: National Poetry Foundation, University of Maine, 1988), pp. 35-38. A manuscript, corrections, and proofs of Poems: New and Selected are housed in the National Poetry Foundation (University of Maine) Records, 1957-1994, Special Collections, Raymond H. Fogler Library, University of Maine, Orono. Finding aid. A copy of Parkinson's "An Elegy to Ezra Pound" was enclosed with a letter to Hamilton A. Tyler and is currently housed in the Hamilton A. Tyler Papers, 1915-1984, BANC MSS 85/103 c, The Bancroft Library, University of California, Berkeley. Finding aid.

Thomas Parkinson, "A Poem for Pound." Hyperion 3.3 [no. 10] (Fall 1973).

Nicanor Parra, "Graffiti from the Mausoleum of Ezra Pound." In Marlene Gottlieb, No se termina nunca de nacer: la poesía de Nicanor Parra (Madrid: Colección Nova Scholar, 1977), p. 14. Rpt in Gottlieb, Nicanor Parra: antes y después de Jesucristo: antología de artículos críticos (Princeton, N.J.: Linden Lane Press, 1993).

Nicanor Parra, "Mai mai peñi: discurso de Guadalajara." Prepared for his acceptance of the Premio Juan Rulfo in November 1991. Discursos de sobremesa (Concepción, Chile: Cuadernos Atenea, 1997) [XXVI. Rulfo tiene sobre los poetas convencionales]. Rpt. in Premio Juan Rulfo, una década: antología, selección y prólogo de Juan Gustavo Cobo Borda (Guadalajara (Mexico): Universidad de Guadalajara: Fondo de Cultura Económica, 2002), pp. 31-55; Parra, Obras completas & algo +, edición establecida y anotada por Niall Binns e Ignacio Echevarría con la colaboración de Adán Méndez (Barcelona: Círculo de Lectores: Galaxia Gutenberg, 2006-2011), Vol. 2, pp. 554-606; and Parra, El último apaga la luz: obra selecta, selección y edición de Matías Rivas (Santiago de Chile: Lumen, 2017). Free online and here and here. Translated into English by Dave Oliphant as "Guadalajara Speech" in Parra, After-Dinner Declarations, transl. and with an introd. by Dave Oliphant (Austin, Tex: Host Publications, 2009), pp. 2-109 (Spanish and English on facing pages) [XXVI. Rulfo has over conventional poets, p. 59, free online].

David M. Parsons, "Discovery." Editing Sky (Huntsville, Tex.: Texas Review Press, 1999).

David M. Parsons, "Thumbnail II: Pound." Color of Mourning (Huntsville, Tex.: Texas Review Press, 2007), p. 17.

David M. Parsons, "Thumbnail II: Pound"; "Discovery." Reaching for Longer Water: New and Selected Poems [1991-2015] (Huntsville, Tex.: Texas Review Press, 2015), pp. 48, free online and here and here, 133, free online and here and here.

Sigitas Parulskis, "Poetiniai interesai." Literatūra ir menas 32 [no. 3108] (Sept. 8, 2006): 1. Rpt. in Parulskis, Pagyvenusio vyro pagundos (Vilnius: Baltos lankos, 2009). Free online and here and here. Translated into Dutch by Jan Sleumer Elia and Arlette Schellenbach as "Poëtische belangstelling" here. Translated into English by Medeinė Tribinevičius as "Poetic Interests" in Six Lithuanian Poets, ed. Eugenijus Ališanka, transl. Eugenijus Ališanka, Kerry Shawn Keys, Medeine Tribinevičius, Laima Vincë, and Jonas Zdanys with an introd. by Eugenijus Ališanka (Todmorden: Arc Publications, 2008), pp. 78, 80 (English and Lithuanian on facing pages). Free online and here.

Brother Justin Paschal, FSC, "Cafeteria Idyl." The English Journal 55.9 (Dec. 1966): 1182. Free online.

Wilfredo Pascua Sanchez, "Lines for Jun Lansang." 2006. Free online.

Pier Paolo Pasolini, "Materiali per l'introduzione." Trasumanar e organizzar (Milano: Garzanti, 1971). Rpt. in Pasolini, Tutte le poesie, Tomo secondo, a cura e con uno scritto di Walter Siti (Milano: Arnoldo Mondadori, 2003), pp. 343-346. Translated into English by Stephen Sartarelli as "Materials for the Introduction" in Pasolini, The Selected Poetry of Pier Paolo Pasolini. A Bilingual Edition, ed. and transl. by Stephen Sartarelli, with a Foreword by James Ivory (Chicago and London: The University of Chicago Press, 2014), pp. 414-419 (Italian and English on facing pages), free online and here.

Pier Paolo Pasolini, "Poeta delle ceneri." 1966-67. Pier Paolo Pasolini: una vita futura, a cura di Laura Betti, Giovanni Raboni, Francesca Sanvitale (Milano: Garzanti Editore, 1985), pp. 38-58. Rpt. in Pasolini, Bestemmia: tutte le poesie. 4, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1996), pp. 2056-2084, and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. 2, pp. 1261-1288. Free online and here. Translated into English by André Naffis-Sahely as "The Poet of the Ashes," InTranslation (July 2020), free online.

