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Pentti Saarikoski, [Runo XI]. Tanssiinkutsu (Helsinki: Otava, 1980), p. 16. Rpt. in Janna Kantola, Tanssi yöhön, pimeään: gnostilaiset teemat Pentti Saarikosken Tiarnia-sarjassa (Helsinki: Suomalaisen Kirjallisuuden Seura, 1998), p. 150, and Vesa Haapala, Kuvien kehässä: tutkielmia kirjallisuudesta, poetiikasta ja retoriikasta (Helsinki: Suomalaisen Kirjallisuuden Seura, 2003), p. 156. Translated into English by Anselm Hollo in Dimension: Contemporary German Arts and Letters 20 (1994): 317 (with the Finnish text on p. 316) and, as revised, in Saarikoski, Trilogy, trans. Anselm Hollo (Albuquerque, New Mexico: La Alameda Press, 2004), p. 100. Free online.

Benjamin Alire Sáenz, "At the Grave of the Twentieth Century." Elegies in Blue: Poems (El Paso, Tex.: Cinco Puntos Press, 2002), pp. 82-85.

Benjamin Alire Sáenz, "Meditation: Winter." Dark and Perfect Angels (El Paso, Tex.: Cinco Puntos Press, 1995), pp. 22-36.

Walter William Safar, "Your Voice." Occupy Wall Street Poetry Anthology, compiled by Stephen Boyer, Filip Marinovich and the Poets of OWS (2011). Free online and here and here.

Natasha Saje, "Goodbye to Robert Graves (1895-1985)." The American Voice 11 (Summer 1988): 23. Rpt. in The American Voice Anthology of Poetry, ed. Frederick Smock (Lexington, Kentucky: The University Press of Kentucky, 1998), p. 94. Free online and here and here.

Tomaž Šalamun, "Astrofizika in mi." Sodobnost 22.8-10 (1974): 720. Translated into English by Michael Biggins as "Astrophysics and Us" in Šalamun, The Four Questions of Melancholy: New and Selected Poems, ed. Christopher Merrill (Fredonia, New York: White Pine Press, 1997), p. 124. Free online. Translated into Polish by Katarina Šalamun-Biedrzycka as "Astrofizyka i my," Arkadia 11/12 (2002): 160.

Robert Salasin, "The Fascist Heresy #117. A Poem for Ezra Pound." Chicago Review 26.2 (1974): 165-166. Free online. Rpt. in Salasin, The Fascist Heresy: A Collection of Poems (San Francisco: East-West Resources Center, 1975).

Joseph S. Salemi, "Olivia and Dorothy Shakespear: A Dialogue of Mother and Daughter." Society of Classical Poets, June 15, 2018. Free online.

Mary Jo Salter, "T.S. Lightweight and Ezra Profound: A Meditation upon 'The Waste Land.'" Nothing by Design: Poems (New York: Alfred A. Knopf, 2013), p. 57. Free online and here and here and here and here and here.

Hannah Baker Saltmarsh, "Pebbles and Bones from Natural Places." Qualm (April 2009). Free online. Rpt., as revised, in Saltmarsh, Hysterical Water: Poems (Athens, Georgia: University of Georgia Press, 2021), p. 65. Free online.

Michele Salvail, "Formal Hand Gesture." Exquisite Corpse, 2012? Free online. A reading of the poem by Jonathan Stuppin.

Mauro Sambi, "L'alloro di Pound." L'alloro di Pound: Poesie 1994-2009, Prefazione Gabriella Musetti (Fiume, Croazia: EDIT [EDizioni ITaliane], 2009). Free online. Rpt. in gli asini 9.58-59 (dic.-gen. 2018-2019): 81-83, free online, and Sambi, Quel tanto nella voce: poesie 1994-2020 ([Dueville]: Ronzani editore, 2021), pp. 144-147.

John Samples, "Ezra Pound was a Lion." Aurora (Eastern Kentucky University, English Department) (1977): 33. Free online.

Epifanio San Juan, "A Medallion for Ezra Pound: After Me, the Deluge?" The Exorcism and Other Poems (Manila: Panitikan Publications, 1967), p. 30. Rpt. in A Native Clearing: Filipino Poetry and Verse from English Since the '50s to the Present: from Edith L. Tiempo to Cirilo F. Bautista, ed. Gémino H. Abad (Diliman, Quezon City: University of the Philippines Press, 1993), p. 357.

Fernando Sánchez Mayáns, "Homenaje a Ezra Pound." Poesía: 1951-1981 (Esplugues de Llobregat, Barcelona: Plaza & Janés, 1985), p. 144. Rpt. in Sánchez Mayáns, La palabra callada: poesía 1951-1988 (México, D.F.: Plaza y Valdés, 1988) and Sánchez Mayáns, Obras completas. Tomo I, Poesías, presentación, René Avilés Fábila (México, D.F.: M.Á. Porrúa, 2009).

Rolando Sánchez Mejías, "Pound." Free online and here. Rpt. in Parva Forma III (2021): 43-45, free online. Translated into Russian by Vladimir Aristov with the assistance of Ekaterina Zadirko as "Паунд" in поэзия латинской америки сегодня. Составители Наталия Азарова, Светлана Бочавер, Кирилл Корчагин, Дмитрий Кузьмин (Москва: Культурная революция, 2019), pp. 56-61 (Spanish and Russian on facing pages).

Juan Sánchez Peláez, "Aire sobre el aire." Aire sobre el aire ([Caracas, Venezuela]: Tierra de Gracia Editores, [1989]), pp. 9-33 [VI, p. 19]. Rpt. in Sánchez Peláez, Poesía (Caracas, Venezuela: Monte Ávila Editores Latinoamericana, 1992), pp. 215-230, and Sánchez Peláez, Antología poética, prólogo Alberto Márquez; cronología Enrique Hernández-D'Jesús (Caracas, Venezuela: Monte Ávila Editores Latinoamericana, 2004), pp. 102-119 [VI, p. 107], free online. Free online and here and here. Section VI was rpt. in Sánchez Peláez, Juan Sánchez Peláez, selección y nota introductoria de Julio Ortega (México: Dirección de Literatura, Coordinación de Difusión Cultural, Universidad Nacional Autónoma de México, 1995), p. 34, free online and here. Section VI is also online here and here and here. Sections I-VI (of XIII) were translated into English by Guillermo Parra as "Air Over Air" here.

Patricio Sánchez Rojas, "Mediterráneo." Free online and here and here and here and here.

Carl Sandburg, "EZRA (Pound)." Billy Sunday and Other Poems, ed. with an introd. by George Hendrick and Willene Hendrick (New York: Harcourt Brace, 1993), p. 100. Free online. A setting for mezzo-soprano and wind ensemble by Lewis J. Buckley was published as one section of Buckley, Sandburg Reflections (Van Nuys, CA: Alfred Publishing Co., 2004) and recorded on The United States Coast Guard Band: The Fifty-sixth Annual Midwest Clinic, 2002 (Clarence, N.Y.: Mark Custom Recording Service, 2003); Reflections: Live Performances of the Metropolitan Wind Symphony ([Jamaica Plain, MA]: Metropolitan Wind Symphony, 2004); and UMass Percussion Ensemble, Symphony Band: Fine Arts Center Concert Hall, April 28, 2015 (Westfield, MA: Bill Sitler Recording Service, 2015). Free online and with a reading.

Carl Sandburg, [Henry James]. Poems for the People, ed. with an introd. by George and Willene Hendrick (Chicago: I.R. Dee, 1999), pp. 131-134. Free online (first page, next two pages, last page).

Edward Sanders, America: A History in Verse. Volume 2 1940-1961 (Santa Rosa: Black Sparrow Press, 2000) [1941 January 21, p. 30, free online; 1942 Pound Bonks Onward, May, p. 60, free online; 1943 Pound Indicted, July 26, p. 84, free online; 1945 May 3, p. 127, free online; 1948 Novum 1948, pp. 195-196, free online (first page, second page); 1949 February 19, p. 199, free online; 1950 Novum for '50, p. 226, free online; 1956 Howl, pp. 327-328, free online (first page, second page); 1958 April 18, p. 353, free online]. A file on America: A History in Verse, Vol. 2 is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. A manuscript of America: A History in Verse, Vol. II is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

Ed Sanders, "Excerpts from 1945." from America, A History in Verse, Vol. II, 1940-1961. Exquisite Corpse [68] - CyberCorpse 7 (Winter 2000/2001) [1945 May 3]. Free online and here and here.

Edward Sanders, "The Finality of Ezra Pound." July 2020. Section 9 of "The Life of Pound." Blazing Stadium 2 (2020). Free online.

Edward Sanders, The Poetry and Life of Allen Ginsberg (Woodstock, N.Y.: Overlook Press, 2000; New York: Scribner, 2002; Woodstock, NY: Edward Sanders, 2014). March 1997-December 1999. Free online.

Víctor M. Sandoval, Poema del veterano de guerra (México: Ecuador 0º 0' 0'', Revista de Poesía Universal, 1965). Free online and here and here and here. Translated into French by Emile and Nicole Martel as "Poème du vétéran de guerre" in Sandoval, Un air exalté = Aire enardecido, [choix et prologue de Vicente Quirarte; traduction, Emile et Nicole Martel] (Trois-Rivières, Québec: Ecrits des forges; México, D.F.: Universidad Nacional Autónoma de México: Editorial Aldus, 2000), pp. 38-51 (Spanish and French on facing pages). A reading by the poet.

Edoardo Sanguineti, "Omaggio a Catullo" [per E. P. neglected by the young]. Galleria. Ezra Pound a cura di Mary de Rachewiltz - Maria Luisa Ardizzone. Anno XXXV, N.3-5, Maggio-Dicembre 1986: 277-280.

Peter Sansom, "D.H. Lawrence." Lanyard (Manchester: Carcanet Press, 2022). Free online.

Roger Santiváñez, "Eucaristía [7]." Dolores Morales de Santiváñez (selección de poesía, 1975-2005) (La Victoria, Lima, Perú: Hipocampo Editores: Asaltoalcielo Editores, 2006), pp. 157-169 [7, p. 163]. Free online and here.

Roger Santiváñez, "Loca montis." Labranda (Lima: Asaltoalcielo & Hipocampo editores, 2008). Rpt. in Santiváñez, Sagrado: poesía reunida, 2014-2016 (Lima: Peisa, 2016). Free online. Recording by the author.

Roger Santiváñez, "Marigold." Círculo de Poesía, 18 April 2016. Free online and here.

Roger Santiváñez, [poem in homage to Pound]. Homenaje para iniciados ([Lima?]: Reyes en el Caos, 1984), p. 21. Rpt. in Santiváñez, Dolores Morales de Santiváñez (selección de poesía, 1975-2005) (La Victoria, Lima, Perú: Hipocampo Editores: Asaltoalcielo Editores, 2006), pp. 37ff., and Santiváñez, Santificado sea tu nombre: Poesía reunida 1977-2017, edición y prólogo de Alex Lima (El Ángel Editor, 2020).

Roger Santiváñez, [poem in homage to Pound from Homenaje para iniciados]; "Eucaristía [7]"; "Pound/Frazer + Piura (Get Back)" (1986). Dolores Morales de Santiváñez: (selección de poesía 1975-2005) (La Victoria, Lima, Perú: Hipocampo Editores: Asaltoalcielo Editores, 2006), pp. 37ff., 157-169 [7, p. 163], 206-207.

Roger Santiváñez, "Poluphboisbos." Hispamérica 43.129 (Diciembre 2014): 63-65. Rpt. in Santiváñez, Balara Asgard & otros poemas (Naucalpan de Juárez, Estado de México: Dharma Books + Publishing, 2017). Free online.

Greg Santos, Rabbit Punch! (Montreal, Quebec: DC Books, 2014).

Eduardo Saravia, "Coordenadas para trazar un mapa (Fragmentos)" [51°31'13.03"N, 0° 7'28.17"W]. Círculo de Poesía, 26 March 2017. Free online.

Eduardo Saravia, "Imperio del autor o relectura de Mallarmé." Ovidio lee a Ezra Pound mientras navega hacia el exilio (Guanajuato, Gto.: Instituto Estatal de la Cultura de Guanajuato / Ediciones La Rana, 2013). Free online.

Robert Sargent, "Ezra's Pact." The Mickle Street Review: An Electronic Journal of Walt Whitman and American Studies 3 (1981): 46. Free online.

Gerard Sarnat, "Mss. Shylocks' House (Under New Management)." The Deronda Review: a journal of poetry and thought, 2012. Free online.

Aram Saroyan, "My Father's Flight." August 31, 1975. Day & Night: Bolinas Poems (Santa Rosa, CA: Black Sparrow Press, 1998), pp. 133-135. Free online (first page, last two pages). A file on Day and Night is held in the Black Sparrow Press records, 1927-2002 (bulk 1970-2002), BANC MSS 97/40 c, The Bancroft Library, University of California, Berkeley, Berkeley, CA. Finding aid. A manuscript of Day and Night is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid.

May Sarton, "Afternoon on Washington Street." Inner Landscape: Poems (Boston: Houghton Mifflin Company, 1939), p. 53. Free online. Rpt. in Sarton, Collected Poems, 1930-1973 (New York: W. W. Norton & Co., Inc., 1974), p. 40, free online and here, and Sarton, Collected Poems, 1930-1993 (New York and London: W. W. Norton & Company, 1993), p. 46, free online and here.

Hannah Sassaman, "Small Talk With Tony Lopez." The Poetry Super Highway, November 16-22, 1998. Free online and here.

Siegfried Sassoon, [a two-stanza, eight-line parody of Edith Sitwell ("Miss Sitwell's like Boosoni...")]. Dated 10 January 1937. Excerpt and here.

Jaruk Sastri, "End of an Epoch." This Tense Time: An Anthology of Modern Telugu Poetry, 1915-1980, editor, V. Mohan Prasad (Vijayawada: New Directions, 1981), pp. 45ff.

