Q

 

qbit, "Ezrasure." qbit blog, February 5, 2019. Free online.

Tony Quagliano, "Ezra Pound in Hawaii." Language Matters: Selected Poetry (New York: NYQ Books, 2012), p. 138.

Tony Quagliano, "Ezra's ABC's, and Deeds." New York Quarterly 49 (1992): 52. Rpt. in Quagliano, Language Matters: Selected Poetry (New York: NYQ Books, 2012), pp. 168-169.

Tony Quagliano, "Illimitable Country." Spring: The Journal of the E.E. Cummings Society NS 2 (October 1993): 74. Rpt. in Quagliano, Language Matters: Selected Poetry (New York: NYQ Books, 2012), p. 170.

Mario Quattrucci, "Nel rileggere versi di Pound (e di altri poeti) pensieri affidati a un amico e in forma di rosa." Printed, along with an English trans. by Piero Sanavio as "Upon Re-Reading Pound (and Other Poets): Rose-Shaped Thoughts Entrusted to a Friend," in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 60-65 (Italian and English on facing pages). The Italian text was rpt. in Frequenze Poetiche: Rivista di poesia internazionale ed altro 3.17 (Febbraio 2019): 10-12. Free online and here.

Qualyxian Quest, "Ay Fernando!" Hello Poetry, January 11, 2023. Free online.

Qualyxian Quest, "Her." Hello Poetry, Feb. 28, 2023. Free online.

Qualyxian Quest, "Lone Star State." Hello Poetry, Feb. 23, 2023. Free online.

Sina Queyras, "Elegy for Ezra Pound by Gerhard Richter." Contemporary Verse 2 37.3 (Winter/Hiver 2015): 24. Rpt. in Queyras, MxT (Toronto: Coach House Books, 2014). Free online.

Sina Queyras, "The Sturdiness"; "Magi; Or, I Dream a Little Dream." My Ariel (Toronto: Coach House Books, 2017).

Jaime Quezada, "Mariposa en la tumba de Ezra Pound." Antología de poesía chilena. Volumen 1, Generación de los 60. Teresa Calderón, Lila Calderón, Thomas Harris (compiladores) (Santiago de Chile: Catalonia, 2012), p. 241.

Mary Bernetta Quinn, "Dead in Venice." 1973. --dancing in stillness ([S.l.]: B. Quinn, 1980), p. 5. Free online. Rpt. in St. Andrews Review 24 (1982): 8. A typescript (photocopy) is housed in the Sister Mary Bernetta Quinn papers, 1948-1985, YCAL MSS 177, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Mary Bernetta Quinn, "First Visit to San Michele." --dancing in stillness ([S.l.]: B. Quinn, 1980), p. 42. Free online. Rpt. in St. Andrews Review 24 (1982): 45 and The Antigonish Review 93-94 (Spring-Summer 1993): 24. A typescript (photocopy) is housed in the Sister Mary Bernetta Quinn papers, 1948-1985, YCAL MSS 177, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Mary Bernetta Quinn, "From Florence to Venice." --dancing in stillness ([S.l.]: B. Quinn, 1980), p. 44. Free online. Rpt. in St. Andrews Review 24 (1982): 47.

Sister Bernetta Quinn, "To Ezra Pound, before the Sun Rose." New Letters 51.3 (Spring 1985): 95.

Sister Bernetta Quinn, O.S.F. "Two Weeks in Italy." The South Carolina Review 8.1 (November 1975): 55. Free online.

Mary Bernetta Quinn, "Waiting Outside the Classroom at SUNY, Buffalo, for Robert Creeley." --dancing in stillness ([S.l.]: B. Quinn, 1980), p. 23. Free online. Rpt. in St. Andrews Review 24 (1982): 26. A typescript (photocopy) is housed in the Sister Mary Bernetta Quinn papers, 1948-1985, YCAL MSS 177, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Mary Bernetta Quinn, "Winter in Tokyo." --dancing in stillness ([S.l.]: B. Quinn, 1980), p. 39. Free online. Rpt. in St. Andrews Review 24 (1982): 42.

Manuel Quintero Vargas, "A Brief Encounter up There." Poems and Essays (Bloomington, IN: AuthorHouse, 2011), p. 84. Free online.

Quintus, "To the Vers Librists." New York Tribune 76.25,519 (September 28, 1916), p. 9. Quoted in F[ranklin].P.A[dams]'s column "The Conning Tower." Free online. Rpt. in Buffalo Courier, Buffalo, N.Y., 81.274 (September 30, 1916), p. 6, free online, and The Conning Tower Book: Being a selection of the best verses published in The Conning Tower, edited by F. P. A. in The New York World (New York: Macy - Masius: Publishers, 1926), p. 46, free online.

 

 

R

 

Alonso Rabí, "Pound." Quieto vaho sobre el espejo (Lima: Seglusa Editores: Editorial Colmillo Blanco, 1994). Free online and here and here.

Mary de Rachewiltz, "Cousin Mary Far Removed." St. Andrews Review 36 (2002). Rpt. in Ezra Pound & The de Rachewiltz Family: Prose, Poetry & Translations, selected and ed. Ted Wojtasik (Laurinburg, NC: St. Andrews University Press, 2016), p. 10.

Mary de Rachewiltz, "For Eva"; "Mesmerism I." Ezra's Book, eds. Justin Kishbaugh and Catherine Paul (Clemson: Clemson University Press, 2019), pp. 19-22.

Mary de Rachewiltz, "Giving Birth." Poetry 195.4 (January 2010): 284. Free online and here.

Mary de Rachewiltz, "Nothing Which Celebrates Ezra Pound's Relationship With JL—BM." Conjunctions 1 (Winter 1981-82): 40. A typescript is housed in the Yale Collection of American Literature Manuscript Miscellany, [ca. 1800-ongoing], YCAL MSS MISC, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Mary de Rachewiltz, "Rereading Whitman." Shawangunk Review (State University of New York at New Paltz) 19 (Spring 2008): 67. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 15. Free online.

Mary de Rachewiltz, "Roses." Poetry 195.4 (January 2010): 282-283. Free online and here.

Patrizia de Rachewiltz, "Beijing, Summer 1999." Ezra Pound & China, ed. Zhaoming Qian (Ann Arbor: The University of Michigan Press, 2003), p. 278. Free online.

Patrizia de Rachewiltz, "Schloss Brunnenburg"; "Canto." A Packet of Poems for Ezra Pound, eds. Catherine Paul and Justin Kishbaugh (Clemson: Clemson University Press, 2017), pp. 5-6. "Canto" was translated into German by Walter Baumann in Rachewiltz, Übertretungen: Gedichte, Übersetzung und Nachwort von Walter Baumann (Berlin: Noack & Block, 2020), p. 37 (English text on p. 36).

Patrizia de Rachewiltz, "Summer 1958." Agenda 35.3 (Autumn 1997). Rpt. in Rachewiltz, My Taishan (Rimini: Raffaelli Editore, 2007); Ezra Pound, Ends and Beginnings: Essays and Poems from the Ezra Pound International Conference Venice, 2007, eds. John Gery and William Pratt (New York: AMS Press, 2011), pp. 207-208; and AICW Newsletter (Association of Italian Canadian Writers) 76 (December 2015): 6. Free online. Translated into Czech by Petr Mikeš in Muj Tchaj-san, with epilogue by Jacub Guziur (Jinočany: H & H, 2010). Translated into German by Walter Baumann in Mein Taishan. Gedichte, Übersetzung aus dem Englischen und Nachwort von Walter Baumann (Berlin: Noack & Block, 2016), pp. 37, 39 (English text on pp. 36, 38). The production files of Agenda Magazine for 1969-2000 are housed in the Agenda Records, 1914-2001 (bulk 1969-2001), GEN MSS 87, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. Finding aid.

Patrizia de Rachewiltz, "Summer 1958 (E.P. returns to Italy)"; "Quieter Again"; "Beloved." I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 104-109.