Pier Paolo Pasolini, "Progetto di opere future." novembre-dicembre 1963. Nuovi argomenti 67-68 (marzo-giugno 1964): 83-93. Rpt. in Pasolini, Poesia in forma di rosa: 1961-1964 (Milano: Garzanti, 1964), pp. 195-207, free online; Pasolini, Bestemmia. 1, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1993), pp. 797-809; and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. I, pp. 1245-1256. Translated into English as "Plan of Future Works" in Pasolini, Poems, selected and translated by Norman MacAfee with Luciano Martinengo; foreword by Enzo Siciliano (New York: Random House, 1982), pp. 182-202 (Italian and English on facing pages).

Pier Paolo Pasolini, "Versi prima fatici e poi enfatici." 10 aprile 1969 (Ankara). Trasumanar e organizzar (Milano: Garzanti, 1971), p. 84. Rpt. in Pasolini, Bestemmia. 2, a cura di Graziella Chiarcossi e Walter Siti; prefazione di Giovanni Giudici (Milano: Garzanti, 1993), p. 914, and Pasolini, Tutte le poesie, a cura e con uno scritto di Walter Siti; saggio introduttivo di Fernando Bandini; cronologia a cura di Nico Naldini (Milano: Mondadori, 2003), t. 2, p. 92. Translated into English by Caterina Ricciardi and John Gery as "Lines Phatic Then Emphatic" in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 48-49 (Italian and English on facing pages).

Lee Passarella, "Ezra Pound Reads at the Inaugural." Ambit 199 (Winter 2010): 57.

Jay Passer, "Cantos and Resurrection." The Poetry Super Highway, 2016. Free online.

Kenneth Patchen, "The Old Lean over the Tombstones." First Will & Testament (New York: New Directions, 1948), pp. 61-69. Rpt. in Patchen, The Collected Poems of Kenneth Patchen (New York: New Directions, 1968), pp. 86-95.

Trevor Patrick, "Generation Y Was Born in Merseyside September 2014." Veruca Salt Goes to College - Selected Songs & Poems - 2014-2015 (Lulu.com, 2015), pp. 142-144. Free online.

Christopher Patton, Via Negativa ([Madeira Park, B.C.] High Ground Press, 2008). In response to an excerpt from Ezra Pound's Canto LXXIV. Number 8 of twelve broadsheets in The Companions Series. Handset in Cloister.

Ted Pauker [i.e., Robert Conquest], "A Grouchy Good Night to the Academic Year." Times Educational Supplement (  ). Rpt. in The New Oxford Book of English Light Verse, chosen by Kingsley Amis (New York: Oxford University Press, 1978), pp. 284-287, free online (first two pages, next two pages); The Penguin Book of Light Verse, ed. with an introd. by Gavin Ewart (Harmondsworth, Middlesex, England: Penguin Books, 1980), pp. 506-510, free online (first two pages, next two pages, last page); Conquest, New and Collected Poems (London: Hutchinson, 1988), pp. 203-206; and Conquest, Collected Poems, ed. Elizabeth Conquest (Chipping Norton, Oxfordshire, UK: The Waywiser Press, 2020), pp. 342-345. Free online and here.

Ed Pavlić, "63rd Street Station and / or a Quiz : Pronounce the Word Spelled : C l o s e." Visiting Hours at the Color Line: Poems (Minneapolis, Minnesota: Milkweed Editions, 2013), pp. 81-86.

Tom Payne, "Tom Payne's Propertius." P N Review 30.2 [no. 154] (November-December 2003): 52-53. Excerpt.

John Peck, "I Came, I Saw." I Came, I Saw: Eight Poems (Bristol: Shearsman Books, 2012).

John Peck, "M: a poem in ten chapters and one thousand lines." P N Review 21.5 [no. 103] (May-June 1995). Excerpt. Rpt. in Peck, M and Other Poems (Evanston, Ill.: TriQuarterly Books, 1996), pp. 57ff. [VI. Registered are Augustine's offerings to the scriptures, pp. 74-77].

John Peck, "Sotheby Parke Bernet Renga (muted)"; "Sent to Yü Te Fu on His Receiving a Commission in Chekiang on the Ch'ien t'ang, Tsung Ch'en." Poems and Translations of Hi-Lö (Manchester: Carcanet, 1991), pp. 27-28, 111-112. Rpt. in Peck, Poems and Translations of Hĭ-Lö (Riverdale-on-Hudson, N.Y.: Sheep Meadow-Carcanet, 1993), pp. 18-19, free online, 111-112, free online (first page, second page).

Ann Pedone, "Wife Three." Harbor Review 7 (July 2021). Free online with a reading by the poet. The section "April 16th" was reprinted in Permafrost (MFA program, University of Alaska Fairbanks) 43.1 (Fall/Winter 2021/2022), free online.

Tim Peeler, "Another Strange Night in the Month of Reggie." Waiting for Godot's First Pitch: More Poems from Baseball (Jefferson, N.C., and London: McFarland & Company, Inc., Publishers, 2001), p. 57. Free online and here.

Claude Pelieu, "Rectovision." Les Cahiers de L'Herne 7 (1965): 564.

Jonathan Penton, [untitled poem ("Thus did Cerridwyn and Jesus fight like Eliot and Pound . . .")]. Prosthetic Gods (Winged City Chapbooks, an imprint of New Sins P, 2008; second ed.: New Orleans, Louisiana: Unlikely Books, 2013). Free online and here.