Rogelio Saunders, "Vater Pound (Ode in cold metro)." Mapa imaginario: dossier, 26 nuevos poetas cubanos. Rolando Sánchez Mejías [compilador] ([Havana]: Embajada de Francia en Cuba: Instituto Cubano del Libro, 1995). Rpt. in Polyhimnia (La Habana: Casa Editora Abril, 1996); Diario de Poesía 44 (Summer 1997-98): 19, free online; Aérea: revista hispanoamericana de poesía 1.1 (octubre 1997): 207-211; and Dado Roto 1 (enero-abril de 2008): 5-9, free online. Free online and here. Translated into English as "Vater Pound" by Harry Polkinhorn in The Whole Island: Six Decades of Cuban Poetry, ed. Mark Weiss (Berkeley: University of California Press, 2009), pp. 462-469 (Spanish and English on facing pages). Second page. In an email to the translator, the poet wrote: Aside from the fact that it's at least sixteen years since I wrote "Vater Pound" and that I tend to forget very quickly the source of everything in a poem (when I'm writing it I know everything; when I'm finished, nothing), it's perhaps best if I tell you a couple of things about how I write. The objects in a poem are something like objects in a dream: they have no previous or subsequent existence. Which is to say that a poem is a world (or a slice of a world) in itself that retains only a distant resemblance to "reality" (or that order of things we call reality). Perhaps, for example, there is no painting by Rogier van der Weyden to which this line refers. And perhaps Gustav Holst's suite The Planets doesn't (or may not) end, as in the poem, with the pealing of bells. When I begin to write I have no idea how the poem is going to continue, and the confused and mistaken offer me a second chance. Only occasionally a strange scruple forces me to rectify some too obvious incoherence. But in dreams (as in jazz) there's no way to revise. The confused acquires a form, and it's done. It's not a mistake, it's something new. As to that emblematic "Rogier van der Weyden," I think I remember an apple thief in a tree, and a hunter watching him (hence the musket), but the truth is that at this moment I have no idea if such a painting even exists, and if it does, if it's by Rogier. It could just as easily be by Hieronymus, as you have noticed. What's not in the poem (what's not on its surface) exists nowhere. They're glimpses attracted by glimpses. Words attracted by words. Better, they are instances that arrive in the place where only what I call an invisible ceremony can be performed. The lianas, Pound with a musket, the possible painting by Rogier. Robin Goodfellow who is also a robin, the woods, ancient Celtic tales, etc. etc. etc. As the poem says, "shining symbols." But we can't do anything with them. We wander in a forest of symbols and can't find the key or the path. (And Pound, the surrogate father of contemporary poetry, is also like this). Because there is no key or path. We were lost before we set out. We think we see signs, but it's our own reflection or a spot of light. Something that attracts us as Pinocchio's classmates were attracted. There's no signified, no painting of Rogier's to shelter us, there's nothing at all. That's why the poem says "we are crazy goldsmiths, obsessed by a canticle." From this distance in time, I speak as a reader, because the moment of the poem can't be reproduced. And anyone can make of it what he can. (The Whole Island, p. 587, free online).

Leslie Scalapino, "Busby Berkeley formation or follies." Temblor 8 (1988): 27-35. Rpt., as revised, in Scalapino, Crowd and Not Evening or Light: A Poem (Oakland, CA: O Books/Sun & Moon Press, 1992), pp. 23-29. Versions and drafts of Crowd and Not Evening or Light: A Poem are housed in the Leslie Scalapino Papers, 1959-2011, MSS 668, Special Collections & Archives, UC San Diego, La Jolla, CA. Finding aid.

William Scammell, "Ball Change: Antecedents and Psychodrama." The Game: Tennis Poems (Calstock, Cornwall: Peterloo Poets, 1992), pp. 11-12, free online (first page, second page).

Richard Schaaf, "Salute (Ezra Pound 1885-1972)." Arion's Dolphin 2.2 (Spring 1973): 7.

George Schaefer, "A Good Fight." ca. 1993. PostPoems, 21 March 2019. Free online.

Andrew Schelling, ["Two brilliant old cranks . . ."] (Ezra Pound and Jaime de Angulo); ["When cats appear . . ."]. From The Arapaho Songbook (Albuquerque, NM: La Alameda Press, 2011), pp. 23 (free online), 80 (free online).

James Schevill, "AND: A Funeral Hymn for Ernest Hemingway." Private Dooms and Public Destinations: Poems, 1945-1962 (Denver: Alan Swallow, 1962). Rpt. in Schevill, The American Fantasies: Collected Poems, 1945-1981 (Chicago: Swallow Press, 1983), pp. 119-120, free online (first page, second page), and Schevill, The Complete American Fantasies (Athens, Ohio: Swallow Press/Ohio University Press, 1996), pp. 169-170.

James Schevill, "Madness." The Complete American Fantasies (Athens, Ohio: Swallow Press/Ohio University Press, 1996), p. 271.

James Schevill, Pursuing Elegy: A Poem about Haiti, with drawings by Hugh Townley (Providence: Copper Beech Press, 1974).

James Schevill, "Pursuing Elegy: A Poem about Haiti"; "Madness." Ambiguous Dancers of Fame: Collected Poems, 1945-1985 (Athens, Ohio: Swallow Press/Ohio University Press, 1987), pp. 101-118 [20, pp. 116-117, free online], 232-233, free online.

Paul Schimmel, "'Art is a matter of capitals' - Ezra Pound." Landfall 212 (Spring 2006): 127.

Christopher Schmidt, "Concrete Dry." Marsh Hawk Review (Fall/Winter 2019): 33-34. Free online.

Wieland Schmied, "An Constantin Brancusi denkend." Literatur und Kritik (1979): 220. Rpt. in Sprache im technischen Zeitalter (1980): 37 and Schmied, Schach mit Marcel Duchamp und andere Gedichte für Künstler (Stuttgart: Klett-Cotta, 1980), p. 15. Translated into English by Beth Bjorklund as "Thinking of Constantin Brancusi," The Literary Review 25.2 (Winter 1982): 253, free online, rpt. in Contemporary Austrian Poetry: An Anthology, ed. and transl. by Beth Bjorklund (Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses, 1986), pp. 226-227, free online (first page, second page).

Wieland Schmied, "Ode für Ezra Pound." Landkarte des Windes: Gedichte (Salzburg: Otto Müller Verlag [1957]), pp. 89-92. English translation by Walter Baumann.

Alexander Schmitz, "Ezra 90 75"; "Pound I." Rufe: Gedichte (Hildesheim: Edition Collage, 1990), pp. 21, 47.

George Schneeman. See Ron Padgett and George Schneeman

Jen Schneider, "On Angles :: Libraries as a Form of Speech." Eunoia Review, November 7, 2022. Free online.

E.M. Schorb, "The Ideologues: Or, The Twentieth century revisited." Offcourse 81 (June 2020). Free online.

Grace Schulman, "In the Country of Urgency, There is a Language." The Nation 214.12 (March 20, 1972): 374. Rpt. in Schulman, Burn Down the Icons: Poems (Princeton, N.J.: Princeton University Press, 1976), pp. 23-24, free online (first page, second page); Schulman, Days of Wonder: New and Selected Poems (Boston and New York: Houghton Mifflin Company, 2002), pp. 20-21, free online; and Critics and Poets on Marianne Moore: "A Right Good Salvo of Barks," eds. Linda Leavell, Cristanne Miller, and Robin G. Schulze (Lewisburg: Bucknell University Press, 2005), pp. 90-91, free online and here.

Grace Schulman, "Moment in Rapallo." Literary Matters 12.2 (Winter 2020). Free online and here. Rpt. in Schulman, The Marble Bed (New York: Turtle Point Press, 2020), pp. 32-33.

Grace Schulman, "'Straight Talk, Straight As the Greek' (Ezra Pound and Hilda Doolittle, 1912)." Poetry 151.1/2 (October/November 1987): 149. Free online. Rpt. in Schulman, For that Day Only: Poems (Riverdale-on-Hudson, N.Y.: Sheep Meadow Press, 1994), p. 60.

Susan M. Schultz, "Meditation 66." Susan M. Schultz's Blog, 3 June 2020. Free online.

Delmore Schwartz, "Shenandoah Or, The Naming of the Child." The Kenyon Review 3.3 (Summer 1941): 271-292. Free online. The complete text was published as Schwartz, Shenandoah, A Verse Play (Norfolk, Conn.: New Directions, 1941); in New Directions in Prose and Poetry 32 (New York: New Directions Publishing, 1976), pp. 24-45; and in Schwartz, Shenandoah and Other Verse Plays (Brockport, N.Y.: BOA Editions, Ltd., 1992), pp. 1-32. An excerpt was translated into Spanish by José Coronel Urtecho y Ernesto Cardenal as "Consideremos dónde están los grandes hombres," Antología de la poesía norteamericana, traducción de José Coronel Urtecho y Ernesto Cardenal (Madrid: Aguilar, 1962), free online and here. The same excerpt was translated under the same title by Jaime Tello in Cien años de poesía norteamericana, Introducción, traducciones y notas de Jaime Tello. Prefacio de Hugh Fox (Caracas, Zodiaco, 1965), p. 277; by Alberto Girri here; and by Fausto Marcelo Ávila Ávila here. Drafts of Shenandoah are housed in the Delmore Schwartz Papers, 1906-1975 (bulk 1926-1966), YCAL MSS 334, Beinecke Rare Book and Manuscript Library, Yale University. Finding aid.

Lloyd Schwartz, "To My Oldest Friend, Whose Silence Is Like a Death." Poets.org, February 27, 2014. Free online and here and here and here. Rpt. in Schwartz, Little Kisses (Chicago and London: University of Chicago Press, 2017), , pp. 67-68, free online, and Schwartz, Who's on First?: New and Selected Poems (Chicago and London: University of Chicago Press, 2021), pp. 160-161. A reading by the author and here. A note by the author: "This poem was written out of great sadness, about the sudden and inexplicable loss, though not the literal death, of a friend—my oldest friend, a friend since childhood. It's a common trope to address a poem to someone we know won't read it—someone who has actually died, a former lover, even a lost object. The act of putting our losses into words and letting the world eavesdrop seems some sort of consolation, or at least an acknowledgement that we all suffer such losses. Here, the most painful element is the very mystery of this disconnection, which for me gives Pound's poignant late-in-life lament such particular resonance."

Armand Schwerner, "Two on the Tablets." Open Poetry: Four Anthologies of Expanded Poems, eds. Ronald Gross and George Quasha with Emmett Williams, John Robert Colombo, and Walter Lowenfels (New York: Simon and Schuster, 1973), pp. 189-192. Free online (first page, next two pages, last page). A copy is in the Armand Schwerner Papers, 1945-1999, MSS 0485, Mandeville Special Collections Library, UC, San Diego, La Jolla, CA. Finding aid.

Stephen Scobie, "Between the Windows of the Sea." Slowly Into Autumn (Victoria, BC: [Stephen Scobie], 1995). Rpt. in Scobie, The Spaces in Between: Selected Poems, 1965-2001 (Edmonton: NeWest Press, 2003), pp. 88-89. Free online.

Stephen Scobie, "For Ezra Pound: November 1, 1972." The Birken Tree (Edmonton, Alberta: Tree Frog, 1973), p. 34. Free online.

Stephen Scobie, "Maureen: poems for the weeks of her dying." 2001. The Spaces in Between: Selected Poems, 1965-2001 (Edmonton, Alberta: NeWest Press, 2003), pp. 148-157.

Stephen Scobie, McAlmon's Chinese Opera: Poems (Dunvegan, Ontario: Quadrant Editions, 1980), pp. 48, 74, 81.

John A. Scott, "He Mailed the Letters Himself." The Penguin Book of Modern Australian Poetry, eds. John Tranter and Philip Mead (Ringwood, Vic.: Australia: Penguin Books assisted by the Literature Board of the Australian Council, 1991), pp. 332-335, later pub. as The Bloodaxe Book of Modern Australian Poetry, eds. John Tranter and Philip Mead (Newcastle upon Tyne: Bloodaxe Books, 1994), pp. 332-335. Rpt. in Scott, Selected Poems (St Lucia, Queensland: University of Queensland Press, 1995), pp. 277ff.

Peter Dale Scott, Coming to Jakarta: A Poem about Terror (New York: New Directions Publishing, 1989).

Peter Dale Scott, "Letter to Paul Alpers." December 1985. Harvard Review 4 (Spring 1993): 6-12. First page. Rpt. in Scott, Crossing Borders: Selected Shorter Poems (New York: New Directions Publishing, 1994), pp. 39-46. Crossing Borders was also published as Murmur of the Stars: Selected Shorter Poems (Montreal: Signal Editions, 1994).

Peter Dale Scott, Listening to the Candle: A Poem on Impulse (New York: New Directions Publishing, 1992) [III.xii, pp. 101-104; IV.i, pp. 111-116: IV.ii, pp. 116-121: IV.vii, pp. 137-141; IV.xiv, pp. 160-164; IV.xviii, pp. 176-179].

Peter Dale Scott, Minding the Darkness: A Poem for the Year 2000 (New York: New Directions Publishing, 2000).

Peter Dale Scott, "Tavern Underworld." FlashPøint Web Issue 18 (Summer 2016). Free online. Rpt. in Scott, Walking on Darkness (Rhinebeck, NY: Sheep Meadow Press, 2016).

Ricci Moon ScottBCM, "Never was a Walt Whitman, sorta Kat, But Ezra,". Hello Poetry, July 2015. Free online and here.

J. D. Scrimgeour, "March 19." from Mandarin Pandemic Diary. On the Seawall, November 16, 2021. Free online (English and Chinese).

Maurice Scully, "Bachelor's Walk." Love Poems and Others (Dublin: Raven Arts Press, 1981).

Glenn Edwards Seaman, "Poets Can Get Away With Anything Except Death." Nexus (Wright State University) 32 (Spring 1997): 26-34. Free online.

W. G. Sebald, "Erinnertes Triptychon einer Reise aus Brüssel." Freiburger Studenten-Zeitung 15.5 (July 1965): 26. Rpt. in Sebald, Über das Land und das Wasser: ausgewählte Gedichte 1964-2001, hrsg. von Sven Meyer (München: Carl Hanser Verlag, 2008), pp. 14-18. Translated into English by Iain Galbraith as "Remembered Triptych of a Journey from Brussels," Across the Land and the Water: Selected Poems, 1964-2001, trans. from the German by Iain Galbraith (London: Hamish Hamilton, 2011). Free online and here and here.