Patrizia de Rachewiltz, "Summer 1958"; "Quieter Again." Miscarea Literara NS 13.3 [no. 51] (2014): 134-135. Transl. into Romanian by Daniela Oancea and Viorica Patea. Free online. Rpt. in Rachewiltz, Taishan-ul meu, trans. Daniela Oancea and Viorica Patea (Cluj-Napoca: Editura Şcoala Ardeleană, 2016), pp. 64-71 (English and Romanian on facing pages).

Patrizia de Rachewiltz, "Summer 1958"; "Quieter Again"; "Beloved"; "Canto." Mi Taishan, traducción Antonio Colinas, Viorica Patea; introducción, Viorica Patea (Ourense: Linteo, 2014), pp. 72-75, 76-79, 90-91, 144-145 (English and Spanish on facing pages).

Dean Rader, "Self Portrait: One on One with Ezra Pound." Works & Days (Kirksville, MO: Truman State University Press, 2010).

Burton Raffel, [poem mentioning Pound]. Beethoven in Denver, and Other Poems (Crested Butte, Colo.: Conundrum Press, 1999).

Joseph B. Raimond, "-Groundpounder-." Behold The Lovely Monster (Fürth, Germany: Mirran Thought, 2020), p. 125. Free online.

Sergio Raimondi, "Cargill & Pound." Poesía civil (Bahía Blanca: Vox, 2001; 2a ed.: Bahía Blanca: 17grises editora, 2010), p. 104. Free online. Translated into German by Timo Berger as "Cargill & Pound" in Raimondi, Zivilpoesie = Poesía Civil, Ausgewählt, übersetzt und mit einem Nachwort versehen von Timo Berger (Berlin: wvb, Wissenschaftliche Verlag Berlin, 2005), pp. 74-75 (Spanish and German on facing pages).

Dachine Rainer, "Conversazione: 1. With Ezra" and "In Memoriam: Ezra Pound." Giornale di Venezia (Salzburg: Institut fúr Anglistik und Amerikanistik, University of Salzburg, 1996), pp. 82, 86-90. A typescript (carbon) of the final version of "In Memoriam: Ezra Pound," the eighth revision with the author's extensive ms. corrections, and a later revision are held in the Ezra Pound collection of papers, 1898-1986 (bulk 1914-1959), Berg Coll MSS Pound, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York. Finding aid.

Carl Rakosi, "The Anti-Worm." My Experiences in Parnassus (Santa Barbara, Calif.: Black Sparrow Press, 1977), pp. 42-43. (Sparrow 53 (Feb. 1977)). Rpt. in Rakosi, The Collected Poems of Carl Rakosi (Orono, Me.: The National Poetry Foundation, University of Maine, 1986), pp. 216-217. Free online. Notes for My Experiences in Parnassus and typescripts and photocopies of poems for The Collected Poems of Carl Rakosi are housed in the Carl Rakosi Papers, 1903-2004, MSS 0355, Special Collections & Archives, UC San Diego, La Jolla, California. Finding aid. Files for The Collected Poems of Carl Rakosi are housed in the National Poetry Foundation (University of Maine) Records, 1957-1994, Special Collections, Raymond H. Fogler Library, University of Maine, Orono. Finding aid. A manuscript and proofs of My Experiences in Parnassus are held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Livio Ramírez Lozano, "Ante un retrato de Ezra Pound." Escrito sobre el amanecer y otros poemas (Tegucigalpa, Honduras: Secretaría de Cultura y Turismo, 1989), p. 35. Rpt. in Ramírez Lozano, Obra reunida ([Tegucigalpa]: Pez Dulce, 2005), p. 131.

Bin Ramke, "Wake." The Ohio Review 56 (1997): 17-23. Rpt. as part 2 (pp. 106-112) of "Testimony" in Ramke, Wake: Poems (Iowa City: University of Iowa Press, 1999), pp. 94-112 ("Notes" on p. 114). Free online.

Belle Randall, "Be He Ezra Pound, Kennedy or King." The Orpheus Sedan (Port Townsend, Wash.: Copper Canyon Press, 1980). Free online. Rpt. in Ezra Pound in Memoriam: An Anthology of Contemporary Poetry, 1885-1972, ed. John H. Morgan; an appreciation by Michael Long (Bristol, IN: Wyndham Hall Press, 1985), p. 124, and The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press, ed. and with an introd. by Sam Hamill (Port Townsend, Wash.: Copper Canyon Press, 1996), p. 242, free online. A book file for The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press is housed in the Copper Canyon Press Records 1973-2006, Cage 708, Manuscripts, Archives and Special Collections, Washington State University Libraries, Pullman, WA. Finding aid and here.

Stephen Ratcliffe, "11.28[.16]"; "2.2[.17]." window (Editions Eclipse, 2019), pp. 155, 221. Free online.

Stephen Ratcliffe, "5.1." Cricket Online Review (2005?). Free online. Rpt. in Ratcliffe, Cloud / Ridge (/ubu editions, 2007), p. 308, free online, and Ratcliffe, Cloud / Ridge (Buffalo, NY: BlazeVOX Books, 2011).

Stephen Ratcliffe, "Postscript, on a Name." Poetry 133.6 (March 1979): 321. Free online. Rpt. in Anthology of Magazine Verse and Yearbook of American Poetry, ed. Alan F. Pater, introd. by William H. Pritchard (Beverly Hills, Calif.: Monitor Book Company, 1980), pp. 331-332, free online (first page and second page). Reading by the author.

Stephen Ratcliffe, "2.22"; "5.1"; "10.18." Cloud / Ridge (/ubu editions, 2007), pp. 240, 308, 478. Free online. Rpt as Ratcliffe, Cloud / Ridge (Buffalo, NY: BlazeVOX Books, 2011),"10.18" was previously published in Sarah Rosenthal, "from Artifice and Accident: An Interview with Stephen Ratcliffe," Aufgabe 4 (Fall 2004): 218-224 (at. 223), free online and here, and rpt. in A Community Writing Itself: Conversations with Vanguard Writers of the Bay Area, ed. Sarah Rosenthal (Champaign [Ill.]: Dalkey Archive Press, 2010) and Ratcliffe, Selected Days (Denver, Colo.: Counterpath Press, 2012), p. 66, free online.

Stephen Ratcliffe, "2.25"; "2.27"; "4.1"; "6.15." Human / Nature (/ubu editions, 2007), pp. 497, 499, 533, 608. Free online. Rpt. as Ratcliffe, Human / Nature (Editions Eclipse, 2011), pp. 495, 497, 531, 606. Free online.

Rawbbie, "Insane In St. Elizabeths: Ezra's Pound Of Flesh." Rawbbie, Mar. 5, 2023. Free online with a reading.

Eric Rawson, "Dear Pound, I Am Leaving England." Indiana Review 16.2 (Fall 1993): 8.

Shreela Ray, "A Winston Churchill Commemorative." Night Conversations with None Other (Paradise, CA: Dustbooks, 1977), p. 49.

Srinivas Rayaprol, "Letter to Ezra Pound (for Wm Carlos Wms . . . )" (ca. 1951). Selected Poems (Calcutta: Writers Workshop, 1995), p. 94. Free online and here. Rpt. in Srinivas Rayaprol and William Carlos Williams, Why Should I Write a Poem Now: The Letters of Srinivas Rayaprol and William Carlos Williams, 1949-1958, Ed. Graziano Krätli (Albuquerque: University of New Mexico Press, 2018), pp. 165-166. Rpt. in Rayaprol, Angular Desire: Selected Poems and Prose, eds. Graziano Krëtli and Vidyan Ravinthiran (Manchester: Carcanet, 2020).

R. Rayarú, "Poemacrónico no 102." Free online.

Mike Rebeschi, "Regarding an Affair (and Reading Ezra Pound)." Sunset Liminal 1 (Spring 2015).

Clemente Rebora, "Per Ezra Pound." September 1955. Iconografia di Ezra Pound (Milano: All'insegna del Pesce d'Oro, 1955), p. 22. Rpt. in Stagione 2.7 (autunno 1955); Rebora, Poesie: (1913-1957), a cura di Gianni Mussini e Vanni Scheiwiller (Milano: Garzanti, 1988), p. 403; and Rebora, Poesie, prose e traduzioni, a cura e con un saggio introduttivo di Adele Dei; con la collaborazione di Paolo Maccari (Milano: Mondadori, 2015), p. 382.

