Diane Wakoski, "Greed: Part 14: The Greed for Purity." The Butcher's Apron: New & Selected Poems, Including "Greed: Part 14" (Santa Rosa: Black Sparrow Press, 2000) [Part V. Goddess Gold, pp. 217-221; Part VII. Nighthawk, pp. 226-230].
Anne Waldman, Iovis: All Is Full of Love (Minneapolis: Coffee House Press, 1993) [III. Hem of the Meteor, 34-62]. The section "Hem of the Meteor" is rpt. in Waldman, In the Room of Never Grieve: New and Selected Poems, 1985-2003 (Minneapolis: Coffee House Press, 2003), pp. 129-157. Notes, drafts, and research material for Iovis, Bk. I (Iovis: All Is Full of Jove), as well as drafts of In the Room of Never Grieve, are housed in the Anne Waldman Papers, 1945-2012, bulk 1965-2000, waldman, Special Collections Research Center, University of Michigan Library. Finding aid.
Cody Walker, "Let's Imagine." Kenyon Review Blog, November 2, 2016. Free online.
Lyndon Walker, "Virginal at a Party with Ezra Pound." The Green Wheelbarrow (Brisbane, Australia: Makar Press, 1976).
William Wall, "On Reading a Book about Pound." Smugglers in the Underground Hug Trade: A Journal of the Plague Year (Aille, Inverin, County Galway, Ireland: Doire Press, 2021), pp. 110-111.
T. H.S. Wallace, "On First Hearing Ezra Pound at St. Elizabeth's Hospital." The Midwest Quarterly 32.1 (Autumn 1990): 95-96. First page.
Ernest Walsh, "Ezra Pound." This Quarter 1.2 (Autumn/Winter 1925/1926): 68-69. Rpt. in Walsh, Poems and Sonnets, with a memoir by Ethel Moorhead (New York: Harcourt, Brace, 1934), pp. 26-27. Free online.
Ernest Walsh, "Sonnet for E. P." This Quarter 1.3 (Spring 1927): 33. Rpt. in Walsh, Poems and Sonnets, with a memoir by Ethel Moorhead (New York: Harcourt, Brace, 1934), p. 127.
Marty Walsh, "Ezra Pound." Plainsongs 17.3 (Spring 1997): 38.
Christopher Wang, "Sestina: Ezra Pound." November 29, 2012. Free online.
Claire Ward, "It was a mistake: or a reflection on Ezra Pound." Takahē Magazine 61 (June 2007): 62.
Richard Warren, "A Draft of Unnumberable Cantos." 2013. Free online.
Wilfred Watson, "Re Ezra Pound (for Donna Grulhke)." Greenfield Review 13.3/4 (Summer-Fall 1986): 199. Rpt. in Arrivals: Canadian Poetry in the Eighties, ed. Bruce Meyer (Greenfield Center, N.Y.: Greenfield Review, 1986), p. 199, and in Watson, Poems: Collected, Unpublished, New, with an introd. by Thomas Peacocke (Edmonton: Longspoon, 1986), p. 423. There are several typescript versions of the poem in the Wilfred Watson Fonds, Accession Number: 91-117 & 95-131, University Archives, University of Alberta, Edmonton.
Wilfred Watson, "re maelström and vortex." Mass on cowback ([Edmonton, Alta.]: Longspoon Press, 1982), pp. 38-40. Free online. Two copies are in the Wilfred Watson Fonds, Accession Number: 91-117 & 95-131, University Archives, University of Alberta, Edmonton.
Barrett Watten, "The Word." Zyzzyva 7 (Fall 1986): 27-28. Rpt. in Watten, Conduit (San Francisco: GAZ, 1988), pp. 39-40, and Watten, Frame: (1971-1990) (Los Angeles: Sun & Moon Press, 1997), pp. 186-188.