Rosali Pereira Espinosa, "Ezra Pound in Varadero." The Carolina Quarterly 67.1 (Fall-Winter 2017): 192. Free online.

Bob Perelman, "An Alphabet of Literary History." The Marginalization of Poetry: Language Writing and Literary History (Princeton: Princeton University Press, 1996), pp. 144-155 [B, 145-147, free online (first page, last two pages)].

Bob Perelman, "Fake Dreams. The Avant-Garde"; "Writing in Real Time." The Future of Memory (New York: Roof Books, 1998), pp. 44-46, 65-77. Free online.

Bob Perelman, "Iflife"; "A Guide to Homage to Sextus Propertius"; "Voice Play"; "My Pound Decoder Ring." IFLIFE (New York: Roof Books, 2006). Drafts and proofs of IFLIFE are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Bob Perelman, "A Literal Translation of Virgil's Fourth Eclogue." Virtual Reality (New York: Roof Books, 1993), pp. 65-80. Rpt. in Perelman, Ten to One: Selected Poems (Hanover, NH: Wesleyan University Press/University Press of New England, 1999), pp. 169-184. Free online. A reading by the author at the Kelly Writers House, University of Pennsylvania, October 14, 2000. Typescript drafts of the poem and of Virtual Reality as well as a draft, manuscript, and proof of Ten to One are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Bob Perelman, "The Marginalization of Poetry." Postmodern Culture 2.1 (September 1991). Free online. Rpt., as revised, in Perelman, Virtual Reality (New York: Roof Books, 1993), pp. 11-21; Essays in Postmodern Culture, ed. and with an introd. by Eyal Amiran and John Unsworth (New York and Oxford: Oxford University Press, 1993), pp. 229-238; From the Other Side of the Century: A New American Poetry 1960-1990, ed. and with an introd. by Douglas Messerli (Los Angeles: Sun & Moon Press, 1994), pp. 739-747; Onward: Contemporary Poetry and Poetics, Peter Baker, ed. (New York: Peter Lang, 1996), pp. 360-371; Perelman, The Marginalization of Poetry: Language Writing and Literary History (Princeton: Princeton University Press, 1996), pp. 3-10; and Perelman, Ten to One: Selected Poems (Hanover, NH: Wesleyan University Press/University Press of New England, 1999), pp. 139-149. Typescript drafts of Virtual Reality as well as a draft, manuscript, and proof of Ten to One are housed in the Bob Perelman Papers, 1964-2016, MSS 740, Special Collections & Archives, UC San Diego Library, University of California, San Diego. Finding aid and here.

Juan Manuel Pérez Álvarez, "Imaginismo," "Nuevo Adonais." From Versiones de una vasija (poemario completo). Juan Manuel Pérez Álvarez, 30 octubre, 2017. Free online.

Omar Pérez, "Y tu, que aprendiste de los inmortales." Mandorla: Nueva escritura de las Americas • New Writing from the Americas 11 (2008): 262. Free online and here. Rpt. in Pérez, Lingua Franca (Ciudad de La Habana: Ediciones Unión, 2009).

David M. Perkins, "Meditation in the Color of C." I May or May Not Love You (North Liberty, Iowa: Ice Cube Press, 2020).

James Ashbrook Perkins, "The Ezra Pound Fortune Cookie." US I Worksheets (Ringoes, NJ) 32/33 (1996): 26.

James Ashbrook Perkins, "Racquetball Meditation." Alabama Literary Review 2.1 (Spring 1988): 34. Free online and here and here.

Stuart Z. Perkoff, "A Collage for Tristan Tzara." Eat the Earth (Denver: Black Ace/Bowery, 1971). Rpt. in Anthology of L.A. Poets, eds. Charles Bukowski, Neeli Cherry & Paul Vangelisti, Foreword by Charles Bukowski (Los Angeles: Laugh Literary/Red Hill Press, 1972); Perkoff, Love is the Silence: Poems 1948-1974, ed. Paul Vangelisti (Los Angeles and Fairfax: The Red Hill Press, 1975), n.p., free online; and Perkoff, Voices of the Lady: Collected Poems, ed. and with an introd. by Gerald T. Perkoff; preface by Robert Creeley (Orono, ME: National Poetry Foundation, 1998), pp. 49-51.

Stuart Z. Perkoff, "In Pound's Last Years in Venice, Italy." Invisible City (1970s). Rpt. in Perkoff, Voices of the Lady: Collected Poems, ed. and with an introd. by Gerald T. Perkoff; preface by Robert Creeley (Orono, ME: National Poetry Foundation, 1998), p. 450, and Bill Mohr, Hold-outs: The Los Angeles Poetry Renaissance, 1948-1992 (Iowa City, Iowa: University of Iowa Press, 2011), p. 75, free online and here.

Stuart Z. Perkoff, [poem mentioning "old Ez"]. Voices of the Lady: Collected Poems, ed. and with an introd. by Gerald T. Perkoff; preface by Robert Creeley (Orono, ME: National Poetry Foundation, 1998), p. 107.