Liam Rector, "Saxophone." The Sorrow of Architecture: Poems (Port Townsend, Wash.: Dragon Gate, 1984). Rpt. in Stephanie Burt, The Poem Is You: 60 Contemporary American Poems and How to Read Them (Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2016), pp. 56-57, free online. Free online. Translated into Spanish by Indira Díaz as "Saxofón" here. Copies may be in the unprocessed Liam Rector Papers, Manuscript Collection No. 1229, Emory University, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Atlanta, GA. Finding aid.

Claudia M. Reder, "The Road to Rapallo." My Father & Miro and Other Poems (Treadwell, N.Y.: Bright Hill Press, 2001), pp. 40-42.

Kimo Reder, "(Still Looking Forward To) Canto 121." Callaloo 33.3 (Summer 2010): 790-791. Free online and here.

Michael Redhill, "Heat Wave VII." Light-crossing: Poems (Toronto: House of Anansi Press, 2001), p. 40. Free online.

Roger Reeves, "Domestic Violence." Poetry 210.3 (June 2017): 215-223. Free online and here and here. Rpt. in Reeves, Best Barbarian: Poems (New York: W. W. Norton & Company, 2022). About this poem, Reeves has stated: "When writing 'Domestic Violence,' I thought of Gwendolyn Brooks' mock epics like 'The Anniad' that play with these older heroic forms by making them black or contemporary to her life in Chicago. And her work reminded me of the need for narrative poetry, and how narrative is where we get myths. Toni Morrison says that the job of the writer is to find the myth of their culture and to tell those myths. And so it gets me to think, what myths do we need? What myths haven't been written? Particularly, murders at the hand of the police have created a sort of mythology that we have yet to narratively think through, and I wanted to write something that narratively thought through that. Brooks is formally brilliant. Ezra Pound was trying to write his own cantos. They inspired me to be ambitious in the work. To say the unsayable, to reach into the invisible. I often touch on the dead and the afterlife because those are the most invisible to us." (Malachi Jones, "Renowned poet Roger Reeves uses his setting as inspiration for Poetry at McLeod," Charleston City Paper (Charleston, S.C.), June 5, 2019, free online).

J.C. Reid, "Paen (With apologies to Ezra Pound)." Kiwi: Official Organ of the Auckland University Students' Association 31 (1936): 15-17.

John Reid, "The Novelist's Eye: A Snapshot Album." Shenandoah 6.1 (Winter 1954): 34-38. Free online.

Stephen Reilly, "Four Miles to Arcadia." Adelaide Literary Magazine 4.25 (June 2019): 205-209. Free online.

James Reiss, "On Learning the People's Republic of China Has Lifted Its Ban on Beethoven." 1978. Poetry 134.6 (Sept. 1979): 322-325. Free online. Rpt. in Reiss, Express (Pittsburgh, Pa.: University of Pittsburgh Press, 1983), pp. 55-58, and Reiss, Riff on Six: New and Selected Poems (Cambridge: Salt Publishing, 2003), pp. 44-48. A manuscript copy is housed in the James Reiss Collection, 1960-2008, Walter Havighurst Special Collections, Miami University Libraries. Finding aid.

John Repp, "Poem Beginning With a Line from Ezra Pound's 'Canto XX' & Ending With a Line from 'Notes for Canto CXX.'" Crazyhorse 79 (Spring 2014): 48. Free online and here. Rpt. in Repp, Fat Jersey Blues (Akron, Ohio: The University of Akron Press, 2014), p. 69.

The Residents, "Walter Westinghouse." Fingerprince (Tourniquet Of Roses) (1976). Free online and here. Free online with audio.

Joan Retallack, "Japanese Presentation, I & II." O•blēk: A Journal of the Language Arts 6 (1989): 11-12. Rpt. in The Best American Poetry 1990, Jorie Graham, Ed., David Lehman, Series Ed. (New York: Charles Scribner's Sons; Toronto: Collier Macmillan Canada, 1990), pp. 190-192, free online (first page, last two pages); From the Other Side of the Century: A New American Poetry 1960-1990, ed. and with an introd. by Douglas Messerli (Los Angeles: Sun & Moon Press, 1994), pp. 941-943, free online (first page, last two pages); and Retallack, How to Do Things with Words (Los Angeles: Sun & Moon Press, 1998), pp. 95-99, free online.

Joan Retallack, "The Woman in the Chinese Room . . . . . A Prospective." Iowa Review 26.2 (Summer 1996): 159-162. Free online and here and here and here. Rpt. as "The Woman in the Chinese Room..............A Prospective" in Onward: Contemporary Poetry and Poetics, ed. Peter Baker (New York: Peter Lang, 1996), pp. 311-314, free online (first page, next two pages, last page); as "The Woman in the Chinese Room. A Prospective" in Retallack, How To Do Things With Words (Los Angeles: Sun & Moon Press, 1998), pp. 13-19, free online and here and here; and as "The Woman in the Chinese Room" in Eleven More American Women Poets in the 21st Century: Poets Across North America, eds. Claudia Rankine and Lisa Sewell (Middletown, Conn.: Wesleyan University Press, 2012), pp. 310-313. A reading by the poet as part of the Kelly Writers House program "9 Poets Read Themselves through Modernism," October 12, 2000. A reading by the poet at the University of Wisconsin-Madison, April 23, 2009. A reading by the poet as part of an appearance on Close Listening hosted by Charles Bernstein, Bard College, February 26, 2011.

Donald Revell, "Given Days." My Mojave: Poems (Farmington, Me.: Alice James Books, 2003), pp. 60-66. Rpt. in Revell, Pennyweight Windows: New & Selected Poems (Farmington, Me.: Alice James Books, 2005), pp. 184-189, free online (first two pages, next two pages, last two pages), and The New American Poetry of Engagement: A 21st Century Anthology, eds. Ann Keniston and Jeffrey Gray (Jefferson, NC: McFarland & Co., 2012), pp. 167-171.

William J. Rewak, "A Formic Study." Kansas Quarterly 20.1-2 (Winter/Spring 1988): 202. Rpt. in Rewak, The Right Taxi: A Book of Poems (North Charleston, SC: CreateSpace, 2012).

Kenneth Rexroth, "August 22, 1939." Partisan Review 6.5 (Fall 1939): 73-75. Free online and here. Rpt. in Rexroth, In What Hour (New York: The Macmillan Company, 1940); Rexroth, The Collected Shorter Poems (New York: New Directions, 1967), pp. 97-99; Rexroth, Selected Poems, ed. Bradford Morrow (New York: New Directions, 1984), pp. 4-7; This Art: Poems about Poetry, ed. Michael Wiegers (Port Townsend, Washington: Copper Canyon Press, 2003), pp. 41-44; and Rexroth, The Complete Poems of Kenneth Rexroth, eds. Sam Hamill and Bradford Morrow (Port Townsend, Wash.: Copper Canyon Press, 2004), pp. 159-162. Free online and here. A typescript of In What Hour is housed in the Kenneth Rexroth Papers, 1853-1986 (bulk 1950-1975), Collection number: 175, Special Collections, Charles E. Young Research Library, UCLA, Los Angeles, CA. Finding aid. A manuscript of Selected Poems is housed in the Kenneth Rexroth collection, 1945-1991, PCMS-0102, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York at Buffalo, Buffalo, New York. Finding aid.

Kenneth Rexroth, The Dragon and the Unicorn (Norfolk, Conn.: New Directions, 1952) (Pound mentioned in Sections II, p. 43, and III, pp. 61, 63). Previously published in part in New Directions in Prose and Poetry in 1950 and 1951. Rpt. in Rexroth, The Collected Longer Poems (New York: New Directions, 1968), pp. 93-280 (Pound mentioned, pp. 139, 159, 161) and Rexroth, The Complete Poems of Kenneth Rexroth, eds. Sam Hamill and Bradford Morrow (Port Townsend, Wash.: Copper Canyon Press, 2004), pp. 323-522 (Pound mentioned, pp. 371, 393, 395). Annotated typescripts and galley proofs of The Dragon and the Unicorn are housed in the Kenneth Rexroth Papers, 1853-1986 (bulk 1950-1975), Collection number: 175, Special Collections, Charles E. Young Research Library, UCLA, Los Angeles, CA. Finding aid.