Roger Sedarat, "Bashō and Hafez: Japanese-Persian Fusion." Ghazal Games: Poems (Athens, Ohio: Ohio University Press, 2011), p. 23. Free online.

Roger Sedarat, "Haji's Blue Guitar." Haji As Puppet: An Orientalist Burlesque (Washington, D.C.: The Word Works, 2017). Free online.

Else Lübcke Seel, "An E.P." 14 Nov. 1950. A copy is in a notebook in the Else Lübcke Seel fonds, 1839-1973, SC111, Special Collections and University Archives, University of Victoria, Victoria, BC, Canada. Finding aid.

Else Seel, "Fünf Jahre." Ausgewählte Werke, Lyrik und Prosa, ed. Rodney Symington (Toronto: German-Canadian Historical Association, 1979), p. 36. Rpt. with an English translation by Rodney Symington in Symington, "'Five Years I Wrote to You …': An Unknown Correspondent of Ezra Pound," Paideuma 18.1-2 (Spring-Fall 1989): 161-183 (at 181-182).

Frederick Seidel, "Aeneidos Liber Quartus." Widening Income Inequality: Poems (New York: Farrar, Straus and Giroux, 2016), pp. 22-23. Free online and here.

Frederick Seidel, "America." London Review of Books 38.3 (4 February 2016): 6. Free online. Rpt. in Seidel, Widening Income Inequality: Poems (New York: Farrar, Straus and Giroux, 2016), pp. 25-28, free online (first page, next two pages, last page).

Frederick Seidel, "Arnaut Daniel." Nice Weather: Poems (New York: Farrar, Straus and Giroux, 2012), pp. 54-55. Free online.

Frederick Seidel, "The Ezra Pound Look-Alike." Raritan: A Quarterly Review 38.2 (Fall 2018): 70-71. Free online. Rpt. in Seidel, Peaches Goes it Alone: Poems (New York: Farrar, Straus and Giroux, 2018), pp. 10-12, free online, and Seidel, Selected Poems (New York: Farrar, Straus and Giroux, 2020), pp. 204-205.

Frederick Seidel, "Glory." The American Poetry Review 22.1 (Jan. 1993): 68. Free online. Rpt. in Seidel, My Tokyo: Poems (New York: Farrar, Straus and Giroux, 1993); Poems 1959-2009 (New York: Farrar, Straus and Giroux, 2009), p. 329, free online; and Seidel, Frederick Seidel Selected Poems (New York: Farrar, Straus and Giroux, 2020), p. 49, free online.

Frederick Seidel, "Hall of Famer." Peaches Goes it Alone: Poems (New York: Farrar, Straus and Giroux, 2018), pp. 63-64. Free online.

Frederick Seidel, "On Wings of Song." London Review of Books 8.8 (8 May 1986). Free online. Rpt. in Seidel, These Days (New York: Alfred A. Knopf, 1989), pp. 23-26, and Seidel, Poems 1959-2009 (New York: Farrar, Straus and Giroux, 2013), pp. 371-373.

Frederick Seidel, "Poem by the Bridge at Ten-Shin." The New Yorker 84.33 (October 20, 2008): 58-59. Free online and here and here and here. Rpt. in Seidel, Poems 1959-2009 (New York: Farrar, Straus and Giroux, 2009).

Frederick Seidel, "Pussy Days." Widening Income Inequality: Poems (New York: Farrar, Straus and Giroux, 2016), pp. 17-20. Free online and here (first page, next two pages, last page).

Frederick Seidel, "School Days." Nice Weather: Poems (New York: Farrar, Straus and Giroux, 2012), pp. 37-45 [I. John Updike, 37-38].

Frederick Seidel, "The Sickness." The Hudson Review 15.1 (Spring 1962): 38-42. Free online. Rpt. in Seidel, Final Solutions: Poems (New York: Random House, 1963), pp. 44-50; A Controversy of Poets: An Anthology of Contemporary American Poetry, eds. Paris Leary and Robert Kelly (Garden City, New York: Anchor Books, 1965), pp. 395-399; and Seidel, Poems 1959-2009 (New York: Farrar, Straus and Giroux, 2009).

Anthony Seidman, "Still Life." Borderlands 25 (Fall/Winter 2005): 84-86. Rpt., as revised, in Seidman, Where Thirsts Intersect, introd. by George Kalamaras (Fayetteville, N.Y.: The Bitter Oleander Press, 2006), pp. 41-43.

Hugh Seidman, "Case History: Melancholia." The Virginia Quarterly Review 76.2 (Spring 2000): 344-345. Free online. Rpt. in Seidman, Somebody Stand Up and Sing (Kalamazoo, MI: New Issues, Western Michigan University, 2005), pp. 11-12.

Joshua Seigal, "Camden Town." Sentinel Poetry (Online): The International Magazine of Poetry & Graphics 61 (March/April 2008). Free online.

Brian Selby, "Poem 57 to Ezra Pound." Cum Grano (Students' Union, University of Keele) 22 (May 1963): 29.

Paul Selver, "Sardonic Musings on Ezra Pound." Poetry Review 45.4 (October-December 1954): 228.

David Selzer, "Ezra Pound in Venice." David Selzer blog, April 29, 2011. Free online.

John Senior, "E. P. Pour L'Erection." Quarterly Review of Literature 5.2 (1949): 145-146.

Serafin, "Talking Ezra Pound." 0110110 (Our Rekords, 2020). Recording.

Emily Sernaker, "Lawrence Ferlinghetti Is Alive!" Rattle, March 23, 2017. Free online with a reading.

Eric Paul Shaffer, "Ezra Pound Comes to Okinawa." Another Chicago Magazine 37 (2000): 184-185. Rpt. in Shaffer, Portable Planet: Poems (Chantilly, Va.: Leaping Dog Press, 2000), pp. 61ff.

Alex Andriesse Shakespeare, "Buying Pound's Cantos." Shawangunk Review 19 (Spring 2008): 73-74. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 24-25. Free online.

Ravi Shankar, "A Square of Blue Infinity." Fulcrum: An Annual of Poetry and Aesthetics (Cambridge, Mass.) 4 (Fall 2005). Rpt. in From the Fishouse, 2005, free online; 60 Indian poets, ed. Jeet Thayil (New Delhi: Penguin Books, 2008), pp. 121-123; and The Bloodaxe Book of Contemporary Indian Poets, ed. Jeet Thayil, with photographs by Madhu Kapparath (Tarset, Northumberland: Bloodaxe, in association with Fulcrum: An Annual of Poetry and Aesthetics, Cambridge, Mass., 2008), pp. 142-144, free online (first two pages, last page). A reading by the poet.

Edward Shanks, "Midwinter Madness." Granta (7 March 1913). Rpt. in Shanks, Poems (London: Sidgwick & Jackson, 1916), pp. 71-73, free online and here, and in The Granta and its Contributors, 1889-1914, compiled by F. A. Rice, with an introd. by A. A. Milne (London: Constable and Company Limited, 1924), pp. 259-262, free online. Also here and here and here.

Thomas W. Shapcott, "Meditation 2: Rediscovering DéJà Vu." Poemfull.Com, 25 May, 2021. Free online.

Harvey Shapiro, "Reznikoff." A Momentary Glory: Last Poems (Middletown, Connecticut: Wesleyan University Press, 2014), p. 5. Free online and here and here.

Karl Shapiro, Essay on Rime (New York: Reynal & Hitchcock, 1945).

Karl Shapiro, "Human Nature." The Antioch Review 22.2 (Summer 1962): 146. Rpt. in Shapiro, Selected Poems (New York: Random House, 1968), p. 320, free online; Shapiro, Collected Poems 1940-1978 (New York: Random House, 1978), p. 253, free online; Articles of War: A Collection of American Poetry about World War II, ed. Leon Stokesbury; introd. by Paul Fussell (Fayetteville: University of Arkansas Press, 1990), p. 57, free online; Shapiro, The Wild Card: Selected Poems, Early and Late, eds. Stanley Kunitz and David Ignatow (Urbana and Chicago: University of Illinois Press, 1998), p. 163, free online and here; Shapiro, Selected Poems, John Updike, editor (New York: Library of America, 2003), p. 143, free online; and Poetry of Witness: The Tradition in English, 1500-2001, eds. Carolyn Forché and Duncan Wu (New York: W.W. Norton & Company, 2014), pp. 511-512.

Karl Shapiro, [interview]. New York Quarterly 24 (1979): 18-23. Rpt. in The Poet's Craft: Interviews from The New York Quarterly, ed. William Packard (New York: Paragon House Publishers, 1987), pp. 299-304 , free online (first page, next two pages, next two pages, last page).

Karl Shapiro, "Trial of a Poet." Trial of a Poet and Other Poems (New York: Reynal & Hitchcock, 1947), pp. 53-81. Free online. Rpt. in Shapiro, Essay on Rime with Trial of a Poet, ed. with an afterword by Robert Phillips, foreword by David Lehman (Ann Arbor, Mich: University of Michigan Press, 2003). Excerpts printed in Shapiro, The Wild Card: Selected Poems, Early and Late, eds. Stanley Kunitz and David Ignatow; foreword by Stanley Kunitz; introd. by M.L. Rosenthal (Urbana: University of Illinois Press, 1998) and Shapiro, Selected Poems, John Updike, editor (New York: Library of America, 2003).

Paul Shapshak, "Canto XLVI. Maggiore (Laudate Ezra Pound and Francesco Petrarca)." Selected Poetry Book I: Themes and Variations (Bloomington, IN: AuthorHouse, 2012), p. 100. Free online.

Paul Shapshak, "Epigramme 434." Selected Poetry Book II: Variations on Themes (Bloomington, IN: AuthorHouse, 2013), pp. 40-43.

Lee Sharks, "Littachur." Pearl And Other Poems, introd. Johannes Sigil (Ann Arbor: New Human Press, 2014), pp. 102-107. Free online.

Lee Sharks, "Who Is Lee Sharks, to Forgive Ezra Pound?" Mind Control Poems, May 26, 2015. Free online.

Prageeta Sharma, "Elegance and Rights." Poetry Northwest, September 26, 2022. Free online.

Mark Hurlin Shelton, "Ezra Pound ........Antwerp Belgium 1989." The Poetry of Mark Hurlin Shelton, 23 April 2014. Free online and here.

Reginald Shepherd, "Pericles, Prince of Tyre: A Commentary." Grand Street 52 (Spring 1995): 219-222. First page. Rpt. in Shepherd, Angel, Interrupted (Pittsburgh, Pa.: University of Pittsburgh Press, 1996), pp. 80-84, and In a Fine Frenzy: Poets Respond to Shakespeare, eds. David Starkey and Paul J. Willis (Iowa City: University of Iowa Press, 2005), pp. 153-156. Files on Issue 52--Games, 1994-1995 are are held in the Grand Street Publications Inc. Records, 1980-2004, MS#0508, Rare Book and Manuscript Library, Columbia University Library, New York. Finding aid.

James Sherry, "Literary Property / Propriety"; "First Instinct Blast." Our Nuclear Heritage (Los Angeles: Sun & Moon Press, 1991), pp. 74-76, 98-101. Files on Our Nuclear Heritage (manuscript corrections and related material, circa 1985-1986, circa 1980-1990s; manuscript and related material, circa 1991; notes, circa 1990s; related material, circa 1990-1992) are housed in the James Sherry Papers, circa 1962-2016, MS#1806, Rare Book & Manuscript Library, Butler Library, 6th Floor, Columbia University, New York. Finding aid.

Edith Shiffert, "The Poet in Old Age." When on the Edge (Fredonia, New York: White Pine Press, 1991), p. 63. Free online.

Vivian Shipley, "T. S. Eliot Visits Ezra Pound." Kalliope: A Journal of Women's Literature & Art 21.3 (2000): 57-59. Free online. Revised and expanded as a set of ten prose poems, "Excerpts from T. S. Eliot's Birthday Letters to Ezra Pound in St. Elizabeth's Hospital for the Criminally Insane," in Shipley, Crazy Quilt (Newtown, CT: Hanover Press, Ltd, 1999), pp. 18-27. Rpt. in Shipley, Gleanings: Old Poems, New Poems (Hammond, Louisiana: Louisiana Literature Press, Southeastern Louisiana University, 2003). An excerpt from #6, "Ezra Pound's 66th Birthday" (p. 135).

Anis Shivani, "Ezra Pound at St. Elizabeths Hospital"; "Response to Pound's Kulchur." My Tranquil War and Other Poems (New York: NYQ Books, 2012), pp. 61-62, 109.

T. M. Shorewick, "Oh Ezra." T. M. Shorewick, August 25, 2021. Free online.

T. M. Shorewick, "T'were I to Hang Around With Ezra Pound." T. M. Shorewick, November 26, 2021. Free online.

Penelope Shuttle, "Ezra Pound is Dead." The Wolf 18 (August 2008). In an interview, Penelope Shuttle stated that "Peter [Redgrove] once had a curious dream, which he told me one morning after breakfast. In his dream someone had leaned over and whispered in his ear - Ezra Pound is dead. Later that day, Pound's death was announced on the radio." (James Byrne, "The Wolf Interview: Penelope Shuttle," The Wolf 10 (Summer 2005), free online).

Richard Sieburth, "Alto Adige"; "Santa Maria Dei Miracoli." Raritan 42.1 (Summer 2022): 36-38. Printed under the heading: "Two for E.P." Free online.

Jennifer Semple Siegel, "A Long, Long Time Ago (Monday Love)." Poets.net, October 13, 2008. Free online.

Jennifer Semple Siegel. See also pugetopolis

Luis Germán Sierra, "Ezra Pound Vigila." Coda de silencio (Medellín: Sílaba Editores, 2016), p. 40. Free online.

Rita Signorelli-Pappas, "Ezra Pound in Venice." The Sandhills Review 50 & 51 (Spring 1997): 142.