Stan Persky, "Apollinaire." Beatitude (San Francisco) 4 (30th May 1959): [15]. Rpt. in Beatitude Anthology (San Francisco: City Lights Books, 1960), pp. 38-39; Persky, Lives of the French Symbolist Poets (San Francisco: White Rabbit Press, 1967); Persky, Wrestling the Angel (Vancouver: Talonbooks, 1977), pp. 17-18; and A Walk by the Seine: Canadian Poets on Paris, ed. Cary Fagan (Windsor: Black Moss Press, 1995), p. 64, free online. The Stan Persky fonds, CA SFL MsA 15, 1967, Special Collections and Rare Books, Simon Fraser University Library, Burnaby, BC, Canada, consists of a manuscript, galley proofs, and the published version of Lives of the French Symbolist Poets. Finding aid.

Robert Peters, "A Study in Aesthetics." The Brand-X Anthology of Poetry. Burnt Norton Ed., William Zaranka, ed. (Cambridge and Watertown: Apple-Wood Books, Inc., 1981), pp. 275-276. Free online (first page, second page). Rpt. in Exquisite Corpse: A Journal of Life and Letters 61 (1997): 44 and Thus Spake the Corpse: An Exquisite Corpse Reader 1988-1998, Volume 1. Poetry & Essays, eds. Andrei Codrescu and Laura Rosenthal (Santa Rosa, CA: Black Sparrow Press, 1999), p. 266. The Robert Peters Papers, 1923-2017, MSS 672, are in Special Collections & Archives, UC San Diego Library, La Jolla, CA. Finding aid.

Geoff Peterson, "Canto 7"; "Staying Sober on Dante"; "Matinee"; "Black Pearls." Fiery Messengers (Bloomington, Indiana: AuthorHouse, 2010), pp. 41 (free online), 74, 102 (free online), 127 (free online).

Aleksandar Petrov, "A whiff of fresh entropy." Lady in an Empty Dress: Poems, transl. from the Serbo-Croatian by Richard Burns (London: Forest Books, 1990), p. 4.

Leslie Philibert, "Poetry Magazines." Poemhunter, November 18, 2012. Free online.

Allan Phillipson, "Connections." Deep South: The English Department Ezine, Otago University 1.2 (May 1995). Free online.

Peter Philpott, "The Old Poet." A sequence thinking on Pound's old age. A Year and a Day in the Dark Forest. Great Works, 2004. Free online.

π.ο. (or Pi O), "The Artist & the Patron." Heide (Artarmon, NSW, Australia: Giramondo Poets, 2019).

Daniele Pieroni, "Ciò che mi resta di Ezra Pound." maggio 2009. Translated into English by Jan Owen as "What's Left to Me of Ezra Pound" in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 50-51 (Italian and English on facing pages).

Christopher Pilling, "Dear Ez." The New Lake Poets, ed. William Scammell (Newcastle upon Tyne: Bloodaxe Books, 1991), p. 102. Free online.

Sanford Pinsker, "Homage to Ezra Pound, the Better Craftsman of Us All." Concerning Poetry 9.2 (Autumn 1976): 26. Free online.

Robert Pinsky, "Essay on Psychiatrists." Ploughshares 2.4 [no. 8] (Fall 1975): 208-227. Free online. Rpt. in Pinsky, Sadness and Happiness: Poems (Princeton: Princeton University Press, 1975), pp. 57-74, free online; Pinsky, The Figured Wheel: New and Collected Poems 1966-1996 (New York: Farrar, Straus & Giroux, 1996), pp. 265-280; and The Blue Mountain Review 13 (2019): 5-18, free online. Also here and here and here and here and here. Section XX, "Peroration, Concerning Genius," the section mentioning Pound, was reprinted in Five American Poets: Robert Hass, John Matthias, James McMichael, John Peck, Robert Pinsky, introduction by Michael Schmidt (Manchester: Carcanet, 1979), pp. 146-147, and Pinsky, Selected Poems (New York: Farrar, Straus and Giroux, 2011), pp. 192-193, free online. Drafts and galley proofs of Sadness and Happiness and notes and drafts and author's proofs of "Essay on Psychiatrists" are held in the Robert Pinsky Papers, circa 1960-2008, Special Collections M0697, Department of Special Collections and University Archives, Green Library, Stanford University, Stanford, CA. Finding aid.

Robert Pinsky, "Forgetting." The American Scholar 76.1 (Winter 2007): 76-77. Rpt. in The Oleander Review 1 (Fall 2007): 57-58. Free online. Rpt. as "The Forgetting" in Pinsky, Gulf Music (New York: Farrar, Straus and Giroux, 2007), pp. 14-15; The Poets Laureate Anthology, ed. and with introductions by Elizabeth Hun Schmidt, foreword by Billy Collins (New York and London: W.W. Norton & Company, 2010), pp. 164-165, free online; The New American Poetry of Engagement: A 21st Century Anthology, eds. Ann Keniston and Jeffrey Gray (Jefferson, NC: McFarland, 2012), pp. 156-157, free online (first page, second page); and Pinsky, Selected Poems (New York: Farrar, Straus and Giroux, 2014), pp. 22-23, free online and here. Also here and here and here. Recorded on Pinsky, Gulf Music: Poems (Princeton, N.J.: Recording for the Blind & Dyslexic, 2008 [CD]).

Nick Piombino, "To A Poem." circa 1990. fait accompli, May 19, 2004. Free online and here.

David Plante, Homage to Ezra Pound (London, 2009).

Donald Platt, "Ground Transport." The Southern Review 40.4 (Autumn 2004): 673ff. First page and here and here. Rpt. in Platt, My Father Says Grace: Poems (Fayetteville: University of Arkansas Press, 2007), pp. 90-95.