Alan Wearne, "Poem for Cathy Coleborne." Wet Ink 8 (Sept. 2007): 46-47. Rpt. in Wearne, The Australian Popular Songbook (Artarmon, N.S.W.: Giramondo Publishing Company, 2008), pp. 75-79, and Australian Poetry Since 1788, eds. Geoffrey Lehmann and Robert Gray (Sydney: University of New South Wales Press, 2011), pp. 825-827. Free online and here. Drafts, notes, and a typescript are located in the Alan Wearne Papers, 1965-2016, UQFL160, Fryer Library, The University of Queensland, Brisbane St Lucia. Finding aid.
Charles Harper Webb, "Another Pact." Conversation Pieces: Poems that Talk to Other Poems, selected by Kurt Brown and Harold Schechter (New York: Alfred A. Knopf, 2007), pp. 168-169. Free online (first page, second page).
Phyllis Webb, "Ezra Pound." From The Kropotkin Poems. The Canadian Forum 50 (April-May 1970): 30. Rpt. in Mountain Moving Day. Poems by Women, ed. Elaine Gill (Trumansburg, N.Y.: Crossing Press ), p. 106; Webb, Wilson's Bowl (Toronto: Coach House Press, 1980), p. 31; Webb, Selected Poems: The Vision Tree (Vancouver, British Columbia, Canada: Talonbooks, 1982), p. 119; The Penguin Book of Canadian Verse. Fourth Revised Edition. Ed. with an Introd. and Notes by Ralph Gustafson (Harmondsworth, Middlesex, England: Penguin Books, 1984), p. 261, free online; and Webb, Peacock Blue: The Collected Poems of Phyllis Webb, ed. John F. Hulcoop (Vancouver, British Columbia, Canada: Talonbooks, ).
Harold S. Webster, "Ode to Ezra Pound." Pulsar Poetry Magazine 48 (September 2007). Free online.
Ian Wedde, "5 to start with & in memoriam Ezra Pound." Earthly: sonnets for Carlos (Akaroa [N.Z.]: Amphedesma Press, 1975). Rpt. in Wedde, Selected poems (Auckland: Auckland University Press, 2017), pp. 3-4. Free online and here.
Ian Wedde, "Near Purakanui: An elegy for Ezra Pound." In Wedde, Spells for Coming Out (Auckland, N.Z.: Auckland University Press, 1977), pp. 35-36. Free online.
Ian Wedde, "Sonnet 2. It's time," "Sonnet 3. Paradiso terrestre." In: "Earthly: 20 Sonnets." Poetry Australia 48 (1973): 54-64 (at 55). Both sonnets were rpt. in Wedde, Earthly: Sonnets For Carlos (Akaroa, N.Z.: Amphedesma Press, 1975), pp. 2-3; Wedde, Driving Into the Storm: Selected Poems (Auckland, N.Z.: Oxford University Press, 1987), pp. 26-27; and Wedde, Selected Poems (Auckland, N.Z.: Auckland University Press, 2017). Free online and here. Sonnet 2 was rpt. in The Oxford Book of Contemporary New Zealand Poetry, chosen by Fleur Adcock (Auckland, N.Z.: Oxford University Press, 1982), p. 116; New Zealand Love Poems: An Oxford Anthology, ed. Lauris Edmond (Auckland, N.Z.: Oxford University Press, 2000), p. 7; The Reality Street Book of Sonnets, ed. Jeff Hilson (Hastings, East Sussex: Reality Street, 2008), p. 135; and The Auckland University Press Anthology of New Zealand Literature, eds. Jane Stafford and Mark Williams (Auckland, N.Z.: Auckland University Press, 2013). Sonnet 3 was rpt. in An Anthology of Twentieth Century New Zealand Poetry, Second Edition, selected by Vincent O'Sullivan (Wellington: Oxford University Press, 1976), p. 404.