Kenneth Rexroth, "Lost Etc." The Collected Shorter Poems (New York: New Directions Publishing, 1966), p. 294. Free online. Rpt. in Rexroth, The Complete Poems of Kenneth Rexroth, eds. Sam Hamill and Bradford Morrow (Port Townsend, Wash.: Copper Canyon Press, 2003), p. 592. Translated into Portuguese by Reuben da Cunha Rocha as "Perdidos etc." Free online and here.

Kenneth Rexroth, Thou Shalt Not Kill: A Memorial for Dylan Thomas (Sunnyvale, Cal.: Horace Schwartz, 1955). Rpt. in Rexroth, In Defense of the Earth: Poems (New York: New Directions, 1956), pp. 52-59; Rexroth, The Collected Shorter Poems (New York: New Directions, 1966), pp. 267-275; Rexroth, The Rexroth Reader (London: Jonathan Cape, 1972), pp. 373-381; Rexroth, Selected Poems, ed. Bradford Morrow (New York: New Directions Publishing Corporation, 1984), pp. 94-101; The Portable Beat Reader, ed. Ann Charters (New York: Penguin Books, 1992), pp. 233-241; and Rexroth, The Complete Poems of Kenneth Rexroth, eds. Sam Hamill and Bradford Morrow (Port Townsend, Wash.: Copper Canyon Press, 2003), pp. 565-573. Free online and here and here and here and here and here. Translated into Spanish by Juan Arabia as "No matarás." Free online. Translated into Portuguese by r.l. almeida as "Não matar." Free online. A reading by the author. Annotated typescripts of In Defense of the Earth are housed in the Kenneth Rexroth Papers, 1853-1986 (bulk 1950-1975), Collection number: 175, Special Collections, Charles E. Young Research Library, UCLA, Los Angeles, CA. Finding aid. A manuscript of Selected Poems is housed in the Kenneth Rexroth collection, 1945-1991, PCMS-0102, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York at Buffalo, Buffalo, New York. Finding aid.

Barbara Jane Reyes, Poeta en San Francisco (Kāneohe, HI: Tinfish Press, 2005) ["dis·orient," pp. 41-76 (at 43, free online)]. Free online.

Radhamés Reyes-Vásquez, "El crepúsculo de Ezra Pound." 1973. Mairena 10.25 (1988): 109-110 [a fragment]. Rpt. in La Poesía actual del mundo hispánico, 2, ed. Manuel de la Puebla (Río Piedras (Puerto Rico): Ediciones Mairena, 1988), pp. 109-110; Dos siglos de literatura dominicana (S. XIX-XX): poesía, selección, prólogo y notas de Manuel Rueda (Santo Domingo: Comisión Oficial para la Celebración del Sesquicentenario de la Independencia Nacional, 1996); Puente de palabras: compilación de poesías costarricenses y dominicanas, presentación Alejandro Arvelo; compilación costarricense Mario Ulate y Alexandra Meléndez; compilación dominicana y nota introductoria Basilio Belliard (Santo Domingo: FERILIBRO, 2006); and Enriquillo Sánchez, La poesía bisoña (Poesía dominicana 1960-1975). Reseña y antología, Edición, semblanza, apéndice y notas Miguel Collado (Santo Domingo, República Dominicana: Biblioteca Nacional Pedro Henríquez Ureña, 2019), pp. 341-344, free online. Free online and here and here.

Charles Reznikoff, "Last Poems (7)." Madeira & Toasts for Basil Bunting's 75th Birthday, ed. Jonathan Williams (Highlands, N.C.: Jargon Society, 1977). Also printed in Reznikoff, Poems 1937-1975: Volume 2 of the Complete Poems of Charles Reznikoff, ed. Seamus Cooney (Santa Barbara, Calif.: Black Sparrow Press, 1977), p. 208, and Reznikoff, Poems 1918-1975: The Complete Poems of Charles Reznikoff (Santa Rosa, California: Black Sparrow Press, 1989), p. 365. Free online. A folder for Madeira & Toasts for Basil Bunting's 75th Birthday is housed in The Jargon Society Collection, 1950-2008, PCMS-0019, The Poetry Collection, University at Buffalo Libraries, Buffalo, NY. Finding aid. A manuscript of Poems, Volume II of the Complete Poems of Charles Reznikoff is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A draft of Poems 1937-1975 is held in the Black Sparrow Press Collection, 1966-1994 (bulk 1973-1993), MS 538, Special Collections, University of Arizona Libraries, Tucson, AZ. Finding aid.

Harold Rhenisch, [Elegy for Ezra Pound]. Kazoo: The Psalm at the End of the Song (Victoria, B.C.: Reference West, 1998).

Harold Rhenisch, "The Literati"; "We Will Not Be Read." A Delicate Fire (Victoria, B.C.: Sono Nis Press, 1989), pp. 107, free online, 113-117, free online (first page, next two pages, last two pages).

Harold Rhenisch, "Nekuia—at Taishan." Eleusis (Victoria, B.C.: Sono Nis Press, 1986).

Harold Rhenisch, "THE UNDERGROUND ART REVIEW, first number." In the Presence of Ghosts (Victoria, B.C.: Reference West, 1993). Free online.

Harold Rhenisch, "We Will Not Be Read." Grain (Saskatchewan Writers' Guild, Regina, SK) (ca. 1989). Rpt. in Rhenisch, A Delicate Fire (Victoria, B.C.: Sono Nis Press, 1989), pp. 113-117, free online (first page, next two pages, last two pages).

Jon Riccio, "The Cantos' Meow." BlazeVOX 22[.1] (Spring 2022). Free online.

Jon Riccio, "The Fairground of Sutured Parents." Ghost City Review (September-October 2020). Free online and here. Rpt. in Riccio, Agoreography (3: A Taos Press, 2022).

Stan Rice, "Doing Being." The Radiance of Pigs: Poems (New York: Alfred A. Knopf, 1999), pp. 79-89. Free online and here and here.

W[allace]. R[ice]., "Contemporomania." Chicago Daily Tribune 72.87 (April 11, 1913), p. 6. Quoted in B[ert]. L[eston]. T[aylor].'s column "A Line-O'-Type or Two." Free online. Rpt. in Mock Modernism: An Anthology of Parodies, Travesties, Frauds, 1910-1935, ed. Leonard Diepeveen (Toronto: University of Toronto Press, 2014), pp. 144-145.

Jeff Rich, "Losing my direction." The Burning Archive, June 10, 2018. Free online.

Jeremy Richards, "T.S. Eliot's Lost Hip-Hop Poem." Rattle 27 (Summer 2007) [also recorded on the included audio CD]. Free online with a reading. Free online and here. An excerpt was printed in The Spoken Word Revolution Redux, ed. Mark Eleveld (Naperville, Ill.: Sourcebooks MediaFusion, 2007), p. 176. Free online. Video from the 2002 National Poetry Slam in Minneapolis.

Tad Richards, "Sestina for the Iowa Workshop." Satire Newsletter 3 (Spring 1966): 170.

Steve Richmond, "Gagaku." Wormwood Review 18.2 [no. 70] (1978): 63. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Steve Richmond, "Life Is Magic." Wormwood Review 25.1 [no. 97] (1985): 20. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Steve Richmond, untitled poem ["satie is on still alive . . ."]. Wormwood Review 26.3 [no. 103] (1986): 97. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Noel Rico, "roberto: a storypoem." Mag City 1 (1977): 59-62. Free online. Rpt. as "Roberto: A Story Poem," The Bilingual Review/La Revista Bilingüe 4.3 (September-December 1977): 222-225, free online. An offprint was prepared under the title "Another Poem for García Lorca" and Other Poems (Jamaica, N.Y.: Bilingual Press, 1977).