Jenő Platthy, "Paros." Jeno Platthy and Antiquity: An Anthology, ed. Paul Åström (Jonsered [Sweden]: Paul Åströms forlag, 1992), p. 52. Rpt. in Platthy, Paeans (Santa Claus, IN: Federation of International Poetry Associations of UNESCO, 1993).

Jenő Platthy, [poem on Ezra Pound]. Collected Poems (Washington, D.C.: Federation of International Poetry Associations, 1981), p. 347.

Harold A. Plople, "The Poetess." Belladonna (Xlibris Corporation, 2009), p. 34. Free online.

Stanley Plumly, "Debt." Old Heart: Poems (New York: W. W. Norton & Company, 2009), pp. 34-35. Free online. A reading by the poet was recorded, along with other selections from his poetry, as part of an interview with Grace Cavalieri, Dec. 15, 2004, Studio A, Recording Laboratory, Library of Congress, Washington, D.C., for later broadcast on The Poet and the Poem from the Library of Congress radio program. Transcription. Catalogue description.

Stanley Plumly, "From 'Travel & Leisure.'" The Georgia Review 73.4 (Winter 2019): 1003-1016. "Travel & Leisure" was printed in full in Plumly, Middle Distance: Poems (New York: W. W. Norton & Company, 2020), pp. 26-37.

Charles Plymell, "Rapid Ronnie Rap Back Jive Kansas 1955." Forever Wider: Poems New and Selected, 1954-1984 (Metuchen, N.J.: Scarecrow Press, 1985). Rpt. in Plymell, Hand on the Doorknob: A Charles Plymell Reader (Sudbury, MA: Water Row Press, 2000), p. 107. Also issued in the 12 Gauge flyer series as Rapid Ronnie Rap Back Jive Kansas, 1955 (San Clemente, CA: 12 Gauge Press, 2002), with artwork by Robert Branaman. Free online.

Charles Plymell, "San Francisco 1963 with Allen G. & Cassady." Evergreen Review 13 (1969): 41. Rpt. in Plymell, Hand on the Doorknob: A Charles Plymell Reader (Sudbury, MA: Water Row Press, 2000), p. 112. Rpt. as a broadside by 12 Gauge Press, San Clemente, California, in 2002.

Charles Plymell, "Ten Years Before the Blast (An After Dinner Monologue Interior)." Second Coming 3 (1974): 76ff. Rpt. in Plymell, The Trashing of America (New York: Kulchur Foundation, 1975); Second Coming Anthology: Ten Years in Retrospect, ed. A. D. Winans (San Francisco, CA: Second Coming Press, 1984), pp. 167ff.; and Pacific Northwestern Spiritual Poetry, ed. Charles Potts with an introduction, "A reason to read" (Walla Walla, Wash.: Tsunami Incorporated, 1998), pp. 244-246. A typescript is preserved in the Carol Bergé Papers, 1970-2006, MS-MS-ms011, Julian Edison Department of Special Collections, Olin Library, Washington University in St. Louis. Finding aid. Second Coming records are in the Second Coming Press Records, 1973-1989, Ms.2010.037, Special Collections, John Hay Library, Brown University, Providence, RI. General description. A manuscript, pasteup copy, photographs, proofs, and miscellaneous documents relating to The Trashing of America are housed in the Kulchur Press Records, 1936-1994, Ms Coll/Kulchur, Rare Book & Manuscript Library, Columbia University, New York. Finding aid and here.

Poe, "A Rose is a Rose." Lounge-A-Palooza (Burbank, CA: Hollywood Records, 1997). Free online and here and here and here and here and here and here and here and here.

Sylvester Pollet, "Port Authority Bus Terminal." Street (ca. 1970; unpublished collection).

Philip James Pollock, "The Christmas Flood." Western Humanities Review 48.3 (Fall 1994): 300-302. Free online.

d.c.R. Pollock, "Ezra Pound." d.c.R. Ruins Christmas. 2018. Song and here.

Polly, "Impertinent Why's." Chicago Daily Tribune 77.43 (February 19, 1918): 5. Quoted in B[ert]. L[eston]. T[aylor].'s column "A Line O' Type or Two." Free online.

Alejandro Ponce, "Sanatorio mental saint elizabeth, 1946." La estrella de Cuba: antología de poesía cubana contemporánea, selección y prólogo, Edel Morales Fuentes (Caracas, Venezuela: Monte Avila Editores Latinoamericana, 2006). Free online.

Basilio Ponce de Leon, "The Idumean Cantos 1-12." Free online.

Ponç Pons, "Postal." Àrnica 3.54 (setembre 2002): 22. Free online. Rpt. in Pons, Pessoanes (Alzira: Edicions Bromera, 2003), p. 13, and in Manuel Castro and Ponç Pons, Trobats a l'illa ([Palma de Mallorca] Fundació "Sa Nostra" i Institut Menorqui d'Estudis, 2003). Free online. Also here and here and here and here and here. Translated into English as "Postcard" by Clyde Andrew Moneyhun in Free Poetry 6.2 (March 2012). Free online.

Piter Ponx, "El Show del Bicho." Piter Ponx (Skeletorz Records, 2021).