Wolfgang Weyrauch, "Ezra Pound." 1956. Augenblick: Zeitschrift für aktuelle Philosophie, Ästhetik, Polemik 4 (1959): 34-35. Rpt. in Lyrik aus dieser Zeit 1961, erste Folge herausgegeben von Kurt Leonhard und Karl Schwedhelm (München: Bechtle Verlag, 1961), p. 17; Weyrauch, Die Spur: neue Gedichte (Olten und Freiburg im Breisgau: Walter-Verlag, 1963), p. 21; Deutsche Gedichte der sechziger Jahre: eine Anthologie, gesammelt und eingeleitet von Heinz Piontek (Stuttgart: Reclam, 1972), pp. 129-130; Weyrauch, Mit dem Kopf durch die Wand: Geschichten, Gedichte, Essays und ein Hörspiel (Darmstadt Luchterhand, 1972), p. 187; German Poetry 1910-1975: An Anthology, trans. and ed. by Michael Hamburger (New York: Urizen Books, 1976), p. 212, free online (English trans on pp. 213 (first page), 215 (second page)); German Poetry, 1910-1975: An Anthology, transl. and ed. by Michael Hamburger (Manchester: Carcanet New Press, 1977), p. 186; West German Poets on Society and Politics: Interviews with an introduction by Karl H. van D'Elden (Detroit, Mich.: Wayne State University Press, 1979), pp. 53-54, free online, with an English translation on p. 54, free online; Gedichte über Dichter, herausgegeben von Edgar Neis (Frankfurt am Main: Fischer Taschenbuch, 1982), p. 206; and Wolfgang Weyrauch, Atom und Aloe: gesammelte Gedichte, herausgegeben von Hans Bender (Frankfurt am Main: Frankfurter Verlagsanstalt, 1987), p. 84. Translated into English by Michael Hamburger in Times Literary Supplement, London, 3262 (3 Sept. 1964): 820, rpt. in Astronauts of Inner-Space: An International Collection of Avant-Garde Activity; 17 Manifestoes, Articles, Letters, 28 Poems & 1 Filmstrip (San Francisco: Stolen Paper Review Editions, 1966), p. 55, free online.
Philip Whalen, "My Songs Induce Prophetic Dreams." 15:x:63-19:i:65. Coyote's Journal (ca. 1965): 38-57. Rpt. in Whalen, On Bear's Head (New York: Harcourt, Brace & World, Inc. and Coyote, 1969), p. 116-134, free online, and Whalen, The Collected Poems of Philip Whalen, ed. Michael Rothenberg (Middletown: Wesleyan University Press, 2007), pp. 418-437. A manuscript copy is housed in the Philip Whalen papers, 1941-1979, MS#1328, Rare Book and Manuscript Library, Columbia University Library. Finding aid.
Tony Whedon, "Ezra Pound Peonies." Salmagundi 144/145 (Fall 2004-Winter 2005): 134-135.
Peter Whigham, "Homage To Ezra Pound." Shenandoah 6.2 (Spring 1955): 20-21. Rpt. in Whigham, Things Common, Properly: Selected Poems 1942-1982 (London: Anvil Press Poetry, 1984; Redding Ridge, CT: Black Swan Books, 1984), p. 55, and Thomas M. Disch, "Death and the Poet," Boulevard 10 (1995), rpt. in Disch, The Castle of Indolence: On Poetry, Poets, and Poetasters (New York: Picador USA, 1995), pp. 33-41 (at 39-40), free online (second page and second page). Free online.
J. P. White, "Walking Pound's Canals." Poetry 147.4 (January 1986): 222-224. Free online. Rpt. in White, The Pomegranate Tree Speaks from the Dictator's Garden: Poems (Stevens Point, Wis.: Holy Cow! Press, 1988), pp. 90-92.
Kenneth White, "In a Café at Largs: In memoriam Ezra Pound." West Coast Magazine (Glasgow) 4 (Autumn 1989). Rpt. in White, Handbook for the Diamond Country: Collected Shorter Poems 1960-1990 (Edinburgh: Mainstream, 1990) and in White, Open World: The Collected Poems 1960-2000 (Polygon, 2003). French translation: "Dans un café à Largs," In'hui 4 (été 1978). Handbook for the Diamond Country was translated into French by Philippe Jaworski and Marie-Claude White as Terre de diamant (Paris: B. Grasset, 2003).