Cedar Sigo, "Notes on Cultural Affairs in Boston." Language Arts (Seattle: Wave Books, 2014), pp. 52-53.

Dagur Sigurðarson, "Ég." Hundabærinn eða Viðreisn efnahagslifsins (Reykjavík: Heimskringla, 1963), pp. 9-12.

Neil Silberblatt, "On the Yahrzeit of Ezra Pound." Past Imperfect: New & Selected Poems (Allston, Massachusetts: Nixes Mate Books, 2018). Free online.

Ron Silliman, "The Chinese Notebook." The Age of Huts (New York, N.Y.: Roof, 1986), pp. 41-66. Rpt. in Anthology of Modern American Poetry, ed. Cary Nelson (New York and Oxford: Oxford University Press, 2000), pp. 1102-1120, and Silliman, The Age of Huts (Compleat) (Berkeley and Los Angeles: University of California Press, 2007), pp. 147-177. Free online and here.

Ron Silliman, "A Forest For..." 18 February 2000, Paoli, Pennsylvania. Electronic Poetry Review 4 (October 2002). Free online.

Ron Silliman, "from Hidden." The Archive Newsletter ([La Jolla, CA]: Archive for New Poetry, UCSD Library) 39 (Spring 1988): 20-23 (at 22). Rpt. in Silliman, "Hidden," Demo to Ink (Tucson, AZ: Chax Press, 1992), pp. 81-141 (at 135), and Silliman, The Alphabet (Tuscaloosa: University of Alabama Press, 2008), pp. 59-88 (at 85). A notebook for "Hidden" is housed in the Ron Silliman Papers, 1965-1988, MSS 0075, Special Collections & Archives, UC San Diego, La Jolla, California. Finding aid.

Ron Silliman, "Text Formerly Known as Poem." Short Fuse: The Global Anthology of New Fusion Poetry, eds. Todd Swift and Philip Norton (New York: Rattapallax Press, 2002), p. 325. Rpt. in Silliman, "VOG," The Alphabet (Tuscaloosa: University of Alabama Press, 2008).

Ron Silliman, Tjanting, introd. by Barrett Watten (Berkeley: The Figures, 1981), pp. 30, 61, 108, 114, 154, 161. Typescripts and a notebook for Tjanting are housed in the Ron Silliman Papers, 1965-1988, MSS 0075, Special Collections & Archives, UC San Diego, La Jolla, California. Finding aid.

Ron Silliman, "What [The flower sermon]." What (Great Barrington, MA: The Figures Press, 1988), pp. 7-14. Rpt. as "What" in Silliman, The Alphabet (Tuscaloosa: University of Alabama Press, 2008). Free online and here.

Erwin Silva, "Texto de Orfeo." Exedra (México: Coordinación de Difusión Cultural, Dirección de Literatura, UNAM, 1990), pp. 54-55. Rpt. in Poesía nicaragüense (Caracas, Venezuela: Fundación Editorial el perro y la rana: Ministerio del Poder Popular para la Cultura, 2007). Free online and here. Translated into Portuguese by Antonio Miranda as "Texto de Orfeo" here.

Herschel Silverman, "Lift-Off 12: Dolphinity." Lift Off: New and Selected Poems, 1961-2001 (Sudbury, MA: Water Row Books; Hoboken, NJ: Long Shot Productions, 2002), pp. 170-173.

Shel Silverstein, "Aphrodisiac." Free online and here and here and here and here and here and here and here and here.

Kathryn Simmonds, "On the Island of San Michele." Sunday at the Skin Launderette (Bridgend: Poetry Wales Press, 2008). Rpt. in Simmonds, The Visitations (Bridgend: Seren, 2013). Free online.

James Simmons, "Exploration in the Arts (My arse poetica)." The Poetry Ireland Review 17 (Autumn 1986): 37-38. Free online. Rpt. as "Exploration in the Arts" in Simmons, Poems, 1956-1986, introduced by Edna Longley (Newcastle upon Tyne, England: Bloodaxe Books; Dublin, Ireland: The Gallery Press, 1986), pp. 201-202, free online; Simmons, "Reading Poems in Japan," The Harp 9 (1994): 28-38 (at 29-30); and An Anthology of Modern Irish Poetry, ed. Wes Davis (Cambridge, Mass.: Belknap Press of Harvard University Press, 2010), pp. 287-289. A typescript of the poem is housed in the James Simmons Papers, 1945-1996, Manuscript Collection No. 759, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA. Finding aid. "In this century the American poet T. S. Eliot has been the most infamous distractor. He had a marvellous intelligence and wrote many interesting essays for specialists; but his poems were a mixture of really negative ideas illustrated by inadequate portraits of life, thought and humanity. His fellow American, Ezra Pound had a lot more positive energy and wrote a few terrific poems, although he turned out to be crazy. What turned me against them both was that they seemed to have muddied the mainstream with aestheticism and over-intellectuality. Their personal ambitions, to be famous and dominate literary life almost pushed poetry beyond it's normal function of entertaining, moving and inspiring the common reader, and made it hard for solid practitioners like myself to function. They were both punished in their own lives by whatever sicknesses drove them. My poem 'Exploration in the Arts' tries to bring them in to the mainstream, castigate them and forgive them." (Simmons, "Reading Poems in Japan," The Harp 9 (1994): 28-38 (at 28-29)).

Colin Simms, "Ezra Pound, hunter out." Voices (London: Many Press, 1977). Free online.

Ólafur Haukur Símonarson, "Ezra Pound My Angelic Arse." Icelandic Writing Today, [editor, Sigurdur A. Magnússon] (Reykjavik: Icelandic Writing Today, 1982), p. 59, and The Postwar Poetry of Iceland, trans. with introd. by Sigurdur A. Magnússon (Iowa City: University of Iowa Press, 1982), pp. 218- .

Simonetta [Emanuel Eisenberg], "The Cerebralists Describe a Woman . . . Ezra Pound." Buffalo Courier 89.283 (October 9, 1924), p. 6.  Quoted in F[ranklin].P.A[dams]'s column "The Conning Tower." Free online. Rpt. in The Conning Tower Book: Being a Selection of the Best Verses Published in The Conning Tower, edited by F. P. A. in The New York World (New York: Macy - Masius: Publishers, 1926), pp. 189-190, free online.

Louis Simpson, "An Academic Story." The New Criterion 8.8 (April 1990): 44-48. Free online. Rpt. in Poetry Ireland Review 29 (Summer 1990): 9-13, free online, and Simpson, The Owner of the House: New Collected Poems 1940-2001 (Rochester, N.Y.: BOA Editions, 2003), pp. 387-392. Free online. Working and final drafts of "An Academic Story" and The Owner of the House are housed in the Louis Simpson papers, 1922-2011, (bulk 1937-2011), MSS40154, Manuscript Division, Library of Congress, Washington, D.C. Finding aid and here.

Louis Simpson, "The Champion Single Sculls." Ploughshares 8.2 [no. 28] (Summer/Fall 1982): 70-71. Free online. Rpt. in Simpson, The Best Hour of the Night: Poems (New Haven and New York: Ticknor & Fields, 1983), p. 58, free online; Rob Wilson, "Sculling to the Over-Soul: Louis Simpson, American Transcendentalism, and Thomas Eakins's 'Max Schmitt in a Single Scull,'" American Quarterly 39.3 (Autumn 1987): 410-430 (at 411-412), free online, rpt. in Manly Pursuits: Writings on the Sporting Images of Thomas Eakins, ed. Ilene Susan Fort (Los Angeles, Calif.: Los Angeles County Museum of Art, 2011), pp. 243-250 (at 244-245), free online; and Simpson, Collected Poems (New York: Paragon House, 1988), p. 364, free online. Free online. Working drafts and a manuscript of The Best Hour of the Night and a manuscript of Collected Poems are housed in the Louis Simpson papers, 1922-2011, (bulk 1937-2011), MSS40154, Manuscript Division, Library of Congress, Washington, D.C. Finding aid and here.

Louis Simpson, "Consolations." Five Points 7.3 (Spring 2003). Free online. Rpt. in 180 More: Extraordinary Poems for Every Day, selected and with an Introd. by Billy Collins (New York: Random House, 2005), p. 188, free online and here; Simpson, Struggling Times: Poems (Rochester, NY: BOA Editions, Ltd., 2009), p. 31, free online and here; and Simpson, Voices in the Distance: Selected Poems (Tarset [England]: Bloodaxe, 2010), p. 166, free online. Free online and here and here and here.

Louis Simpson, "Sacred Objects." The Listener 82.2107 (Aug. 14, 1969): 213. Rpt. in Sumac 2.2&3 (Winter/Spring 1970): 26-27, free online; Simpson, Adventures of the Letter I (New York, Evanston, San Francisco, London: Harper & Row, Publishers, 1971), pp. 62-63; Simpson, People Live Here: Selected Poems 1949-1983 (Brockport, New York: BOA Editions, Ltd., 1983), pp. 178-179; Simpson, Collected Poems (New York: Paragon House, 1988), pp. 218-219; and Simpson, The Owner of the House: New Collected Poems 1940-2001 (Rochester, N.Y.: BOA Editions, 2003), pp. 232-233. Working drafts and a manuscript of Adventures of the Letter I, a manuscript of Collected Poems, and working and final drafts of The Owner of the House are housed in the Louis Simpson papers, 1922-2011, (bulk 1937-2011), MSS40154, Manuscript Division, Library of Congress, Washington, D.C. Finding aid and here.

Iain Sinclair, Suicide Bridge: A Book of the Furies, A Mythology of the South & East - Autumn 1973 to Spring 1978 (London: Albion Village Press, 1979). Rpt. in Sinclair, Lud Heat: With an Introduction by Michael Moorcock and Maps by Dave McKean; Suicide Bridge (London: Vintage, 1995), where Pound is mentioned on p. 178. In the expanded ed. of Suicide Bridge (Cheltenham, Glos: Skylight Press, 2013), there are references to Pound on pp. 39, 64, 201.

Sarah Singer, "The Patriarch." Commentary Magazine 26.6 (December 1958): 507. Free online.

G. Singh, Il cerchio e altre poesie: Olga e Pound; prefazione di Mario Luzi; 16 foto di Elio Montanari = The Circle and Other Poems: Olga and Pound, preface by Mario Luzi; 16 photographs by Elio Montanari (Pasian di Prato (UD): Campanotto Editore, 1987). Italian and English on opposite pages. Contents: Pound e Olga / Pound and Olga, 10-33; A Olga / To Olga, 36-37; La casa veneziana di Olga / In Olga's Venetian House, 40-43; Calle dei Frati - San Trovaso (1984) / Calle dei Frati - San Trovaso (1984), 46-47; Sant'Ambrogio / Sant'Ambrogio, 48-49; Sera a Sant'Ambrogio / Evening at Sant'Ambrogio, 52-53; Paesaggio collinare / Hillscape, 54-55; Tramonto a Rapallo / Sunset at Rapallo, 58-59; La casa di Olga a Sant'Ambiogio / Olga's house at Sant'Ambiogio, 60-61; Pound e Liguria / Pound and Liguria, 64-65; La tomba di Ezra Pound / At E.P.'s Tomb, 66-67; Pound e Kabir / Pound and Kabir, 70-73; A Ezra Pound / To Ezra Pound, 74-75; A Guido Cadorin / To Guido Cadorin, 78-79; Parigi, Siena, Sant'Ambrogio / Paris, Siena, Sant'Ambrogio, 80-81; A Olga / To Olga, 82-83; Venezia, 1981 / Venice, 1981, 86-89; Coraggio / Courage, 92-99; Venezia, 1987 / Venice, 1987, 102-103; I poundiani / The Poundians, 104-105; Pound e i suoi critici / Pound and His Critics, 108-111; Pound e gli altri / Pound and Others, 114-115; Il punto è ... / The Point Being Is..., 116-117; Il cerchio / The circle, 118-119. Translated into Swedish by Martin Allwood as Singh, Ezra Pound och Olga: dikter (Mullsjó: Persona Press, 1989).

Skargill, "In for a Pound." DeviantArt, Apr. 1, 2014. Free online.

Robin Skelton, The Dark Window: Poems (London: Oxford University Press, 1962) [VI, pp. 68-69, free online]. Rpt. in Skelton, The Collected Longer Poems 1947-1977 (Victoria, B.C.: Sono Nis Press, 1985), pp. 43-70 [VI, pp. 51-52, free online (first page, second page)].

Robin Skelton, "Timelight." Timelight: Poems (Toronto: McClelland & Stewart Ltd., 1974), pp. 99-112 [VIII, pp. 109-111, free online (first page, last two pages)]. Rpt. in Skelton, The Collected Longer Poems 1947-1977 (Victoria, B.C.: Sono Nis Press, 1985), pp. 115-126 [VIII, pp. 123-125, free online (first page, last two pages)]. In his memoirs, Robin Skelton wrote of a visit to Pound, ca. October 12, 1969: "Peter Russell was also in Venice and we visited him in his rooms cluttered with rare books and manuscripts of writers, and drank wine. He insisted that we visit Pound, [who] refused to get out of bed, and when Olga [Rudge] told him that after all he had to eat, he replied, 'Eat? Why should I eat?' . . . . At one point Peter made a statement that he had to correct. 'Wyndham Lewis,' he said suddenly, 'Wyndham Lewis said that!'" (Robin Skelton, Memoirs of a Literary Blockhead (Toronto: Macmillan of Canada, 1988), p. 272).

Richard Skinner, "Isola di San Michele, Venice." Terrace (Grewelthorpe, Ripon: Smokestack Books, 2015). Free online. Rpt. in The High Window Journal 1 (Spring 2016), free online. Free online and here. Translated into Italian by Andrea Gibellini as "Isola di San Michele, Venezia" in Red Fern Review (Fall 2022), free online.

Floyd Skloot, "Ezra Pound in a Spring Storm." The Hudson Review 60.4 (Winter 2008): 615-616. Free online. Rpt. in Skloot, The Snow's Music: Poems (Baton Rouge: Louisiana State University Press, 2008), pp. 52-53, free online, and in The Best Spiritual Writing 2010, ed. Philip Zaleski; introd. by Pico Iyer (New York: Penguin Books, 2010), pp. 211-212, free online.