Ron Riddell, "Ezra Pound at St Elizabeths Hospital." Poetry New Zealand Yearbook 2017, ed. Jack Ross (issue no. 51) (Auckland, N.Z.: Massey University Press, 2017), p. 162.

John Ridland, "Literary Anecdote (Apocryphal)." The Iowa Review 17.2 (Spring-Summer 1987): 129-130. Free online and here and here and here.

Homer Rieth, The Garden of Earth: The Murray Darling (North Fitzroy, Victoria: Black Pepper Publishing, 2016), p. 11.

Don Riggs, "Jupiter Transits My Anus." Painted Bride Quarterly 91 (February 2015). Free online.

Giose Rimanelli, [poem mentioning Pound]. Moliseide and Other Poems, ed. and transl. by Luigi Bonaffini (Brooklyn, N.Y.: Legas, 1998), p. 15.

Nelo Risi, "Dans le cercle." Les Cahiers de L'Herne 7 (1965): 575.

Nelo Risi, "La memoria." Le risonanze (Milano: Mondadori, 1987), pp. 16-17. Rpt. in Risi, Di certe cose: poesie 1953-2005, introduzione di Maurizio Cucchi (Milano: Oscar Mondadori, 2006), p. 301.

Jorge Rivelli, "el ser nacional." El Criticón: La cultura en plural (Ciudad de Buenos Aires) 3 (julio-agosto de 2000). Free online and here and here and here and here.

Randolph Roark, "Pound's Etiquette." Mona Lisa's Veil: New and Selected Poems, 1979-2001 (Boulder, CO: Baksun Books, 2001), p. 26.

Randolph Roark, "Robert Frost to Ezra Pound's Daughter from His Deathbed." The Hampden-Sydney Poetry Review (1978). Rpt. in The Hampden-Sydney Poetry Review Anthology, 1975-1990, ed. Tom O'Grady (Hampden-Sydney, Va., 1990); Roark, Passing Through Customs: New and Selected Poems (Baton Rouge: Louisiana State University Press, 1999); and Visiting Frost: Poems Inspired by the Life and Work of Robert Frost, eds. Sheila Coghill and Thom Tammaro; foreword by Jay Parini (Iowa City: University of Iowa Press, 2005), p. 97, free online. Free online.

Tom Robb, "Haiku For Ezra Pound." Tom Robb – Medium, Mar. 2, 2019. Free online.

Kirk Robertson, "The Seat of the Intellect Is the Saliva, II." Wormwood Review 13.4 [no. 52] (1973): 152-153. Free online and here and here. Manuscript submissions for the Wormwood Review are housed in the Wormwood Review Collection, PCMS-0043, bulk 1959-1999, The Poetry Collection of the University Libraries, University at Buffalo, The State University of New York, Buffalo, New York. Finding aid.

Lisa Robertson, "The Cabins." TCR Blog (The Capilano Review), November 14, 2011. Blog post related to The Capilano Review Series 3, No. 15 (Fall 2011). Free online and here.

Lisa Robertson, "Of Mechanics in Rousseau's Thought." The Capilano Review Series 3, No. 1/2 (Winter & Spring 2007): 181-186. Free online and here and here and here. Rpt. in Robertson, R's Boat (Berkeley, Los Angeles, London: University of California Press, 2010), pp. 15-24, and Robertson, Boat (Toronto: Coach House Books, 2022), pp. 89-98. Notes and drafts for "Of Mechanics in Rousseau's Thought" and a final text for R's Boat are housed in the Lisa Robertson fonds, 1983- , MsC38, Special Collections and Rare Books, Simon Fraser University, Burnaby, British Columbia, Canada. Finding aid and here.

Anthony Robinson, "Failures of the Poets." Heavy Feather Review, January 10, 2023. Free online.

Derek Robinson, "Ezra Da Vinci." Still in the Dream Time (Victoria, BC: Ekstasis Editions, 2001), p. 52. Free online.

Peter Robinson, "Afterwards." Nouslit 2 (Summer 1973). A response to the death of Ezra Pound on 1 November 1972. Free online and here.

Peter Robinson, "Ezra Pound at St. Elizabeth's." With Equal Eye: Poems 1976-1979 (Toronto: Gabbro Press, 1979).

Edouard Roditi, "Report on a Seance." Choose Your Own World (Santa Maria [Calif.]: Asylum Arts, 1992), pp. 66-67.

Ender Rodriguez, "Random 1." Free online and here.

Ender Rodriguez, "91- Random." Free online and here and here.

Legna Rodríguez Iglesias, "99." Kenyon Review NS 40.1 (Jan./Feb. 2018): 54. Free online along with an English translation from the Spanish by Katherine M. Hedeen and Víctor Rodríguez Núñez; a reading of the original Spanish by Legna Rodríguez Iglesias; and a reading of the English translation by Katherine Hedeen. Free online.

John G. Rodwan, Jr., "Questions to Consider in Connection with Ezra Pound." Pea River Journal, 28 July 2014. Free online. "The editor of Pea River Journal sent original linocut and woodblock prints to writers and asked them to respond. I received an image of Ezra Pound. Here's how I responded." (Rodwan, "PRJ: Questions to Consider…," Rodwan Writes, July 28, 2014, free online).

Rosaly DeMaios Roffman, "Sometimes People Think." Endless Mountain Review (Winter 1991): 4. Rpt. in Sephardic-American Voices: Two Hundred Years of a Literary Legacy, Diane Matza, ed. (Hanover and London: Brandeis University Press, Published by University Press of New England, 1997), p. 299. Free online.

Frank Rogaczewski, "Amazing Scientific Breakthrough: Poem=Orgone Accumulator!" Jeepers and Criminy! Are You Following This? A Helpful If Inexact Proletarian/Smart Ars Poetic Manifesto (San Antonio, TX: American Letters & Commentary, Inc., 2018).

Frank Rogaczewski, "The Fate of Humanity in Verse." The Fate of Humanity in Verse (San Antonio, TX: American Letters & Commentary, Inc., 2009), pp. 41-45. Free online and here and here (first page, next two pages, last two pages). Rpt. in Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art, ed. Steve Tomasula (Tuscaloosa: The University of Alabama Press, 2022), pp. 349-351. Excerpt.

Frank Rogaczewski, "Gratia, Poeta!" The Fate of Humanity in Verse (San Antonio, TX: American Letters & Commentary, Inc., 2009), pp. 37-40. Free online and here and here (first page, next two pages, last page).

Stan Rogal, "Personations: 21." Poetry Canada (Kingston, Ont.) 15.3 (Aug. 1995): 14. Rpt. in Rogal, Carnival: A Scream in High Park Reader, ed. Peter McPhee (Toronto: Insomniac Press, 1996), pp. 107-108, free online (first page, second page), and Rogal, Personations (Toronto: Exile Editions, 1997), pp. 57-58, free online.

Matthew Rohrer, "An Evening of Ezra Pound." Trampoline: A Journal of Poetry (New Orleans) 1 (2020?). Free online.

Armando Rojas Guardia, Poemas de Quebrada de la Virgen ([Venezuela] [1985]) [Section 10]. Rpt. in Rojas Guardia, El esplendor y la espera [Obra poética 1979-2017], Edición Cristóbal Zapata, Prólogo Alejandro Sebastiani Verlezza (Cuenca, Ecuador: GAD Municipal del cantón Cuenca, 2018), pp. 95-147 [10, pp. 113-114], free online. Free online and here.