Anna Wickham, "Song to Amidon." The Chapbook 39 ([November] 1924): 32. Rpt. in Wickham, Selected Poems, with an introd. by David Garnett (London: Chatto and Windus, 1971), p. 23; Wickham, The Writings of Anna Wickham, Free Woman and Poet, ed. and introd. by R.D. Smith, preface by James Hepburn (London: Virago, 1984), p. 280; and Wickham, New and Selected Poems of Anna Wickham, ed. and introd. by Nathanael O'Reilly (Crawley, Western Australia: UWA Publishing, 2017), p. 43. Free online.
Marc Widershien, [poem about Ezra Pound]. Middle Journeys (Thomaston, Maine: Northwoods Press, 1988).
Dallas Wiebe, "Oracles. XII: The Marriage of Two Baskets." O-blēk: A Journal of Language Arts 2 (1987): 36. Free online.
John Wieners, "A Poem for Early Risers." 6.20.58. The Hotel Wentley Poems (San Francisco: Auerhahn Press, 1958). Rpt. in Evergreen Review 3.9 (Summer 1959); Wieners, The Hotel Wentley Poems: Original Versions (San Francisco: Dave Haselwood, 1965); Evergreen Review Reader, 1957-1967: A Ten-Year Anthology, Barney Rosset, editor (New York: Grove Press, Inc., 1968); Wieners, Selected Poems, 1958-1984, edited by Raymond Foye; foreword by Allen Ginsberg (Santa Barbara: Black Sparrow Press, 1986), pp. 34-35; Evergreen Review Reader, 1957-1966, editor Barney Rosset (New York: Blue Moon Books, 1993); and Wieners, Supplication: Selected Poems of John Wieners, edited by Joshua Beckman, C.A. Conrad, and Robert Dewhurst (Seattle: Wave Books, 2015). Free online and here and here and here. A reading by the author, March 29, 1962. Manuscripts and proofs for The Hotel Wentley Poems are housed in the John Wieners publisher's files for The Hotel Wentley Poems, 1963-1971 (bulk 1965), MSS 0626, Special Collections and Museums, Morris Library, University of Delaware, Newark, DE. Finding aid.
Gregg Wilhelm, "Leaning into Purple Lines." Beltway Poetry Quarterly 20.3 (Summer 2019). Free online.
Wilhelmina, "Communication?" Carnegie Newsletter (June 1, 2009): . Free online.
Paul Wilkins, "E.P.–Life and Contacts." Stand Magazine 16.3 (1975): 39. Rpt. in Wilkins, Pasts (Manchester: Carcanet New Press, 1979), p. 10.
Chrissy Williams, "The Puppet." Flying into the Bear (Glenrothes, Fife: Happenstance, 2013).
Ellen Williams, "For Ezra Pound, Imagiste." The Antigonish Review 2.1 (Spring 1971): 5. Rpt. in Williams, Harriet Monroe and the Poetry Renaissance: The First Ten Years of Poetry, 1912-1922 (Urbana: University of Illinois Press, 1977), p. 89.
Jonathan Williams, A Celestial Centennial Reverie for Charles E. Ives: (The Man Who Found Our Music in the Ground) (Roswell, NM: Donald B. Anderson, 1975). Also published in Parnassus: Poetry in Review 3.2 (Spring/Summer 1975): 350-373. Rpt. in Williams, Elite/elate Poems: Selected Poems, 1971-75 (Jargon Society, 1979) and Williams, Get Hot Or Get Out: A Selection of Poems, 1957-1981 (Scarecrow Press, 1982). A file of Williams's writings are in the Parnassus: poetry in review records, 1962-2016, MssCol 2341, Manuscripts and Archives Division, The New York Public Library. Finding aid.