Floyd Skloot, "Frost." Poetry Northwest 40.1 (Spring 1999): 40. Rpt. in Skloot, The Fiddler's Trance (Lewisburg: Bucknell University Press, 2001), pp. 61-62, free online (first page, second page), and Visiting Frost: Poems Inspired by the Life and Work of Robert Frost, eds. Sheila Coghill and Thom Tammaro; foreword by Jay Parini (Iowa City: University of Iowa Press, 2005), pp. 112-113, free online.

Stan Slater, "Sunday's Morning Ezra Pound." Hyperion 3.3 [no. 10] (Fall 1973).

David R. Slavitt, "The Quest of Sir Motl." Opus Posthumous and Other Poems (Baton Rouge: Louisiana State University Press, 2021), pp. 51-64. Excerpt.

David Sloan, [an ekphrastic poem on a photo of Ezra Pound by Richard Avedon]. A Rising & Other Poems (Cumberland, ME: Deerbrook Editions, 2020).

Ruth Slonim, "Ezra Pound." Proems & Poems (Pullman, Wash.: Washington State University Press, 1992), p. 10.

Bill Smith, "Epic poem, tentative title: Lost and Found." Twisted Pots, Feb. 2023. Free online.

Ian C Smith, "When I Felt My Heart’s Rush." RIC Journal, October 5, 2022. Free online.

Jared Smith, "The Only Man Who Lives." Second Coming 7.1 (1979): 30-31. Free online. Second Coming records are in the Second Coming Press Records, 1973-1989, Ms.2010.037, Special Collections, John Hay Library, Brown University, Providence, RI. General description.

Ken Smith, "Nielsen's visit." Voices from Arts for Labour, ed. Nicki Jackowska (London: Pluto Press, 1985), pp. 203-204. Rpt. in Smith, Shed: Poems, 1980-2001 (Highgreen, Tarset, Northumberland: Bloodaxe Books Ltd, 2002), p. 85. Free online.

Ken Smith, "On My Back in Rome"; "Francis 'Baldy' Bacon"; ["The Water-bug's mittens show on the bright rock below him." Ezra Pound]; ["Two Principles of Mental Functioning" Freud]. Before Animals Talked and Other Poems (Bloomington, IN: AuthorHouse, 2014), pp. 19 (free online), 20 (free online), 31 (free online), 39.

Mike Smith, "Pound." Notre Dame Review (either 17 (Winter 2004) or 19 (Winter 2005)). An anagram of Pound's first Canto. Rpt. in Mudlark: An Electronic Journal of Poetry & Poetics (Department of English, University of North Florida) 30 (2006), free online and here; Notre Dame Review: The First Ten Years, ed. with an introd. by John Matthias and William O'Rourke (Notre Dame, Ind.: University of Notre Dame Press, 2009); and Smith, Multiverse (Buffalo, N.Y.: BlazeVOX, 2010). "The poems collected here are the products of an experiment into the possibilities of anagram as poetic form. . . . In the second sequence, 'Anagrams of America,' instead of anagramming a single set of letters many times over, I explored anagramming multiple texts of various lengths each a single time. Each of the sixteen poems is an anagram of a familiar work by a well-known American author. All of the letters of the source text have been used in the corresponding response poem. As in the first section, no letters have been added and no letters have been left out. My intention was to respond to previous works that, for one reason or another, have been important in my development as a reader and writer, but to do so in a way that would allow the works and their authors some say in the nature of my response; I wanted to allow the source texts to lie almost as palimpsest beneath my own work." ("To the Reader," dated January 1, 2009, Multiverse).

Ron Smith, "The Berth of Modern Poetry (At Rest in a Murky Afterlife). [EP. WCW.]." Ezra's Book, eds. Justin Kishbaugh and Catherine Paul (Clemson: Clemson University Press, 2019), pp. 89-92.

Ron Smith, "The Birth of Modern Poetry." Terminus (Ivan Allen College of Liberal Arts, Georgia Institute of Technology) 11 (December 2014). Rpt. in Make It New 2.1 (June 2015): 9, free online, and Smith, The Humility of the Brutes: Poems (Baton Rouge: Louisiana State University Press, 2017), p. 26, free online. Translated into Italian by Angela D'Ambra as "La nascita della poesia moderna," Interno Poesia, 15 Maggio 2018, free online (with the Italian translation following the English text).

Ron Smith, "E.P. in the Garden." Artemis Journal 27 (2020): 63. Rpt. in Make It New 5.4 (Winter 2020). Reading by the author.

Ron Smith, "Ford, Joyce, Pound, Quinn." The Hollins Critic 49.1 (February 2012). Rpt. in Smith, Its Ghostly Workshop (Baton Rouge: Louisiana State University Press, 2013), p. 10, free online, and Shawangunk Review 30 (Spring 2019), free online. A reading by the poet at the SEM conference, Caen, 2022. About the poem, Ron Smith has stated: "How can I know what the lawyer John Quinn is feeling as he poses for a photo with Ford and Joyce and Pound, those of the giants of literary modernism? What does his facial expression reveal? I write to figure it out, to discover possibilities, at least." (R.T. Smith, "Virginia Poet Laureate Ron Smith Answers Questions," Shenandoah Blog, 20 January 2015, free online.)

Ron Smith, "Ford, Joyce, Pound, Quinn," "Pisa," "Shithouse," "DTC," and "The Fascist Salute." In Smith, Its Ghostly Workshop: Poems (Baton Rouge: Louisiana State University Press, 2013), pp. 10-15. Free online (except "The Fascist Salute"). Free online ("The Fascist Salute") and here.

Ron Smith, "Moveable." Plume 104 (April 2020). Free online. A reading by the poet at the SEM conference, Caen, 2022.

Ron Smith, "Pisa"; "Shithouse"; "DTC." Printed, along with a translation into Italian by Massimo Bacigalupo as "Pisa," "Latrina," and "DTC," in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 164-169 (English and Italian on facing pages).

Ron Smith, "Rome Unrhymed." Make It New: The Ezra Pound Society Magazine 6.4 (Winter 2022).

Ron Smith, That Beauty in the Trees: Poems (Baton Rouge, LA: LSU Press, 2023).

Simon Smith, "Rain." Free Verse: A Journal of Contemporary Poetry and Poetics 27 (2016). Free online. Rpt. in Smith, Day In, Day Out: London, Glasgow, Los Angeles, La Jolla, Vancouver, Manhattan, Brooklyn (Anderson, South Carolina: Parlor Press LLC, 2018), p. 30. Free online.

Simon Smith, Salon Noir (Cambridge: Equipage, 2016).

Stan Smith, "Ezra Pound broadcasts from Rome Radio, Spring 1943." Part of the "Journeys to War" sonnet sequence. Stand 7.4 (Autumn 2007): 38. Rpt. in English: The Journal of the English Association 56.216 (Autumn 2007): 366; The European English Messenger 17.1 (2008): 41, free online; Smith, Family Fortunes (Nottingham: Shoestring Press, 2008), p. 46; and Literati Magazine (March 2020), free online.

Carol Snow, "Bridge." The American Poetry Review 18.3 (May/June 1989): 32-33. Rpt. in Snow, Artist and Model (New York: Atlantic Monthly Press, 1990), pp. 58-63, free online (first two pages, next two pages, last two pages), and Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries, ed. Reginald Shepherd (Denver, Colorado: Counterpath Press, 2008), pp. 207-210, free online.

Wesley Snow, "Originally Speaking." Neopoet, July 28, 2013. Free online.

Gary Snyder, "Axe Handles." 4 May 1978. Axe Handles ([Port Townsend, Wash.]: [Copper Canyon Press], [1978]). Rpt. in Field: Contemporary Poetry and Poetics 20 (Spring 1979): 37, free online; Snyder, Axe Handles: Poems by Gary Snyder (New York: North Point Press, 1983), pp. 5-6; Fine Woodworking 42 (Sept/Oct. 1983); The Daily Californian (Inside Magazine), September 7, 1984, [p. 9]; Poet News: Sacramento's Literary Calender and Review (December 1984); Contemporary American Poetry, Fourth Edition, ed. A. Poulin, Jr. (Boston: Houghton Mifflin Company, 1985), pp. 506-507, free online; Beatitude (San Francisco) 33 (1985): 67; Crosscurrents 6.3 (1986): 261-262; Dialectical Anthropology 11 (1986): 194; Contemporary American Literature, eds. George Perkins and Barbara Perkins (New York: Random House, 1987), pp. 940-941, free online; UC Davis Magazine (Fall 1987), p. 26; Modern Poems: A Norton Introduction, Second Edition, eds. Richard Ellmann and Robert O'Clair (New York: Norton, 1989), pp. 726-727, free online; The Vintage Book of Contemporary American Poetry, ed. and with an introd. by J.D. McClatchy (New York: Vintage Books, 1990), pp. 379-380, free online (first page and second page); Men of Our Time: An Anthology of Male Poetry in Contemporary America, eds. Fred Moramarco and Al Zolynas (Athens, GA, and London: University of Georgia Press, 1992), pp. 149-150, free online; The Portable Beat Reader, ed. Ann Charters (New York: Penguin Books, 1992), pp. 578-579, free online; Snyder, No Nature: New and Selected Poems (New York and San Francisco: Pantheon Books, 1992), p. 266, free online; Postmodern American Poetry: A Norton Anthology, ed. Paul Hoover (New York and London: W. W. Norton, 1994), pp. 219-220, free online (first page and second page); Bill Moyers, The Language of Life: A Festival of Poets, James Haba, Ed. (New York: Doubleday, 1995), pp. 370-371, free online; Generations: Poems Between Fathers, Mothers, Daughters, Sons, eds. Melanie Hart and James Loader (London: Penguin Books, 1998), pp. 69-70; Snyder, The Gary Snyder Reader: Prose, Poetry, and Translations, 1952-1998 (Washington, D.C.: Counterpoint, 1999), p. 489, free online; Anthology of Modern American Poetry, ed. Cary Nelson (New York and Oxford: Oxford University Press, 2000), p. 959, free online; Modern American Poetry, selected and ed. by Joseph Coulson, Peter Temes, and Jim Baldwin (Chicago: The Great Books Foundation, 2002), pp. 360-361; The Norton Anthology of Modern and Contemporary Poetry, Third Ed., Vol. 2. Contemporary Poetry, eds. Jahan Ramazani, Richard Ellmann, and Robert O'Clair (New York and London: W.W. Norton & Company, 2003), pp. 541-542, free online (first page and here, second page and here); Teaching with Fire: Poetry That Sustains the Courage to Teach, Sam M. Intrator and Megan Scribner, Editors (San Francisco: Jossey-Bass, 2003), p. 27, free online; and Postmodern American Poetry: A Norton Anthology, Second Edition, ed. Paul Hoover (New York and London: W. W. Norton & Company, 2013), pp. 196-197, free online. Free online and here and here and here and here and here and here and here and here and here and here and here and here and here and here. Translated into Russian by Irina Dyatlovskaya in Irkutskoe Vremya. Almanakh Poezii (Irkutsk: Izdatel Sapronov, 2005), pp. 98-101 (Russian and English on facing pages).

Gary Snyder, "Getting There." Northwest Review 14.3 (Spring 1975): 119, free online. Rpt. in Amerus 1 (1979).

Gary Snyder, "What to Tell, Still." Sulfur 19.2 [nos. 45/46] (Spring 2000): 233-234. Free online. Rpt. in Snyder, Look Out: A Selection of Writings by Gary Snyder (New York: New Directions Pub., 2002), pp. 143-144, free online, and Snyder, Danger on Peaks (Washington, D.C.: Shoemaker & Hoard, 2004), free online. Translated into Spanish by Emilia del Río as "Qué decir, todavía," el adelantado de Indiana 5-6 (mayo 2007), free online (printed with the English original) and here.

John Sokol, "Namedropper." In Posse Review 10 (2002). Free online.

John J. Soldo, "Delano in New York." Delano in America & Other Early Poems (New York: The Pearl Press, 1974).

J.R. Solonche, "Found Poem with Variations." Offcourse 54 (September 2013). Free online.

Peter Solway, "Oh Mortal Bucket List." All Poetry, Oct. 28, 2021. Free online.

Piotr Sommer, "Czasem tak." Nowe stosunki wyrazów: wiersze z lat siedemdziesiatych i osiemdziesiatych (Poznań: Wydawnictwo a5, 1997), p. 35. Free online. Translated into English as "Sometimes, Yes" in Sommer, Continued (Middletown, Conn.: Wesleyan University Press, 2012), p. 15. Free online.

Morten Søndergaard, "Natblog." Et skridt i den rigtige retning: Digte (København: Borgens Forlag, 2005). Free online with a reading and here. Free online. Translated into English by Barbara Haveland and John Irons as "Night Blog." Free online and here. Translated into German by Roland Hoffmann in Søndergaard, Ein Schritt in die richtige Richtung: Gedichte = Et skridt i den rigtige retning: Digte, übers. von Roland Hoffmann (München: Litteraturverlag Roland Hoffmann, 2010).

Koh Buck Song, "Cimitero San Michele, Venice." The Worth of Wonder (Singapore: Times Books International, 2001), p. 42.

Göran Sonnevi, "XIX." Mozarts Tredje Hjärna (Stockholm: Bonniers, 1996). Translated into English by Rika Lesser in Sonnevi, Mozart's Third Brain, trans., preface, and notes by Rika Lesser; foreword by Rosanna Warren (New Haven: Yale University Press, 2009), pp. 25-27, free online (first two pages, last page).

Göran Sonnevi, "LIV." Mozarts Tredje Hjärna (Stockholm: Bonniers, 1996). Translated into English by Rika Lesser in Partisan Review 69.3 (Summer 2002): 402. Free online. Rpt. in Sonnevi, Mozart's Third Brain, trans., preface, and notes by Rika Lesser; foreword by Rosanna Warren (New Haven: Yale University Press, 2009), p. 66-67. Free online.