Gonzalo Rojas, "Concierto." In Rojas, "Cinco poemas," Zona franca (Caracas) III Epoca 5.32/33 (noviembre 1982-febrero 1983): 7. Rpt. in Huelén (Santiago de Chile) 14 (mayo-agosto 1984): 33; Rojas, Materia de testamento (Madrid: Hiperión, 1988), pp. 160-161; Poesía chilena de hoy: de Parra a nuestros días, selección: Erwin Díaz ([Santiago]: Ediciones Documentas, 1988), p. 59; Poesía chilena contemporánea: breve antología crítica, Naín Nómez [compilador] ([Santiago, Chile]: Fondo de Cultura Económica Editorial Andrés Bello, 1992), p. 282; Rojas, Metamorfosis de lo mismo (Madrid: Visor, 2000), pp. 21-22; Rojas, Antología personal (México: Universidad Nacional Autónoma de México, 2000), pp. 41-42, free online; Rojas, Concierto: antología poética, 1935-2003, selección y prólogo de Nicanor Vélez; liminar del autor (Barcelona: Galaxia Gutenberg, 2004), p. 41; and Alumbrado por el relámpago: Gonzalo Rojas y su poesía. Cuaderno Pedagógico (Santiago: Consejo Nacional de la Cultura y las Artes, 2017), p. 106, free online. Free online. A reading by the author is included on disc 1 of two discs accompanying Rojas’s Antología, selección de Gonzalo Rojas y Fabienne Bradu; presentación de Fabienne Bradu (México, D.F.: Universidad Nacional Autónoma de México, 2000; 2a ed: Madrid: Fondo de Cultura Económica, 2004), in which the poem appears on pp. 58-59. Audio. A Portuguese translation by Eric Nepomuceno was published as "Concerto" in Antologia poética de Gonzalo Rojas, tradução de Eric Nepomuceno (Brasília: Editora Universidade de Brasília, 2018), pp. 122-125 (Spanish and Portuguese on facing pages). Free online. Translated into English by Russell M. Cluff and L. Howard Quackenbush in Rojas, Schizotext and other poems = Esquizotexto y otros poemas (New York, Bern, Frankfurt am Main, Paris: Peter Lang, 1988), p. 111.

Gonzalo Rojas, "Diálogo con Ovidio." Diálogo con Ovidio (México: Editorial Aldus: Eldorado, 2000). Rpt. in Rojas, Poesía esencial, selección y nota de Pedro Lastra; prólogo de Eugenio Montejo (Barcelona [etc.]: Editorial Andrés Bello, 2001), pp. 224-226, free online (first two pages, last page), and Rojas, Concierto: antología poética, 1935-2003, selección y prólogo de Nicanor Vélez; liminar del autor (Barcelona: Galaxia Gutenberg, 2004), pp. 42-44. Free online. A reading by the author is included on disc 2 of two discs accompanying Rojas’s Antología, selección de Gonzalo Rojas y Fabienne Bradu; presentación de Fabienne Bradu (México, D.F.: Universidad Nacional Autónoma de México, 2000; 2a ed: Madrid: Fondo de Cultura Económica, 2004), in which the poem appears on pp. 73-75. Audio. A Portuguese translation by Eric Nepomuceno was published as "Diálogo com Ovídio" in Antologia poética de Gonzalo Rojas, tradução de Eric Nepomuceno (Brasília: Editora Universidade de Brasília, 2018), pp. 60-65 (Spanish and Portuguese on facing pages). Free online.

Gonzalo Rojas, "Il miglior fabbro." Metamorfosis de lo mismo (Madrid: Visor, 2000), p. 472. Rpt. in Rojas, Diálogo con Ovidio (México: Editorial Aldus: Eldorado, 2000), p. 82; Rojas, Poesía esencial, selección y nota de Pedro Lastra; prólogo de Eugenio Montejo (Barcelona [etc.]: Editorial Andrés Bello, 2001), p. 176, free online; and Rojas, "Il miglior fabbro y otros poemas," La Gaceta del Fondo de Cultura Económica, Mexico, D.F., 363 (marzo 2001): 11. Free online. A reading by the author is included on disc 1 of two discs accompanying Rojas’s Antología, selección de Gonzalo Rojas y Fabienne Bradu; presentación de Fabienne Bradu (México, D.F.: Universidad Nacional Autónoma de México, 2000; 2a ed: Madrid: Fondo de Cultura Económica, 2004), in which the poem appears on p. 63. Audio and here.

Gonzalo Rojas, "No le copien a Pound." Oscuro (Caracas: Monte Avila, 1977), p. 27. Rpt. in Rojas, Del relámpago (México, D.F.: Fondo de Cultura Económica, 1981), pp. 31-32; Rojas, 50 poemas (Santiago, Chile: Ganymedes, 1982), p. 43; La Gaceta del Fondo de Cultura Económica, Mexico, D.F., XV.179 (Nov. 1985): xx; Poesía chilena de hoy: de Parra a nuestros días, selección: Erwin Díaz ([Santiago]: Ediciones Documentas, 1988), p. 51; Rojas, Cinco visiones: selección de poemas de Gonzalo Rojas (Ediciones Universidad de Salamanca, 1992), p. 105; Rojas, Obra selecta, seleccion, prólogo, cronología, bibliografía y variantes Marcelo Coddou; edición revisada por Gonzalo Rojas; cuidado de la edición José Ramón Medina (Caracas: Biblioteca Ayacucho: Fundación Cultural Chacao, 1998), pp. 12-13; Poesía chilena contemporánea, selección y estudio por Jaime Blume (Santiago, Chile: Santillana, 1998), p. 165; La sangre iluminada: antología de seis poetas latinoamericanos (San José, Costa Rica: Editorial Baula, 1998), p. 116; Rojas, Metamorfosis de lo mismo (Madrid: Visor, 2000), p. 50; Rojas, Poesía esencial, selección y nota de Pedro Lastra; prólogo de Eugenio Montejo (Barcelona [etc.]: Editorial Andrés Bello, 2001), pp. 195-196, free online (first page, second page); Concierto: antología poética, 1935-2003, selección y prólogo de Nicanor Vélez; liminar del autor (Barcelona: Galaxia Gutenberg, 2004), pp. 73-74; Rojas, Esencial: 104 poemas y otros textos ([Caracas]: Editorial Equinoccio Universidad Simón Bolívar, 2005), p. 82, free online; and Antología de Ezra Pound: Homenaje desde Chile, edición ampliada y revisada a cargo de Armando Uribe Arce [y] Armando Roa Vial (Santiago de Chile: Editorial Universitaria, 2010). Free online and here and here and here and here and here and here and here and here and here and here and here. A reading by the author is included on disc 1 of two discs accompanying Rojas's Antología, selección de Gonzalo Rojas y Fabienne Bradu; presentación de Fabienne Bradu (México, D.F.: Universidad Nacional Autónoma de México, 2000; 2a ed: Madrid: Fondo de Cultura Económica, 2004), in which the poem appears on pp. 43-44. Audio. A reading by the poet. Translated into English by Ben Belitt as "Don't Copy Pound," Salmagundi 82/83 (Spring-Summer 1989): 297-298. Translated into English by Johnny Payne as "Don't You Copy Pound," The Seneca Review 19 (1989): 43-44. Translated into English by Elizabeth Macklin as "You Shouldn't Copy Pound," The Oxford Book of Latin American Poetry: A Bilingual Anthology, eds. Cecilia Vicuña and Ernesto Livon-Grosman (New York: Oxford University Press, 2009), pp. 292-293 (Spanish text following the English translation), free online and here. Translated into English by John Oliver Simon as "Don’t Plagiarize Pound" in Rojas, From the Lightning: Selected Poems (København and Los Angeles: Green Integer, 2008), pp. 86-89, free online, and in Rojas, Velocities of the Possible, selected, transl. and introd. by John Oliver Simon (Red Wing, Minnesota: Red Dragonfly Press, 2000). Translated into English by Robin Myers as "Don't Copy Pound," Interlitq 19 (2015). Free online. Translated into English as "Don't Plagiarize Pound" in The Uncommon Speech of Paradise: Poems on the Art of Poetry, eds. Robert Hedin and Jim Lenfensty (Buffalo, New York: White Pine Press, 2021). A reading by David Esquivel and here. Translated into Portuguese by Eric Nepomuceno as "Não copiem Pound" in Antologia poética de Gonzalo Rojas, tradução de Eric Nepomuceno (Brasília: Editora Universidade de Brasília, 2018), pp. 164-167 (Spanish and Portuguese on facing pages). Free online.