Jonathan Williams, "Roots." In "Eleven Clerihews of Clara Hughes," Conjunctions 2 (Spring/Summer 1982): 216-218 (at 217). Free online. Rpt. in Williams, Jubilant Thicket: New & Selected Poems (Port Townsend, WA: Copper Canyon Press, 2005), p. 103. Rpt. as "Tuber Miram" in Chuck Stebelton, "Remembering Jonathan Williams (1929-2008)," The Poetry Project Newsletter 216 (October/November 2008): 7. Free online.
Jonathan Williams, ["Uncle Tot Harper . . ."]. Conjunctions 10 (1987): 269-276. Free online. Rpt. in Williams, Jubilant Thicket: New & Selected Poems (Port Townsend, WA: Copper Canyon Press, 2005), p. 222. Free online.
Robert G. Williams, "Pound Walk." Ricerca Research Recherche, vol. 8, 2002. Memoria di Ezra Pound nel trentennale della morte (Venezia, Ognissanti, 1972): Testi inediti. A c. di Cleonice Panaro. Lecce: Milella, 2002: 63-64.
William Carlos Williams, "(Ezra Pound)." The Collected Poems of William Carlos Williams. Vol. 1, 1909-1939, eds. A. Walton Litz and Christopher MacGowan (New York: New Directions Publishing Corporation, 1986), pp. 276-277. Free online.
William Carlos Williams, "Our (American) Ragcademicians." The New English Weekly 3.13 (July 13, 1933): 309. Rpt. in Williams, The Collected Poems of William Carlos Williams, Volume 1: 1909-1939, eds. A. Walton Litz and Christopher MacGowan (New York: New Directions, 1986), p. 364. Free online and here.
William Carlos Williams, "To My Friend Ezra Pound." Dated 30 June 1956. Neon 2 (1956): 8. Rpt. in Williams, Pictures from Brueghel and Other Poems (New York: New Directions, 1962), p. 66, free online and here; Williams, The Collected Poems of William Carlos Williams. Vol. II, 1939-1962, ed. Christopher MacGowan (New York: New Directions Books, 1988), p. 434, free online; Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer (New York: New Directions, 1996), p. 299; Pound/Williams: Selected Letters of Ezra Pound and William Carlos Williams, ed. Hugh Witemeyer (New York: New Directions, 1996), p. 299, free online; and Williams, Selected Poems, Robert Pinsky, editor (New York: The Library of America, 2004), p. 165. Free online. Translated into German by Norbert Hummelt as "An meinen Freund Ezra Pound," Schreibheft: Zeitschrift für Literatur 69 (2007): 121. Free online. Translated into Korean as "친구 에즈라 파운드에게." Free online. Translated into Spanish by Juan Arabia as "A mi amigo Ezra Pound." Free online.
Clive Wilmer, "At the Grave of Ezra Pound: S. Michele, Venice." The Threepenny Review 16 (Winter 1984): 16. Free online and here. Rpt. in P N Review 12.2  (November-December 1985), excerpt; Wilmer, Selected Poems: 1965-1993 (Manchester: Carcanet, 1995), p. 85; and Wilmer, New and Collected Poems (Manchester: Carcanet, 2012).
David Wojahn, "Body Politic: To Ezra Pound in Purgatory," Southern Review 49.4 (Autumn 2013): 604-613. First pages online. Rpt. in Wojahn, For the Scribe (Pittsburgh, Pa.: University of Pittsburgh Press, 2017), pp. 59-68.
Kenneth Wolman, "Ezra Pound: Binghamton, New York, 11/2/72." The New York Quarterly 52 (1993): 69.