Glen Sorestad, "Goldfish and Bumblebees." Toronto, September 1982. Canadian Literature: A Quarterly of Criticism and Review 100 (Spring 1984): 299. (Also published as Canadian Writers in 1984: The 25th Anniversary Issue of Canadian Literature, ed. W. H. New (Vancouver: University of British Columbia Press, 1984).). Free online and here. Rpt. in Sorestad, Leaving Holds Me Here: Selected Poems, 1975-2000, selected and ed. by John Newlove (Saskatoon, Saskatchewan: Thistledown Press, 2001), p. 62, free online.

Pablo de Cuba Soria, "Hailey City, Idaho"; "A lume spento." Círculo de Poesía, 8 March 2021. Free online.

Raymond Souster, "Death Chant for Mr. Johnson." February, 1968. With an Epilogue, April 5, 1968. The New Romans: Candid Canadian Opinions of the U.S., ed. A.W. Purdy (Edmonton: M.G. Hurtig, 1968), pp. 65-69. Free online. Rpt. in Souster, The Years: Poems ([Ottawa]: Oberon Press, 1971), pp. 28-32; Souster, Selected Poems of Raymond Souster, ed. Michael Macklem ([Ottawa]: Oberon Press [1972]), pp. 91-95; Souster, Collected Poems, Volume Three: 1962-74 ([Ottawa]: Oberon Press, 1982), pp. 282-286; and Literary Titans Revisited: The Earle Toppings Interviews with CanLit Poets and Writers of the Sixties, ed. Anne Urbancic (Toronto: Dundurn, 2017), pp. 262-267 (transcribed by Amy Kalbun from compact discs recorded by Earle Toppings and housed in the Earle Toppings fonds, 1946-2019, Fonds number: 63, Victoria University Special Collections, Toronto, Ontario).

Raymond Souster, "Usura." Millennium Madness: New Poems (Eugenia, ON: The Battered Silicon Dispatch Box, 2009).

Herman Spector, "Sadly They Perish." Partisan Review 1.3 (June-July 1934): 30-31. Free online. Rpt. in Spector, Bastard in the Ragged Suit: Writings of, with Drawings by Herman Spector, compiled, ed., and with an introd. by Bud Johns and Judith S. Clancy (San Francisco: Synergistic Press, 1977), pp. 102-103, free online, and Social Poetry of the 1930s: A Selection, eds. Jack Salzman and Leo Zanderer (New York: Burt Franklin, 1978), pp. 287-289, free online (first page, last two pages).

Regina Spektor, "Pound of Flesh." Live at Bull Moose (New York, NY: Sire Records, 2005). Performed live at Bull Moose Record store in Portland, ME on June 5, 2005. Audio. Free online and here and here and here and here. Video.

David Spicer, "If Interested, Call 634-5683." The Poetry Super Highway, August 1-7, 2016. Free online and here.

Jack Spicer, "Dover Beach." May, 1961. The Collected Books of Jack Spicer, ed. with a comment. by Robin Blaser (Los Angeles: Black Sparrow Press, 1975), pp. 109-111. Rpt. in Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), pp. 317-320. A notebook version, manuscript, and typescript of "Dover Beach," along with a typescript of The Collected Books of Jack Spicer, are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid. First proof of The Collected Books of Jack Spicer is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typewritten manuscript, first proofs, final proofs of The Collected Books of Jack Spicer are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Jack Spicer, "Fifteen False Propositions Against God" [Sections I-II, V]. The Collected Books of Jack Spicer, ed. with a comment. by Robin Blaser (Los Angeles: Black Sparrow Press, 1975), pp. 87-89. Rpt. in Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), pp. 195, 197. Sections I and V are translated into Spanish by Ricardo Cázares under the title "Quince proposiciones falsas contra Dios (fragmentos)," El Poeta y su trabajo 30 (otoño 2008): 36-39 (English and Spanish on facing pages). Free online and here. Translated into Spanish by Francisco Bitar in Spicer, Quince proposiciones falsas contra Dios, versiones de Francisco Bitar (Buenos Aires: Colección Chapita, 2009). Free online (Sections I and V) and here. A notebook version and typescript of "Fifteen False Propositions Against God," along with a typescript of The Collected Books of Jack Spicer, are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid. First proof of The Collected Books of Jack Spicer is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typewritten manuscript, first proofs, and final proofs of The Collected Books of Jack Spicer are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Jack Spicer, "Fifteen False Propositions Against God, Section XIV." Beatitude (San Francisco) 3 (23rd May 1959): [3-7]. Rpt. in The Wivenhoe Park Review (Colchester, England) 1 (Winter 1965): 90; Spicer, Fifteen False Propositions Against God (South San Francisco, CA: ManRoot Books, 1974), free online; Spicer, The Collected Books of Jack Spicer, ed. with a comment. by Robin Blaser (Los Angeles: Black Sparrow Press, 1975), p. 93; and Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), p. 201, free online. Also here and here and here and here and here and here and here and here and here and here and here and here and here and here. A notebook version and typescript of "Fifteen False Propositions Against God," along with a typescript of The Collected Books of Jack Spicer, are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid. First proof of The Collected Books of Jack Spicer is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typewritten manuscript, first proofs, and final proofs of The Collected Books of Jack Spicer are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Jack Spicer, "Imaginary Elegies." [1950-55] [I-IV], [1959] [V-VI]. One Night Stand & Other Poems, ed. Donald Allen (San Francisco: Grey Fox Press, 1980), pp. 45-54 [V, pp. 52-53, free online]. Rpt. in Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), pp. 230-232 [V, pp. 230-231]. A notebook draft and manuscript are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid.

Jack Spicer, "Love Poems." Language (San Francisco: White Rabbit Press, 1965), pp. 19-27 [3, p. 21]. Rpt. in The New Writing in the USA, eds. Donald Allen and Robert Creeley (Harmondsworth: Penguin Books, 1967), pp. 267-271 [3, p. 268]. Rpt. in Spicer, The Collected Books of Jack Spicer, ed. with a comment. by Robin Blaser (Los Angeles: Black Sparrow Press, 1975), pp. 225-229 [3, p. 226]; Word of Mouth: An Anthology of Gay American Poetry, ed. Timothy Liu (Jersey City, N.J.: Talisman House, 2000), pp. 71-74 [3, p. 72]; and Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), pp. 382-386 [3, p. 383]. Translated into Spanish by David Menéndez Alvarez as "Poemas de amor" in Mandorla: Nueva escritura de las Americas • New Writing from the Americas 14 (2011): 278-281 [3, pp. 278-279], free online and here. Section 3 was rpt. in A. Mossin, Male Subjectivity and Poetic Form in "New American" Poetry (New York: Palgrave Macmillan, 2010), p. 77, free online. A reading by the poet in Vancouver, June 1965. A typescript of The Collected Books of Jack Spicer is housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid. First proof of The Collected Books of Jack Spicer is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typewritten manuscript, first proofs, and final proofs of The Collected Books of Jack Spicer are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Jack Spicer, "A Poem for Dada Day at the Place." April 1, 1955. One Night Stand & Other Poems, ed. Donald Allen (San Francisco: Grey Fox Press, 1980), p. 64. Free online. Rpt. in Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), pp. 46-47. Notebook versions are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid.

Jack Spicer, "Who Knew." The Heads of the Town Up to the Aether (San Francisco: Auerhahn Society, 1962), p. 25. Rpt. in Spicer, The Collected Books of Jack Spicer, ed. with a comment. by Robin Blaser (Los Angeles: Black Sparrow Press, 1975), p. 131, free online, and Spicer, My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer, eds. Peter Gizzi and Kevin Killian (Middletown, Conn.: Wesleyan University Press, 2008), p. 263, free online. Manuscript notebooks and typescripts of The Heads of the Town Up to the Aether, along with a typescript of The Collected Books of Jack Spicer, are housed in the Jack Spicer Papers, 1939-1982, bulk 1943-1965, BANC MSS 2004/209, The Bancroft Library University of California, Berkeley Berkeley, California. Finding aid. First proof of The Collected Books of Jack Spicer is held in the Seamus Cooney Black Sparrow Press Collection, 1966-2006, 03-exws_blacksparrow, Special Collections, Zhang Legacy Collections Center, Western Michigan University, Kalamazoo, MI. Finding aid. A typewritten manuscript, first proofs, and final proofs of The Collected Books of Jack Spicer are held in the Black Sparrow Press Records, 1967-1976, MSS-313-BC, UNM Center for Southwest Research & Special Collections, University of New Mexico, Albuquerque NM. Finding aid.

Jean Stafford, "Bessie's Debacle." Quoted in Charlotte Margolis Goodman, Jean Stafford: The Savage Heart (Austin: University of Texas Press, 1990), pp. 53-55. Free online (first two pages, last page).

William Stafford, "Things I Learned Last Week." The American Soldier 50.3 (Summer 1981): 328. Rpt. in Stafford, A Glass Face in the Rain: New Poems (New York: Harper & Row, Publishers, 1982), p. 66, free online; Judith Summerfield and Geoffrey Summerfield, Frames of Mind: A Course in Composition (New York: Random House, 1986), p. 33; FIELD: Contemporary Poetry and Poetics 41 (Fall 1989): 41, free online; Judith Kitchen, Understanding William Stafford (Columbia, S.C.: University of South Carolina Press, 1989), p. 112, free online; Tilly Warnock, Writing Is Critical Action (Glenview, Ill., and London: Scott, Foresman 1989), p. 274, free online; Alberta T. Turner, Responses to Poetry (New York: Longman, 1990), p. 43; Stafford, The Darkness Around Us Is Deep: Selected Poems of William Stafford, ed. and with an Introd. by Robert Bly (New York: HarperPerennial, 1993), p. 127, free online; Stafford, Crossing Unmarked Snow: Further Views on the Writer's Vocation, eds. Paul Merchant and Vincent Wixon (Ann Arbor: University of Michigan Press, 1998), pp. 40-41, free online; Ruth Shagoury Hubbard and Brenda Miller Power, Living the Questions: A Guide for Teacher-Researchers (York, Maine: Stenhouse Publishers, 1999), p. 9, free online; Judith Kitchen, Writing the World: Understanding William Stafford (Corvallis: Oregon State University Press, 1999), pp. 75-76, free online (first page, second page); Poets Reading: The FIELD Symposia, ed. David Walker (Oberlin, OH: Oberlin College Press, 1999), p. 526, free online; Kim Stafford, Early Morning: Remembering My Father, William Stafford (Saint Paul, Minn.: Graywolf Press, 2002), p. 212, free online; Beginnings, Fourth Edition, Gen. Eds. Tonette Long, Sandra Coyner, Laura Young (Boston: Pearson Custom Pub., 2002), p. 192, free online; Ruth Shagoury and Brenda Miller Power, Living the Questions: A Guide for Teacher-Researchers, Second Edition (Portland, Maine: Stenhouse Publishers, 2012), p. 10, free online; and Stafford, Sound of the Ax: Aphorisms and Poems by William Stafford, eds. Vincent Wixon and Paul Merchant (Pittsburgh, Pa.: University of Pittsburgh Press, 2014), p. 75, free online. Free online and here. Free online with a reading.

Jayne Lyn Stahl, "To dine with friends..." The 3rd Page: Journal of Ongrowing Natures 3 (2004). Free online.

John Stammers, "Feet." Panoramic Lounge-Bar (London: Picador, 2001), p. 40. Free online and here.

Julian Stannard, "Seminar on Water." The Red Zone (Calstock, Cornwall: Peterloo Poets, 2007), p. 57. Free online. Translated into Italian by Massimo Bacigalupo as "Seminario sull'acqua" in Stannard, Sottoripa: poesie genovesi, tradotte da Massimo Bacigalupo, fotografie di Martina Bacigalupo (Genova: il Canneto, 2018), pp. 62-63 (English and Italian on facing pages).

Julian Stannard, [poem mentioning Pound]. Please Don't Bomb the Ghost of My Brother (Salt, 2023).

Martin Stannard, From a Recluse to a Roving I Will Go (Ipswich: The Shed, 1992). Rpt. in Stannard, A Hundred of Happiness and Other Poems (Huddersfield: Smith/Doorstop, 1995), pp. 27-33, and Stannard, Writing down the Days: New and Selected Poems (Devon, England; Londonderry, NH: Stride Publications, 2001), pp. 98-104.

Robert Stanton, "Tone." Great Works, 2006. Free online.

Sampson Starkweather, "Why I Cry." Poets Against the War, 2003. Free online.

David Starzynski, "Ezra Pound Died." Wind 15 (1975): 93.

C. K. Stead, "A Discursive Poem about Poetry & Thought." Straw Into Gold: Poems New & Selected (Auckland, N.Z.: Auckland University Press, 1997), pp. 145-146. Rpt. in Stead, Collected Poems, 1951-2006 (Auckland, N.Z.: Auckland University Press, 2008), pp. 285-286. Free online with a reading by the author.

C. K. Stead, "E.P. (1885-1972)." Straw Into Gold: Poems New & Selected (Todmorden, Lancs: Arc Publications, 1997), p. 150. Free online and here.

C. K. Stead, "Pictures in a Gallery Undersea." Whether the Will is Free: Poems 1954-62 (Auckland, N.Z.: Paul’s Book Arcade, 1964), pp. 52-56. Rpt. in An Anthology of Twentieth-Century New Zealand Poetry, ed. Vincent O'Sullivan (London and New York: Oxford University Press, 1970), pp. 286-291, and Stead, Collected Poems, 1951-2006 (Auckland, N.Z.: Auckland University Press, 2008), pp. 25-29. Free online.

C. K. Stead, "Pictures in a Gallery Undersea," "A Discursive Poem about Poetry & Thought," "Rapallo: an Economy," "History." Collected Poems, 1951-2006 (Auckland, N.Z.: Auckland University Press, 2008), pp. 25-29, 285-286, 437-439, 478-489.