Adrian Popescu, "Pisicile din Torcello [7]." Pisicile din Torcello (Bucureşti: Editura Albatros, 1997). Free online and here. Translated into Spanish by Catalina Iliescu Gheorghiu as "Las gatas de Torcello" in Un copac de sunete: poezie româna contemporana = Un árbol de sonidos: poesía rumana contemporánea, traducción de Catalina Iliescu Gheorghiu; edición y prólogo de Olimpia Pop (Cluj-Napoca: Editura/Editorial Eikon, 2009) (Romanian and Spanish on facing pages), pp. 138-151 [7, pp. 146-149], free online. Free online.

Simona Popescu, "Puţin îmi pasă că…" Lucrări în verde sau Pledoaria mea pentru poezie (Bucureşti: Cartea Românească, 2006). Free online and here. Translated into English by Sean Cotter as "Little Do I Care That…" Free online and here. Rpt. in Sombras, incendios y desvanes: Diecisite poetas rumanas (1961-1980), edición bilingüe de Catalina Iliescu Gheorghiu; prologo de Simona Sora (Madrid: Vaso Roto, 2021), pp. 92-93 (Romanian and a Spanish translation by Iliescu Gheorghiu, "Me importa un comino que...," on facing pages, the translation free online).

Alessandro Porco, "The Soundtrack to Sex — Vol. 2." In: "The Jill Kelly Poems" (M.A., Concordia University, 2004), p. 17. Free online. Printed, as revised, in Porco, The Jill Kelly Poems (Toronto: ECW Press, 2005), p. 19, free online.

Alessandro Porco, "To Be Carved on a Wall at Leonard Hall, Queen's University." The Jill Kelly Poems (Toronto: ECW Press, 2005), p. 59, free online.

Peter Porter, "The Cost of Seriousness." The Cost of Seriousness (Oxford: Oxford University Press, 1978), pp. 30-31. Free online. Rpt. in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 255-256, free online (first page, second page); Porter, A Porter Selected: Poems, 1959-1989 (Oxford and Melbourne: Oxford University Press, 1989), pp. 89-90, free online (first page, second page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), pp. 338-339, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 184-186. A notebook version of the poem; a folder of poems, galley proofs, publisher's page proofs, and other materials for the volume The Cost of Seriousness; and a corrected proof and cover proof for A Porter Selected are housed in the Papers of Peter Porter, 1947-2010, MS 6640, MS Acc10.123, MS Acc13.092, MS Acc16.045, National Library of Australia. Finding aid.

Peter Porter, "Fair Go for Anglo-Saxons." A Porter Folio: New Poems (Lowestoft: Scorpion, 1969). Rpt. in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 107-110, free online (first page, next two pages, last page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), pp. 129-132, free online (first page, next two pages, last page); and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 66-70.

Peter Porter, "James Joyce Sings 'Il Mio Tesoro.'" Second Aeon 15 (1973): 119. Free online. Rpt. in Porter, A Share of the Market (Belfast: Ulsterman Publications, 1973) and Poetry Dimension 2: A Record of the Poetry Year, ed. Dannie Abse (London: Robson Books, 1974), p. 127. Free online. Rpt. as "James Joyce Sings 'Il mio tesoro'" in Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 195-196, free online (first page, second page); Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), p. 236, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), pp. 116-117. The finished copy for A Share of The Market is housed in the Papers of Peter Porter, 1947-2010, MS 6640, MS Acc10.123, MS Acc13.092, MS Acc16.045, National Library of Australia. Finding aid.

Peter Porter, "Pisa Oscura." London Review of Books 6.24 (20 December 1984). Free online. Rpt. in Porter, The Automatic Oracle (Oxford, New York, Melbourne: Oxford University Press, 1987), pp. 70-72, free online (first two pages, last page) and Porter, Collected Poems / 2, 1984-1999 (Oxford and Melbourne: Oxford University Press, 1999), pp. 102-105. A notebook version of the poem; a binder of typescript poems gathered for The Automatic Oracle; and page proofs and cover proof for The Automatic Oracle are housed in the Papers of Peter Porter, 1947-2010, MS 6640, MS Acc10.123, MS Acc13.092, MS Acc16.045, National Library of Australia. Finding aid.

Peter Porter, "Venetian Incident." Encounter 56.5 (May 1981): 50-51. Rpt. in Porter, Fast Forward (Oxford and New York: Oxford University Press, 1984), pp. 25-26, free online (first page, second page); Porter, A Porter Selected: Poems, 1959-1989 (Oxford and Melbourne: Oxford University Press, 1989), pp. 115-116, free online (first page, second page); and Porter, Collected Poems / 2, 1984-1999 (Oxford and Melbourne: Oxford University Press, 1999), pp. 15-17.

Peter Porter, "Versions from Martial" [II. lxxxvi]. Agenda 9.2-3 (Spring/Summer 1971): 163-166 (at 165). Rpt. in Porter, After Martial (London: Oxford University Press, 1972), p. 1, free online; Porter, Collected Poems (Oxford and New York: Oxford University Press, 1984), pp. 313-314, free online (first page, second page); Martial in English, eds. J. P. Sullivan and A. J. Boyle (London: Penguin Books, 1996), p. 334, free online; Porter, Collected Poems, Volume I: 1961-1981 (Oxford and Melbourne: Oxford University Press, 1999), p. 242, free online; and Porter, The Rest on the Flight: Selected Poems (London: Picador, 2010), p. 123. A corrected proof of After Martial is housed in the Papers of Peter Porter, 1947-2010, MS 6640, MS Acc10.123, MS Acc13.092, MS Acc16.045, National Library of Australia. Finding aid. The production files of Agenda Magazine for 1969-2000 are housed in the Agenda Records, 1914-2001 (bulk 1969-2001), GEN MSS 87, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. Finding aid.