Charles Wright, "Homage to Ezra Pound." Southern Review 7.3 (Summer 1971): 881. Rpt. in Wright, Hard Freight (Middletown: Wesleyan University Press, 1973); Wright, Country Music: Selected Early Poems (Middletown: Wesleyan University Press, 2011); and Wright, Oblivion Banjo: The Poetry of Charles Wright (New York: Farrar, Straus and Giroux, 2019). Free online and here and here. Translated into Italian, by Damiano Abeni and Moira Egan, as "Omaggio a Ezra Pound," in Wright, Italia, a cura di Moira Egan e Damiano Abeni (Roma: Donzelli Poesia, 2016). Free online and here. Introducing his reading of the poem, Charles Wright has said, "In 1958 the American poet Ezra Pound was released from St Elizabeths Hospital in Washington, DC, where he had been confined for 13 years because of his treasonable broadcasts during the second World War, and he returned to Italy. He lived for the next 15 years between Venice and Rapallo, those two towns in Italy. This poem takes place in Venice in 1968, when I was living there for a year and I used to follow the poet around from time to time when I would see him on the street. The opening stanza is a description of how one would go from the house where I was living to the house where Pound lived on Dorsoduro in Venice." (Poets on Screen, ProQuest Learning: Literature). Translated into Spanish by Adalber Salas Hernández as "Homenaje a Ezra Pound," Buenos Aires Poetry 6 (2016): 112-113, and in Wright, Lengua perdida: Poemas selectos, selección, traducción, entrevista y notas de Adalber Salas Hernández (Caracas: bid & co editor, 2016). Free online and here and here.
Charles Wright, "Landscape with Seated Figure and Olive Trees." Shenandoah 31.4 (1980): 14 (Ezra Pound at Sant'Ambrogio). Rpt. in Wright, The Southern Cross (New York: Random House, 1981); Wright, The World of the Ten Thousand Things: Poems 1980-1990 (New York: Farrar, Straus and Giroux, 1990), free online; and Wright, Oblivion Banjo: The Poetry of Charles Wright (New York: Farrar, Straus and Giroux, 2019), free online.
Charles Wright, "Rosso Venexiano." Hotel Amerika 1.1 (Fall 2002): 73-74. Free online. Rpt. in Wright, Snake Eyes (Devon, England: Stride; New York, NY: Farrar, Straus & Giroux, 2004); Evensong: Contemporary American Poets on Spirituality, eds. Gerry LaFemina and Chad Prevost (Huron, Ohio: Bottom Dog Press, 2006), pp. 231-232; Wright, Bye-and-Bye: Selected Late Poems (New York: Farrar, Straus and Giroux, 2011), pp. 108-109, free online; Wright, Buffalo Yoga: Poems (New York: Farrar, Straus and Giroux, 2014), pp. 43-44; and Wright, Oblivion Banjo: The Poetry of Charles Wright (New York: Farrar, Straus and Giroux, 2019).
C. D. Wright, "Hold Still, Lion." The Poet, the Lion, Talking Pictures, El Farolito, a Wedding in St. Roch, the Big Box Store, the Warp in the Mirror, Spring, Midnights, Fire & All (Port Townsend: Copper Canyon Press, 2016). Free online. A longer version was published as an article “Hold still, lion!” Brown Alumni Magazine (July/August 2005). Free online.
David Wright, "E. P. at Westminster." In Wright, "Three Sonnets," Agenda 4.1 (April-May 1965): 25-26 (at 26). Rpt. in Wright, Nerve Ends (London, Hodder & Stoughton, 1969); Ezra Pound, 1885-1972: A Celebration ([Newcastle upon Tyne, England? 1972?]); Wright, South African Album, ed. C.H. Sisson (Cape Town: Philip (David) Publisher, 1976), p. 8, free online; Wright, To the Gods the Shades: New & Collected Poems (Manchester: Carcanet New Press, 1976), p. 126; The Faber Book of Sonnets, ed. Robert Nye (London: Faber and Faber, 1976), p. 223, free online, also pub. as A Book of Sonnets, ed. Robert Nye (New York: Oxford University Press, 1976), p. 223, free online; Unisa English Studies 15.2 (Sept. 1977): 25; Wright, Selected Poems (Manchester: Carcanet, 1988), p. 54; Wright, “Five Poems,” P N Review 21.2  (November-December 1994); and The Tenth Muse: An Anthology, ed. Anthony Astbury; with a preface by Michael Schmidt (Manchester: Carcanet in association with the Greville Press, 2005).