Gonzalo Rojas, "Oriana." Qué se ama cuando se ama?, [fotografías, Mariana Matthews y Claudio Bertoni] (Chile: Dirección de Bibliotecas, Archivos y Museos, Departamento de Extensión Cultural, 2000), pp. 20ff. Rpt. in Rojas, Diálogo con Ovidio (México: Editorial Aldus: Eldorado, 2000), pp. 10-19; Rojas, Metamorfosis de lo mismo (Madrid: Visor, 2000), pp. 319-324; Rojas, Poesía esencial, selección y nota de Pedro Lastra; prólogo de Eugenio Montejo (Barcelona [etc.]: Editorial Andrés Bello, 2001), pp. 96-100, free online (first two pages, next two pages, last page); Autana 1.5 (noviembre 2001-febrero 2002): 18-22; and Rojas, Esencial: 104 poemas y otros textos (Valle de Sartenejas [Venezuela]: Bid & Co.editor: Universidad Simón Bolivar, Editorial Equinoccio, 2005), pp. 24-27. Free online and here and here and here and here and here and here and here. A reading by the poet and here. Also published as Sections I-III of "La desabrida," Concierto: antología poética (1935-2003), selección y prólogo de Nicanor Vélez; liminar del autor (Barcelona: Galaxia Gutenberg, 2004), pp. 288-297, rpt. in Rojas, Antología poética (Madrid: Fondo de Cultura Económica de España, S. L, 2004), pp. 119-129; Rojas, La reniñez: juego diálogo Rojas-Matta: Matta-Rojas, dibujos de Roberto Matta (Madrid: Tabla Rasa Libros y Ediciones, 2004), pp. 65-77; El Cultural (Madrid) (22-28 abril 2004): 6-8; and Poesía hispánica contemporánea: ensayos y poemas, Andrés Sánchez Robayna, Jordi Doce (eds.) (Barcelona: Galaxia Gutenberg, 2005), pp. 53ff. Free online and here and here.

Gonzalo Rojas, "Pétalos para Pound." 26 -VIII-2005. Esencial: 104 poemas y otros textos ([Caracas]: Editorial Equinoccio Universidad Simón Bolívar, 2005), pp. 118-119.

Gonzalo Rojas, "Poeta estrictamente cesante." Del relámpago (México: Fondo de Cultura Económica, 2a ed., 1984), pp. 267-268. Rpt. in Geografía poética de Chile: Santiago ([Santiago]: Dirección de Bibliotecas, Archivos y Museos, 1997), p. 107, free online. Rpt. in Rojas, Metamorfosis de lo mismo (Madrid: Visor, 2000), pp. 497-498, and Rojas, Poesía esencial, selección y nota de Pedro Lastra; prólogo de Eugenio Montejo (Barcelona [etc.]: Editorial Andrés Bello, 2001), p. 290, free online. Free online and here and here and here.

Alane Rollings, "Where the Powers Fought It Out." Kansas Quarterly 24.4/25.1 (1994): 72-73. Rpt. in Rollings, The Struggle to Adore (Brownsville, OR: Story Line Press, 1994), pp. 15-17. Free online (first page, last two pages).

Cecilia Romana, "Transcribió un verso de Pound." Fórnix: Revista de creación y crítica (Lima, Perú) 5-6 (Abril de 2007): 326. Free online. Rpt. in Romana, Los que fueron (Buenos Aires: Editorial Cabiria, 2012). Free online and here and here and here.

Armando Romero, "Meeting at Night." Versi liberi per Venezia/Versos libres por Venecia, a cura di Alessandro Mistrorigo; con una conversazione tra l'autore, l'editore e il traduttore (Venezia: Sinopia, 2010) (text in Italian and Spanish). Rpt. in Romero, Amanece aquella oscuridad (Sevilla: Sibila Editores, 2012), pp. 88ff., and Unión libre 189 (6 de abril de 2014), free online. Free online and here and here. Translated into English by Marielle Nicole Wakim in "For a Better World" 2010: Poems and Drawings on Peace and Justice by Greater Cincinnati Artists, ed. Saad Ghosn ([Cincinnati, Ohio]: Ghosn Publishing, 2010), pp. 123-125 (English and Spanish in parallel columns). Free online. A reading by the poet and here.

William Pitt Root, "Laureate Proclamation." Strange Angels: New Poems (San Antonio, Tex.: Wings Press, 2013), pp. 46-49. Free online (first two pages, last two pages).

Raymond Roseliep, "De profundis (to Ezra Pound)." Poetry Now 1.2 ([March 1974]): 12. A typed manuscript is in the E.V. Griffith Papers, circa 1945-1999, M1136, Department of Special Collections and University Archives, Green Library, Stanford University, Stanford, CA. Finding aid.

Raymond Roseliep, "Elegy for Ezra." Arts in Society (Madison, WI) 11.2 (Summer-Autumn 1974): 338.

Raymond Roseliep, "Ezra, Leaving." Counter Measures 3 (1974): 75.

Raymond Roseliep, "A Washington Tea, at 5:00." Poetry Northwest 6.1 (Spring 1965): 14-16. Free online. Rpt. in Roseliep, Love Makes the Air Light (New York: W. W. Norton & Company, 1965), pp. 79-81, free online, and The Space Between: Poets from Notre Dame, 1950-1990, ed. James Walton (Notre Dame: University of Notre Dame Press, 1991), pp. 51-53.

Alan Ross, "Cricket at Oxford." To Whom it May Concern: Poems, 1952-57 (London: Hamish Hamilton, 1958), p. 57. Rpt. in The Cricketer's Companion, ed. Alan Ross (London: Eyre & Spottiswoode, 1960), pp. 531-532, free online, and Ross, Poems, selected and with an introd. by David Hughes (London: Harvill Press, 2005), p. 74.

Stuart Ross, "And Oscar Williams Walks in." A Sparrow Came Down Resplendent: Poems (Hamilton, Ontario: Buckrider Books, 2016). Free online.

J. Allyn Rosser, "A Dream of Ezra Pound." New England Review 13.2 (Dec. 1990): 130-131. Free online and here and here and here.

Paul Rossiter, "E. P. Young and Old"; "Taking the Day Off to Visit the Pound Exhibition," Sheffield, 12 May 1976. Seeing Sights 1968-1978 (Tokyo: Isobar Press, 2016), pp. 30, 56-58 (free online).

Paul Rossiter, [poem that mentions the late Cantos of Ezra Pound]. The Pleasures of Peace (Tokyo: Isobar Press, 2021).

Norman Rosten, "Ezra Pound in Spoleto." New York Quarterly 8 (Autumn 1971): 26.

Norman Rosten, "Garland for Mr. Pound." Seven Poets in Search of an Answer, ed. Thomas Yoseloff (New York: Bernard Ackerman, 1944), pp. 94-95. Rpt. in Rosten, The Fourth Decade, and Other Poems (New York: Farrar & Rinehart, 1945), pp. 84-85.

Samuel Roth, ["epitaph" for Pound's tombstone]. Quoted from a letter from Roth to Pound, ca. March 20, 1926, in Robert Spoo, Without Copyrights: Piracy, Publishing, and the Public Domain (Oxford and New York: Oxford University Press, 2013), p. 195. Free online. Published, as revised, as S[amuel]. R[oth]., "Proposed Inscription to be Placed on the Tombstone of E.P.," Two Worlds 2 (Dec. 1926): 143. Free online. Rpt. in Paul K. Saint-Amour, "Soliloquy of Samuel Roth: A Paranormal Defense," James Joyce Quarterly 37.3-4 (Spring-Summer 2000): 459-477 (at 467). Free online.

Michael Rothenberg, "Interview with Entertainment Industry Vampire after the Fall of America." Light & Dust Anthology of Poetry, 1998. Free online.

Alexander Roussel, "Like Ezra Pound." I Obviously Wasn't Dead Yet When I Wrote This! (2008). Rpt. in Roussel, NINE: Selected Poems, 2006-2015 (Lulu.com, 2015), p. 77.

Boris Rozas, "(Llámame Gulaan…) [III]." Idaho y el jardín de Ezra Pound (León]: Eolas Ediciones, [2019]). Free online.