Charles Potts, "Mussolini Jones." 1989. Nature Lovers (Bainbridge Island, WA: Pleasure Boat Studio, 2000), p. 59. Rpt. in Potts, Greatest Hits 1963-2003 (Columbus, Ohio: Pudding House Publications, 2005), p. 20, free online, and Potts, The Portable Potts (Albuquerque, N.M.: West End Press, 2005), p. 176. Materials relating to Nature Lovers and The Portable Potts are found in the Charles Potts papers, 1910-2010, UUS_COLL MSS 486, Special Collections & Archives, Merrill-Cazier Library, Utah State University, Logan, UT. Finding aid.

Charles Potts, "The total eclipse of Ezra Pound." 1968. Little Lord Shiva (Berkeley: Noh Directions Press, 1969). Rpt. in Potts, Rocky Mountain Man (New York: The Smith, 1978), pp. 50-53, free online (first two pages, last two pages); Potts, Little Lord Shiva: The Berkeley Poems, 1968, with an introd. by Hugh Fox (Northampton, Mass.: Glass Eye Books, 1999); Potts, Kiot: Selected Early Poems, 1963-1977 (Yakima, Wash.: Blue Begonia Press, 2005); and Potts, The Portable Potts (Albuquerque, N.M.: West End Press, 2005), pp. 58-61. Materials relating to Little Lord Shiva: The Berkeley Poems, 1968, Kiot: Selected Early Poems, 1963-1977, and The Portable Potts are found in the Charles Potts papers, 1910-2010, UUS_COLL MSS 486, Special Collections & Archives, Merrill-Cazier Library, Utah State University, Logan, UT. Finding aid.

Paul Potts, "For Ezra Pound." Commentary 26.5 (Nov. 1958): 410. Free online. Rpt. in Threshold 3.1 (Spring 1959): 18; Stand 4.2 (1960): 31; Potts, Instead of a Sonnet: (The 1944 Edition with Ten New Poems) (London: Tuba Press, 1978), p. 63, and Potts, George Orwell's Friend: Selected Writing by Paul Potts; with an introd. by Ronald Caplan (Wreck Cove, N.S.: Breton Books, 2006), p. 15, free online. Free online.

Wayne Pounds, "Old Ez Folds His Blanket: A Canto for the Era." 31 Dec. 1999. Ricerca Research Recherche, vol. 8, 2002. Memoria di Ezra Pound nel trentennale della morte (Venezia, Ognissanti, 1972): Testi inediti. A c. di Cleonice Panaro. Lecce: Milella, 2002: pp. 25-27. Rpt., with a translation by Massimo Bacigalupo into Italian as "Il vecchio Ez ripiegò le coperte: un centone per l'Era," in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 144-149 (English and Italian on facing pages). Rpt. in Pounds, By the Rivers of Edo: Selected Poems 1968-2018. Vol. IV of IV: Into Blue Mountains 2004-2018 (2019), pp. 13-16, free online.

Wayne Pounds, "'Topaz I manage, and three sorts of blue.'" FlashPøint Extra Issue 11 (Winter 2008). Free online. Rpt. in Pounds, By the Rivers of Edo: Selected Poems 1968-2018. Vol. IV of IV: Into Blue Mountains 2004-2018 (2019), pp. 11-12, free online.

José Manuel Poveda Ruiz, "Venecia, 1971." Arique: Revista de Poesía Desde la Atenas de Cuba 21 (Octubre/Diciembre de 2006): 16-17. Free online and here and here and here. Rpt., as revised, in Poveda, Poemas de error y misterio (Hoy no he visto el Paraíso, 2014), pp. 67-68, free online.

Craig Powell, "E. P. 1885-1972." November 1972. Poetry Australia 46 (1973): 4. Rpt. in The Canadian Forum 53.634-635 (November-December 1973): 59. Records of Poetry Australia, 1960-2000, MSS 015, are housed in Special Collections, UNSW Canberra, Campbell ACT, Australia. Finding aid.

Ali Power, "from A Poem for Record Keepers [(32)]." The Brooklyn Rail, Sept. 2014. Free online. Rpt. in Power, A Poem for Record Keepers ([Brooklyn, New York]: Argos Books, 2016). Free online and here.

John J. Powers, "Gertrude's Problem." London, May, 1999. Backtrack and Other Poems (Indianapolis and London: Dog Ear Publishing, 2005), pp. 37-38. Free online.

John Cowper Powys, "To Ezra Pound." ca. 1920. The Powys Society Newsletter 33 (April 1998): 26. Free online. An autograph manuscript is in the Contemporary Manuscripts Collection, circa 1880-2009, PCMS-0001, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid. In answer to a questionnaire, Powys wrote, "Of Pound I have not so greatly been thrilled by his poems as stirred to admiration by the disinterested unselfish crusading ardour with which and piercing prophetic insight with which he spread the Gospel of all the Best New Movements in Art and Letters of our Time. I've been more nearly linked with his early associations than with Eliot's, in fact I met his parents in Philadelphia." (Kenneth Hopkins, "A Note on Hal Trovillion and the Powys Brothers," IcarbS (Morris Library, Southern Illinois University at Carbondale) 3.2 (Spring-Summer 1977): 89-101 (at 100), free online and here).