C. K. Stead, "Rapallo: an Economy." The Red Tram (Auckland, N.Z.: Auckland University Press, 2004). Rpt. in Da Ulisse a …: La città e il mare: dalla Liguria al mondo: atti del convegno internazionale (Imperia, 7-8-9 ottobre 2004), a cura di Giorgetta Revelli (Pisa: ETS, 2005), and Stead, Collected Poems, 1951-2006 (Auckland, N.Z.: Auckland University Press, 2008), pp. 437-439. Rpt., with a translation by Massimo Bacigalupo into Italian as "Rapallo: un'economia," in I poeti della Sala Capizucchi/ The Poets of the Sala Capizucchi, eds. Caterina Ricciardi, John Gery and Massimo Bacigalupo (New Orleans: University of New Orleans Press; Rimini: Raffaelli, 2011), pp. 170-175 (English and Italian on facing pages). About "Rapallo: an Economy," the author has written: "My next visit [to Rapallo] was to attend the fifteenth annual Ezra Pound conference and to write a piece about it for the London Magazine (April/May 1994). . . . It was on this visit I conceived the idea for what is the only thriller I have written, Villa Vittoria, published in 1997. Place-names are also changed, but the places are easily recognisable. The Hotel Villa Vittoria, from which the photographs are taken, is based on the Hotel Villa Cristina on the Rapallo seafront. The same hotel, given its real name, figures in the poem, somewhat derelict, one of its broken shutters 'banging on' in the wind, speaking in the first person and representing a long history. Vagabonda III in section 4 is Professor Bacigalupo's sailboat, successor to Vagabonda I and II on which Pound was taken sailing from time to time by the Professor's father who was Pound's doctor. The poem speaks in part from the perspective of the New World. Rapallo represents Italy and the ancient culture from which the modern world has emerged, and to which we must return, in the mind or in reality, if we are to understand ourselves. What the broken shutter sees is both significant (armies marching east and west) and insignificant (the violinist - Olga Rudge in fact, as described in her daughter's account - hitching up her skirts before climbing the salita). What it tells us is something we need to know." (Stead, Collected Poems, 1951-2006, p. 532).

C.K. Stead, "Stiff." Five Dials 32 (23 July 2016): 24. Free online and here. Rpt. as "Eight pleasant pieces. 5. Pound sterling" in Stead, That Derrida Whom I Derided Died: Poems 2013-2017 (Auckland: Auckland University Press, 2018). Free online and here.

Katherine Steele, "Her Divinity." Combo (Philadelphia) 1 (Summer 1998): 19-20. Free online.

Felix Stefanile, "Some Mentors." The Dance at St. Gabriel's: Poems (Brownsville, OR: Story Line Press, 1995), pp. 23-25 (2. Cheering Amy Lowell On: "Some Imagist Poems, 1915," p. 24).

Brian Kim Stefans, "Axis Thinking." Open City (ca. 2001?). A reading by the author for the Segue Series at Double Happiness, New York, January 5, 2002.

Brian Kim Stefans, "Basque: festival + joyous." Free Space Comix (New York: Roof Books, 1998), pp. 58-60. Free online and here.

Brian Kim Stefans, "Coda: ‘The Nineties Tried Your Game, There's Nothing in It.'" The second and final section of the long poem "Pasha Noise: Life and Contacts." TIR Web (The Iowa Review), September, 2003. Free online and here.

Brian Kim Stefans, "Coda: 'The Nineties Tried Your Game'" [to What Does It Matter?] [6. Further Thoughts on the Stylist; 7. The Television Begins to Act upon Their Nostrils]; "Axis Thinking"; "Reading Pound." What Is Said to the Poet Concerning Flowers ([Ottawa, Ill.] Factory School, 2006), pp. 84 (free online), 85 (free online), 91-92 (first page, second page), 99-100 (first page, second page).

Brian Kim Stefans, "Frances Chung's Booklist." Two Computer Poems c. 1996-2000 (2000). Free online and here and here and here.

Brian Kim Stefans, "The Great Expectations." Versuche: 04 Little Orphan Animal (c. 1994), p. 1. Free online and here and here and here.

Brian Kim Stefans, "Gulf." Gulf (New York: Object Editions, 1998; [New York?]: [Harry Tankoos Books], [2000] [2nd ed.]), pp. 39-64. Free online and here.

Brian Kim Stefans, "Kluge: A Meditation." In: Stefans, "Kluge: A Meditation and other works" (M.F.A., Brown University, 2006) [Paragraph 23, p. 64]. Free online. Published in Stefans, Kluge: A Meditation: and Other Works (New York: Roof Books, 2007), p. 112.

Brian Kim Stefans, "The New Stanza" [for Coda: "The Nineties tried your game"]. Free Space Comix: The Blog, June 17, 2003. Free online and here and here.

Brian Kim Stefans, "Skid 4." Free Space Comix: The Blog, January 5, 2003. Free online and here.

Brian Kim Stefans, What Does It Matter? (London: Barque Press, 2005).

Brian Kim Stefans, "What Does It Matter? or, Pasha Noise: life and contacts"; "Axis Thinking"; "Reading Pound." What Is Said to the Poet Concerning Flowers ([Ottawa, Ill.]: Factory School, 2006), pp. 63-88 ("Coda: ‘The Nineties tried your game,'" 79-88), 91-92, 99-100. Free online and here.

Martin Steingesser, "Shoplifting Poetry." 1976. The Ardis Anthology of New American Poetry, eds. David Rigsbee and Ellendea Proffer (Ann Arbor, Mich.: Ardis, 1977), p. 157. Free online. Also published as a broadside (Portland, Maine: Kickingdance Press, 1982) and in Kennebec: A Portfolio of Maine Writing 6.1 (1982): 1, free online, and Naming the World: A Year of Poems and Lessons, [compiled by] Nancie Atwell (Portsmouth, NH: firsthand, 2006), pp. 342-343. Free online and here.

Eugene Stelzig, "Thirteen Ways of Looking at a Teddybear." Assorted Selfscriptings 1964-1985 (Geneseo, NY: Milne Library, State University of New York at Geneseo, 2015), pp. 37-38. Free online.

James Stephens, "Affirmations." New Age 16.20 [no. 1175] (18 March 1915): 551. Free online and here. Rpt. in "Aldebaran"'s column in The Star, London (April 9, 1915); The Irish Book Lover 6 (May 1915): 164; Poetry Review 6.3 (May-June 1915): 288, free online and here; E.F.E. [Edwin Francis Edgett], "Writers and Books," Boston Evening Transcript, Boston, Mass. (May 19, 1915), Part 3, p. 7, free online; The Bookfellow: The Australasian Review and Journal of the Australasian Book Trade 4.6 (June 15, 1915): 133, free online; New York Sunday Call, New York (July 11, 1915), Magazine and Editorial Section (Section 2), p. 2, free online; Stephens, Letters of James Stephens: With an Appendix Listing Stephens's Published Writings, ed. Richard J. Finneran (London: Macmillan, 1974), p. 155; and The Irish Book Lover: An Irish Studies Reader, Taken from Issues of The Irish Book Lover, 1909-1957, ed. with an integrated index by Bruce Stewart and an introductory lecture by Nicholas Allen (Buckinghamshire, U.K.: Colin Smythe Limited, 2004), p. 6. Free online.

James Stephens, "God made the earth..." Mentions Ezra Pound. "Composed at an Irish party in London, & remembered by Charles Duff who repeated them to Neville Rogers." A manuscript in Neville Rogers's hand is held in the Ezra Pound collection of papers, 1898-1986 (bulk 1914-1959), Berg Coll MSS Pound, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York,  finding aid, and in the James Stephens collection of papers, 1908-1939 (bulk 1911-1938), Berg Coll MSS Stephens, Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, New York, finding aid.

Cary Sterling, "Trochaic Sonnet For My Stepfather [Norman Wicklund Macleod]." The Pembroke Magazine 20 (1988): 245.

Gerald Stern, "Arthur's Lily." FIELD: Contemporary Poetry and Poetics 24 (Spring 1981): 36, free online and here and here. Rpt. in Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), p. 113, free online, and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), p. 221. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Bollingen Ezra Pound, 1949." Miramar 2 (September 2014). Rpt. in Stern, Perish the Day (Santa Barbara, CA: Miramar Editions, 2015); as "Bollingen, 1949" in The American Poetry Review 45.3 (May-June 2016): 21, free onlineree online; and in Stern, Galaxy Love: Poems (New York: W. W. Norton & Company, 2017), free online.

Gerald Stern, "E. P. I," "E. P. II," and "E. P. III." Everything Is Burning: Poems (New York and London: W.W. Norton & Co., 2005), pp. 20-22. "E. P. I" was reprinted in Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (New York: W.W. Norton & Co., 2020), p. 76. "E. P. I" is online here. Notes and drafts for the poems are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Gelato." The New Yorker 93.8 [no. 4682] (April 10, 2017). Free online and here. Rpt. in Stern, Galaxy Love: Poems (New York: W. W. Norton & Company, 2017) and Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (New York: W. W. Norton & Company, 2020), free online.

Gerald Stern, "I" [XXI]. Blackbird: An Online Journal of Literature and the Arts 8.2 (Fall 2009). Free online and here.

Gerald Stern, "I am in Love." Lovesick: Poems (New York: Perennial Library, 1987), pp. 45-46, free online (first page, second page). Rpt. in Richard Katrovas, "Zorba the American: Gerald Stern's Dancerly Imagination," Poetry East 26 (Fall 1988): 111-118 (at 116-117); Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), p. 216, free online; and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), pp. 383-384. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Joseph Pockets." Northwest Review 18.2 (1979): 37-40. Rpt. in Stern, The Red Coal: Poems (Boston: Houghton Mifflin Company, 1981), pp. 37-40; Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), pp. 85-87, free online (first page, last two pages); and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), pp. 178-182, free online (first four pages, last page). Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Knowledge Forwards and Backwards." The American Poetry Review 15.4 (July/August 1986): 33. Rpt. in Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), pp. 227-229, free online (first page, last two pages), and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), pp. 407-410. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Near Périgord." Paris Review 90 (Winter 1983). Free online. Rpt. in Stern, Paradise Poems (New York: Random House, 1984), pp. 25-26, free online (first page, second page), and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), pp. 263-265, free online. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Les Neiges d'Antan." Slate, Dec. 4, 2001. Free online and here. Rpt. in Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (W. W. Norton & Company, 2020), free online. A reading by the poet.

Gerald Stern, "Orson." Galaxy Love: Poems (New York: W. W. Norton & Company, 2017). Rpt. in Reel Verse: Poems about the Movies, eds. Michael Waters and Harold Schechter (New York: Alfred A. Knopf, 2019), pp. 145-146, and Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (New York: W. W. Norton & Company, 2020), free online.

Gerald Stern, "The Red Coal." Paris Review 80 (Summer 1981). Rpt. in Stern, The Red Coal: Poems (Boston: Houghton Mifflin Company, 1981); Anthology of Magazine Verse and Yearbook of American Poetry 1984 edition, ed. Alan F. Pater (Beverly Hills, Calif.: Monitor Book Co., 1984), pp. 480-481, free online; Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), pp. 107-108, free online (first page, second page); Stern, This Time: New and Selected Poems (New York and London: W.W. Norton & Company, 1998), pp. 99-100, free online (first page, second page); Stern, Early Collected Poems: 1965-1992 (New York and London: W.W. Norton & Company, 2010), pp. 210-212, free online; and Jill Bialosky, Poetry Will Save Your Life: A Memoir (New York: Atria Books, 2017), pp. 129-131. Free online and here and here. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "Route 29." The American Poetry Review 45.3 (May/June 2016): 22-23. Free online. Rpt. in Stern, Galaxy Love: Poems (New York: W. W. Norton & Company, 2017) and Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (New York: W. W. Norton & Company, 2020).

Gerald Stern, "Sam and Morris." American Sonnets (New York: W.W. Norton & Company, 2002), p. 52. Free online. Rpt. in FIELD: Contemporary Poetry and Poetics 89 (Fall 2013): 31, free online and here, and Stern, Blessed as We Were: Late Selected and New Poems, 2000-2018 (New York: W.W. Norton & Company, 2020), p. 62, free online. Free online with a reading by the author. Free online. A reading by the author, October 16, 2002. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "The Same Moon Above Us." The American Poetry Review 11.6 (November/December 1982): 42-43. Rpt. in Stern, Paradise Poems (New York: Random House, 1984), pp. 19-22, free online (first page, next two pages, last page); Stern, Leaving Another Kingdom: Selected Poems (New York: Harper & Row, 1990), pp. 133-135; free online (first page, last two pages), and Stern, Early Collected Poems: 1965-1992 (New York: W. W. Norton & Company, 2010), pp. 255-259. Notes and drafts for the poem are housed in the Gerald Stern Papers, 1920s-2012, SC.2007.04, ULS Archives & Special Collections, University of Pittsburgh. Finding aid.

Gerald Stern, "San Jose 1985." In Beauty Bright: Poems (New York: W. W. Norton & Company, 2012), p. 97. Free online.

Horace P. Sternwall, "old day dawning." railroad men, and other poems (Lulu.com, 2019), p. 45. Free online.

Anne Stevenson, "At the Grave of Ezra Pound." Michigan Quarterly Review 40.4 (Fall 2001): 743-744. Free online and here. Rpt. in Stevenson, A Report from the Border: New & Rescued Poems (Tarset, Northumberland: Bloodaxe Books, 2003), p. 22, free online, and Stevenson, Poems 1955-2005 (New York: Bloodaxe Books, 2006), p. 295.