Tadeusz Różewicz, "Jeden z Ojców kościoła poezji." Twórczość: miesięcznik literacko-krytyczny 61.8 (2005): 3-7. Translated into English as "One of the Church Fathers of poetry" in Różewicz, Sobbing Superpower: Selected Poems of Tadeusz Różewicz, translated from the Polish by Joanna Trzeciak; foreword by Edward Hirsch (New York: W.W. Norton & Co., 2011), pp. 290-294. Free online.

Tadeusz Różewicz, "Jestem nikt." Na powierzchni poematu i w środku: nowy wybór wierszy (Warszawa: Czytelnik, 1983; 2nd ed., 1989, pp. 147-151). Rpt. in Różewicz, Zawsze fragment; Recycling (Wrocław: Wydawn. Dolnośląskie, 1998), pp. 33-37, and Twórczosc 61.8 (2005): 14-16. Translated into Croatian by Pero Mioč as "Nitko sam," Književna republika, časopis za književnos, Zagreb, 3.5-6 (May-June 2005): 225-228, free online, rpt. in Zadarska smotra: časopis za kulturu, znanost i umjetnost 70.4 (2021): 216-220, free online. Translated into English as "I am Noman" in Różewicz, Sobbing Superpower: Selected Poems of Tadeusz Różewicz, translated from the Polish by Joanna Trzeciak; foreword by Edward Hirsch (New York: W.W. Norton & Co., 2011), pp. 145-149. Translated into Italian by Paolo Statuti as "Sono nessuno" here and here and here.

Tadeusz Różewicz, "Równina [part VII]." Twórczość 10.5 (1954): 3-11. Rpt. in Różewicz, Równina (Krakow: Wydawnictwo Literackie, 1954); Różewicz, Niepokój: wybór wierszy: 1945-1961 (Warszawa: Państwowy instytut wydawniczy, 1963), pp. 70-81; Różewicz, Poezja, dramat, proza (Wrocław: Zakład Narodowy imienia Ossolińskich, 1973), pp. 35-46 [VII, pp. 45-46]; Różewicz, Poezje zebrane (Wrocław [etc.]: Zakład Narodowy imienia Ossolińskich, 1976), pp. 233-242 [VII, pp. 241-242]; Różewicz, Niepokój (Wrocław: Zaklad Narodowy imienia Ossolinskich, 1980), pp. 168-179 [VII, pp. 177-179]; Różewicz, Poezja. 1 (Kraków: Wydaw. Literackie, 1988), pp. 282-293 [VII, pp. 292-293]; Różewicz, Poezja. 1 (Wrocław: Wydawnictwo Dolnośląskie, 2005) (Utwory zebrane, 7); Twórczosc 61.8 (2005): 10-14 [VII, 13-14]; and Różewicz, Wiersze i poematy z "Twórczości" (1946-2005), zebrał, wstępem i notą opatrzył oraz bibliografie opracował Janusz Drzewucki (Wrocław: Wrocławskie Wydawnictwo Warstwy, 2017). Free online. Translated into English as "The Plain" in Modern Polish Literature: An Anthology of Fiction and Poetry, eds. Adam Gillon and Ludwik Krzyzanowski (New York: Twayne Publishers, 1964).

Tadeusz Różewicz, "Szkoda." Odra (Wrocław) 42.3 (2002): 3-4. Rpt. in Różewicz, Szara strefa (Wrocław: Wydawn. Dolnośląskie, 2002), pp. 50-51. Free online and here. An English translation was published as "Too Bad" in Różewicz, New Poems, translated from the Polish by Bill Johnston (New York: Archipelago Books, 2007), pp. 88-89. Free online. Also translated as "Too Bad" in Różewicz, Sobbing Superpower: Selected Poems of Tadeusz Różewicz, translated from the Polish by Joanna Trzeciak; foreword by Edward Hirsch (New York: W.W. Norton & Co., 2011), pp. 257-258.

Gibbons Ruark, "Robert Frost to Ezra Pound's Daughter from His Deathbed." Hampden-Sydney Poetry Review (1978). Rpt. in The Hampden-Sydney Poetry Review Anthology 1975-1990, ed. Tom O'Grady (Hampden-Sydney, VA: Hampden-Sydney Poetry Review, 1990), p. 184; Ruark, Passing Through Customs: New and Selected Poems (Baton Rouge, La.: Louisiana State University Press, 1999), p. 42, free online; and Visiting Frost: Poems Inspired by the Life and Work of Robert Frost, eds. Sheila Coghill and Thom Tammaro; foreword by Jay Parini (Iowa City: University of Iowa Press, 2005), p. 97, free online. Free online.

Ryan Ruby, "Context Collapse 5." Stat®rec, Feb. 2 and 15, 2020. Free online (first part; second part).

Mark Rudman, "The 'Real' Revolt." The Alembic (Providence College) (Spring 1998): 36-47. Free online. Rpt. as "The 'Real' Revolt" in Rudman, Provoked in Venice (Hanover and London: Wesleyan University Press, 1999), pp. 22-34.

Anthony Rudolf, "Unter Den Linden." Eddie's Own Aquarius, compiled and ed. by Constance Short and Tony Carroll (Cahermee Publications, 2005), p. 100. Free online. Rpt. in Rudolf, European Hours: Collected Poems (Manchester: Carcanet, 2017), p. 104.

Marcus Lloyd Rummell, "One or Two Questions." In "Red Light Laughter" (Honors Scholar Thesis, University of Connecticut, 2010), p. 27. Free online.

Arthur Russell, "Arghh Poetica." The Bridge, June 14, 2021. Free online.

Peter Russell, "Ezra Pound aetat 80." Venice, 29th October 1965. The Literary Review 11.3 (Spring 1968): 354. Free online. Rpt. as Russell, "For Ezra Pound's Eightieth Birthday," All for the Wolves: Selected Poems 1947-1975, ed. Peter Jay (London: Anvil Press Poetry, 1984; Redding Ridge: Black Swan Books, 1984), p. 70; Temenos 6 (1985): 271; Russell, The Pound Connection: in Some Poems, Mainly Uncollected or Unpublished (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1992), p. 48; Russell, Poetic Asides II (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1993), p. 101; J. J. Wilhelm, Ezra Pound: The Tragic Years, 1925-1972 (University Park: The Pennsylvania State University Press, 1994), p. 337, free online; Russell, Venice Poems 1965 (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1995), p. 253; Eclectic Literary Forum 5.4 (Winter 1995): 20; and The Road to Parnassus: Homage to Peter Russell on His Seventy-fifth Birthday, ed. James Hogg (Salzburg: Universität Salzburg, 1996), p. 228. Typescript drafts are preserved in the William Jay Smith Papers, 1924-2008, MS-MS-ms104, Department of Special Collections, Olin Library, Washington University in St. Louis. Finding aid and here.

Peter Russell, "Ezra Pound aetat 86." Venice, Christmas 1971. Epigrammata: Malice Aforethought, Or, The Tumour in the Brain (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1981), p. 68. Rpt. in Russell, The Pound Connection: in Some Poems, Mainly Uncollected or Unpublished (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1992), p. 64, and James Hogg, The Angry Elder: The Epigrams of Peter Russell (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1993), p. 31.

Peter Russell, "Nominalist-Realist. A Christmas Message for Ezra." Venice, 24th December 1970. Epigrammata: Malice Aforethought, Or, The Tumour in the Brain (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1981), p. 61. Rpt. in Russell, The Pound Connection: in Some Poems, Mainly Uncollected or Unpublished (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1992), pp. 61-62, and James Hogg, The Angry Elder: The Epigrams of Peter Russell (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1993), pp. 30-31.

Peter Russell, "A Solemnity (Requiem Mass for Ezra Pound in S. Giorgio Maggiore, Venice, November 1972)." Bellowing Ark 11.4 (July-August 1995): 16. Rpt. in Agenda 35.1 (Spring 1997): 49 and in Russell, Poetic Asides II (Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1993), p. 101. The production files of Agenda Magazine for 1969-2000 are housed in the Agenda Records, 1914-2001 (bulk 1969-2001), GEN MSS 87, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT. Finding aid.

Joal Ryan, "Ezra Pound." Joal Ryan (Inverted Pyramid Records, 2004). Recording.