Benjamín Prado, "Cobijo contra la tormenta." Cobijo contra la tormenta (Madrid: Hiperión, 1995), pp. 11-13. Rpt. in La generación del 99: antología crítica de la joven poesía española, [ed.] José Luis García Martín (Oviedo: Ediciones Nobel, 1999), pp. 70-71; Fénix: poesía, crítica (2000): 65-66; Prado, Ecuador: poesía, 1986-2001 (Madrid: Hiperión, 2002), pp. 17-18; and Prado, Acuerdo verbal: poesía completa (1986-2014) (Madrid: Visor, 2018), pp. 101-108. Free online and here. Translated into English by Gordon E. McNeer in Prado, Shelter from the Storm, translation by Gordon E. McNeer (Dahlonega, GA: University Press of North Georgia, 2012).

Benjamín Prado, "Una visita a Stephen Spender." El corazón azul del alumbrado (Madrid: Libertarias, 1991), pp. 24-25. Rpt. in Prado, Ecuador: poesía, 1986-2001 (Madrid: Hiperión, 2002), pp. 68-69, and Prado, Acuerdo verbal: poesía completa (1986-2014) (Madrid: Visor, 2018), pp. 55-56.

Charles Preston, [poem mentioning Pound]. The Crucified Judge and Other Poems, with two poems by Helen Hurst Preston (York, Pa.: Sammy's Dot Press, 1979), p. 10.

Jonathan Price, "Ezra Pound." Contemporary Poetry in America, ed. Miller Williams (New York: Random House, 1973), p. 170.

Reynolds Price, "Pictures of the Dead." Poetry 140.5 (August 1982): 258-260 [1. Robert Frost, 1951, p. 258]. Free online. Rpt. in Price, Vital Provisions (New York: Atheneum, 1982), pp. 61-63 [1. Robert Frost, 1951, free online], and Price, The Collected Poems (New York: Simon and Schuster, 1997), pp. 63-65 [1. Robert Frost, 1951, p. 63, free online and here].

F. T. Prince, "Not a Paris Review Interview." P N Review 13.2 [no. 52] (November-December 1986): 38-39. Excerpt. Rpt. in Prince, Collected Poems, 1935-1992 (Manchester: Carcanet, 1993), pp. 247-253.

Selwyn Pritchard, "Print Rivers. After-images." Poetry Ireland Review 24 (Winter 1988): 75-76. Free online. Rpt. in Pritchard, Stirring Stuff (London: Sinclair-Stevenson, 1993).

Andy Psomopoulos, "One among Many." Unlikely Stories, 2011. Free online.

pugetopolis [Jennifer Semple Siegel]. "Cleaving Manga and Yaoi." Snarke, February 24, 2009. Free online.

Shelley Puhak, "Guinevere to Lancelot in Role-Play: H.D. and Pound." Guinevere in Baltimore (Chipping Norton, Oxon, UK, and Baltimore, MD: The Waywiser Press, 2013), pp. 78-79. Free online.

Nat Z. Punx, "Ezra Pound Escapes Me." Poem Hunter, January 26, 2006. Free online.

Greg Purcell, "For Ezra Pound, On His Birthday." Columbia Poetry Review (Columbia College Chicago) (Spring 1997): 84. Free online.

Al Purdy, "Literary Feuds in Montreal." Saturday Night 86.8 [no. 3518] (August 1971): 33. Rpt. in Purdy, Sex & Death (Toronto: McClelland and Stewart Limited, 1973), pp. 90-91, free online.

Al Purdy, "On Robert Frost." The Canadian Forum 73.829 (May 1994): 28. Rpt. in Purdy, Naked with Summer in Your Mouth (Toronto: McClelland & Stewart, 1994), p. 40.

Al Purdy, "Pound." Quarry 43.2 (1994): 20-21. Rpt. in Purdy, Naked with Summer in Your Mouth (Toronto: McClelland & Stewart, 1994), p. 36. A typescript and worksheets are in Folder: 5147, Box 10, File 5, in the Al Purdy fonds, Fonds F02017, Queen's University Archives, Kingston, Ontario. Finding aid.

Al Purdy, "Power Failure in Disneyland." The Canadian Forum 51.612-613 (Jan./Feb. 1972) 23. Rpt. in Purdy, Sex & Death (Toronto: McClelland and Stewart Limited, 1973), 91-93, free online (first page, last two pages); Purdy, Being Alive: Poems 1958-78 (Toronto: McClelland and Stewart, 1978), pp. 190-192, free online (first two pages, last page); and Purdy, The Collected Poems of Al Purdy, ed. Russell Brown (Toronto: McClelland and Stewart, 1986), pp. 199-201, free online (first page, last two pages).

Rodney Purvis, "Ezra Pound at Pisa: A Sketch." Quadrant 22.10 [no. 135] (Oct. 1978): 49.

Rodney Purvis, "Ezra Pound: London and After." Quadrant 64.7-8 [no. 568] (July-August 2020): 45. Free online.

Christopher Putnam, "Apollinaire's Pocket Watch." Northwest Review 36.1 (1998): 70-71.

Linda Pyke, "the poet and the lady." Saturday Night 90.3 [no. 3557] (July/August 1975): 77.