Anne Stevenson, "The Fiction-Makers." The Fiction-Makers (Oxford: Oxford University Press, 1985), pp. 10-11. Free online. Rpt. in Stevenson, Selected Poems 1956-1986 (Oxford: Oxford University Press, 1987), pp. 128-129, free online; The Direction of Poetry: An Anthology of Rhymed and Metered Verse Written in the English Language Since 1975, ed. and with an Introd. by Robert Richman (Boston: Houghton Mifflin Company, 1988), pp. 126-127, free online; The Golden Treasury of the Best Songs & Lyrical Poems in the English Language, selected and arranged by Francis Turner Palgrave, updated by John Press, 6th ed. (Oxford and New York: Oxford University Press, 1994), pp. 603-604, free online (first page, second page); Stevenson, The Collected Poems of Anne Stevenson, 1955-1995 (New York: Oxford University Press, 1996), pp. 99-101, free online (first page, last two pages); Lee A. Jacobus, Literature: An Introduction to Critical Reading (Upper Saddle River, N.J.: Prentice Hall, 1996), pp. 620-621; The Penguin Book of Poetry from Britain and Ireland Since 1945, eds. Simon Armitage and Robert Crawford (London: Viking, 1998), pp. 196-197, free online; Lee A. Jacobus, Literature: An Introduction to Critical Reading, Compact Edition (Upper Saddle River, N.J.: Prentice Hall, 2001), pp. 500-501, free online; Lee A. Jacobus, Literature: An Introduction to Critical Reading. Compact Edition (Upper Saddle River, N.J.: Prentice Hall, 2002), pp. 500-501, free online; Stevenson, Poems 1955-2005 (Tarset: Bloodaxe Books, 2005), pp. 20-21, free online; Stevenson, Selected Poems, ed. Andrew Motion (New York: Library of America, 2008), pp. 39-41; and Stevenson, About Poems and How Poems Are Not about (Hexham, Northumberland: Bloodaxe Books, 2017), pp. 18-20, free online (first two pages, last page) and here. Free online and here and here and here. Recorded on Anne Stevenson: Reading from Her Poems (London: Poetry Archive, 2005). About "The Fiction Makers," Anne Stevenson has written: "It was written in 1983 in memory of the poet Frances Horovitz who died that year at the heartbreaking age of 45. I thought at the time the poem was a celebration, a glance back at notable writers who had predeceased her and still remain in the memories of us all. Today, it seems to me more of a lament, a reflection on the futility of writing as time passes like a juggernaut over the names and hopes of 20th-century  literary figures. . . . Not after all, a poem that asserts that literature outlasts life and is worth suffering for; rather a reminder that we never know the full meaning of what we write; the present never lasts; time passes, and just as what happened in the past was, while it was happening, the present, so what is happening now in our present present will in years to come be thought of as the past." (Anne Stevenson, "Poems for the Voice and Ear," About Poems and How Poems Are Not about, pp. 17-37 (at 18, 20)).

Eugene Stevenson, "Giver Of Rain & Grace." ZiN Daily - ZVONA i NARI, Dec. 14, 2022. Free online.

Frank Stevenson, "High ASCII." RIF/T: An Electronic Space for Poetry, Prose, and Poetics Version 3.1 (Summer 1994). Free online.

Richard Stevko, "Timetable." Take a Breath (Lulu.com, 2017), p. 58.

Daniel Steward, "In Durham University Botanic Garden"; "Old Photographs." Siadhal and Other Poems (Lulu.com, 2010), pp. 41-42 (free online), 90-91.

Graham Stewart, "Creed." Graham Stewart - Medium, Dec. 25, 2016. Free online.

Stephen Stockwell, "Serenissima." The Voyage and the Vision and other Poems of Adventure and Enlightenment (Burleigh, QLD: Tallebudgera Press, 2021). A reading by the author.

Adrian Stokes, "Visit Postponed (1926)." Early 1970s. With All the Views: The Collected Poems of Adrian Stokes, ed. Peter Robinson (Manchester: Carcanet New Press, 1981), p. 86 [Pound as "Il miglior Fabbro"]. Rpt. in Stephen Kite, Adrian Stokes: An Architectonic Eye (London: LEGENDA, Modern Humanities Research Association and Routledge, 2009), free online.

Terry Stokes, "The Last Few Days of My Life." Poetry Now (Eureka, California) 4.4 [no. 22] (1979): 41. Free online.

H. R. Stoneback, "Atheist Sings Hymns in My Kitchen"; "Fitzgerald Variations: (Or, the poet-troubadour, without benefit of text, tries to recall well after midnight and wine his favorite Fitzgerald lines)"; "Song and Letter to be Delivered to Brunnenburg Castle"; "For EP: In Our Time"; "Pound Calls Me Collect from Purgatory, Paradiso, Dovunque." Hurricane Hymn & Other Poems (Codhill Press, 2009), pp. 29-31, 110-118, 123-124, 125-131, 132-134.

H. R. Stoneback, "Eat My Words"; "Drive-thru Poems: or MacHymnagistes: Fast Food & the Literary Life"; "Dropping Slow." Des Hymnagistes: An Anthology, eds. H. R. Stoneback & Matthew Nickel (New York & Louisiana: Des Hymnagistes Press, 2010), pp. 64-68, 69-76, 87-88.

H. R. Stoneback, "For EP: In Our Time"; "Pound Calls Me Collect." Hurricane Hymn & Other Poems ([New Paltz, NY]: Codhill Press, 2009).

H.R. Stoneback, "From For EP: In Our Time." Ezra Pound, Ends and Beginnings: Essays and Poems from the Ezra Pound International Conference Venice, 2007, eds. John Gery and William Pratt (New York: AMS Press, 2011), pp. 218-220.

H. R. Stoneback, "Song and Letter to be Delivered to Brunnenburg Castle." Shawangunk Review 19 (Spring 2008): 67-69. Free online. Rpt. in Shawangunk Review 20 (Fall 2009): 16-17. Free online.

Craig Stormont, "For Ezra Pound." Poets Online, August 2010. Free online and here and here.

Robert Joe Stout, "Turnabout." DeKalb Literary Arts Journal 8.4 (Summer 1975): 94. Free online.

Bill Stowe, "Dickey Addresses Atlanta Convention." Reflections (Gardner-Webb University) 15 (1983): 28. Free online.

Brian Strand, "CLERIHEW pound." PoetrySoup, 2023. Free online.

Brian Strang, "From 'The Cavatinas' [V, VI, XIX, XX]." Angle 4 (1998): 19-20. Free online. Rpt. in Strang, A Draft of L Cavatinas: (Letters to Ez) (Elmwood, CT: Potes & Poets Press, 2000).

Meredith Stricker, "Hidden Alphabet." Alphabet Theater (Middletown, Conn.: Wesleyan University Press, 2002), pp. 18-20. Free online.

Chris Stroffolino, "Three Poems for Laura Moriarty." Stealer's Wheel (West Stockbridge, MA: Hard Press Editions, 1999), pp. 67-68.

Eithne Strong, "Pound in the Pub." Sarah, in Passing (Dublin: Dolmen Press, 1974), p. 57. Rpt. in Strong, Spatial Nosing: New and Selected Poems (Swords, Co. Dublin, Ireland: Salmon Pub., 1993), p. 33.

Joseph Stroud, "Calligraphy." In the Sleep of Rivers (Santa Barbara, Calif.: Capra Press, 1974), p. 45. Rpt. in Stroud, Of this World: New and Selected Poems 1966-2006 (Port Townsend, Wash.: Copper Canyon Press, 2009), p. 184. Free online.

Joseph Stroud, "Crossing Over and Back." Below Cold Mountain (Port Townsend, Washington: Copper Canyon Press, 1998), p. 106. Rpt. in Stroud, Of this World: New and Selected Poems 1966-2006 (Port Townsend, Wash.: Copper Canyon Press, 2009), p. 50. Free online. A manuscript, first galley with notes, second galley, and final galley for Below Cold Mountain are held in the Copper Canyon Press Records, 1973-2006, Cage 708, Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA. Finding aid and here.

Joseph Stroud, "Ezra Under the Constellation of the Dragon." Below Cold Mountain (Port Townsend, Washington: Copper Canyon Press, 1998), p. 40. Rpt. in Stroud, Of this World: New and Selected Poems 1966-2006 (Port Townsend, Wash.: Copper Canyon Press, 2009), p. 40. Free online. A manuscript, first galley with notes, second galley, and final galley for Below Cold Mountain are held in the Copper Canyon Press Records, 1973-2006, Cage 708, Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA. Finding aid and here.

Rob Stuart, "Masterpiece." Lighten Up Online 31 (September 2015). Free online.

Linda Stutzman, "Literary Limericks" ["A poet named Ezra Lb. ..."]. The Icarian Literary Magazine (Naperville Central High School, Naperville, IL) 60 (2021): 20. Free online.

Virgil Suárez, "Pound Finds His Way in the Garden of St. Elizabeth's Asylum." The South Carolina Review 34.1 (Fall 2001): 187.

Virgil Suárez, "Views of a Broken Maximum Leader, or No Absolution in History." In the Republic of Longing (Tempe, AZ: Bilingual Printing Press 1999), pp. 87-88.

K. N. Subramanyam, "Situation." Sameeksha (Madras) (Dec. 1965). Written originally in Tamil and translated into English by the poet himself. Rpt. in Poetry India (Bombay) 2 (1967); Krishna Kripalani, Modern Indian Literature: A Panoramic Glimpse (Bombay: Nirmala Sadanand Publishers, 1968), pp. 114-115, free online; The Oxford Anthology of Modern Indian Poetry, eds. Arvind Kri Mehrota, Vinay Dharwadker, A. K. Ramanujan (Oxford: Oxford University Press, 1994), p. 101; R. Parthasarathy, "Tamil Literature," World Literature Today 68.2 (Spring 1994): 253-259 (at 255-256), free online, rpt. in Twayne Companion to Contemporary World Literature: From the Editors of World Literature Today, ed. Pamela A. Genova. Vol. 1, Parts I-V (New York: Twayne Publishers, 2003), pp. 706-713 (at 709), free online; R. Parthasarathy, "Indian Poetry Today," Poetry 190.5 (Sept. 2007): 407-418 (at 410-411), free online and here; and S. Shankar, Flesh and Fish Blood: Postcolonialism, Translation, and the Vernacular (Berkeley, Los Angeles, London: University of California Press, 2012), pp. 5-6, free online.

Leigh Sugar, "Freeland: An Erasure." Poetry 217.5 (February 2021): 447-449. Free online and here and here and here and here.

Andrew Suknaski, These Fragments I Have Gathered for Ezra (Edinburg, Texas: Funch Press [Seth Wade], 1973). 1969.

Robert Sullivan, "Hell and Credit," "Palimpsests." Cassino: City of Martyrs / Città Martire (Wellington: Huia Publishers, 2010).

Sun Wenbo 孙文波, "Thinking of Ezra Pound in the Trolley Bus." Cited in Yang Xiaobin, "Transcultural Translation/Transference in Contemporary Chinese Poetry," Modern Chinese Literature and Culture 21.2 (Fall 2009): 42-85 (Appendix: A Partial List of Poems About Western Literary/ Artistic/ Philosophical Masters, 79-81).

Cemal Süreya, "Cellât Havası." Göçebe (İstanbul: De Yayınevi, 1965), pp. 19-21. Rpt. in Tanzimattan günümüze kadar Türk şiiri, düzenleyen Rauf Mutluay (İstanbul: Milliyet Yayınları, 1973), p. 541; Rauf Mutluay, 50 yılın Türk edebiyatı (İstanbul: İ Bankasi, 1973), p. 329; Süreya, Sevda sözleri: toplu şiirler (İstanbul: Can Yayınları, 1984), p. 65; and Süreya, Göçebe (İstanbul: Yapı Kredi Yayınları, 2019), pp. 20-21. Free online and here and here. A reading of the poem. Translated into English by Nermin Menemencioğlu as "Song About Executioners," The Penguin Book of Turkish Verse, ed. Nermin Menemencioğlu, in collaboration with Fahir İz (Harmondsworth, Middlesex: Penguin Books, 1978), p. 369. Rpt. in The Elek Book of Oriental Verse, general editor Keith Bosley (London: Elek, 1979), p. 258 (also published as Poetry of Asia: Five Millenniums of Verse from Thirty-Three Languages, general editor Keith Bosley (New York: Weatherhill, 1979), p. 258), free online, and Contemporary Turkish Literature: Fiction and Poetry, ed. with an introd. by Talât Sait Halman (Rutherford: Fairleigh Dickinson University Press, 1982), p. 403, free online. Free online.

David Hunter Sutherland, "Gunga Din, UNEARTHED! (for Ezra Pound)." The L.E.S. Review (2011). Free online.

David Sutherland, "Pound." Steel Umbrellas: Poems, with an introd. by Paul Kloppenborg (Santa Maria, CA: Archer Books, 2000).

Fraser Sutherland, "Ezra Pound and My Late Uncle Orville Dusenberry." The Idler 4 (April/May 1985): 23. Rpt. in Sutherland, Whitefaces (Windsor, Ont.: Black Moss Press, 1986) and Sutherland, The Matuschka Case: Selected Poems, 1970-2005 (Toronto: TSAR, 2006), pp. 43-44, free online (first page, second page).

Keston Sutherland, "In Memory of Your Occult Convolutions." News From Afar. Ezra Pound and Some Contemporary British Poetries, ed. Richard Parker (Bristol: Shearsman Books, 2014), pp. 21-24.

Keston Sutherland, The Odes to TL61P (London: Enitharmon Press, 2013). Rpt. in Sutherland, Poetical Works 1999-2015 (London: Enitharmon Press, 2015).

Andrew Sutton, "Vagabond Trickster." Fire River Poets, 3 Jan. 2014. Free online.

Yu Suwa, "A Man of Autumn." Damascus Road 1 (1961): 49. Free online.

Mark Svenvold, "I Recall Being Beautifully Stoned." Empire Burlesque (Columbus: The Ohio State University Press, 2008), pp. 41-43. Free online.

Terese Svoboda, "At the Castle." Columbia: A Journal of Literature and Art 27 (Winter 1996-97): 78-79. Rpt. in Svoboda, Treason: Poems (Lincoln, Neb.: Zoo Press, 2002), pp. 34-35, free online. Free online.

John Sweet, "prologue to the book of crows." Rusty Truck, January 21, 2019. Free online.

Todd Swift, "Donald Davie, Collected Poems 1971-1983." Blackbox Manifold 15 (Winter 2015). Free online.

R.L. Swihart, "Nottiteln #52." Offcourse: A Literary Journey 19 (Winter 2004). Free online.

Susana Szwarc, "Informe para otra academia." Bárbara dice (Córdoba, República Argentina: Alción Editora, 2004), pp. 43-44, free online. Free online and here and here and here.